| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
По разделу |
679590 | 1518 |
131 |
196 |
187 |
130 |
105 |
103 |
90 |
90 |
98 |
118 |
146 |
124 |
1 |
7 |
7 |
11 |
5 |
8 |
6 |
9 |
7 |
9 |
5 |
9 |
5 |
6 |
10 |
10 |
6 |
6 |
4 |
11 |
11 |
5 |
7 |
6 |
4 |
4 |
6 |
7 |
10 |
6 |
3 |
4 |
5 |
5 |
8 |
6 |
12 |
6 |
4 |
6 |
9 |
7 |
10 |
6 |
4 |
7 |
5 |
4 |
6 |
2 |
3 |
6 |
4 |
4 |
4 |
4 |
12 |
5 |
6 |
3 |
5 |
5 |
Поэтика абсурда в аспекте литературно-художественной методологии |
28741 | 896 |
87 |
116 |
94 |
67 |
70 |
73 |
53 |
52 |
69 |
77 |
76 |
62 |
0 |
7 |
7 |
4 |
2 |
8 |
4 |
7 |
6 |
4 |
5 |
6 |
4 |
3 |
3 |
4 |
4 |
6 |
3 |
3 |
5 |
2 |
3 |
3 |
0 |
2 |
6 |
6 |
3 |
5 |
3 |
4 |
1 |
5 |
0 |
6 |
3 |
2 |
2 |
6 |
3 |
7 |
10 |
6 |
4 |
7 |
4 |
2 |
1 |
2 |
1 |
6 |
4 |
2 |
3 |
3 |
2 |
1 |
0 |
3 |
5 |
1 |
Почему умирает Акакий Акакиевич в повести "Шинель" Гоголя |
2280 | 823 |
110 |
137 |
158 |
90 |
42 |
48 |
34 |
33 |
28 |
39 |
50 |
54 |
0 |
5 |
3 |
11 |
2 |
5 |
6 |
9 |
7 |
9 |
2 |
9 |
5 |
4 |
10 |
10 |
6 |
6 |
1 |
11 |
11 |
5 |
7 |
6 |
3 |
4 |
3 |
7 |
9 |
6 |
2 |
2 |
2 |
4 |
8 |
4 |
12 |
6 |
4 |
2 |
3 |
3 |
1 |
1 |
4 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
2 |
4 |
12 |
2 |
6 |
3 |
2 |
5 |
Метод приведения к абсурду в школьной классике |
1454 | 399 |
23 |
71 |
42 |
38 |
21 |
33 |
20 |
14 |
19 |
35 |
38 |
45 |
0 |
3 |
1 |
2 |
1 |
3 |
0 |
2 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
3 |
2 |
4 |
10 |
2 |
0 |
0 |
4 |
1 |
1 |
5 |
1 |
3 |
2 |
1 |
9 |
3 |
3 |
1 |
2 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
4 |
0 |
3 |
1 |
3 |
2 |
Гипербола и Гиперборея Маяковского |
693 | 364 |
20 |
61 |
37 |
32 |
25 |
27 |
25 |
23 |
31 |
29 |
30 |
24 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
3 |
2 |
2 |
1 |
1 |
0 |
4 |
4 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
3 |
2 |
0 |
1 |
2 |
3 |
0 |
2 |
4 |
6 |
3 |
1 |
1 |
5 |
1 |
2 |
3 |
0 |
3 |
0 |
4 |
1 |
2 |
2 |
1 |
2 |
1 |
2 |
1 |
3 |
3 |
0 |
1 |
0 |
Интерьер в "Капитанской дочке" |
1187 | 350 |
17 |
54 |
45 |
51 |
39 |
13 |
9 |
9 |
17 |
14 |
40 |
42 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
2 |
0 |
2 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
5 |
3 |
0 |
1 |
5 |
0 |
0 |
3 |
2 |
1 |
2 |
1 |
2 |
3 |
2 |
3 |
3 |
1 |
2 |
0 |
3 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
3 |
1 |
3 |
1 |
1 |
2 |
Поэтика абсурда. Часть 1 |
2578 | 333 |
24 |
46 |
35 |
40 |
24 |
19 |
19 |
19 |
25 |
24 |
32 |
26 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
3 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
6 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
3 |
4 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
6 |
4 |
0 |
3 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
3 |
0 |
4 |
0 |
2 |
1 |
4 |
0 |
0 |
1 |
Внутренний монолог |
684 | 327 |
27 |
53 |
30 |
28 |
25 |
25 |
14 |
20 |
23 |
33 |
31 |
18 |
0 |
3 |
1 |
2 |
0 |
2 |
1 |
2 |
2 |
2 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
3 |
2 |
4 |
3 |
1 |
1 |
3 |
1 |
3 |
0 |
1 |
3 |
4 |
1 |
1 |
1 |
1 |
2 |
5 |
2 |
1 |
1 |
3 |
0 |
3 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
3 |
1 |
3 |
1 |
1 |
1 |
Мертвые души: хозяйственная бесхозяйственность |
1809 | 316 |
24 |
45 |
32 |
26 |
28 |
19 |
23 |
24 |
22 |
23 |
34 |
16 |
0 |
0 |
0 |
1 |
4 |
1 |
3 |
0 |
1 |
0 |
0 |
3 |
1 |
3 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
3 |
1 |
0 |
2 |
1 |
3 |
1 |
4 |
2 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
4 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
2 |
3 |
1 |
0 |
1 |
Печорин и декабристы - бесславие героев времени |
1128 | 308 |
33 |
55 |
39 |
26 |
16 |
12 |
8 |
14 |
22 |
26 |
24 |
33 |
0 |
6 |
1 |
2 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
3 |
1 |
4 |
0 |
7 |
3 |
5 |
0 |
1 |
0 |
2 |
1 |
3 |
3 |
2 |
1 |
4 |
2 |
0 |
1 |
0 |
6 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
4 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
3 |
1 |
0 |
3 |
2 |
1 |
5 |
0 |
1 |
0 |
В чем философский смысл фильма "Остров проклятых" |
714 | 288 |
21 |
44 |
29 |
30 |
19 |
22 |
17 |
19 |
17 |
30 |
18 |
22 |
0 |
2 |
3 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
2 |
0 |
3 |
5 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
3 |
0 |
4 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
2 |
0 |
4 |
2 |
0 |
1 |
0 |
4 |
1 |
0 |
0 |
Полифония Блока |
1290 | 278 |
33 |
42 |
31 |
31 |
23 |
13 |
9 |
10 |
17 |
26 |
28 |
15 |
0 |
1 |
1 |
3 |
1 |
6 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
6 |
2 |
2 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
3 |
0 |
2 |
4 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
4 |
5 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
3 |
2 |
4 |
0 |
1 |
2 |
План анализа стихотворения |
403 | 272 |
15 |
34 |
28 |
25 |
21 |
20 |
22 |
19 |
19 |
37 |
18 |
14 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
4 |
2 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
3 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
2 |
С какой целью нарушен хронологический порядок глав в "Герое нашего времени" |
710 | 258 |
18 |
34 |
19 |
28 |
10 |
14 |
15 |
20 |
26 |
36 |
21 |
17 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
4 |
0 |
1 |
2 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
Смертная казнь как эротика государственного самоубийства |
7398 | 256 |
22 |
47 |
28 |
14 |
23 |
13 |
14 |
20 |
20 |
17 |
24 |
14 |
0 |
1 |
0 |
0 |
0 |
2 |
5 |
1 |
3 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
0 |
3 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
2 |
2 |
5 |
2 |
0 |
0 |
1 |
1 |
4 |
4 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
Кто убил старуху процентщицу? |
1839 | 255 |
18 |
44 |
29 |
31 |
16 |
22 |
19 |
10 |
13 |
17 |
21 |
15 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
3 |
2 |
2 |
2 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
4 |
1 |
4 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
Шукшин ли "Хозяин бани и огорода"? |
1796 | 253 |
17 |
30 |
19 |
21 |
12 |
18 |
14 |
13 |
11 |
23 |
47 |
28 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
1 |
3 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
0 |
2 |
1 |
1 |
0 |
Сюжет: событие, действие, мотив |
363 | 248 |
16 |
35 |
22 |
25 |
16 |
10 |
16 |
14 |
15 |
32 |
25 |
22 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
4 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
3 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
5 |
0 |
2 |
0 |
1 |
Елена Чудинова. Мечеть Парижской Богоматери |
11542 | 246 |
13 |
35 |
18 |
23 |
34 |
15 |
17 |
17 |
24 |
19 |
17 |
14 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
4 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
2 |
2 |
0 |
2 |
0 |
4 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
3 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
Антитеза |
327 | 241 |
16 |
40 |
28 |
27 |
12 |
11 |
7 |
7 |
26 |
19 |
20 |
28 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
4 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
3 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
4 |
0 |
2 |
2 |
3 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
Дуэль Онегина и Ленского |
1060 | 240 |
25 |
56 |
22 |
19 |
21 |
10 |
12 |
15 |
12 |
15 |
22 |
11 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
4 |
0 |
1 |
1 |
3 |
2 |
0 |
2 |
3 |
0 |
0 |
1 |
3 |
1 |
2 |
3 |
2 |
1 |
1 |
0 |
4 |
0 |
2 |
3 |
2 |
3 |
2 |
1 |
5 |
0 |
4 |
2 |
1 |
3 |
1 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
3 |
1 |
3 |
0 |
1 |
2 |
Три пальмы |
1101 | 235 |
9 |
27 |
20 |
30 |
23 |
20 |
21 |
16 |
15 |
21 |
19 |
14 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
Учимся мыслить логически |
3508 | 224 |
15 |
29 |
14 |
23 |
11 |
7 |
20 |
32 |
35 |
18 |
12 |
8 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
2 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
Энтропия.net |
5891 | 223 |
16 |
33 |
17 |
26 |
18 |
17 |
14 |
14 |
22 |
19 |
11 |
16 |
0 |
1 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
2 |
4 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
4 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
4 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
Михаил Гарцев. История внутри нас |
4234 | 221 |
11 |
45 |
29 |
24 |
18 |
10 |
8 |
12 |
16 |
17 |
20 |
11 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
4 |
4 |
1 |
3 |
1 |
4 |
2 |
2 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
4 |
1 |
3 |
3 |
0 |
0 |
Ведение в чтение Гоголя |
933 | 217 |
10 |
29 |
23 |
31 |
11 |
9 |
5 |
4 |
19 |
45 |
16 |
15 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
3 |
2 |
2 |
0 |
3 |
2 |
2 |
0 |
1 |
1 |
"История Рода Толстых - история России". Фоторепортаж |
5440 | 213 |
10 |
34 |
16 |
26 |
22 |
14 |
10 |
20 |
16 |
15 |
20 |
10 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
4 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
5 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
4 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
Пестрый дятел |
4456 | 209 |
10 |
23 |
14 |
19 |
11 |
12 |
6 |
21 |
14 |
36 |
23 |
20 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
Я играю вместе с мамой |
9476 | 208 |
25 |
33 |
18 |
24 |
20 |
10 |
6 |
19 |
13 |
15 |
16 |
9 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
6 |
4 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
"Волшебная самоволка" Сергея Панарина сквозь призму Войновича |
5544 | 207 |
19 |
32 |
17 |
18 |
17 |
12 |
11 |
18 |
9 |
25 |
16 |
13 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
5 |
2 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
2 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
Кто как кричит |
4303 | 203 |
17 |
29 |
15 |
19 |
13 |
8 |
9 |
12 |
18 |
26 |
21 |
16 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
4 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
5 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
Можно ли назвать Печорина фаталистом |
580 | 201 |
21 |
32 |
24 |
16 |
14 |
10 |
6 |
12 |
12 |
15 |
20 |
19 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
4 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
4 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
4 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
Кто на самом деле ввходит в комнату к Юрию Живаго |
762 | 201 |
8 |
41 |
25 |
25 |
7 |
12 |
5 |
9 |
8 |
21 |
24 |
16 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
5 |
1 |
2 |
1 |
2 |
2 |
2 |
2 |
4 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
5 |
1 |
3 |
2 |
1 |
0 |
Древесная лирика Хельги Ольшванг |
3543 | 199 |
17 |
40 |
28 |
13 |
17 |
8 |
5 |
11 |
11 |
16 |
20 |
13 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
3 |
3 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
3 |
2 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
1 |
1 |
5 |
2 |
1 |
2 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
3 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
Кот Васька в своей квартире |
7666 | 196 |
17 |
29 |
16 |
31 |
11 |
9 |
12 |
15 |
16 |
16 |
13 |
11 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
3 |
1 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
4 |
1 |
3 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
Автобиографизм и автопсихологизм |
471 | 195 |
19 |
30 |
30 |
23 |
11 |
9 |
8 |
8 |
9 |
17 |
21 |
10 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
3 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
5 |
0 |
4 |
2 |
1 |
1 |
Анализ прозы |
309 | 191 |
4 |
23 |
18 |
22 |
18 |
8 |
8 |
11 |
9 |
36 |
21 |
13 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
Александр Кушнер. Аполлон в траве |
4394 | 190 |
15 |
23 |
23 |
23 |
9 |
10 |
5 |
11 |
12 |
14 |
23 |
22 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
2 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
4 |
0 |
1 |
3 |
0 |
0 |
1 |
Интервью с Аланом Эбботом, взятое на берегах Невы во время встречи Си-Петербург |
2614 | 188 |
19 |
35 |
12 |
24 |
15 |
5 |
13 |
12 |
9 |
19 |
16 |
9 |
0 |
0 |
0 |
1 |
5 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
3 |
0 |
2 |
3 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
6 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
Почему Некрасов сказал о своей поэме: "Ей не суждено закончиться"? |
637 | 187 |
8 |
29 |
15 |
19 |
8 |
6 |
7 |
10 |
16 |
20 |
42 |
7 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
3 |
3 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
Медвежонок |
8804 | 186 |
15 |
27 |
24 |
17 |
17 |
8 |
11 |
10 |
12 |
21 |
11 |
13 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
Ослик |
8177 | 178 |
8 |
35 |
12 |
18 |
17 |
14 |
8 |
10 |
12 |
27 |
12 |
5 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
К вопросу о Фрейде и православии |
2918 | 177 |
10 |
34 |
17 |
25 |
14 |
7 |
11 |
13 |
14 |
15 |
10 |
7 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
4 |
0 |
0 |
1 |
1 |
1 |
4 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
5 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
Что на небе |
7903 | 175 |
17 |
36 |
11 |
20 |
11 |
8 |
7 |
9 |
10 |
20 |
17 |
9 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
4 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
4 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
Поэтика абсурда Маяковского |
1338 | 174 |
11 |
31 |
19 |
15 |
17 |
14 |
5 |
13 |
10 |
17 |
12 |
10 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
3 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
4 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
1 |
4 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
Сальери как образец |
1026 | 174 |
8 |
27 |
17 |
20 |
13 |
8 |
6 |
7 |
17 |
21 |
21 |
9 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
Сказка о гейзере на Стихире |
2796 | 173 |
12 |
38 |
21 |
27 |
9 |
8 |
8 |
7 |
5 |
16 |
12 |
10 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
3 |
3 |
2 |
1 |
1 |
1 |
1 |
0 |
4 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
4 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
4 |
0 |
0 |
0 |
Поэтика абсурда и образ Святой Земли |
3334 | 173 |
11 |
27 |
23 |
22 |
9 |
7 |
3 |
16 |
12 |
19 |
11 |
13 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
4 |
2 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
Почему легенду о Данко можно назвать сказкой-обманкой? |
475 | 170 |
11 |
26 |
19 |
15 |
10 |
6 |
5 |
12 |
10 |
11 |
35 |
10 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
Волчонок |
4020 | 170 |
7 |
38 |
14 |
25 |
11 |
9 |
3 |
7 |
12 |
17 |
18 |
9 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
3 |
2 |
2 |
0 |
1 |
1 |
2 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
5 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
4 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
Натюрморт (Гоголь, Бродский, Есенин) |
732 | 170 |
13 |
30 |
25 |
16 |
9 |
15 |
4 |
8 |
11 |
16 |
12 |
11 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
3 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
3 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
2 |
Что позволило Тынянову назвать тютческие стихи фрагментами? |
573 | 169 |
15 |
30 |
16 |
19 |
13 |
9 |
5 |
10 |
15 |
14 |
14 |
9 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
3 |
2 |
1 |
3 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
1 |
3 |
1 |
0 |
0 |
Язык и генетика |
4304 | 169 |
10 |
28 |
18 |
21 |
12 |
9 |
4 |
14 |
14 |
15 |
13 |
11 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
5 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
Образ России в арт-среде Интернета |
2375 | 168 |
5 |
33 |
18 |
19 |
16 |
14 |
3 |
12 |
9 |
13 |
13 |
13 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
4 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
4 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
Комментариии к статье А.Виноградова о сетевой литературе |
3833 | 167 |
12 |
25 |
16 |
23 |
16 |
9 |
6 |
7 |
13 |
17 |
12 |
11 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
4 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
Маяковский и его философия |
1223 | 166 |
7 |
29 |
14 |
17 |
17 |
9 |
8 |
10 |
11 |
20 |
15 |
9 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
О "Медном всаднике" |
950 | 165 |
14 |
21 |
23 |
22 |
15 |
6 |
5 |
7 |
7 |
15 |
22 |
8 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
5 |
0 |
0 |
1 |
Об одном фильме |
1190 | 164 |
15 |
24 |
16 |
20 |
12 |
8 |
8 |
6 |
14 |
10 |
21 |
10 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
4 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
Психология - наука рабов |
6559 | 164 |
11 |
31 |
10 |
15 |
15 |
8 |
6 |
9 |
14 |
18 |
13 |
14 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
2 |
0 |
2 |
3 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
Почему поэзия должна быть глуповата |
2962 | 164 |
9 |
29 |
25 |
25 |
8 |
7 |
2 |
10 |
9 |
11 |
20 |
9 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
1 |
1 |
2 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
Самосознание сетевой литературы |
3803 | 164 |
10 |
24 |
11 |
19 |
14 |
13 |
7 |
13 |
14 |
12 |
18 |
9 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
Юрий Поляков. Грибной царь |
3458 | 164 |
8 |
31 |
15 |
16 |
14 |
12 |
8 |
12 |
13 |
17 |
7 |
11 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
Жанр фантастики сегодня: С.Лукьяненко, С.Алексеев, А.Виноградов |
5484 | 163 |
8 |
34 |
18 |
19 |
11 |
9 |
6 |
13 |
10 |
11 |
13 |
11 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
3 |
0 |
0 |
4 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
Вмешиваясь в разговор с богом |
3139 | 163 |
7 |
21 |
14 |
15 |
11 |
10 |
11 |
11 |
9 |
9 |
24 |
21 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
Потомки "Метрополя" |
5619 | 162 |
10 |
25 |
21 |
18 |
12 |
6 |
7 |
11 |
14 |
12 |
13 |
13 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
Достоевский и конец истории |
3301 | 162 |
13 |
29 |
12 |
19 |
9 |
5 |
8 |
13 |
16 |
18 |
10 |
10 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
3 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
4 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
Ии. Рецензия на роман В.Пелевина "iphuck 10" |
1413 | 161 |
15 |
19 |
19 |
23 |
7 |
6 |
7 |
10 |
10 |
12 |
22 |
11 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
Михаил Гарцев и сетевое письмо |
4311 | 161 |
12 |
32 |
17 |
16 |
14 |
6 |
5 |
9 |
10 |
19 |
13 |
8 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
Anti-Dan |
3049 | 161 |
11 |
27 |
17 |
19 |
9 |
8 |
4 |
11 |
11 |
13 |
19 |
12 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
3 |
0 |
0 |
0 |
Расширит ли виртуальная реальность возможности познания истины |
3116 | 160 |
9 |
24 |
15 |
22 |
9 |
10 |
5 |
10 |
10 |
16 |
17 |
13 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
Карнавал и декарнавализация |
3915 | 159 |
7 |
22 |
19 |
15 |
15 |
9 |
2 |
10 |
6 |
32 |
13 |
9 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
2 |
3 |
1 |
0 |
0 |
Замятин "Мы". Конспект урока |
743 | 159 |
11 |
28 |
25 |
20 |
13 |
7 |
3 |
9 |
6 |
17 |
12 |
8 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
3 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
Зеркало |
2728 | 159 |
10 |
35 |
14 |
19 |
9 |
7 |
3 |
15 |
11 |
14 |
14 |
8 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
2 |
2 |
0 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
0 |
3 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
Монтажная композиция |
377 | 157 |
13 |
19 |
23 |
22 |
14 |
7 |
4 |
5 |
6 |
14 |
21 |
9 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
Как в романе Достоевского "Преступление и наказание" раскрывается тема нищеты |
713 | 157 |
14 |
33 |
15 |
15 |
7 |
11 |
5 |
9 |
12 |
12 |
17 |
7 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
4 |
2 |
2 |
4 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
3 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
3 |
0 |
1 |
0 |
Реминисценция |
382 | 157 |
7 |
31 |
13 |
19 |
12 |
13 |
7 |
9 |
9 |
15 |
8 |
14 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
4 |
0 |
0 |
1 |
Каждый знает |
6485 | 157 |
6 |
32 |
15 |
22 |
8 |
7 |
10 |
6 |
6 |
14 |
20 |
11 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
Права ли Цветаева, утверждая, что в стихах Маяковского "ошеломляющая физика"? |
538 | 156 |
10 |
26 |
19 |
28 |
5 |
5 |
5 |
11 |
12 |
13 |
12 |
10 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
3 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
4 |
2 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
Пушкинские и лермонтовские мотивы у Некрасова |
638 | 155 |
8 |
26 |
16 |
20 |
8 |
12 |
6 |
11 |
7 |
12 |
14 |
15 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
В защиту массовой литературы |
5446 | 155 |
12 |
33 |
8 |
23 |
8 |
7 |
4 |
10 |
11 |
18 |
12 |
9 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
Ботинок |
3851 | 155 |
10 |
26 |
16 |
28 |
9 |
8 |
9 |
7 |
5 |
20 |
12 |
5 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
Гегельянство в России |
891 | 155 |
14 |
24 |
17 |
22 |
7 |
6 |
4 |
11 |
16 |
11 |
11 |
12 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
2 |
0 |
4 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
Фотомастерская Вадима Месяца |
2760 | 155 |
11 |
25 |
15 |
25 |
17 |
8 |
5 |
5 |
11 |
8 |
15 |
10 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
3 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
3 |
0 |
0 |
1 |
Беженки белки в "Центральном парке" Хельги Ольшванг |
1253 | 154 |
6 |
33 |
14 |
22 |
6 |
10 |
4 |
11 |
12 |
18 |
9 |
9 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
2 |
2 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
Информация о владельце раздела |
3123 | 154 |
13 |
27 |
17 |
18 |
8 |
4 |
4 |
8 |
12 |
18 |
15 |
10 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
3 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
Автометафора |
458 | 153 |
13 |
28 |
16 |
14 |
7 |
4 |
6 |
6 |
15 |
14 |
16 |
14 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
Пейзаж в поэме Лермонтова |
596 | 153 |
7 |
31 |
17 |
20 |
8 |
9 |
3 |
10 |
15 |
14 |
13 |
6 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
4 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
1 |
3 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
О любви к правителям и поэтам |
1018 | 153 |
8 |
29 |
8 |
25 |
10 |
10 |
5 |
10 |
11 |
15 |
13 |
9 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
3 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
Абсурдизм |
3535 | 152 |
9 |
20 |
13 |
15 |
13 |
15 |
6 |
9 |
11 |
14 |
16 |
11 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
5 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
Стихи для детей |
5266 | 152 |
11 |
22 |
12 |
18 |
9 |
10 |
9 |
13 |
10 |
21 |
12 |
5 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
Письмо Ольги Пушкину |
1020 | 152 |
8 |
28 |
15 |
21 |
9 |
5 |
7 |
10 |
13 |
16 |
10 |
10 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
Дискуссия о гениальности, Достоевском и социальном запросе |
880 | 151 |
12 |
29 |
7 |
23 |
9 |
8 |
6 |
7 |
16 |
17 |
9 |
8 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
3 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
Иду, а к ногам моим падает вдруг кипятильник |
2200 | 151 |
11 |
29 |
18 |
16 |
9 |
6 |
6 |
8 |
7 |
17 |
15 |
9 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
4 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
3 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
Пьер и Андрей |
1000 | 151 |
8 |
32 |
15 |
21 |
8 |
4 |
7 |
16 |
10 |
14 |
12 |
4 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
4 |
2 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
То было двух бесов изображенье |
346 | 150 |
9 |
31 |
18 |
16 |
10 |
9 |
6 |
8 |
9 |
12 |
14 |
8 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
2 |
3 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
Эмоции |
887 | 150 |
11 |
38 |
17 |
22 |
3 |
8 |
4 |
7 |
7 |
14 |
12 |
7 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
3 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
1 |
4 |
1 |
3 |
2 |
0 |
1 |
0 |
3 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
В поисках смысла сетевой литературы |
2504 | 150 |
8 |
29 |
18 |
21 |
10 |
7 |
7 |
8 |
9 |
14 |
10 |
9 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
4 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
Рифма к городу |
3362 | 149 |
10 |
27 |
12 |
18 |
11 |
8 |
8 |
9 |
10 |
19 |
13 |
4 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
0 |
Памятник Румянцеву в "Капитанской дочке" |
635 | 149 |
12 |
24 |
15 |
17 |
14 |
12 |
6 |
6 |
8 |
11 |
15 |
9 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
4 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
1 |
2 |
0 |
1 |
1 |
Возвращение |
3144 | 149 |
11 |
29 |
16 |
18 |
10 |
4 |
5 |
10 |
11 |
14 |
15 |
6 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
4 |
3 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
Воспитание гениев |
815 | 148 |
9 |
29 |
12 |
24 |
8 |
8 |
4 |
6 |
11 |
18 |
9 |
10 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
4 |
2 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
Достоевский как оптимальная точка видения |
2804 | 148 |
12 |
30 |
12 |
21 |
8 |
8 |
7 |
5 |
5 |
16 |
12 |
12 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
5 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
Евгений Водолазкин и поэтика абсурда |
1042 | 148 |
8 |
29 |
24 |
16 |
9 |
11 |
4 |
9 |
7 |
10 |
11 |
10 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
3 |
3 |
0 |
0 |
0 |
Самоубийство разума |
2920 | 147 |
9 |
23 |
16 |
21 |
10 |
6 |
7 |
10 |
11 |
14 |
13 |
7 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
Образы русской природы в лирике Рубцова |
488 | 147 |
10 |
26 |
19 |
17 |
7 |
6 |
4 |
15 |
9 |
11 |
13 |
10 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
4 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
1 |
С кем я познакомилась на Си |
3289 | 146 |
7 |
22 |
12 |
26 |
17 |
7 |
6 |
4 |
11 |
12 |
10 |
12 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
Почему критики-революционеры выбрали Катерину, а не Варвару лучом света? |
441 | 146 |
11 |
28 |
22 |
14 |
10 |
14 |
4 |
6 |
5 |
15 |
11 |
6 |
0 |
0 |
3 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
Про что поэзия Барто? - да все про то! |
5638 | 146 |
13 |
24 |
15 |
19 |
8 |
11 |
3 |
11 |
14 |
9 |
11 |
8 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
2 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
Кто в окошке. Сказочные звери |
3651 | 146 |
8 |
33 |
11 |
21 |
11 |
4 |
5 |
9 |
7 |
10 |
18 |
9 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
Ирония и автоирония |
288 | 145 |
13 |
28 |
24 |
21 |
7 |
6 |
2 |
6 |
5 |
13 |
11 |
9 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
3 |
0 |
4 |
0 |
0 |
1 |
Поэтика абсурда при свете совести |
2574 | 145 |
7 |
29 |
18 |
18 |
7 |
5 |
5 |
10 |
9 |
16 |
12 |
9 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
3 |
1 |
3 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
Почему А. И. Солженицын в рассказе "Один день Ивана Денисовича" не идеализирует "даже тех лиц, которых он любит"? (В. Я. Лакшин) |
475 | 145 |
8 |
25 |
16 |
18 |
8 |
6 |
4 |
10 |
13 |
15 |
18 |
4 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
5 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
Вирус абсурда в истории человеческой культуры |
2141 | 143 |
8 |
39 |
15 |
19 |
7 |
9 |
4 |
6 |
9 |
11 |
9 |
7 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
5 |
3 |
2 |
2 |
1 |
0 |
3 |
3 |
0 |
2 |
2 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
Островский о романтической ипостаси русской литературы |
1030 | 143 |
14 |
28 |
14 |
16 |
9 |
8 |
4 |
6 |
6 |
12 |
14 |
12 |
0 |
0 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
4 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
Кирилл Юрьевич отбывает в Канаду |
2959 | 143 |
12 |
25 |
13 |
21 |
11 |
5 |
5 |
8 |
10 |
10 |
17 |
6 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
4 |
1 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
4 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
Чудачество и донкихотство. Шукшин и Сервантес |
1210 | 143 |
8 |
24 |
13 |
18 |
9 |
10 |
4 |
8 |
16 |
11 |
14 |
8 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
Какой плод у дерева |
2846 | 142 |
11 |
27 |
10 |
16 |
9 |
6 |
10 |
8 |
9 |
14 |
17 |
5 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
4 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
Что в имени мне твоем |
2791 | 142 |
9 |
24 |
15 |
20 |
10 |
7 |
5 |
7 |
9 |
10 |
12 |
14 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
3 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
Алексиевич. Чернобыль |
937 | 141 |
11 |
23 |
15 |
16 |
10 |
5 |
11 |
4 |
10 |
17 |
7 |
12 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
Художник у Христа за пазухой |
2509 | 141 |
8 |
29 |
15 |
19 |
8 |
6 |
4 |
11 |
8 |
14 |
9 |
10 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
3 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
Собрание обратных цитат о любви |
2812 | 134 |
5 |
32 |
15 |
15 |
7 |
3 |
4 |
7 |
10 |
15 |
13 |
8 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
1 |
2 |
1 |
0 |
2 |
0 |
3 |
2 |
1 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
Избранница народного слова |
2247 | 134 |
9 |
27 |
16 |
20 |
8 |
5 |
4 |
8 |
6 |
13 |
12 |
6 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
Как в "Превращении" Кафки выражена идея торжества разума |
680 | 134 |
9 |
21 |
19 |
18 |
4 |
7 |
11 |
8 |
10 |
11 |
14 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
3 |
0 |
0 |
0 |
Ленин как поэт Серебряного века |
1176 | 134 |
10 |
27 |
13 |
12 |
5 |
6 |
4 |
10 |
12 |
11 |
15 |
9 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
4 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
Хлестаков и Печорин |
1165 | 134 |
13 |
25 |
14 |
17 |
4 |
6 |
3 |
4 |
6 |
14 |
18 |
10 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
4 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
"Коршун" Тютчева - материализм и идеализм |
481 | 134 |
7 |
29 |
15 |
18 |
9 |
6 |
6 |
5 |
8 |
13 |
11 |
7 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
Монтажная композиция |
288 | 134 |
7 |
29 |
20 |
16 |
4 |
5 |
4 |
13 |
9 |
12 |
9 |
6 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
3 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
3 |
0 |
3 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
Киев старый и новый |
2143 | 133 |
8 |
28 |
10 |
20 |
6 |
6 |
7 |
4 |
11 |
7 |
14 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
Сон как нонсенс в "Войне и мире" |
441 | 133 |
7 |
26 |
17 |
18 |
6 |
8 |
5 |
6 |
9 |
10 |
14 |
7 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
Советы |
2228 | 133 |
10 |
25 |
14 |
16 |
7 |
6 |
4 |
7 |
12 |
10 |
14 |
8 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
Что общего между не любящими друг друга Раскольниковым и Лужиным |
875 | 133 |
8 |
25 |
18 |
14 |
10 |
8 |
5 |
8 |
10 |
13 |
9 |
5 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
Дан прислал |
766 | 133 |
12 |
20 |
17 |
18 |
9 |
4 |
6 |
7 |
10 |
11 |
11 |
8 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
4 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
Был ли влюблен Иван Васильевич в Вареньку? |
409 | 133 |
8 |
21 |
19 |
16 |
9 |
7 |
2 |
9 |
8 |
16 |
11 |
7 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
Искушение как психологический прием |
2699 | 133 |
8 |
23 |
10 |
15 |
10 |
9 |
7 |
10 |
12 |
13 |
11 |
5 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
Атрибуты беса |
2923 | 132 |
13 |
24 |
6 |
17 |
5 |
9 |
3 |
9 |
8 |
15 |
15 |
8 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
5 |
0 |
0 |
3 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
4 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
Лампа Мафусаила |
1451 | 132 |
6 |
25 |
15 |
16 |
7 |
8 |
3 |
9 |
10 |
13 |
13 |
7 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
Средства художественной изобразительности |
1368 | 132 |
13 |
27 |
13 |
12 |
7 |
4 |
3 |
8 |
11 |
11 |
13 |
10 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
Вот и обсудили! |
2470 | 132 |
8 |
21 |
14 |
17 |
13 |
10 |
6 |
7 |
9 |
10 |
9 |
8 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
Все по Салтыкову-Щедрину! |
4124 | 132 |
10 |
26 |
7 |
20 |
7 |
5 |
8 |
6 |
8 |
13 |
15 |
7 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
Одиночество. Пушкин, пророчество и песни матери в стихотворении "Выхожу один я на дорогу" |
989 | 131 |
11 |
22 |
15 |
15 |
6 |
12 |
5 |
11 |
5 |
10 |
13 |
6 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
4 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
Пространство в живописи текста у Гоголя |
577 | 131 |
11 |
26 |
20 |
14 |
7 |
8 |
5 |
4 |
8 |
11 |
10 |
7 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
4 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
4 |
2 |
0 |
0 |
Ведьмостиший больше не будет |
2809 | 131 |
11 |
25 |
12 |
17 |
8 |
5 |
4 |
4 |
13 |
11 |
12 |
9 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
Возвращение блудного Чацкого |
692 | 131 |
14 |
19 |
10 |
17 |
9 |
10 |
4 |
8 |
6 |
19 |
7 |
8 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
Компьютер и сексуальная революция писателя |
2661 | 131 |
6 |
27 |
11 |
20 |
9 |
5 |
6 |
7 |
9 |
12 |
5 |
14 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
2 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
Теория диссоциаций и Булгаков |
1105 | 130 |
10 |
23 |
15 |
21 |
6 |
5 |
3 |
4 |
10 |
13 |
8 |
12 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
4 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
Горе от ума или ум от горя. Перевертыши |
685 | 130 |
9 |
22 |
15 |
16 |
6 |
8 |
4 |
13 |
12 |
10 |
10 |
5 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
1 |
0 |
Белая ворона |
2198 | 130 |
5 |
28 |
11 |
16 |
2 |
6 |
4 |
12 |
11 |
15 |
14 |
6 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
4 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
Андрей Болконский - Дон Кихот |
522 | 130 |
11 |
28 |
19 |
13 |
7 |
4 |
3 |
13 |
7 |
11 |
8 |
6 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
Ушки, ножки, рожки |
6313 | 129 |
9 |
28 |
10 |
15 |
7 |
6 |
8 |
6 |
9 |
16 |
10 |
5 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
Введение в чтение Гоголя. Хлестаков |
485 | 129 |
11 |
30 |
19 |
13 |
7 |
5 |
3 |
7 |
6 |
14 |
10 |
4 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
4 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
2 |
Утенок |
4368 | 129 |
7 |
32 |
10 |
18 |
8 |
6 |
5 |
5 |
8 |
13 |
11 |
6 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
2 |
4 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
Достоевский и риторические вопросы (диатриба) |
476 | 128 |
13 |
25 |
18 |
17 |
5 |
8 |
3 |
5 |
4 |
13 |
13 |
4 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
1 |
Отражение. Две рецензии на стихи Феликса Когана |
3227 | 128 |
9 |
23 |
17 |
13 |
6 |
6 |
4 |
10 |
7 |
14 |
8 |
11 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
4 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
Письмо Татьяны. Общие места - романтизмы |
495 | 127 |
10 |
25 |
17 |
18 |
7 |
6 |
4 |
4 |
8 |
12 |
13 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
Лисенок в курятнике Стихи.ру |
5828 | 127 |
10 |
21 |
14 |
14 |
9 |
7 |
5 |
5 |
13 |
7 |
15 |
7 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
Сексуальность Гоголя |
560 | 127 |
9 |
20 |
14 |
19 |
7 |
5 |
2 |
8 |
9 |
14 |
12 |
8 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
Социальные болезни Стихи.ру |
6840 | 127 |
7 |
26 |
9 |
19 |
9 |
5 |
3 |
9 |
11 |
15 |
10 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
Пушкин |
5844 | 127 |
6 |
22 |
15 |
15 |
9 |
6 |
2 |
9 |
6 |
12 |
14 |
11 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
Исход |
2023 | 126 |
7 |
24 |
10 |
16 |
12 |
4 |
3 |
10 |
8 |
11 |
9 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
Государство и общество: свобода и необходимость |
4781 | 126 |
13 |
22 |
9 |
14 |
9 |
3 |
2 |
10 |
9 |
12 |
8 |
15 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
4 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
Символика цвета |
208 | 126 |
7 |
24 |
16 |
18 |
7 |
7 |
6 |
5 |
5 |
12 |
10 |
9 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
Проблематика произведений. Богатство и бедность |
427 | 126 |
15 |
28 |
15 |
14 |
7 |
4 |
4 |
5 |
6 |
13 |
10 |
5 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
4 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
3 |
0 |
2 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
Мир как книга |
790 | 126 |
6 |
28 |
10 |
15 |
9 |
10 |
4 |
6 |
7 |
14 |
9 |
8 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
Александр Шленский: "Художник, канонир и козни дьявола". Рецензия |
2219 | 126 |
8 |
26 |
15 |
17 |
5 |
4 |
4 |
7 |
5 |
14 |
11 |
10 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
Как работает поэтика абсурда |
4258 | 126 |
8 |
22 |
16 |
10 |
12 |
7 |
4 |
8 |
8 |
15 |
9 |
7 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
Темное вещество, абсолютный дух и человеческая цивилизация |
779 | 125 |
6 |
26 |
12 |
18 |
8 |
5 |
4 |
6 |
9 |
13 |
9 |
9 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
4 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
Снова по поводу "Тихого Дона" |
958 | 125 |
8 |
22 |
14 |
19 |
6 |
5 |
3 |
10 |
6 |
14 |
9 |
9 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
4 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
4 |
0 |
0 |
0 |
О чем поют сферы Гоголя |
731 | 125 |
8 |
26 |
9 |
19 |
10 |
5 |
4 |
6 |
8 |
13 |
11 |
6 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
Как в "Легенде о великом инквизиторе" следует искать Р.Р.Раскольникова и С.С.Мармеладову? |
685 | 125 |
11 |
21 |
13 |
20 |
7 |
5 |
6 |
6 |
8 |
18 |
7 |
3 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
Совет- не любовь |
2467 | 125 |
6 |
24 |
12 |
19 |
5 |
5 |
6 |
10 |
7 |
12 |
11 |
8 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
Праздник Победы для кого-то пытаются сделать днем скорби |
3251 | 124 |
8 |
28 |
10 |
19 |
5 |
7 |
2 |
7 |
7 |
11 |
12 |
8 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
Страсть и поэзия |
1747 | 124 |
10 |
24 |
15 |
15 |
7 |
6 |
4 |
7 |
8 |
11 |
10 |
7 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
Дурное общество |
807 | 124 |
10 |
29 |
16 |
15 |
7 |
2 |
2 |
8 |
8 |
10 |
9 |
8 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
3 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
Галич и Мандельштам вокруг образа вождя |
301 | 124 |
8 |
23 |
19 |
17 |
8 |
4 |
3 |
8 |
7 |
12 |
9 |
6 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
Каким должен быть правитель |
356 | 124 |
8 |
22 |
12 |
18 |
6 |
6 |
3 |
10 |
14 |
12 |
7 |
6 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
Паломничество убогой (2 редакция) |
345 | 124 |
9 |
25 |
8 |
20 |
5 |
6 |
3 |
7 |
12 |
9 |
14 |
6 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
Эпилог |
230 | 124 |
12 |
25 |
16 |
14 |
6 |
5 |
3 |
6 |
6 |
13 |
13 |
5 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
3 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
Легенда о великом инквизиторе |
877 | 124 |
8 |
27 |
11 |
18 |
7 |
8 |
4 |
3 |
6 |
10 |
15 |
7 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
Крочечка Хаврошечка |
567 | 124 |
5 |
31 |
12 |
17 |
8 |
3 |
3 |
6 |
8 |
10 |
10 |
11 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
5 |
1 |
3 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
По поводу некоторых неточностей Евгения Клюева |
2216 | 124 |
8 |
26 |
16 |
18 |
6 |
9 |
2 |
5 |
4 |
15 |
7 |
8 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
3 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
Молодежь и общество потребления |
3550 | 114 |
10 |
25 |
5 |
16 |
6 |
9 |
3 |
9 |
6 |
10 |
11 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
4 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
Введение в чтение Лермонтова. Система отражений |
394 | 113 |
4 |
24 |
19 |
12 |
8 |
4 |
1 |
7 |
6 |
11 |
12 |
5 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
Конечный смысл страдания |
2295 | 113 |
5 |
26 |
14 |
18 |
6 |
4 |
3 |
7 |
3 |
12 |
9 |
6 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
То |
401 | 113 |
4 |
26 |
10 |
16 |
7 |
6 |
3 |
5 |
8 |
14 |
9 |
5 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
4 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
Модель романа-эпопеи |
785 | 113 |
8 |
28 |
13 |
13 |
7 |
4 |
4 |
7 |
8 |
9 |
8 |
4 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
5 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
Популярные стили в изображении Гоголя |
245 | 113 |
5 |
27 |
14 |
13 |
5 |
4 |
2 |
6 |
5 |
16 |
10 |
6 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
О Мастере и деле врачей |
969 | 113 |
9 |
26 |
9 |
13 |
12 |
7 |
2 |
5 |
9 |
10 |
6 |
5 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
4 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
2 |
0 |
3 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
Введение в философию сказок |
516 | 113 |
6 |
29 |
13 |
14 |
7 |
7 |
1 |
7 |
5 |
12 |
5 |
7 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
5 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
Проклятые вопросы в |
287 | 112 |
9 |
26 |
16 |
15 |
6 |
4 |
3 |
5 |
4 |
11 |
9 |
4 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
1 |
Джулиан Барнс в защиту критики |
2477 | 112 |
8 |
23 |
10 |
14 |
8 |
7 |
4 |
10 |
3 |
10 |
8 |
7 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
Государство и общество: бюрократизм и свобода от бюрократии |
3112 | 112 |
4 |
27 |
8 |
14 |
6 |
6 |
3 |
6 |
7 |
19 |
7 |
5 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
Байрон - предтеча русского реализма |
605 | 112 |
9 |
26 |
12 |
18 |
6 |
5 |
1 |
5 |
7 |
12 |
7 |
4 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
О бедном Гайдаре замолвите слово... (Беседа с В.И.Глоцером) |
2991 | 112 |
8 |
20 |
9 |
13 |
5 |
6 |
4 |
7 |
5 |
19 |
7 |
9 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
О времени |
996 | 112 |
8 |
22 |
13 |
16 |
5 |
3 |
4 |
6 |
7 |
13 |
8 |
7 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
Лимерик |
2126 | 112 |
5 |
25 |
14 |
14 |
5 |
4 |
4 |
5 |
5 |
13 |
12 |
6 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
Честь как главная жизненная ценность у Достоевского |
416 | 111 |
8 |
21 |
15 |
15 |
3 |
5 |
5 |
4 |
7 |
11 |
11 |
6 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
4 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
Интервью с Игорем Панариным |
2337 | 111 |
6 |
25 |
14 |
15 |
4 |
6 |
4 |
8 |
9 |
9 |
9 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
Нам много миллионов лет. Каждому |
691 | 111 |
13 |
22 |
13 |
18 |
5 |
4 |
0 |
6 |
8 |
9 |
9 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
6 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
Где же новая поэзия |
2267 | 111 |
9 |
22 |
14 |
17 |
6 |
3 |
1 |
5 |
10 |
10 |
10 |
4 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
3 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
Бегемотик |
3165 | 111 |
7 |
19 |
5 |
18 |
5 |
7 |
6 |
9 |
4 |
15 |
10 |
6 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
"Детство" и уход из Ясной поляны |
244 | 108 |
9 |
21 |
16 |
13 |
5 |
3 |
2 |
4 |
5 |
10 |
16 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
1 |
О романе "Обратная Перспектива А.Столярова |
1218 | 107 |
9 |
25 |
11 |
16 |
6 |
4 |
1 |
6 |
6 |
10 |
8 |
5 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
Форма абсолютной сути созидаемого |
647 | 107 |
11 |
20 |
9 |
18 |
3 |
5 |
3 |
4 |
6 |
13 |
9 |
6 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
Рассуждения. К статье В.Шемшученко Поэт сам выбирает судьбу... (Лг Љ36) |
2002 | 107 |
8 |
23 |
9 |
11 |
7 |
5 |
2 |
14 |
4 |
7 |
13 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
Мотивы смерти и бессмертия в физиологических очерках Некрасова "Утренняя прогулка" и "Рыцарь на час" |
324 | 107 |
6 |
22 |
17 |
12 |
4 |
5 |
1 |
8 |
8 |
12 |
8 |
4 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
Грамматика абсурдиста |
2006 | 106 |
5 |
18 |
11 |
19 |
5 |
4 |
1 |
10 |
8 |
6 |
12 |
7 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
Велика ли дань Пушкина мифологии |
3023 | 106 |
7 |
23 |
9 |
14 |
7 |
8 |
0 |
9 |
9 |
9 |
7 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
Введение в чтение Гоголя |
696 | 106 |
11 |
18 |
15 |
13 |
4 |
5 |
5 |
8 |
8 |
8 |
6 |
5 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
Рванет-не рванет |
491 | 106 |
10 |
25 |
8 |
17 |
9 |
5 |
2 |
4 |
5 |
9 |
8 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
5 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
Встреча этики с эстетикой в рамках поэтики абсурда |
2218 | 106 |
6 |
22 |
8 |
18 |
6 |
5 |
3 |
6 |
5 |
16 |
8 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
О Бродском - Имперский поэт? |
689 | 106 |
6 |
22 |
10 |
14 |
9 |
4 |
3 |
8 |
5 |
14 |
6 |
5 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
Возможен ли герой нашего времени? |
463 | 105 |
7 |
23 |
7 |
19 |
4 |
4 |
2 |
9 |
8 |
6 |
10 |
6 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
Деление на невозможность |
1910 | 105 |
5 |
23 |
13 |
12 |
5 |
3 |
3 |
7 |
5 |
11 |
12 |
6 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
5 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
Почему Путин заинтересован в развитии гражданского общества |
2432 | 105 |
4 |
25 |
11 |
13 |
5 |
4 |
3 |
9 |
9 |
9 |
9 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
"Шиповник цветет" - не сжигай |
503 | 104 |
9 |
17 |
15 |
14 |
5 |
5 |
1 |
5 |
7 |
9 |
10 |
7 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
2 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
К проблеме Израиля |
1174 | 104 |
8 |
25 |
11 |
12 |
3 |
5 |
2 |
7 |
6 |
14 |
8 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
Онегин - лицеист? |
490 | 104 |
11 |
18 |
13 |
11 |
4 |
5 |
2 |
8 |
5 |
13 |
10 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
4 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
0 |
3 |
0 |
0 |
0 |
Молчание - литературная преемственность |
511 | 104 |
11 |
19 |
11 |
15 |
4 |
6 |
3 |
7 |
6 |
10 |
9 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
Между прошлым и будущим |
458 | 104 |
10 |
22 |
16 |
11 |
6 |
3 |
3 |
7 |
6 |
10 |
8 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
Пушкину миллиарды лет |
749 | 103 |
9 |
18 |
12 |
13 |
4 |
4 |
4 |
5 |
7 |
14 |
9 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
Пушкинский пленник |
510 | 103 |
9 |
23 |
15 |
14 |
7 |
5 |
2 |
4 |
5 |
7 |
9 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
3 |
2 |
0 |
0 |
Вирус абсурда в рамках боровской Дополнительности |
1956 | 103 |
4 |
27 |
11 |
15 |
6 |
4 |
1 |
4 |
8 |
11 |
8 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
Национальность биографа |
2725 | 102 |
4 |
19 |
10 |
16 |
5 |
8 |
2 |
8 |
5 |
9 |
8 |
8 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
О курсе реформ и курсе литературы |
788 | 102 |
10 |
24 |
7 |
17 |
5 |
3 |
2 |
5 |
6 |
9 |
6 |
8 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
Удача и капуста |
2230 | 101 |
5 |
19 |
8 |
15 |
4 |
4 |
1 |
8 |
12 |
9 |
8 |
8 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
Необходимое или цель - искусство? |
515 | 101 |
5 |
21 |
15 |
12 |
3 |
4 |
6 |
5 |
8 |
7 |
12 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
Онтологическое обоснование гения эпохи |
1058 | 101 |
7 |
20 |
13 |
13 |
5 |
6 |
3 |
7 |
6 |
7 |
9 |
5 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
Ну и реклама сейчас у Проханова |
1900 | 100 |
2 |
23 |
14 |
13 |
3 |
4 |
6 |
7 |
8 |
7 |
8 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
Технические болезни Стихиры |
2379 | 100 |
5 |
21 |
14 |
13 |
6 |
5 |
1 |
6 |
6 |
8 |
12 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
Время и правители |
1030 | 100 |
11 |
21 |
13 |
11 |
6 |
3 |
2 |
6 |
8 |
8 |
8 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
День 7 ноября |
753 | 99 |
7 |
22 |
12 |
11 |
6 |
3 |
1 |
9 |
5 |
10 |
5 |
8 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
Бы да кабы |
680 | 98 |
10 |
18 |
11 |
11 |
4 |
5 |
4 |
7 |
5 |
12 |
5 |
6 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
Государыня Россия |
2158 | 97 |
8 |
21 |
11 |
8 |
6 |
5 |
3 |
7 |
8 |
10 |
9 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
1 |
0 |
0 |
"Сретенье " Бродского как трансляция |
380 | 97 |
6 |
20 |
10 |
15 |
7 |
4 |
1 |
6 |
7 |
8 |
8 |
5 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
Рубцов и формальный метод |
2420 | 95 |
5 |
26 |
8 |
12 |
7 |
3 |
1 |
7 |
4 |
10 |
7 |
5 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
Радио Свобода, Цру и великая русская литература |
2267 | 92 |
9 |
17 |
7 |
12 |
4 |
4 |
2 |
9 |
6 |
12 |
6 |
4 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
Менеджеры и профессионалы |
2084 | 92 |
9 |
17 |
10 |
12 |
4 |
4 |
1 |
8 |
5 |
6 |
11 |
5 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
Литературоведение, рабство и пенсионная реформа |
891 | 89 |
6 |
17 |
10 |
9 |
4 |
4 |
2 |
7 |
7 |
13 |
5 |
5 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |