| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
По разделу |
732285 | 1973 |
5 |
180 |
151 |
133 |
194 |
170 |
220 |
201 |
206 |
196 |
187 |
130 |
0 |
5 |
5 |
5 |
4 |
3 |
6 |
8 |
5 |
8 |
7 |
11 |
5 |
6 |
5 |
7 |
6 |
7 |
4 |
7 |
5 |
5 |
10 |
4 |
18 |
4 |
4 |
4 |
5 |
4 |
4 |
4 |
6 |
7 |
8 |
5 |
9 |
4 |
3 |
3 |
4 |
3 |
6 |
4 |
4 |
6 |
4 |
5 |
9 |
3 |
4 |
4 |
5 |
6 |
5 |
6 |
5 |
4 |
4 |
4 |
4 |
4 |
Почему умирает Акакий Акакиевич в повести "Шинель" Гоголя |
2982 | 1197 |
3 |
54 |
57 |
60 |
86 |
104 |
127 |
147 |
174 |
137 |
158 |
90 |
0 |
3 |
0 |
1 |
4 |
1 |
2 |
4 |
1 |
3 |
0 |
1 |
2 |
2 |
2 |
3 |
3 |
4 |
1 |
0 |
0 |
2 |
0 |
4 |
1 |
4 |
0 |
1 |
2 |
2 |
4 |
0 |
2 |
3 |
1 |
2 |
1 |
0 |
3 |
2 |
3 |
2 |
0 |
4 |
1 |
3 |
2 |
0 |
2 |
0 |
3 |
0 |
3 |
0 |
4 |
1 |
3 |
3 |
4 |
2 |
2 |
0 |
Поэтика абсурда в аспекте литературно-художественной методологии |
29549 | 1172 |
0 |
114 |
66 |
93 |
113 |
130 |
134 |
107 |
138 |
116 |
94 |
67 |
0 |
0 |
5 |
5 |
2 |
1 |
6 |
8 |
4 |
8 |
7 |
11 |
4 |
6 |
3 |
7 |
1 |
3 |
3 |
7 |
1 |
5 |
7 |
1 |
1 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
5 |
2 |
4 |
0 |
3 |
0 |
3 |
1 |
3 |
4 |
1 |
3 |
3 |
4 |
2 |
2 |
3 |
1 |
1 |
2 |
6 |
2 |
2 |
0 |
2 |
1 |
0 |
Поэтика абсурда. Часть 1 |
3050 | 617 |
5 |
60 |
58 |
59 |
77 |
62 |
80 |
55 |
40 |
46 |
35 |
40 |
0 |
5 |
1 |
0 |
4 |
0 |
1 |
2 |
4 |
2 |
5 |
2 |
5 |
5 |
2 |
4 |
0 |
1 |
3 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
4 |
1 |
1 |
3 |
2 |
5 |
2 |
3 |
3 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
2 |
2 |
1 |
3 |
0 |
3 |
4 |
0 |
3 |
2 |
1 |
3 |
1 |
3 |
1 |
2 |
2 |
2 |
Метод приведения к абсурду в школьной классике |
1871 | 591 |
1 |
52 |
51 |
46 |
79 |
57 |
57 |
60 |
37 |
71 |
42 |
38 |
0 |
1 |
3 |
2 |
3 |
1 |
1 |
3 |
1 |
2 |
3 |
2 |
3 |
3 |
5 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
3 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
3 |
2 |
2 |
0 |
2 |
1 |
3 |
2 |
1 |
2 |
2 |
1 |
3 |
0 |
3 |
1 |
0 |
2 |
0 |
2 |
1 |
3 |
2 |
3 |
3 |
1 |
2 |
1 |
0 |
В чем философский смысл фильма "Остров проклятых" |
1112 | 522 |
1 |
34 |
44 |
52 |
71 |
51 |
55 |
62 |
49 |
44 |
29 |
30 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
3 |
3 |
1 |
0 |
0 |
2 |
4 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
3 |
2 |
2 |
3 |
1 |
2 |
2 |
0 |
3 |
3 |
1 |
2 |
1 |
3 |
5 |
1 |
2 |
0 |
0 |
1 |
Гипербола и Гиперборея Маяковского |
1036 | 493 |
0 |
47 |
42 |
43 |
47 |
53 |
51 |
37 |
43 |
61 |
37 |
32 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
4 |
0 |
4 |
1 |
2 |
2 |
3 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
5 |
0 |
4 |
3 |
2 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
1 |
2 |
3 |
4 |
2 |
2 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
2 |
0 |
3 |
0 |
2 |
0 |
Мертвые души: хозяйственная бесхозяйственность |
2160 | 478 |
0 |
42 |
45 |
48 |
40 |
53 |
63 |
43 |
41 |
45 |
32 |
26 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
2 |
1 |
1 |
5 |
3 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
5 |
0 |
0 |
2 |
0 |
4 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
2 |
3 |
1 |
2 |
1 |
2 |
2 |
2 |
0 |
1 |
1 |
4 |
0 |
0 |
2 |
1 |
Внутренний монолог |
1007 | 461 |
3 |
48 |
47 |
38 |
47 |
43 |
53 |
31 |
40 |
53 |
30 |
28 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
4 |
1 |
2 |
1 |
1 |
4 |
1 |
3 |
0 |
2 |
0 |
0 |
4 |
1 |
0 |
2 |
2 |
2 |
3 |
3 |
0 |
3 |
2 |
2 |
0 |
2 |
3 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
4 |
1 |
3 |
0 |
0 |
3 |
1 |
4 |
0 |
4 |
0 |
4 |
0 |
2 |
4 |
0 |
3 |
Печорин и декабристы - бесславие героев времени |
1369 | 394 |
0 |
27 |
29 |
18 |
32 |
30 |
44 |
47 |
47 |
55 |
39 |
26 |
0 |
0 |
1 |
1 |
3 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
1 |
4 |
1 |
1 |
2 |
1 |
1 |
Автобиографизм и автопсихологизм |
761 | 392 |
0 |
36 |
45 |
36 |
44 |
44 |
44 |
30 |
30 |
30 |
30 |
23 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
2 |
2 |
3 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
3 |
2 |
3 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
4 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
3 |
2 |
2 |
1 |
2 |
0 |
0 |
3 |
3 |
1 |
2 |
0 |
2 |
2 |
1 |
4 |
0 |
2 |
"Волшебная самоволка" Сергея Панарина сквозь призму Войновича |
5828 | 370 |
2 |
29 |
21 |
35 |
88 |
25 |
49 |
22 |
32 |
32 |
17 |
18 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
4 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
1 |
Интерьер в "Капитанской дочке" |
1385 | 365 |
1 |
25 |
20 |
21 |
26 |
25 |
34 |
31 |
32 |
54 |
45 |
51 |
0 |
1 |
3 |
1 |
3 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
Интервью с Аланом Эбботом, взятое на берегах Невы во время встречи Си-Петербург |
2881 | 357 |
0 |
27 |
29 |
22 |
104 |
23 |
32 |
23 |
26 |
35 |
12 |
24 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
3 |
0 |
2 |
0 |
1 |
2 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
3 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
Полифония Блока |
1498 | 345 |
0 |
36 |
22 |
16 |
34 |
24 |
36 |
35 |
38 |
42 |
31 |
31 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
1 |
0 |
0 |
0 |
3 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
Антитеза |
552 | 336 |
1 |
32 |
22 |
31 |
26 |
16 |
39 |
39 |
35 |
40 |
28 |
27 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
3 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
Кто убил старуху процентщицу? |
2049 | 332 |
0 |
23 |
38 |
22 |
29 |
21 |
37 |
29 |
29 |
44 |
29 |
31 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
5 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
6 |
0 |
0 |
1 |
2 |
1 |
1 |
3 |
2 |
2 |
3 |
2 |
3 |
0 |
1 |
0 |
0 |
Дуэль Онегина и Ленского |
1269 | 331 |
0 |
27 |
25 |
14 |
22 |
32 |
38 |
37 |
39 |
56 |
22 |
19 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
Михаил Гарцев. История внутри нас |
4452 | 327 |
0 |
23 |
29 |
42 |
28 |
24 |
32 |
24 |
27 |
45 |
29 |
24 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
0 |
С какой целью нарушен хронологический порядок глав в "Герое нашего времени" |
933 | 322 |
1 |
28 |
25 |
25 |
43 |
17 |
39 |
35 |
28 |
34 |
19 |
28 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
Шукшин ли "Хозяин бани и огорода"? |
2025 | 316 |
1 |
31 |
23 |
30 |
30 |
28 |
32 |
48 |
23 |
30 |
19 |
21 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
4 |
1 |
3 |
3 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
4 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
Смертная казнь как эротика государственного самоубийства |
7599 | 312 |
0 |
28 |
25 |
21 |
21 |
23 |
27 |
42 |
36 |
47 |
28 |
14 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
4 |
0 |
Елена Чудинова. Мечеть Парижской Богоматери |
11756 | 303 |
0 |
32 |
28 |
21 |
28 |
22 |
36 |
41 |
19 |
35 |
18 |
23 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
3 |
3 |
4 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
Я играю вместе с мамой |
9674 | 298 |
0 |
36 |
25 |
21 |
26 |
26 |
27 |
24 |
38 |
33 |
18 |
24 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
6 |
1 |
2 |
3 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
Энтропия.net |
6095 | 296 |
0 |
24 |
33 |
23 |
32 |
27 |
31 |
27 |
23 |
33 |
17 |
26 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
3 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
Можно ли назвать Печорина фаталистом |
782 | 295 |
1 |
20 |
24 |
30 |
29 |
21 |
29 |
35 |
34 |
32 |
24 |
16 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
Образ России в арт-среде Интернета |
2592 | 292 |
1 |
27 |
29 |
21 |
17 |
20 |
54 |
29 |
24 |
33 |
18 |
19 |
0 |
1 |
0 |
3 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
4 |
0 |
2 |
0 |
2 |
2 |
3 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
Древесная лирика Хельги Ольшванг |
3722 | 277 |
0 |
20 |
39 |
20 |
17 |
12 |
22 |
36 |
30 |
40 |
28 |
13 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
4 |
4 |
4 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
5 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
Кот Васька в своей квартире |
7850 | 277 |
1 |
27 |
27 |
26 |
19 |
21 |
27 |
28 |
25 |
29 |
16 |
31 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
3 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
4 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
4 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
Каждый знает |
6679 | 269 |
0 |
30 |
28 |
21 |
39 |
21 |
26 |
19 |
16 |
32 |
15 |
22 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
4 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
План анализа стихотворения |
566 | 265 |
0 |
20 |
22 |
16 |
18 |
28 |
21 |
30 |
23 |
34 |
28 |
25 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
Комментариии к статье А.Виноградова о сетевой литературе |
4022 | 265 |
0 |
34 |
35 |
27 |
18 |
14 |
21 |
31 |
21 |
25 |
16 |
23 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
2 |
2 |
3 |
1 |
1 |
3 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
4 |
0 |
1 |
4 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
"История Рода Толстых - история России". Фоторепортаж |
5619 | 265 |
1 |
19 |
26 |
21 |
22 |
26 |
25 |
28 |
21 |
34 |
16 |
26 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
Жанр фантастики сегодня: С.Лукьяненко, С.Алексеев, А.Виноградов |
5669 | 264 |
1 |
34 |
29 |
18 |
22 |
18 |
31 |
25 |
15 |
34 |
18 |
19 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
4 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
0 |
3 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
3 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
Замятин "Мы". Конспект урока |
921 | 262 |
0 |
17 |
27 |
36 |
20 |
27 |
22 |
21 |
19 |
28 |
25 |
20 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
4 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
Медвежонок |
8982 | 261 |
0 |
35 |
25 |
22 |
19 |
23 |
26 |
18 |
25 |
27 |
24 |
17 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
2 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
4 |
0 |
0 |
0 |
0 |
1 |
Пестрый дятел |
4650 | 260 |
1 |
37 |
22 |
23 |
22 |
22 |
31 |
24 |
22 |
23 |
14 |
19 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
5 |
1 |
3 |
2 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
Кто как кричит |
4482 | 259 |
0 |
21 |
37 |
13 |
18 |
25 |
28 |
28 |
26 |
29 |
15 |
19 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
9 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
5 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
Сказка о гейзере на Стихире |
2956 | 258 |
1 |
16 |
25 |
26 |
24 |
14 |
21 |
25 |
20 |
38 |
21 |
27 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
Что на небе |
8073 | 254 |
0 |
30 |
21 |
21 |
16 |
18 |
21 |
29 |
31 |
36 |
11 |
20 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
4 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
Кто на самом деле ввходит в комнату к Юрию Живаго |
916 | 253 |
0 |
13 |
21 |
22 |
26 |
9 |
29 |
24 |
18 |
41 |
25 |
25 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
4 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
К вопросу о Фрейде и православии |
3085 | 253 |
0 |
25 |
29 |
17 |
22 |
20 |
19 |
27 |
18 |
34 |
17 |
25 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
4 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
2 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
Ведение в чтение Гоголя |
1093 | 253 |
1 |
20 |
25 |
24 |
25 |
15 |
25 |
18 |
17 |
29 |
23 |
31 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
Волчонок |
4188 | 252 |
0 |
31 |
23 |
18 |
18 |
22 |
21 |
20 |
22 |
38 |
14 |
25 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
3 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
Поэтика абсурда и образ Святой Земли |
3503 | 252 |
0 |
25 |
27 |
20 |
24 |
16 |
22 |
24 |
22 |
27 |
23 |
22 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
Александр Кушнер. Аполлон в траве |
4560 | 250 |
0 |
26 |
24 |
16 |
25 |
15 |
27 |
21 |
27 |
23 |
23 |
23 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
4 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
Ирония и автоирония |
451 | 249 |
0 |
19 |
25 |
24 |
17 |
12 |
26 |
29 |
24 |
28 |
24 |
21 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
Почему поэзия должна быть глуповата |
3123 | 249 |
0 |
25 |
28 |
21 |
20 |
16 |
21 |
20 |
19 |
29 |
25 |
25 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
2 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
Маяковский и его философия |
1405 | 249 |
1 |
26 |
28 |
19 |
24 |
20 |
31 |
22 |
18 |
29 |
14 |
17 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
1 |
3 |
0 |
2 |
2 |
2 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
Михаил Гарцев и сетевое письмо |
4482 | 248 |
1 |
32 |
25 |
22 |
22 |
20 |
18 |
23 |
20 |
32 |
17 |
16 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
3 |
0 |
0 |
2 |
2 |
1 |
3 |
1 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
Почему Некрасов сказал о своей поэме: "Ей не суждено закончиться"? |
813 | 247 |
0 |
19 |
30 |
29 |
22 |
17 |
27 |
23 |
17 |
29 |
15 |
19 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
4 |
0 |
0 |
2 |
2 |
0 |
3 |
2 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
Как в романе Достоевского "Преступление и наказание" раскрывается тема нищеты |
882 | 246 |
0 |
26 |
24 |
17 |
19 |
22 |
36 |
18 |
21 |
33 |
15 |
15 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
Учимся мыслить логически |
3673 | 246 |
2 |
27 |
29 |
17 |
19 |
18 |
21 |
26 |
21 |
29 |
14 |
23 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
3 |
0 |
2 |
0 |
3 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
Ослик |
8350 | 246 |
2 |
25 |
34 |
22 |
18 |
15 |
25 |
18 |
22 |
35 |
12 |
18 |
0 |
2 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
3 |
2 |
2 |
2 |
1 |
1 |
0 |
Карнавал и декарнавализация |
4097 | 245 |
0 |
28 |
22 |
14 |
16 |
20 |
36 |
28 |
25 |
22 |
19 |
15 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
О любви к правителям и поэтам |
1193 | 245 |
0 |
33 |
29 |
27 |
20 |
11 |
26 |
19 |
18 |
29 |
8 |
25 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
3 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
3 |
2 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
Потомки "Метрополя" |
5789 | 244 |
1 |
25 |
29 |
26 |
18 |
19 |
22 |
21 |
19 |
25 |
21 |
18 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
3 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
3 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
Достоевский и конец истории |
3472 | 244 |
1 |
21 |
20 |
21 |
14 |
19 |
42 |
27 |
19 |
29 |
12 |
19 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
Зеркало |
2894 | 244 |
0 |
23 |
31 |
12 |
25 |
20 |
22 |
20 |
23 |
35 |
14 |
19 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
2 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
3 |
5 |
1 |
0 |
1 |
2 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
В защиту массовой литературы |
5610 | 240 |
1 |
22 |
26 |
23 |
13 |
11 |
35 |
28 |
17 |
33 |
8 |
23 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
3 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
Избранница народного слова |
2415 | 240 |
0 |
26 |
31 |
23 |
20 |
17 |
21 |
22 |
17 |
27 |
16 |
20 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
4 |
0 |
0 |
1 |
4 |
2 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
Автопортрет, оксюморон |
714 | 239 |
0 |
19 |
25 |
30 |
13 |
17 |
17 |
28 |
24 |
24 |
20 |
22 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
3 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
Язык и генетика |
4466 | 239 |
0 |
26 |
21 |
22 |
20 |
16 |
25 |
23 |
19 |
28 |
18 |
21 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
3 |
2 |
0 |
2 |
1 |
0 |
3 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
Психология - наука рабов |
6730 | 238 |
0 |
18 |
30 |
20 |
18 |
21 |
35 |
23 |
17 |
31 |
10 |
15 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
Ии. Рецензия на роман В.Пелевина "iphuck 10" |
1575 | 238 |
0 |
22 |
20 |
23 |
26 |
13 |
22 |
30 |
21 |
19 |
19 |
23 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
Информация о владельце раздела |
3286 | 238 |
0 |
18 |
30 |
20 |
22 |
19 |
21 |
21 |
25 |
27 |
17 |
18 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
Пушкинские и лермонтовские мотивы у Некрасова |
805 | 237 |
0 |
25 |
29 |
19 |
27 |
10 |
38 |
15 |
12 |
26 |
16 |
20 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
3 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
Расширит ли виртуальная реальность возможности познания истины |
3283 | 237 |
0 |
32 |
21 |
17 |
18 |
14 |
25 |
30 |
19 |
24 |
15 |
22 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
1 |
3 |
1 |
1 |
1 |
3 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
Гегельянство в России |
1051 | 237 |
0 |
22 |
22 |
15 |
20 |
16 |
30 |
29 |
20 |
24 |
17 |
22 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
Натюрморт (Гоголь, Бродский, Есенин) |
885 | 237 |
0 |
26 |
24 |
15 |
17 |
12 |
32 |
19 |
21 |
30 |
25 |
16 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
Почему в Прибалтике не проходит русский бунт |
2574 | 236 |
1 |
29 |
23 |
11 |
20 |
26 |
20 |
30 |
30 |
18 |
12 |
16 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
Про что поэзия Барто? - да все про то! |
5802 | 235 |
0 |
25 |
20 |
24 |
19 |
14 |
32 |
22 |
21 |
24 |
15 |
19 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
2 |
2 |
1 |
0 |
0 |
2 |
3 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
Пейзаж в поэме Лермонтова |
756 | 235 |
2 |
21 |
25 |
20 |
20 |
13 |
26 |
19 |
21 |
31 |
17 |
20 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
4 |
0 |
0 |
1 |
1 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
Сон как нонсенс в "Войне и мире" |
607 | 234 |
1 |
30 |
29 |
14 |
17 |
16 |
25 |
24 |
17 |
26 |
17 |
18 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
2 |
0 |
3 |
4 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
1 |
0 |
4 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
Ботинок |
4005 | 234 |
0 |
25 |
32 |
11 |
17 |
17 |
16 |
25 |
21 |
26 |
16 |
28 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
5 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
4 |
0 |
1 |
2 |
2 |
0 |
3 |
0 |
Сюжет: событие, действие, мотив |
499 | 234 |
0 |
19 |
21 |
19 |
10 |
20 |
12 |
27 |
24 |
35 |
22 |
25 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
Фотомастерская Вадима Месяца |
2918 | 234 |
3 |
21 |
25 |
19 |
24 |
10 |
18 |
28 |
21 |
25 |
15 |
25 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
Стихи для детей |
5437 | 234 |
2 |
26 |
28 |
19 |
19 |
13 |
35 |
23 |
17 |
22 |
12 |
18 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
3 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
Островский о романтической ипостаси русской литературы |
1191 | 233 |
0 |
19 |
22 |
19 |
28 |
19 |
27 |
21 |
20 |
28 |
14 |
16 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
Пьер и Андрей |
1157 | 233 |
0 |
24 |
25 |
14 |
26 |
15 |
25 |
21 |
15 |
32 |
15 |
21 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
С кем я познакомилась на Си |
3454 | 232 |
0 |
31 |
32 |
16 |
17 |
15 |
19 |
27 |
15 |
22 |
12 |
26 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
5 |
1 |
0 |
1 |
0 |
0 |
0 |
5 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
9 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
Поэтика абсурда при свете совести |
2734 | 232 |
0 |
27 |
22 |
15 |
15 |
15 |
26 |
26 |
21 |
29 |
18 |
18 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
3 |
1 |
1 |
0 |
5 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
2 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
В поисках смысла сетевой литературы |
2660 | 232 |
0 |
23 |
24 |
23 |
21 |
14 |
22 |
21 |
16 |
29 |
18 |
21 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
Почему критики-революционеры выбрали Катерину, а не Варвару лучом света? |
597 | 231 |
1 |
38 |
26 |
8 |
18 |
12 |
22 |
24 |
18 |
28 |
22 |
14 |
0 |
1 |
2 |
2 |
4 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
3 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
Три пальмы |
1246 | 231 |
0 |
20 |
23 |
13 |
20 |
18 |
23 |
18 |
19 |
27 |
20 |
30 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
4 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
4 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
О "Медном всаднике" |
1100 | 230 |
1 |
31 |
18 |
15 |
25 |
13 |
20 |
17 |
24 |
21 |
23 |
22 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
2 |
1 |
0 |
4 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
Рифма к городу |
3525 | 230 |
1 |
31 |
27 |
15 |
18 |
21 |
22 |
19 |
19 |
27 |
12 |
18 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
2 |
3 |
0 |
0 |
2 |
0 |
5 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
Достоевский как оптимальная точка видения |
2958 | 229 |
0 |
32 |
26 |
16 |
21 |
12 |
20 |
18 |
21 |
30 |
12 |
21 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
4 |
1 |
2 |
0 |
2 |
0 |
0 |
3 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
4 |
Самоубийство разума |
3080 | 229 |
0 |
26 |
30 |
22 |
22 |
17 |
20 |
18 |
14 |
23 |
16 |
21 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
4 |
0 |
1 |
4 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
Средства художественной изобразительности |
1531 | 228 |
1 |
32 |
28 |
15 |
21 |
17 |
19 |
19 |
24 |
27 |
13 |
12 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
3 |
0 |
3 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
2 |
2 |
0 |
3 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
Эмоции |
1027 | 228 |
0 |
17 |
19 |
16 |
14 |
17 |
24 |
20 |
24 |
38 |
17 |
22 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
Об одном фильме |
1342 | 227 |
0 |
20 |
19 |
11 |
19 |
13 |
41 |
25 |
19 |
24 |
16 |
20 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
3 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
Вирус абсурда в истории человеческой культуры |
2287 | 227 |
0 |
21 |
20 |
16 |
18 |
14 |
31 |
19 |
15 |
39 |
15 |
19 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
Что общего между не любящими друг друга Раскольниковым и Лужиным |
1037 | 227 |
0 |
33 |
23 |
18 |
19 |
16 |
24 |
22 |
15 |
25 |
18 |
14 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
3 |
0 |
3 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
4 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
Поэтика абсурда Маяковского |
1489 | 227 |
0 |
13 |
21 |
21 |
21 |
18 |
28 |
20 |
20 |
31 |
19 |
15 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
Липки |
2783 | 227 |
0 |
26 |
27 |
10 |
14 |
17 |
33 |
19 |
17 |
30 |
13 |
21 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
3 |
3 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
Какой плод у дерева |
3009 | 227 |
0 |
23 |
28 |
16 |
17 |
17 |
34 |
17 |
22 |
27 |
10 |
16 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
Возвращение |
3297 | 227 |
0 |
24 |
26 |
19 |
17 |
18 |
23 |
14 |
23 |
29 |
16 |
18 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
2 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
3 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
Буддистский колобок |
2744 | 226 |
0 |
25 |
23 |
15 |
15 |
17 |
35 |
13 |
19 |
30 |
14 |
20 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
3 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
Дискуссия о гениальности, Достоевском и социальном запросе |
1035 | 226 |
0 |
26 |
26 |
15 |
18 |
14 |
24 |
20 |
24 |
29 |
7 |
23 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
3 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
Кирилл Юрьевич отбывает в Канаду |
3114 | 226 |
0 |
23 |
24 |
18 |
21 |
15 |
21 |
23 |
22 |
25 |
13 |
21 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
Юрий Поляков. Грибной царь |
3614 | 226 |
0 |
18 |
28 |
18 |
20 |
19 |
27 |
20 |
14 |
31 |
15 |
16 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
Беженки белки в "Центральном парке" Хельги Ольшванг |
1403 | 225 |
1 |
22 |
22 |
15 |
13 |
14 |
25 |
27 |
17 |
33 |
14 |
22 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
3 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
4 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
Почему А. И. Солженицын в рассказе "Один день Ивана Денисовича" не идеализирует "даже тех лиц, которых он любит"? (В. Я. Лакшин) |
633 | 225 |
1 |
19 |
26 |
16 |
17 |
21 |
25 |
25 |
16 |
25 |
16 |
18 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
3 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
Алексиевич. Чернобыль |
1096 | 224 |
0 |
19 |
28 |
13 |
23 |
14 |
29 |
25 |
19 |
23 |
15 |
16 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
3 |
3 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
Ницше, ценности и Гегель |
3071 | 224 |
1 |
24 |
25 |
16 |
16 |
9 |
30 |
25 |
14 |
36 |
11 |
17 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
Галич и Мандельштам вокруг образа вождя |
457 | 223 |
0 |
26 |
25 |
13 |
13 |
13 |
36 |
19 |
19 |
23 |
19 |
17 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
4 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
4 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
Снова по поводу "Тихого Дона" |
1118 | 223 |
0 |
19 |
22 |
15 |
33 |
12 |
26 |
24 |
17 |
22 |
14 |
19 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
Автометафора |
610 | 223 |
0 |
19 |
23 |
24 |
18 |
18 |
17 |
22 |
24 |
28 |
16 |
14 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
Почему легенду о Данко можно назвать сказкой-обманкой? |
627 | 223 |
0 |
22 |
25 |
13 |
19 |
19 |
27 |
23 |
15 |
26 |
19 |
15 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
2 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
Утенок |
4524 | 223 |
0 |
28 |
30 |
27 |
15 |
15 |
16 |
17 |
15 |
32 |
10 |
18 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
4 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
1 |
3 |
3 |
0 |
1 |
1 |
0 |
1 |
Как семейные предания работают в произведениях Лермонтова, Толстого, Гоголя? |
569 | 222 |
0 |
19 |
35 |
33 |
18 |
13 |
21 |
19 |
12 |
25 |
17 |
10 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
3 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
3 |
2 |
0 |
2 |
1 |
0 |
3 |
2 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
Интервью с Игорем Панариным |
2499 | 222 |
0 |
24 |
19 |
12 |
23 |
23 |
31 |
21 |
15 |
25 |
14 |
15 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
Как в стихотворении М.Ю. Лермонтова продолжаются пушкинские традиции темы "родина" |
491 | 222 |
0 |
31 |
21 |
16 |
19 |
11 |
25 |
22 |
16 |
22 |
17 |
22 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
6 |
2 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
О курсе реформ и курсе литературы |
951 | 221 |
0 |
28 |
22 |
10 |
14 |
13 |
36 |
29 |
21 |
24 |
7 |
17 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
3 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
Андрей Болконский - Дон Кихот |
672 | 221 |
1 |
22 |
28 |
14 |
19 |
20 |
17 |
20 |
20 |
28 |
19 |
13 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
3 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
Евгений Водолазкин и поэтика абсурда |
1186 | 221 |
0 |
23 |
22 |
14 |
16 |
13 |
18 |
23 |
23 |
29 |
24 |
16 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
Манифест |
2617 | 220 |
0 |
23 |
27 |
20 |
14 |
14 |
22 |
19 |
21 |
27 |
15 |
18 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
4 |
3 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
Герберт Уэллс - гений эпохи. Анализ на основе "Каинова болота" |
1620 | 220 |
0 |
16 |
25 |
25 |
21 |
14 |
20 |
24 |
14 |
25 |
17 |
19 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
4 |
1 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
Что позволило Тынянову назвать тютческие стихи фрагментами? |
713 | 220 |
0 |
20 |
21 |
15 |
14 |
16 |
31 |
16 |
22 |
30 |
16 |
19 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
Иду, а к ногам моим падает вдруг кипятильник |
2346 | 220 |
0 |
27 |
24 |
13 |
22 |
11 |
19 |
21 |
20 |
29 |
18 |
16 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
Anti-Dan |
3194 | 219 |
0 |
16 |
23 |
17 |
17 |
19 |
17 |
28 |
19 |
27 |
17 |
19 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
Лирика |
3145 | 219 |
0 |
25 |
26 |
15 |
22 |
10 |
21 |
18 |
15 |
27 |
24 |
16 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
Что в имени мне твоем |
2941 | 218 |
1 |
22 |
22 |
17 |
14 |
13 |
32 |
25 |
13 |
24 |
15 |
20 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
2 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
Памятник Румянцеву в "Капитанской дочке" |
785 | 218 |
0 |
21 |
23 |
8 |
25 |
16 |
27 |
21 |
21 |
24 |
15 |
17 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
3 |
1 |
0 |
2 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
Образы русской природы в лирике Рубцова |
634 | 218 |
0 |
21 |
23 |
15 |
22 |
13 |
26 |
19 |
17 |
26 |
19 |
17 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
Этапы эволюции вируса абсурда в России |
3266 | 217 |
0 |
30 |
21 |
13 |
13 |
15 |
24 |
19 |
17 |
30 |
18 |
17 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
Самосознание сетевой литературы |
3956 | 217 |
1 |
16 |
19 |
17 |
14 |
17 |
32 |
25 |
22 |
24 |
11 |
19 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
Форум в контексте книги |
3034 | 217 |
2 |
37 |
26 |
16 |
16 |
14 |
19 |
18 |
20 |
18 |
14 |
17 |
0 |
2 |
2 |
0 |
3 |
1 |
1 |
1 |
3 |
3 |
0 |
0 |
1 |
2 |
2 |
4 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
2 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
Демократия как искусство для искусства |
2805 | 217 |
2 |
22 |
24 |
14 |
22 |
11 |
27 |
25 |
16 |
25 |
9 |
20 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
5 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
3 |
1 |
2 |
0 |
2 |
0 |
Конечный смысл страдания |
2448 | 216 |
0 |
29 |
25 |
25 |
17 |
10 |
23 |
18 |
11 |
26 |
14 |
18 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
4 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
Рецензия на "Лампу Мафусаила...." Пелевина |
1587 | 216 |
0 |
26 |
20 |
13 |
23 |
16 |
21 |
23 |
18 |
31 |
11 |
14 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
Александр Шленский: "Художник, канонир и козни дьявола". Рецензия |
2369 | 216 |
0 |
29 |
29 |
14 |
15 |
12 |
20 |
23 |
16 |
26 |
15 |
17 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
2 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
4 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
Проклятое место, проклятые вопросы |
3105 | 216 |
0 |
23 |
24 |
16 |
29 |
13 |
21 |
24 |
16 |
22 |
8 |
20 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
"Коршун" Тютчева - материализм и идеализм |
628 | 216 |
1 |
18 |
26 |
16 |
25 |
13 |
21 |
18 |
16 |
29 |
15 |
18 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
4 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
Введение в чтение Лермонтова. "Выхожу один я на дорогу" |
879 | 216 |
0 |
22 |
21 |
15 |
20 |
15 |
36 |
15 |
16 |
24 |
17 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
3 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
Ушки, ножки, рожки |
6466 | 215 |
2 |
24 |
24 |
14 |
13 |
15 |
36 |
15 |
19 |
28 |
10 |
15 |
0 |
2 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
Двуединство добра |
2788 | 215 |
0 |
21 |
19 |
15 |
17 |
16 |
32 |
19 |
23 |
21 |
11 |
21 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
Ферапонтово. Коллекция |
1950 | 215 |
0 |
20 |
23 |
14 |
17 |
15 |
24 |
18 |
17 |
28 |
17 |
22 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
Введение в чтение Гоголя. Хлестаков |
627 | 215 |
1 |
20 |
21 |
17 |
16 |
11 |
35 |
16 |
16 |
30 |
19 |
13 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
5 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
Бунт против Гегеля |
3148 | 215 |
0 |
21 |
27 |
12 |
14 |
17 |
34 |
20 |
23 |
26 |
6 |
15 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
5 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
Кто в окошке. Сказочные звери |
3792 | 214 |
1 |
24 |
25 |
22 |
14 |
12 |
19 |
14 |
18 |
33 |
11 |
21 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
3 |
0 |
1 |
Отчуждение |
1147 | 214 |
0 |
27 |
23 |
10 |
19 |
14 |
21 |
28 |
15 |
29 |
10 |
18 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
3 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
Горе от ума или ум от горя. Перевертыши |
837 | 214 |
0 |
21 |
24 |
22 |
17 |
12 |
26 |
20 |
19 |
22 |
15 |
16 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
Анализ прозы |
456 | 214 |
0 |
15 |
25 |
19 |
14 |
21 |
24 |
17 |
16 |
23 |
18 |
22 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
4 |
2 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
Короля делает свита |
2245 | 213 |
1 |
24 |
22 |
16 |
11 |
17 |
35 |
17 |
17 |
25 |
16 |
12 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
4 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
К слову о Законе и Благодати: Юрий Кузнецов, Юрий Кублановский |
4064 | 213 |
1 |
17 |
28 |
15 |
15 |
13 |
28 |
18 |
18 |
23 |
18 |
19 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
Трагический герой |
493 | 213 |
1 |
13 |
24 |
15 |
25 |
12 |
23 |
24 |
15 |
28 |
15 |
18 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
5 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
По поводу некоторых неточностей Евгения Клюева |
2361 | 213 |
0 |
31 |
22 |
8 |
19 |
12 |
16 |
21 |
24 |
26 |
16 |
18 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
4 |
3 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
3 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
Монтаж у Гоголя и Алексиевич |
735 | 213 |
0 |
31 |
29 |
12 |
17 |
20 |
19 |
15 |
19 |
25 |
13 |
13 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
3 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
3 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
Вмешиваясь в разговор с богом |
3295 | 213 |
0 |
21 |
23 |
14 |
26 |
13 |
28 |
21 |
17 |
21 |
14 |
15 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
2 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
Где же новая поэзия |
2417 | 212 |
0 |
31 |
26 |
15 |
14 |
16 |
24 |
15 |
18 |
22 |
14 |
17 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
4 |
0 |
1 |
1 |
4 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
4 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
Чужая сказка |
2462 | 212 |
1 |
20 |
23 |
22 |
16 |
8 |
28 |
16 |
16 |
33 |
14 |
15 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
3 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
Введение в чтение Гоголя. Нос |
667 | 212 |
0 |
38 |
23 |
13 |
20 |
6 |
21 |
18 |
13 |
28 |
16 |
16 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
3 |
0 |
3 |
1 |
2 |
4 |
1 |
0 |
1 |
1 |
1 |
2 |
4 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
Ведьмостиший больше не будет |
2955 | 211 |
0 |
16 |
24 |
19 |
16 |
16 |
32 |
16 |
18 |
25 |
12 |
17 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
Художник у Христа за пазухой |
2649 | 211 |
1 |
23 |
20 |
18 |
21 |
17 |
18 |
17 |
13 |
29 |
15 |
19 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
3 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
То было двух бесов изображенье |
482 | 210 |
0 |
17 |
19 |
17 |
16 |
15 |
21 |
20 |
20 |
31 |
18 |
16 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
Нам много миллионов лет. Каждому |
835 | 210 |
0 |
22 |
27 |
19 |
20 |
17 |
18 |
18 |
16 |
22 |
13 |
18 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
4 |
1 |
0 |
0 |
1 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
Права ли Цветаева, утверждая, что в стихах Маяковского "ошеломляющая физика"? |
665 | 210 |
0 |
18 |
18 |
11 |
18 |
17 |
14 |
22 |
19 |
26 |
19 |
28 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
Ведение в чтение Гоголя |
847 | 210 |
1 |
23 |
27 |
22 |
17 |
12 |
20 |
13 |
16 |
29 |
14 |
16 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
2 |
0 |
2 |
5 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
Все по Салтыкову-Щедрину! |
4267 | 206 |
0 |
23 |
23 |
13 |
15 |
19 |
20 |
24 |
16 |
26 |
7 |
20 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
5 |
3 |
4 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
3 |
0 |
0 |
1 |
0 |
3 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
Пространство в живописи текста у Гоголя |
711 | 205 |
1 |
14 |
19 |
15 |
20 |
19 |
20 |
21 |
16 |
26 |
20 |
14 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
Лисенок в курятнике Стихи.ру |
5974 | 205 |
0 |
20 |
23 |
19 |
23 |
16 |
18 |
22 |
15 |
21 |
14 |
14 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
Монтажная композиция |
504 | 204 |
0 |
16 |
22 |
13 |
19 |
10 |
14 |
26 |
20 |
19 |
23 |
22 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
Реминисценция |
516 | 204 |
0 |
14 |
19 |
21 |
13 |
14 |
21 |
21 |
18 |
31 |
13 |
19 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
Дан прислал |
903 | 204 |
0 |
20 |
20 |
17 |
14 |
16 |
23 |
24 |
15 |
20 |
17 |
18 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
Мастер и Маргарита. Кто написал притчу? |
1072 | 204 |
0 |
26 |
25 |
15 |
16 |
12 |
22 |
18 |
19 |
21 |
14 |
16 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
3 |
0 |
2 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
Крочечка Хаврошечка |
706 | 204 |
0 |
28 |
26 |
13 |
15 |
13 |
21 |
17 |
11 |
31 |
12 |
17 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
3 |
1 |
0 |
0 |
0 |
3 |
3 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
4 |
1 |
0 |
0 |
1 |
2 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
Онегин - лицеист? |
641 | 204 |
0 |
28 |
27 |
20 |
15 |
12 |
23 |
21 |
16 |
18 |
13 |
11 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
4 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
Печорин как писатель |
953 | 204 |
0 |
24 |
20 |
13 |
16 |
14 |
24 |
19 |
21 |
27 |
12 |
14 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
Образ поющей девушки: Пушкин, Лермонтов, Блок |
438 | 203 |
0 |
19 |
20 |
15 |
15 |
13 |
23 |
16 |
22 |
30 |
14 |
16 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
От финских хладных скал... |
3091 | 203 |
1 |
22 |
26 |
19 |
20 |
12 |
16 |
18 |
17 |
22 |
12 |
18 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
Государство и общество: бюрократизм и свобода от бюрократии |
3262 | 203 |
0 |
19 |
24 |
14 |
11 |
25 |
34 |
17 |
10 |
27 |
8 |
14 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
3 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
Миф о времени |
2366 | 203 |
1 |
19 |
17 |
17 |
24 |
16 |
19 |
19 |
20 |
21 |
9 |
21 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
Сексуальность Гоголя |
701 | 203 |
0 |
14 |
34 |
24 |
17 |
12 |
20 |
14 |
15 |
20 |
14 |
19 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
3 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
4 |
1 |
1 |
0 |
3 |
0 |
0 |
О чем поют сферы Гоголя |
872 | 203 |
0 |
25 |
17 |
15 |
23 |
8 |
30 |
15 |
16 |
26 |
9 |
19 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
Одиночество. Пушкин, пророчество и песни матери в стихотворении "Выхожу один я на дорогу" |
1128 | 202 |
0 |
21 |
21 |
18 |
21 |
14 |
22 |
17 |
16 |
22 |
15 |
15 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
Возвращение блудного Чацкого |
834 | 202 |
1 |
25 |
27 |
12 |
15 |
14 |
25 |
20 |
17 |
19 |
10 |
17 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
2 |
4 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
Абсурдизм |
3680 | 202 |
0 |
19 |
20 |
16 |
18 |
16 |
19 |
24 |
22 |
20 |
13 |
15 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
Легенда о великом инквизиторе |
1015 | 202 |
2 |
22 |
18 |
11 |
19 |
21 |
19 |
17 |
17 |
27 |
11 |
18 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
Байрон - предтеча русского реализма |
742 | 202 |
0 |
19 |
19 |
12 |
20 |
18 |
22 |
22 |
14 |
26 |
12 |
18 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Модель романа-эпопеи |
925 | 202 |
0 |
19 |
22 |
17 |
16 |
15 |
26 |
15 |
18 |
28 |
13 |
13 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
Постновогодний синдром |
587 | 202 |
1 |
23 |
21 |
14 |
11 |
17 |
32 |
15 |
14 |
25 |
13 |
16 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
4 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
Джулиан Барнс в защиту критики |
2623 | 201 |
0 |
26 |
16 |
15 |
15 |
7 |
23 |
31 |
21 |
23 |
10 |
14 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
Обломов и реализм |
597 | 201 |
0 |
25 |
17 |
14 |
22 |
13 |
19 |
18 |
14 |
24 |
16 |
19 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
3 |
2 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
Паломничество убогой |
2700 | 201 |
0 |
28 |
23 |
15 |
14 |
20 |
16 |
23 |
14 |
24 |
9 |
15 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
6 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
"Хлыстовская богородица" Маяковского |
1298 | 201 |
2 |
23 |
25 |
12 |
14 |
17 |
21 |
19 |
18 |
21 |
13 |
16 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
3 |
2 |
1 |
1 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
Мысль изреченная |
2575 | 201 |
0 |
26 |
27 |
17 |
13 |
10 |
19 |
17 |
22 |
21 |
14 |
15 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
3 |
3 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
Отражение. Две рецензии на стихи Феликса Когана |
3366 | 201 |
1 |
24 |
27 |
17 |
14 |
11 |
18 |
17 |
19 |
23 |
17 |
13 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
3 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
3 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
Монтажная композиция |
417 | 201 |
0 |
14 |
23 |
17 |
11 |
8 |
29 |
22 |
12 |
29 |
20 |
16 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
Лампа Мафусаила |
1589 | 200 |
0 |
30 |
14 |
13 |
15 |
13 |
20 |
20 |
19 |
25 |
15 |
16 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
2 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
Воинство Сергия Радонежского |
4357 | 200 |
0 |
31 |
20 |
21 |
9 |
13 |
18 |
21 |
18 |
26 |
12 |
11 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
3 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
Чудачество и донкихотство. Шукшин и Сервантес |
1347 | 200 |
0 |
25 |
19 |
12 |
14 |
16 |
17 |
23 |
19 |
24 |
13 |
18 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
Невозможность гения эпохи |
532 | 200 |
0 |
15 |
18 |
12 |
14 |
11 |
40 |
19 |
13 |
23 |
17 |
18 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
Собрание обратных цитат о любви |
2944 | 199 |
0 |
21 |
23 |
16 |
14 |
10 |
24 |
17 |
12 |
32 |
15 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
3 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
2 |
3 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
Чему нужно верить: словам персонажа или читательскому сердцу? |
440 | 199 |
0 |
18 |
22 |
11 |
17 |
20 |
21 |
21 |
17 |
22 |
16 |
14 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
Методология работы критика над текстом |
2444 | 199 |
1 |
24 |
22 |
18 |
15 |
13 |
22 |
18 |
17 |
22 |
12 |
15 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
Доказательство несовершенства Бога |
2590 | 199 |
0 |
17 |
25 |
15 |
16 |
16 |
20 |
19 |
11 |
34 |
8 |
18 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
Лимерик |
2267 | 199 |
0 |
15 |
24 |
14 |
16 |
11 |
33 |
20 |
13 |
25 |
14 |
14 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
Сальери как образец |
1153 | 199 |
1 |
13 |
21 |
17 |
16 |
10 |
25 |
19 |
13 |
27 |
17 |
20 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
1 |
3 |
3 |
0 |
0 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
Отчуждение. стадия Ад |
1221 | 195 |
0 |
24 |
20 |
13 |
23 |
13 |
22 |
15 |
15 |
24 |
9 |
17 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
Как в "Легенде о великом инквизиторе" следует искать Р.Р.Раскольникова и С.С.Мармеладову? |
814 | 194 |
0 |
21 |
22 |
16 |
11 |
16 |
20 |
19 |
15 |
21 |
13 |
20 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
Неравный брак (лунное) |
821 | 194 |
0 |
22 |
20 |
12 |
13 |
12 |
32 |
15 |
14 |
27 |
9 |
18 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
5 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
Ленин как поэт Серебряного века |
1308 | 194 |
0 |
24 |
22 |
13 |
18 |
13 |
18 |
19 |
15 |
27 |
13 |
12 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
Популярные стили в изображении Гоголя |
380 | 194 |
0 |
16 |
18 |
14 |
15 |
15 |
29 |
17 |
16 |
27 |
14 |
13 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
Быков и Навальный |
624 | 194 |
0 |
19 |
23 |
12 |
18 |
26 |
16 |
18 |
14 |
21 |
11 |
16 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
Литературоведение - наука или "Humanities and Arts"... |
2408 | 194 |
0 |
26 |
18 |
9 |
17 |
13 |
29 |
18 |
17 |
24 |
9 |
14 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
3 |
2 |
5 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
Пушкин |
5980 | 194 |
0 |
20 |
21 |
17 |
15 |
14 |
18 |
24 |
13 |
22 |
15 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
4 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
Государство и общество: свобода и необходимость |
4916 | 193 |
0 |
23 |
17 |
19 |
12 |
19 |
23 |
16 |
19 |
22 |
9 |
14 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
Темное вещество, абсолютный дух и человеческая цивилизация |
910 | 193 |
1 |
20 |
19 |
11 |
13 |
14 |
18 |
27 |
14 |
26 |
12 |
18 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
Как в "Превращении" Кафки выражена идея торжества разума |
806 | 193 |
0 |
16 |
18 |
14 |
16 |
15 |
19 |
22 |
15 |
21 |
19 |
18 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
6 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
История одной столицы |
544 | 193 |
0 |
24 |
15 |
17 |
20 |
15 |
20 |
17 |
17 |
20 |
13 |
15 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
2 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
Как работает поэтика абсурда |
4395 | 193 |
0 |
26 |
22 |
13 |
15 |
13 |
19 |
19 |
18 |
22 |
16 |
10 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
Праздник Победы для кого-то пытаются сделать днем скорби |
3378 | 192 |
0 |
19 |
22 |
12 |
13 |
16 |
18 |
20 |
15 |
28 |
10 |
19 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
3 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
Технические болезни Стихиры |
2518 | 192 |
0 |
20 |
22 |
11 |
13 |
17 |
28 |
19 |
14 |
21 |
14 |
13 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
4 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
Сила детской публицистики |
1336 | 192 |
0 |
18 |
22 |
12 |
22 |
8 |
23 |
17 |
16 |
26 |
11 |
17 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
4 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
3 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
Миф о запахе |
2379 | 192 |
0 |
22 |
19 |
13 |
21 |
12 |
19 |
19 |
17 |
24 |
13 |
13 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
3 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
Рубцов и формальный метод |
2560 | 191 |
0 |
19 |
18 |
14 |
14 |
11 |
39 |
15 |
15 |
26 |
8 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
Сеть и чудаки |
2896 | 191 |
0 |
20 |
24 |
9 |
15 |
14 |
21 |
21 |
12 |
22 |
12 |
21 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
5 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
Киев старый и новый |
2267 | 190 |
0 |
16 |
21 |
17 |
12 |
11 |
18 |
21 |
16 |
28 |
10 |
20 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
О чем умолчал в своем докладе доктор Борменталь |
637 | 190 |
0 |
17 |
20 |
18 |
23 |
14 |
13 |
20 |
15 |
18 |
13 |
19 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
Письмо Татьяны. Общие места - романтизмы |
615 | 190 |
0 |
21 |
20 |
11 |
18 |
12 |
18 |
16 |
14 |
25 |
17 |
18 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
Кто виноват и что делать? Проклятые вопросы в |
409 | 190 |
0 |
17 |
22 |
13 |
18 |
10 |
22 |
18 |
13 |
27 |
12 |
18 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
Введение в чтение Гоголя |
829 | 190 |
1 |
18 |
21 |
14 |
24 |
14 |
18 |
15 |
19 |
18 |
15 |
13 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
Форма абсолютной сути созидаемого |
779 | 190 |
0 |
27 |
20 |
13 |
19 |
10 |
21 |
13 |
20 |
20 |
9 |
18 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
3 |
2 |
1 |
2 |
2 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
Детство после взросления |
1037 | 190 |
1 |
15 |
20 |
14 |
19 |
16 |
22 |
12 |
15 |
25 |
14 |
17 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
Категории добра и зла |
391 | 190 |
1 |
17 |
23 |
21 |
17 |
10 |
21 |
16 |
15 |
21 |
11 |
17 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
Шаров и его теодицея |
629 | 190 |
1 |
19 |
25 |
16 |
15 |
11 |
20 |
18 |
14 |
27 |
12 |
12 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
Почему Путин заинтересован в развитии гражданского общества |
2568 | 189 |
0 |
19 |
22 |
11 |
18 |
21 |
20 |
15 |
14 |
25 |
11 |
13 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
4 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
"Сретенье " Бродского как трансляция |
518 | 189 |
0 |
27 |
21 |
17 |
15 |
16 |
17 |
14 |
17 |
20 |
10 |
15 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
3 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
Государство Платона и Акунина |
876 | 189 |
0 |
23 |
26 |
10 |
17 |
9 |
18 |
17 |
16 |
28 |
11 |
14 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
Ведение в чтение Гоголя. Шинель |
968 | 189 |
0 |
20 |
23 |
11 |
15 |
14 |
21 |
17 |
15 |
25 |
13 |
15 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
3 |
1 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
"Шиповник цветет" - не сжигай |
636 | 188 |
1 |
25 |
27 |
13 |
16 |
12 |
18 |
16 |
14 |
17 |
15 |
14 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
5 |
0 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
Суздаль |
1791 | 188 |
0 |
14 |
24 |
22 |
15 |
12 |
13 |
19 |
18 |
20 |
15 |
16 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
Пушкинский пленник |
637 | 188 |
0 |
27 |
18 |
13 |
15 |
11 |
20 |
16 |
16 |
23 |
15 |
14 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
О времени |
1125 | 188 |
0 |
22 |
21 |
13 |
17 |
12 |
23 |
14 |
15 |
22 |
13 |
16 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
4 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
Советы |
2350 | 187 |
1 |
19 |
23 |
10 |
16 |
13 |
14 |
21 |
15 |
25 |
14 |
16 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
4 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
2 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
Аллегория как эпитет |
1335 | 187 |
0 |
21 |
19 |
14 |
14 |
15 |
22 |
12 |
16 |
25 |
12 |
17 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
Миф о числах |
2549 | 187 |
0 |
20 |
19 |
15 |
19 |
17 |
18 |
14 |
15 |
23 |
12 |
15 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
Паломничество убогой (2 редакция) |
470 | 187 |
0 |
21 |
19 |
14 |
12 |
12 |
18 |
25 |
13 |
25 |
8 |
20 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
Рванет-не рванет |
618 | 187 |
0 |
23 |
19 |
11 |
20 |
14 |
21 |
15 |
14 |
25 |
8 |
17 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
Онтологическое обоснование гения эпохи |
1192 | 187 |
1 |
23 |
21 |
12 |
16 |
18 |
18 |
11 |
21 |
20 |
13 |
13 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
Теософия и поэзия |
1006 | 186 |
0 |
20 |
23 |
12 |
11 |
14 |
19 |
14 |
25 |
20 |
13 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
4 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
Долой ыгэ! |
591 | 186 |
0 |
20 |
17 |
9 |
11 |
15 |
15 |
31 |
17 |
20 |
19 |
12 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
3 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
Бог как конечное воплощение жажды славы |
2070 | 186 |
0 |
21 |
17 |
14 |
17 |
11 |
23 |
15 |
15 |
25 |
12 |
16 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
Эпилог |
349 | 186 |
0 |
16 |
23 |
12 |
12 |
8 |
18 |
23 |
19 |
25 |
16 |
14 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
Был ли влюблен Иван Васильевич в Вареньку? |
531 | 186 |
0 |
11 |
21 |
12 |
18 |
16 |
22 |
14 |
16 |
21 |
19 |
16 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
Молодежь и общество потребления |
3680 | 186 |
0 |
20 |
23 |
15 |
13 |
12 |
20 |
21 |
16 |
25 |
5 |
16 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
Блок и его мэоническая легенда |
690 | 186 |
0 |
23 |
19 |
13 |
17 |
11 |
17 |
18 |
14 |
23 |
16 |
15 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
3 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
Становление гения |
2399 | 185 |
0 |
23 |
19 |
19 |
13 |
12 |
19 |
17 |
12 |
26 |
9 |
16 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
3 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
Проблематика произведений. Богатство и бедность |
540 | 185 |
0 |
22 |
18 |
10 |
8 |
11 |
20 |
17 |
22 |
28 |
15 |
14 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
Инструкция создателям искусственного разума |
2424 | 185 |
0 |
18 |
18 |
14 |
11 |
13 |
29 |
19 |
15 |
24 |
9 |
15 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
Введение в философию сказок |
639 | 185 |
0 |
19 |
22 |
16 |
15 |
10 |
19 |
18 |
10 |
29 |
13 |
14 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
Честь как главная жизненная ценность у Достоевского |
541 | 184 |
0 |
25 |
22 |
11 |
13 |
12 |
19 |
16 |
15 |
21 |
15 |
15 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
4 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
Что есть человек |
1244 | 184 |
0 |
14 |
22 |
16 |
16 |
15 |
17 |
20 |
15 |
20 |
14 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
Инструкция создателям искусственного разума |
3031 | 184 |
0 |
15 |
24 |
16 |
12 |
17 |
18 |
16 |
15 |
22 |
11 |
18 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
Возможен ли герой нашего времени? |
590 | 183 |
0 |
9 |
24 |
15 |
13 |
24 |
20 |
16 |
13 |
23 |
7 |
19 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
4 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
Белая ворона |
2321 | 183 |
0 |
22 |
19 |
14 |
13 |
15 |
15 |
15 |
15 |
28 |
11 |
16 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
Ну и реклама сейчас у Проханова |
2030 | 182 |
0 |
13 |
23 |
12 |
15 |
24 |
19 |
18 |
8 |
23 |
14 |
13 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
Каким должен быть правитель |
478 | 182 |
0 |
17 |
24 |
12 |
16 |
14 |
17 |
20 |
10 |
22 |
12 |
18 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
Введение в чтение Лермонтова. Система отражений |
517 | 182 |
1 |
16 |
21 |
15 |
10 |
13 |
22 |
14 |
15 |
24 |
19 |
12 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
Бегемотик |
3298 | 182 |
0 |
19 |
18 |
20 |
19 |
9 |
19 |
21 |
15 |
19 |
5 |
18 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
Я начинаю обретать себя |
2362 | 182 |
0 |
18 |
24 |
9 |
11 |
9 |
35 |
13 |
12 |
28 |
9 |
14 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
Удача и капуста |
2365 | 182 |
1 |
27 |
22 |
16 |
21 |
9 |
16 |
17 |
11 |
19 |
8 |
15 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
5 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
Убийственная преданность. Введение в чтение Пушкина |
677 | 182 |
0 |
23 |
16 |
12 |
15 |
9 |
15 |
21 |
17 |
27 |
13 |
14 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
Искушение как психологический прием |
2825 | 182 |
0 |
19 |
18 |
11 |
9 |
12 |
32 |
17 |
16 |
23 |
10 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
Вирус абсурда в рамках боровской Дополнительности |
2081 | 182 |
1 |
16 |
21 |
15 |
14 |
13 |
17 |
16 |
16 |
27 |
11 |
15 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
Исход |
2147 | 181 |
0 |
24 |
19 |
16 |
16 |
11 |
18 |
15 |
12 |
24 |
10 |
16 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
3 |
0 |
0 |
2 |
0 |
0 |
Литературные пейзажи Толстого |
1189 | 180 |
0 |
12 |
15 |
10 |
13 |
15 |
27 |
16 |
21 |
21 |
18 |
12 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
Грамматика абсурдиста |
2132 | 179 |
0 |
20 |
20 |
14 |
15 |
10 |
22 |
15 |
15 |
18 |
11 |
19 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
6 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
Смех без причины |
2602 | 179 |
1 |
17 |
21 |
6 |
18 |
11 |
17 |
19 |
20 |
31 |
5 |
13 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
4 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
Радио Свобода, Цру и великая русская литература |
2401 | 179 |
0 |
22 |
20 |
13 |
14 |
24 |
21 |
12 |
17 |
17 |
7 |
12 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
Хельга Ольшванг в новом веке |
843 | 178 |
0 |
17 |
18 |
12 |
15 |
18 |
16 |
20 |
12 |
19 |
18 |
13 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
О бедном Гайдаре замолвите слово... (Беседа с В.И.Глоцером) |
3119 | 178 |
0 |
18 |
23 |
17 |
14 |
11 |
22 |
20 |
11 |
20 |
9 |
13 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
Незабудки |
178 | 178 |
0 |
18 |
18 |
11 |
11 |
43 |
77 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
Велика ли дань Пушкина мифологии |
3147 | 177 |
0 |
17 |
17 |
17 |
15 |
10 |
18 |
20 |
17 |
23 |
9 |
14 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
К проблеме Израиля |
1295 | 177 |
0 |
21 |
21 |
12 |
17 |
15 |
14 |
16 |
13 |
25 |
11 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
О Бродском - Имперский поэт? |
814 | 177 |
0 |
22 |
20 |
11 |
16 |
13 |
22 |
15 |
12 |
22 |
10 |
14 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
3 |
2 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
Совет- не любовь |
2583 | 177 |
1 |
15 |
20 |
11 |
19 |
9 |
19 |
18 |
10 |
24 |
12 |
19 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
Бы да кабы |
806 | 176 |
0 |
22 |
18 |
11 |
16 |
17 |
19 |
15 |
18 |
18 |
11 |
11 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |