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Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | |
По разделу | 77228 | 2142 | 99 | 530 | 485 | 255 | 181 | 83 | 93 | 91 | 81 | 59 | 87 | 98 | 1 | 5 | 4 | 3 | 5 | 6 | 5 | 10 | 5 | 7 | 6 | 21 | 21 | 22 | 27 | 5 | 4 | 3 | 4 | 5 | 5 | 4 | 2 | 3 | 5 | 8 | 14 | 9 | 11 | 9 | 6 | 11 | 17 | 21 | 9 | 18 | 37 | 19 | 18 | 31 | 24 | 99 | 75 | 5 | 6 | 5 | 13 | 45 | 55 | 29 | 31 | 18 | 16 | 32 | 38 | 47 | 4 | 6 | 6 | 4 | 6 | 4 |
Сингулярность, Бессмертные Химеры и Прочие Издержки Неожиданных, Непредсказуемых и Утраченных Технологий | 485 | 485 | 21 | 464 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 2 | 0 | 3 | 1 | 2 | 0 | 5 | 3 | 1 | 1 | 2 | 2 | 1 | 1 | 3 | 3 | 3 | 1 | 4 | 2 | 2 | 5 | 8 | 14 | 9 | 11 | 9 | 5 | 11 | 17 | 21 | 9 | 18 | 37 | 19 | 18 | 31 | 24 | 99 | 75 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Tilapia as a Sacred Symbol | 1981 | 353 | 13 | 44 | 47 | 44 | 32 | 30 | 26 | 22 | 20 | 21 | 17 | 37 | 0 | 3 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 0 | 2 | 1 | 1 | 2 | 1 | 2 | 3 | 1 | 3 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 4 | 2 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 1 | 2 | 3 | 2 | 3 | 2 | 2 | 3 | 0 | 4 | 2 | 0 | 0 | 2 | 2 | 3 | 0 | 0 | 1 | 1 | 2 |
Сверхновая звезда Коатликуэ (исп. Coatlicue) - мать Солнечной Системы и Древа Жизни | 4282 | 345 | 11 | 39 | 36 | 53 | 29 | 30 | 27 | 31 | 16 | 16 | 24 | 33 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 2 | 2 | 2 | 1 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 1 | 3 | 2 | 2 | 2 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 4 | 1 | 2 | 0 | 4 | 3 | 0 | 5 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 3 | 3 | 2 | 2 | 2 |
Манускрипт Войнича - один из самых удачных долгоиграющих бизнес-проектов | 288 | 288 | 19 | 38 | 38 | 30 | 26 | 18 | 13 | 12 | 20 | 14 | 24 | 36 | 0 | 3 | 1 | 2 | 2 | 0 | 0 | 1 | 3 | 2 | 0 | 2 | 3 | 2 | 1 | 1 | 2 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 1 | 3 | 1 | 2 | 2 | 1 | 1 | 0 | 1 | 3 | 1 | 0 | 3 | 0 | 0 | 1 | 4 | 3 | 0 | 2 | 3 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 1 |
Протобаски, препротобаски и гибридная неандертало-препротобаскская культура: история и влияние (гипотеза) | 2749 | 281 | 17 | 40 | 40 | 42 | 25 | 29 | 9 | 8 | 16 | 13 | 14 | 28 | 0 | 4 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 3 | 0 | 3 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 2 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 2 | 3 | 3 | 2 | 2 | 2 | 4 | 2 | 0 | 0 | 0 | 1 | 4 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 5 | 2 | 1 | 0 |
Йоханнес Хартлиб (Johannes Hartlieb) - автор Рукописи Войнича (Voynich Manuscript) [1414-1460] | 454 | 279 | 18 | 53 | 36 | 42 | 28 | 13 | 20 | 12 | 11 | 10 | 14 | 22 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 1 | 3 | 1 | 0 | 2 | 5 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 3 | 3 | 1 | 1 | 1 | 3 | 3 | 0 | 1 | 1 | 1 | 2 | 3 | 3 | 2 | 0 | 1 | 1 | 1 | 3 | 4 | 1 | 3 | 5 | 1 | 4 | 4 | 4 | 0 | 2 | 0 | 3 | 2 | 0 | 3 | 0 | 2 | 0 | 0 | 2 | 1 | 0 |
Манускрипт Войнича и Надпись Ла-Пасьеги были созданы потомками препротобасков | 1573 | 270 | 7 | 49 | 42 | 33 | 20 | 27 | 10 | 14 | 20 | 12 | 14 | 22 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 2 | 1 | 1 | 1 | 3 | 5 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 3 | 5 | 1 | 1 | 1 | 1 | 0 | 2 | 2 | 0 | 3 | 4 | 3 | 2 | 1 | 2 | 2 | 0 | 5 | 1 | 2 | 1 | 3 | 1 | 1 | 0 | 0 | 1 | 2 | 4 |
"Blutenburgpur - Die Ausstellung": Gemälde, Bilder, Zeichnungen und Fotos rund um das Obermenzinger "Schloss Blutenburg" | 254 | 254 | 15 | 29 | 41 | 47 | 122 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 3 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 3 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 4 | 1 | 2 | 0 | 3 | 0 | 3 | 1 | 3 | 2 | 1 | 0 |
Секреты мага фон Вормса, доктора Хартлиба и доктора Видеманна или колдовская мазь "unguentum morphosis" | 254 | 249 | 11 | 39 | 36 | 24 | 20 | 19 | 16 | 15 | 16 | 10 | 16 | 27 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 1 | 2 | 3 | 0 | 1 | 0 | 0 | 0 | 2 | 3 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 3 | 2 | 2 | 2 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 2 | 2 | 2 | 2 | 1 | 3 | 0 | 1 | 3 | 1 | 2 | 1 | 0 | 2 | 0 | 3 | 0 | 1 | 4 | 2 | 0 |
La Pasiega Cave | 1178 | 247 | 8 | 32 | 41 | 36 | 20 | 13 | 13 | 22 | 15 | 16 | 14 | 17 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 1 | 0 | 2 | 3 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 4 | 0 | 3 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 2 | 0 | 4 | 1 | 2 | 0 | 1 | 3 | 3 | 2 | 1 | 0 | 3 | 1 | 3 | 0 | 1 | 0 | 6 | 0 |
Попытки возрождения древнейших засекреченных технологий | 247 | 247 | 13 | 36 | 198 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 1 | 1 | 0 | 0 | 3 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 2 | 2 | 5 | 1 | 2 | 0 | 0 | 1 | 3 | 0 | 2 | 0 | 0 | 3 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 11 | 15 | 20 | 18 | 16 | 32 | 38 | 47 | 0 | 0 | 0 | 0 | 0 | 0 |
Эти методы самоомоложения изначально открыты магом Абрахамом фон Вормсом | 234 | 234 | 11 | 39 | 184 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 3 | 0 | 0 | 2 | 0 | 0 | 5 | 3 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 3 | 1 | 1 | 1 | 0 | 0 | 3 | 0 | 2 | 2 | 2 | 2 | 3 | 6 | 5 | 13 | 45 | 55 | 29 | 31 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
2023 - Год Чёрного Водяного Вольпертингера или Водоплавающего Крылатого Клыкастого Рогатого Кролика-Кота | 551 | 233 | 23 | 33 | 27 | 31 | 20 | 17 | 16 | 14 | 12 | 15 | 9 | 16 | 0 | 0 | 1 | 3 | 0 | 1 | 2 | 9 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 3 | 1 | 2 | 4 | 0 | 2 | 1 | 1 | 0 | 2 | 2 | 2 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 |
Надпись Ла-Пасьеги / The Inscription of La Pasiega | 1725 | 228 | 11 | 39 | 38 | 33 | 18 | 17 | 10 | 8 | 9 | 9 | 16 | 20 | 0 | 2 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 3 | 0 | 1 | 2 | 0 | 2 | 1 | 2 | 0 | 1 | 2 | 3 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 4 | 0 | 4 | 1 | 2 | 0 | 2 | 2 | 3 | 1 | 1 | 4 | 3 | 2 | 0 | 2 | 2 | 2 | 4 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 1 | 0 |
Картины в стиле "Панпсихореализм" - первый опыт публичного показа | 661 | 227 | 8 | 36 | 55 | 24 | 19 | 13 | 9 | 5 | 9 | 10 | 19 | 20 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 3 | 1 | 0 | 2 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 3 | 3 | 1 | 4 | 2 | 1 | 3 | 2 | 4 | 1 | 4 | 3 | 2 | 2 | 2 | 2 | 4 | 0 | 2 | 1 | 4 | 2 |
Учёные обнаружили в геноме жителей Западной Африки признаки скрещивания с "призрачным" человеком, который предположительно происходит из системы Сириуса и сто тысяч лет назад посещал Западную Африку | 1055 | 226 | 8 | 35 | 18 | 24 | 16 | 11 | 17 | 6 | 6 | 15 | 32 | 38 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 4 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 9 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 3 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 |
Рукопись Войнича заказана у придворного врача Ханса Хартлиба герцогом Альбрехтом Третьим для Герцогини Анны Брауншвейгской в 1449 году | 319 | 225 | 11 | 32 | 30 | 26 | 35 | 22 | 9 | 8 | 7 | 7 | 14 | 24 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 3 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 2 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 3 | 2 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 3 | 0 |
Das Voynich-Manuskript wurde von Doktor Johannes Hartlieb 1449 verfasst | 584 | 223 | 11 | 41 | 28 | 28 | 18 | 16 | 12 | 16 | 12 | 11 | 8 | 22 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 2 | 2 | 1 | 0 | 2 | 1 | 3 | 1 | 1 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 3 | 2 | 2 | 3 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 2 | 0 | 2 | 2 | 4 | 0 | 2 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 |
Радио Войнич М - Radio Voynich M | 357 | 220 | 12 | 29 | 31 | 29 | 14 | 17 | 9 | 11 | 14 | 12 | 26 | 16 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 3 | 2 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 2 | 0 | 2 | 4 | 1 | 1 | 2 | 3 | 1 | 2 | 0 | 2 | 0 | 3 | 0 | 1 | 1 | 2 | 0 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | |
Ein interessantes Angebot für Münchner Künstler: "Möchten Sie mit Herrn Dr. Amelkin eine Redaktionsgemeinschaft (Künstlergruppe) in München gründen und die Gemeinschaftsausstellungen mit städtischer Unterstützung zusammenmachen?" | 762 | 220 | 13 | 27 | 30 | 32 | 18 | 20 | 15 | 6 | 10 | 15 | 15 | 19 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 5 | 1 | 1 | 0 | 0 | 2 | 1 | 4 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 3 | 1 | 0 | 5 | 1 | 0 | 4 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 |
Kandinsky | 1453 | 217 | 9 | 34 | 35 | 31 | 22 | 19 | 9 | 10 | 9 | 8 | 16 | 15 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 1 | 0 | 3 | 2 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 4 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 3 | 2 | 1 | 3 | 1 | 0 | 1 | 1 | 1 | 4 | 3 | 2 | 1 | 0 | 4 | 4 | 1 | 1 | 1 | 1 | 1 | 1 |
So erschien die Inschrift "Michitonese" im Voynich-Manuskript (feeria.de) | 339 | 215 | 11 | 39 | 27 | 29 | 21 | 16 | 13 | 7 | 8 | 11 | 10 | 23 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 4 | 1 | 0 | 3 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 4 | 1 | 1 | 3 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 2 | 2 | 1 | 5 | 2 | 0 | 3 | 0 | 1 | 0 | 3 | 3 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 |
Geheimnisse der weißen Magie und Hexereitechnologien: unguentum morphosis | 334 | 213 | 7 | 31 | 35 | 23 | 21 | 11 | 15 | 13 | 14 | 13 | 8 | 22 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 4 | 2 | 2 | 1 | 1 | 1 | 0 | 3 | 0 | 0 | 1 | 2 | 1 | 2 | 2 | 2 | 1 | 3 | 3 | 5 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 |
Заготовка статьи "Надпись Ла-Пасьеги / The Inscription of La Pasiega" | 1016 | 211 | 13 | 36 | 35 | 33 | 25 | 9 | 12 | 8 | 4 | 8 | 11 | 17 | 0 | 4 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 5 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 3 | 5 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 5 | 2 | 1 | 2 | 0 | 3 | 0 | 2 | 1 | 1 | 3 | 2 | 1 | 0 | 1 | 1 |
Doktor Hartlieb | 248 | 211 | 10 | 33 | 31 | 27 | 31 | 11 | 15 | 11 | 8 | 8 | 7 | 19 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 3 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 4 | 2 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 3 | 2 | 1 | 3 | 1 | 1 | 0 | 3 | 4 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 3 | 0 |
От Абстракционизма (Беспредметности) к Панпсихореализму | 958 | 208 | 9 | 34 | 36 | 33 | 19 | 13 | 10 | 5 | 7 | 11 | 9 | 22 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 3 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 2 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 4 | 2 | 1 | 3 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 2 | 2 | 2 | 0 |
Wünsche und Metamorphosen | 206 | 206 | 14 | 44 | 34 | 114 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 0 | 2 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 3 | 0 | 0 | 1 | 2 | 1 | 0 | 3 | 6 | 2 | 3 | 2 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 4 | 1 | 1 | 1 | 1 | 1 | 3 | 1 | 3 | 1 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 0 |
Панпсихореализм / Panpsychorealism | 808 | 203 | 24 | 24 | 24 | 27 | 15 | 19 | 16 | 7 | 9 | 9 | 15 | 14 | 0 | 1 | 0 | 2 | 1 | 1 | 5 | 7 | 1 | 2 | 2 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 2 | 1 | 3 | 0 | 1 | 0 | 2 | 0 | 4 | 0 | 3 | 1 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 0 |
"Голос Вселенной" - подражание Кандинскому | 1478 | 200 | 28 | 30 | 25 | 29 | 16 | 11 | 14 | 3 | 9 | 6 | 11 | 18 | 0 | 2 | 1 | 0 | 1 | 1 | 5 | 9 | 2 | 0 | 2 | 1 | 4 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 3 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 3 | 3 | 2 | 0 | 2 | 7 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 |
The topic of white magic sessions in the 15th century is completely classified | 199 | 199 | 22 | 33 | 25 | 30 | 17 | 6 | 9 | 10 | 10 | 11 | 21 | 5 | 0 | 0 | 0 | 0 | 1 | 1 | 5 | 8 | 1 | 1 | 0 | 2 | 3 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 3 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 5 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 3 | 0 | 3 | 2 | 1 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 3 | 0 | 1 |
In Secret Archives there are several Voynich Manuscripts | 198 | 198 | 13 | 33 | 26 | 25 | 14 | 14 | 9 | 8 | 9 | 11 | 18 | 18 | 0 | 2 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 2 | 0 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 3 | 4 | 1 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 2 | 2 | 2 | 1 | 3 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 |
"Кандинский" / "Kandinsky" | 1118 | 195 | 9 | 30 | 22 | 36 | 27 | 10 | 9 | 8 | 7 | 8 | 10 | 19 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 4 | 1 | 0 | 3 | 2 | 0 | 0 | 3 | 3 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 |
Вода | 978 | 194 | 11 | 37 | 27 | 33 | 21 | 10 | 14 | 5 | 5 | 8 | 10 | 13 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 4 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 3 | 2 | 1 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 4 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 4 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 1 | 2 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 |
Парадокс Интеллекта: в процессе развития человек постоянно умнеет, но мозг его уменьшается | 511 | 193 | 12 | 22 | 26 | 34 | 16 | 17 | 10 | 10 | 8 | 8 | 9 | 21 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 4 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 4 | 3 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 1 |
От Исторических Событий к Модели Сознания: Панпсихореалистический Трактат | 1000 | 193 | 17 | 31 | 24 | 23 | 23 | 12 | 7 | 6 | 7 | 7 | 13 | 23 | 0 | 3 | 0 | 0 | 0 | 3 | 1 | 0 | 3 | 1 | 1 | 1 | 4 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 2 | 1 | 0 | 0 | 2 | 3 | 0 | 2 | 3 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 1 | 2 | 0 | 3 | 0 | 1 | 0 | 2 | 1 | 1 | 1 |
Панпсихизм, Теория Интегрированной Информации, Опыт Препротобасков, Надпись Ла-Пасьеги и Манускрипт Войнича | 2073 | 192 | 15 | 37 | 34 | 19 | 14 | 9 | 6 | 9 | 8 | 13 | 14 | 14 | 0 | 3 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 3 | 1 | 3 | 3 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 3 | 2 | 1 | 2 | 2 | 1 | 1 | 0 | 2 | 0 | 1 | 4 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 2 | 2 | 2 | 0 | 5 | 2 | 3 | 1 | 1 | 1 | 3 | 0 |
Вода | 888 | 191 | 15 | 31 | 26 | 33 | 20 | 7 | 10 | 6 | 6 | 9 | 11 | 17 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 3 | 4 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 3 | 0 | 1 | 3 | 0 | 0 | 2 | 4 | 2 | 0 | 1 | 2 | 0 | 1 | 2 | 1 | 1 | 0 | 1 |
Агрегатор Панпсихизма | 992 | 190 | 10 | 29 | 25 | 33 | 21 | 9 | 9 | 12 | 7 | 8 | 9 | 18 | 0 | 2 | 0 | 3 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 5 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 4 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 4 | 2 | 4 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 |
Растение Sansevieria trifasciata вопреки законам природы успешно преобразовано в гидатофита! | 1162 | 189 | 25 | 27 | 20 | 26 | 16 | 13 | 13 | 10 | 7 | 8 | 12 | 12 | 0 | 2 | 2 | 1 | 0 | 2 | 4 | 10 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 5 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | |
Философия панпсихореализма и панпсихореалистическая культура | 508 | 189 | 7 | 30 | 50 | 31 | 16 | 11 | 6 | 5 | 6 | 7 | 7 | 13 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 3 | 3 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 2 | 1 | 0 | 2 | 0 | 1 | 4 | 4 | 4 | 1 | 1 | 3 | 2 | 4 | 0 | 5 | 2 | 0 | 2 |
Василий Васильевич Кандинский (Wassily Kandinsky) | 1150 | 189 | 7 | 26 | 23 | 25 | 24 | 13 | 10 | 9 | 13 | 9 | 11 | 19 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 3 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 3 | 3 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 0 | 4 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 2 | 1 |
Художник-Панпсихореалист Александр Амелькин | 882 | 189 | 12 | 29 | 31 | 25 | 18 | 11 | 11 | 8 | 4 | 9 | 12 | 19 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 4 | 0 | 0 | 0 | 4 | 0 | 2 | 6 | 1 | 1 | 0 | 2 | 1 | 3 | 0 | 1 | 1 | 1 | 1 |
Ein systematischer Ansatz zur Suche nach der Urheberschaft des Voynich-Manuskripts | 256 | 187 | 13 | 30 | 25 | 29 | 19 | 13 | 9 | 7 | 6 | 8 | 11 | 17 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 2 | 2 | 2 | 0 | 2 | 0 | 1 | 3 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 3 | 1 | 1 | 4 | 1 | 2 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 1 |
Is the Inscription of La Pasiega (La Inscripción de La Pasiega) still a Top Secret? | 796 | 185 | 11 | 36 | 29 | 22 | 17 | 18 | 11 | 5 | 6 | 6 | 11 | 13 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 1 | 1 | 3 | 2 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 3 | 3 | 2 | 3 | 1 | 1 | 4 | 1 | 0 | 1 | 4 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 3 | 1 | 0 |
Unguentum Morphosis | 185 | 185 | 10 | 37 | 138 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 5 | 2 | 4 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 2 | 0 | 4 | 6 | 6 | 3 | 1 | 3 |
Сюжет (синопсис) фильма "Hartlieb" | 279 | 185 | 13 | 26 | 33 | 16 | 23 | 11 | 9 | 7 | 9 | 9 | 8 | 21 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 3 | 1 | 0 | 4 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 2 | 1 | 0 | 4 | 0 | 0 | 5 | 0 | 0 | 3 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 |
Погруженный в Воду Свет Жизни / The Submerged Light of Life | 1474 | 184 | 12 | 30 | 23 | 30 | 21 | 13 | 8 | 7 | 6 | 12 | 8 | 14 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 3 | 2 | 4 | 2 | 5 | 1 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 1 |
Hoax | 184 | 184 | 7 | 29 | 24 | 22 | 15 | 11 | 10 | 9 | 9 | 10 | 13 | 25 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 3 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 2 | 1 | 4 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 3 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 3 | 2 | 0 |
Проект Спасения Человечества | 1159 | 183 | 12 | 30 | 19 | 30 | 15 | 10 | 14 | 7 | 10 | 5 | 12 | 19 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 4 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 2 | 3 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 |
Манускрипт Войнича написал Абрахам Вормсский | 261 | 182 | 27 | 26 | 32 | 23 | 17 | 9 | 5 | 6 | 9 | 8 | 9 | 11 | 0 | 2 | 0 | 1 | 0 | 1 | 5 | 9 | 0 | 3 | 0 | 3 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 2 | 2 | 2 | 0 | 4 | 1 | 2 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 2 | 2 |
Неандертало-Препротобаскская Водная Цивилизация и Современность | 870 | 180 | 10 | 25 | 34 | 31 | 13 | 11 | 7 | 9 | 6 | 10 | 10 | 14 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 5 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 4 | 0 | 1 | 0 | 0 | 2 | 4 | 4 | 2 | 0 | 2 | 2 | 1 | 0 | 3 | 1 | 0 | 0 |
Предупреждение: карается законом! | 179 | 179 | 13 | 47 | 28 | 19 | 15 | 14 | 17 | 17 | 9 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 2 | 3 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 2 | 3 | 4 | 9 | 2 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 3 | 0 | 2 | 1 | 1 | 2 | 2 | 0 | 1 | 2 | 1 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 0 |
Алекс Амелькин (aka Panpsy / Пэнпси) - российский художник, основатель панпсихореализма | 923 | 179 | 11 | 28 | 24 | 25 | 19 | 9 | 10 | 9 | 7 | 12 | 8 | 17 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 3 | 2 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 |
Тот самый шоколад из детства, тот самый чарующий аромат! | 857 | 178 | 11 | 32 | 27 | 22 | 19 | 10 | 8 | 5 | 5 | 12 | 11 | 16 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 3 | 1 | 0 | 2 | 0 | 1 | 4 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 3 | 2 | 2 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 5 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 0 |
Doktor Hartlieb war berühmt für die Erfindung einer Hexensalbe "unguentum pharelis" | 177 | 177 | 6 | 37 | 25 | 29 | 22 | 22 | 12 | 16 | 8 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 5 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 4 | 3 | 2 | 3 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 3 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 3 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 1 |
Нло - это гигантские быстроживущие микоплазмы / Ufos are giant fast-living Mollicutes | 789 | 177 | 12 | 36 | 30 | 17 | 16 | 9 | 6 | 5 | 8 | 11 | 11 | 16 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 2 | 2 | 1 | 2 | 0 | 1 | 3 | 1 | 3 | 1 | 1 | 2 | 1 | 5 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 3 | 0 | 1 | 1 | 0 |
Реинкарнация, сингулярность и экстрасоматика / Reincarnation, singularity and extrasomatics | 493 | 176 | 23 | 31 | 22 | 20 | 23 | 8 | 7 | 4 | 6 | 10 | 5 | 17 | 0 | 1 | 1 | 0 | 1 | 1 | 5 | 9 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 2 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 4 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 |
Панпсихореализм (Panpsychorealismus) - новое направление в искусстве, изображающее сознание во всём сущем | 811 | 175 | 9 | 28 | 22 | 26 | 21 | 7 | 7 | 6 | 6 | 7 | 16 | 20 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 3 | 1 | 1 | 2 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 0 |
Надпись из Галереи B (второго святилища) пещеры "Ла-Пасьега" и Рукопись Войнича | 598 | 175 | 10 | 33 | 28 | 25 | 15 | 10 | 11 | 9 | 4 | 8 | 10 | 12 | 0 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 4 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 4 | 1 | 1 | 3 | 0 | 0 | 2 | 0 | 0 | 2 | 2 | 1 | 0 | 3 | 1 | 1 | 3 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 2 | 3 | 2 | 0 | 0 | 1 | 1 | 0 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | |
Системный подход в искусстве и истории | 247 | 175 | 22 | 25 | 20 | 21 | 22 | 10 | 5 | 5 | 4 | 7 | 15 | 19 | 0 | 1 | 0 | 0 | 0 | 2 | 4 | 8 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 2 | 3 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 |
Das Voynich-Manuskript: eine wahre Geschichte mit Elementen der Fiktion | 617 | 173 | 11 | 33 | 30 | 19 | 18 | 12 | 9 | 8 | 5 | 9 | 8 | 11 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 4 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 3 | 2 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 2 | 2 | 3 | 1 | 4 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 1 |
Его Величество Климат предупреждает: "Кто не спрятался, я не виноват!" / What is Our World Coming to | 1117 | 173 | 9 | 23 | 22 | 25 | 16 | 13 | 8 | 6 | 10 | 7 | 14 | 20 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 4 | 3 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 |
Выставка "Панпсихореализм" в Мюнхене в сопровождении произведений Арнольда Шёнберга (2022) / Ausstellung "Panpsychorealismus" in Bayern | 664 | 172 | 15 | 29 | 24 | 27 | 18 | 7 | 7 | 7 | 7 | 7 | 8 | 16 | 0 | 2 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 2 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 3 | 3 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 2 | 1 | 2 | 1 | 4 | 0 | 0 | 2 | 2 | 3 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 |
Тайна Рукописи Войнича раскрыта | 228 | 172 | 9 | 30 | 22 | 28 | 14 | 12 | 10 | 9 | 6 | 4 | 8 | 20 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 3 | 1 | 0 | 1 | 0 | 3 | 2 | 1 | 0 | 1 | 3 | 2 | 0 | 0 | 0 | 1 | 3 | 3 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 |
Радио Войнич М - Radio Voynich M: "The Voynich Manuscript" | 208 | 172 | 14 | 28 | 19 | 25 | 18 | 11 | 8 | 5 | 8 | 6 | 8 | 22 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 3 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 3 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 |
Машуня | 1200 | 171 | 10 | 33 | 22 | 21 | 16 | 14 | 11 | 7 | 9 | 6 | 8 | 14 | 0 | 2 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 4 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 3 | 4 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 5 | 4 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 |
"Sede" на протобаскском означает "сидеть": индоевропейцы произошли от протобасков! | 888 | 171 | 14 | 29 | 22 | 23 | 18 | 13 | 7 | 7 | 5 | 8 | 7 | 18 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 3 | 3 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 3 | 0 | 5 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 3 | 2 | 1 | 1 | 1 | 1 | 2 | 3 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
Утренний Кофе для Карманной Чёрной Дыры | 2040 | 170 | 12 | 27 | 20 | 25 | 21 | 7 | 8 | 10 | 5 | 15 | 6 | 14 | 0 | 3 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 3 | 4 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 1 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 3 |
В начале был Образ... | 622 | 168 | 6 | 25 | 24 | 29 | 13 | 12 | 8 | 5 | 5 | 14 | 10 | 17 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 3 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 3 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 1 |
Предпатентный Отчёт | 866 | 168 | 9 | 25 | 23 | 22 | 11 | 14 | 8 | 7 | 7 | 9 | 14 | 19 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 4 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 3 | 1 | 4 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 |
The Exhibition "Panpsychorealism", The Decryption of the La Pasiega Inscription, The Voynich Manuscript Decoding | 920 | 167 | 11 | 23 | 24 | 29 | 15 | 9 | 10 | 4 | 8 | 4 | 11 | 19 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 3 | 2 | 0 | 2 | 5 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 |
"Панпсихореализм" / "Panpsychorealismus" | 872 | 167 | 9 | 26 | 21 | 22 | 24 | 4 | 10 | 13 | 3 | 10 | 6 | 19 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 1 | 1 | 2 | 1 | 0 | 4 | 1 | 0 | 0 | 2 | 3 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 |
Рукопись Войнича написана в Аугсбурге (Швабия) или в Менцинге (Верхняя Бавария) | 380 | 167 | 20 | 22 | 26 | 18 | 19 | 11 | 4 | 8 | 6 | 12 | 7 | 14 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 8 | 1 | 2 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 1 | 2 | 1 | 0 | 1 | 2 | 4 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 |
Ключ к разгадке Рукописи Войнича находится в "Книге о Растениях" доктора Хартлиба | 352 | 167 | 13 | 26 | 25 | 28 | 15 | 8 | 8 | 6 | 6 | 9 | 6 | 17 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 3 | 1 | 1 | 2 | 3 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 |
Физикалисты пока не создали живого из неживого: панпсихореализм - альтернатива физикализму / Panpsy and U.F.O. / Панпси и Н.Л.О | 710 | 166 | 7 | 33 | 30 | 18 | 19 | 9 | 7 | 6 | 5 | 7 | 8 | 17 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 4 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 3 | 3 | 1 | 4 | 3 | 1 | 2 | 2 | 2 | 0 | 1 | 0 | 1 | 1 |
Der Yuppie-Blues | 754 | 164 | 8 | 27 | 26 | 20 | 15 | 9 | 7 | 8 | 4 | 8 | 11 | 21 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 6 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 2 | 4 | 1 | 1 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 |
Что, в конце концов, происходит с климатом, кто виноват и что делать? | 1348 | 163 | 11 | 22 | 22 | 22 | 14 | 11 | 7 | 7 | 4 | 12 | 13 | 18 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 3 | 1 | 3 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 1 |
Наиболее опасный астероид Бенну с вероятностью 0,04% может столкнуться с Землёй | 687 | 163 | 7 | 25 | 20 | 24 | 17 | 8 | 11 | 6 | 6 | 9 | 15 | 15 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 2 | 2 | 3 | 0 | 2 | 0 | 2 | 0 | 1 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
Панпсихореализм: аллюзии тренд-хантеров, утопизация общества и антивиртуальность / Panpsychorealism: allusions of trend hunters, the utopianization of society, and antivirtuality | 693 | 162 | 12 | 28 | 25 | 21 | 21 | 6 | 11 | 5 | 7 | 6 | 6 | 14 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 4 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 3 | 3 | 0 | 4 | 0 | 0 | 1 | 1 | 5 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | |
Описание идеи для трёх короткометражных эпизодов фильма-трилогии "Destruction" | 804 | 162 | 11 | 30 | 19 | 22 | 13 | 11 | 7 | 6 | 3 | 9 | 12 | 19 | 0 | 4 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 3 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 4 | 1 | 1 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 |
Субареям и древним римлянам удалось создать два типа колдовской мази: от одной люди левитируют, от другой превращаются в птиц. Главное - не перепутать! | 161 | 161 | 13 | 28 | 21 | 22 | 19 | 14 | 13 | 31 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 3 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 3 | 0 | 2 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 2 | 2 | 2 | 1 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 |
Различные формы нло (ufo) с точки зрения панпсихореализма | 676 | 160 | 12 | 26 | 25 | 20 | 17 | 11 | 11 | 5 | 3 | 8 | 9 | 13 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 3 | 1 | 1 | 3 | 2 | 1 | 0 | 0 | 3 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 0 |
Изгнание из Рая | 487 | 159 | 7 | 31 | 22 | 25 | 20 | 6 | 11 | 5 | 7 | 7 | 6 | 12 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 4 | 0 | 1 | 1 | 0 | 1 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 4 | 2 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 |
Панпсихореализм: Через Год Эти Картины Будут Стоить В Сотни Раз Больше | 611 | 157 | 9 | 25 | 18 | 26 | 12 | 13 | 8 | 7 | 7 | 7 | 11 | 14 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 2 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 |
Альбом "Сансевиерия - Древо Жизни" / Album "Sansevieria" ("Lebensbaum", "Menzingia") | 2194 | 157 | 6 | 26 | 22 | 24 | 14 | 13 | 6 | 5 | 10 | 9 | 8 | 14 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 2 | 2 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 6 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 |
Труды учёных подтверждают верность теорий панпсихизма и панпсихореализма | 425 | 156 | 13 | 24 | 20 | 31 | 17 | 8 | 5 | 5 | 5 | 9 | 5 | 14 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 4 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 4 | 3 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 0 |
В голубой бутылке с водой неожиданно выросло подводное Древо Жизни | 970 | 155 | 12 | 25 | 23 | 26 | 16 | 10 | 8 | 6 | 3 | 8 | 6 | 12 | 0 | 2 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 0 | 4 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 3 | 1 | 1 | 1 | 2 | 1 | 3 | 1 | 0 | 4 | 2 | 2 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 0 |
Сильное Желание Улучшает Генетику! | 155 | 155 | 12 | 33 | 25 | 17 | 20 | 11 | 12 | 15 | 10 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 3 | 3 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 4 | 3 | 0 | 2 | 3 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 |
Началась эпоха войн, разрушений, ненависти, расизма и геноцида | 419 | 153 | 10 | 26 | 26 | 18 | 14 | 6 | 7 | 7 | 8 | 6 | 9 | 16 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 4 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 3 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 2 | 3 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 |
Остров Lore-Mendia, шаман Urabelarra, левитация, метаморфозы и исполнение желаний | 153 | 153 | 10 | 33 | 21 | 23 | 14 | 12 | 7 | 14 | 19 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 3 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 3 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 4 | 2 | 2 | 0 | 1 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 0 |
Das Voynich-Manuskript | 179 | 152 | 9 | 25 | 23 | 18 | 17 | 8 | 7 | 6 | 4 | 6 | 11 | 18 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 6 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 4 | 0 | 0 | 1 | 0 | 0 |
Настройка механизма исполнения желаний | 149 | 149 | 9 | 29 | 42 | 69 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 3 | 2 | 0 | 0 | 1 | 3 | 0 | 2 | 1 | 2 | 1 | 2 | 1 | 2 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 3 | 1 | 0 | 2 | 0 | 6 | 13 | 4 | 2 | 0 | 0 | 2 | 2 | 1 | 1 | 1 | 1 | 1 | 1 |
К сожалению, цивилизация оаннов выродилась из-за невозможности полной изоляции от пост-адамов | 407 | 146 | 13 | 18 | 17 | 24 | 16 | 11 | 8 | 3 | 6 | 9 | 8 | 13 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 4 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
Манускрипт Войнича / Voynich Manuscript / 2020 / https://youtu.be/_tgy5yapsqg | 821 | 145 | 8 | 28 | 15 | 24 | 13 | 10 | 8 | 3 | 6 | 10 | 7 | 13 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 |
Wish ist the Essence of Life / Wunsch kann alles bewirken: Wunsch ist Essenz des Lebens | 142 | 142 | 93 | 49 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 5 | 4 | 1 | 5 | 6 | 5 | 8 | 3 | 7 | 6 | 21 | 21 | 22 | 27 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Die Geschichte präsentiert eine Zusammenfassung von drei mysteriösen Manuskripten | 142 | 142 | 9 | 30 | 37 | 66 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 3 | 3 | 2 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 2 | 3 | 2 | 0 | 0 | 2 | 0 |
Определённые астероиды и неопознанные объекты являются живыми системами и воплощением инопланетных технологий | 581 | 141 | 7 | 25 | 16 | 25 | 15 | 11 | 6 | 6 | 2 | 6 | 11 | 11 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 3 | 0 | 1 | 3 | 0 | 0 | 3 | 2 | 0 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 |
Способ обнаружения зон повышенного риска заражения различными воздушно-капельными инфекциями | 779 | 138 | 7 | 27 | 21 | 19 | 13 | 8 | 7 | 4 | 4 | 5 | 10 | 13 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 0 | 2 | 3 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 3 | 0 | 1 | 1 | 2 | 0 | 3 | 0 | 0 | 4 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
Die Subaräer entdeckten die magischen Eigenschaften mehrerer Wasserquellen | 138 | 138 | 9 | 29 | 23 | 29 | 16 | 8 | 24 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 3 | 2 | 2 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 4 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | |
Рукопись Войнича - Магия Абсурда, Манипуляция Символами и Женщинами | 134 | 134 | 13 | 29 | 20 | 23 | 22 | 17 | 10 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 3 | 0 | 1 | 3 | 0 | 1 | 1 | 4 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 3 | 0 | 2 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 3 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 |
Информация о владельце раздела | 2268 | 123 | 7 | 20 | 23 | 17 | 16 | 8 | 5 | 2 | 3 | 8 | 5 | 9 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 3 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 |
К мистической картине "Экстрасоматическое Сознание Замка Блютенбург" (2021) | 121 | 121 | 9 | 32 | 18 | 39 | 23 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 3 | 2 | 3 | 1 | 1 | 2 | 0 | 0 | 2 | 1 | 2 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 |
Философия панпсихореализма утверждает, что любая система обладает интра- и экстрасоматическим сознанием, включая долговременную память | 116 | 116 | 7 | 28 | 30 | 51 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 3 | 2 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 3 | 0 | 0 | 0 | 4 | 2 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 3 |
Новые книги авторов СИ, вышедшие из печати:
О.Болдырева "Крадуш. Чужие души"
М.Николаев "Вторжение на Землю"