| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 |
По разделу |
331365 | 1543 |
409 |
185 |
197 |
87 |
92 |
78 |
79 |
79 |
73 |
79 |
91 |
94 |
0 |
3 |
4 |
4 |
4 |
15 |
7 |
10 |
25 |
2 |
3 |
4 |
11 |
20 |
14 |
26 |
26 |
25 |
26 |
29 |
24 |
15 |
22 |
15 |
14 |
20 |
20 |
6 |
9 |
6 |
15 |
31 |
20 |
3 |
5 |
5 |
6 |
3 |
4 |
3 |
3 |
4 |
4 |
7 |
4 |
8 |
5 |
8 |
5 |
5 |
3 |
3 |
4 |
7 |
4 |
8 |
4 |
4 |
3 |
4 |
2 |
3 |
Графики Самары |
2132 | 501 |
49 |
51 |
52 |
58 |
55 |
46 |
36 |
23 |
24 |
37 |
34 |
36 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
2 |
3 |
1 |
0 |
2 |
3 |
2 |
2 |
0 |
4 |
3 |
1 |
1 |
2 |
2 |
0 |
4 |
4 |
1 |
3 |
1 |
0 |
5 |
1 |
1 |
2 |
2 |
2 |
1 |
1 |
3 |
0 |
1 |
0 |
2 |
2 |
3 |
4 |
1 |
2 |
3 |
3 |
0 |
2 |
2 |
0 |
4 |
2 |
2 |
2 |
1 |
2 |
1 |
Елена Титова.пленница красоты |
414 | 414 |
348 |
66 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
3 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
3 |
3 |
11 |
20 |
14 |
26 |
26 |
25 |
26 |
29 |
24 |
15 |
22 |
15 |
14 |
20 |
20 |
5 |
9 |
6 |
15 |
31 |
20 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Кутяков Сергей. Династия Кутяковых. Простая история |
1883 | 303 |
40 |
42 |
31 |
24 |
24 |
20 |
19 |
21 |
16 |
18 |
25 |
23 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
3 |
1 |
5 |
4 |
1 |
2 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
3 |
1 |
1 |
1 |
6 |
1 |
0 |
0 |
4 |
6 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
3 |
0 |
3 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
2 |
1 |
Дина Богусонова. Амазонка неоабстракционизма |
2724 | 281 |
44 |
39 |
29 |
23 |
20 |
25 |
21 |
16 |
15 |
12 |
16 |
21 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
3 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
3 |
0 |
1 |
0 |
2 |
2 |
5 |
3 |
5 |
1 |
2 |
2 |
3 |
2 |
1 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
3 |
3 |
2 |
1 |
2 |
0 |
1 |
Самаринкина Алиса. Из чего же вырастают художники? |
2431 | 258 |
30 |
34 |
37 |
25 |
22 |
19 |
13 |
13 |
15 |
10 |
17 |
23 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
4 |
2 |
3 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
4 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
3 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
3 |
3 |
1 |
3 |
1 |
0 |
1 |
Самарские графики. Живое наследие |
1257 | 240 |
37 |
30 |
37 |
19 |
24 |
13 |
7 |
11 |
13 |
16 |
19 |
14 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
4 |
1 |
0 |
0 |
2 |
1 |
3 |
3 |
2 |
2 |
2 |
2 |
6 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
Бакумов Вячеслав летописец нашей жизни |
239 | 239 |
31 |
69 |
139 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
4 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
4 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
7 |
4 |
8 |
4 |
4 |
5 |
5 |
1 |
1 |
3 |
3 |
2 |
8 |
1 |
3 |
2 |
2 |
1 |
2 |
Виноградова Анна. Блеск национальной романтики |
1540 | 231 |
37 |
28 |
24 |
12 |
21 |
16 |
15 |
8 |
10 |
17 |
23 |
20 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
4 |
1 |
3 |
1 |
3 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
4 |
1 |
3 |
1 |
0 |
2 |
2 |
1 |
0 |
4 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
Альфред фон Вакано. Египетская и античная коллекции. Новые открытия |
656 | 225 |
25 |
27 |
28 |
14 |
24 |
10 |
16 |
14 |
17 |
14 |
20 |
16 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
4 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
3 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
Сергей Цедилов - мастер книги |
1440 | 223 |
37 |
33 |
30 |
20 |
16 |
12 |
6 |
13 |
12 |
9 |
13 |
22 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
5 |
3 |
0 |
3 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
4 |
3 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
3 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
3 |
2 |
2 |
1 |
1 |
0 |
Образ и время в советской живописи 30-х годов |
1404 | 215 |
26 |
19 |
33 |
17 |
17 |
13 |
13 |
11 |
16 |
17 |
12 |
21 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
5 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
Валентин Пурыгин. Мифы о художнике |
1760 | 211 |
40 |
32 |
22 |
13 |
13 |
12 |
10 |
14 |
13 |
13 |
13 |
16 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
6 |
4 |
3 |
2 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
4 |
4 |
2 |
0 |
0 |
3 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
8 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
Георгий Кикин.Женщины,подруги и ню |
1021 | 205 |
16 |
29 |
36 |
19 |
20 |
14 |
15 |
20 |
7 |
6 |
13 |
10 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
2 |
4 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
3 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
2 |
0 |
1 |
Свечников Владимир |
655 | 205 |
28 |
28 |
24 |
16 |
11 |
12 |
7 |
12 |
13 |
15 |
12 |
27 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
3 |
1 |
1 |
0 |
3 |
2 |
0 |
0 |
2 |
3 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
4 |
0 |
1 |
0 |
0 |
2 |
Юрий Скачков |
1119 | 201 |
26 |
27 |
25 |
18 |
22 |
16 |
9 |
9 |
14 |
12 |
11 |
12 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
3 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
1 |
2 |
3 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
Станислав Щеглов |
632 | 201 |
27 |
28 |
18 |
16 |
7 |
11 |
8 |
7 |
14 |
20 |
35 |
10 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
4 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
4 |
2 |
0 |
3 |
2 |
0 |
0 |
2 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
3 |
2 |
1 |
0 |
1 |
1 |
1 |
Южанин Сергей |
199 | 199 |
38 |
21 |
27 |
10 |
19 |
12 |
51 |
21 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
5 |
2 |
0 |
2 |
0 |
1 |
2 |
0 |
4 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
3 |
3 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
2 |
2 |
1 |
2 |
1 |
Валентин Белоусов. Творчество |
3066 | 198 |
22 |
31 |
19 |
16 |
28 |
10 |
8 |
11 |
12 |
13 |
12 |
16 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
4 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
5 |
1 |
0 |
0 |
5 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
Художник Вадим Петрович Свешников |
490 | 198 |
29 |
25 |
28 |
17 |
10 |
10 |
11 |
9 |
14 |
16 |
17 |
12 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
2 |
1 |
0 |
3 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
3 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 |
Карэн Саркисов |
2202 | 194 |
25 |
26 |
20 |
10 |
11 |
11 |
8 |
13 |
16 |
20 |
17 |
17 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
5 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
Карл Брюллов - наследие из Петербурга |
1842 | 191 |
31 |
35 |
26 |
10 |
18 |
6 |
9 |
8 |
11 |
9 |
19 |
9 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
4 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
4 |
1 |
0 |
2 |
3 |
2 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
4 |
1 |
0 |
0 |
1 |
1 |
Городу модерна - Музей Модерна |
2252 | 190 |
31 |
34 |
25 |
11 |
9 |
6 |
8 |
7 |
13 |
14 |
17 |
15 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
5 |
4 |
5 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
4 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
4 |
2 |
1 |
2 |
3 |
1 |
0 |
1 |
1 |
0 |
Ю.И.Филиппов художник - жизнелюб |
1394 | 190 |
30 |
34 |
25 |
11 |
15 |
8 |
12 |
12 |
13 |
10 |
8 |
12 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
6 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
4 |
2 |
3 |
0 |
2 |
2 |
1 |
3 |
0 |
2 |
2 |
2 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
Артур Фонвизин |
1063 | 189 |
36 |
27 |
26 |
16 |
11 |
10 |
7 |
9 |
12 |
10 |
14 |
11 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
3 |
0 |
2 |
2 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
2 |
3 |
1 |
0 |
2 |
2 |
0 |
3 |
1 |
2 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
Рудольф Баранов и академическая живопись России |
2771 | 187 |
24 |
48 |
24 |
16 |
9 |
7 |
7 |
8 |
7 |
9 |
16 |
12 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
3 |
3 |
2 |
1 |
5 |
4 |
1 |
1 |
0 |
4 |
3 |
2 |
1 |
1 |
1 |
4 |
3 |
2 |
3 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
1 |
0 |
0 |
Палех. Маленькие шедевры |
1505 | 186 |
22 |
28 |
24 |
15 |
7 |
8 |
9 |
4 |
15 |
10 |
22 |
22 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
4 |
0 |
1 |
2 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
Константин Коровин. Моцарт русской живописи |
2118 | 185 |
27 |
26 |
27 |
11 |
9 |
9 |
9 |
9 |
12 |
11 |
22 |
13 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
2 |
0 |
0 |
3 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
3 |
0 |
0 |
Геннадий Филатов.Мастер видового пейзажа |
1152 | 184 |
25 |
23 |
22 |
15 |
12 |
15 |
5 |
13 |
9 |
9 |
18 |
18 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
1 |
2 |
3 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
4 |
1 |
3 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
Карпунов Иван. Я всегда хотел быть художником |
2456 | 183 |
24 |
19 |
21 |
11 |
16 |
22 |
8 |
8 |
14 |
13 |
11 |
16 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
3 |
1 |
0 |
3 |
1 |
1 |
1 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Уильям Хогарт -основатель английской живописи |
1815 | 182 |
25 |
30 |
20 |
14 |
17 |
10 |
10 |
13 |
10 |
10 |
12 |
11 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
4 |
2 |
0 |
0 |
5 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
3 |
3 |
0 |
1 |
0 |
2 |
1 |
Александр Шуринов, Андрей Иноземцев. Под одним небом |
2409 | 182 |
27 |
20 |
23 |
6 |
15 |
13 |
10 |
12 |
14 |
15 |
12 |
15 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
3 |
4 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
Марко Грасси и его Персонажи |
2881 | 181 |
36 |
22 |
21 |
15 |
11 |
6 |
7 |
10 |
12 |
8 |
16 |
17 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
5 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
3 |
6 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
2 |
4 |
0 |
1 |
1 |
1 |
0 |
Западоевропейское искусство в собрании Сохм |
2272 | 180 |
37 |
27 |
22 |
20 |
13 |
11 |
9 |
4 |
4 |
3 |
11 |
19 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
4 |
0 |
0 |
2 |
0 |
0 |
2 |
3 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
6 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
2 |
6 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
Портрет семьи в русской живописи 18-19вв |
726 | 180 |
27 |
23 |
21 |
15 |
17 |
11 |
8 |
11 |
13 |
12 |
15 |
7 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
4 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
3 |
2 |
0 |
1 |
3 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
Евгений Чертыковцев. На тропе к образу |
1431 | 178 |
24 |
38 |
28 |
5 |
13 |
10 |
10 |
7 |
11 |
6 |
12 |
14 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
2 |
2 |
1 |
1 |
2 |
3 |
1 |
2 |
3 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
4 |
3 |
0 |
1 |
0 |
1 |
Арон Бух. главное его достижение - свобода |
1004 | 178 |
30 |
26 |
21 |
8 |
9 |
5 |
8 |
10 |
22 |
12 |
15 |
12 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
4 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
2 |
1 |
3 |
1 |
2 |
1 |
0 |
0 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
Наталья Сюзева. Девичьи игры |
2352 | 177 |
27 |
28 |
20 |
14 |
20 |
10 |
7 |
7 |
14 |
7 |
11 |
12 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
4 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
2 |
3 |
2 |
1 |
1 |
1 |
3 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
Шульпин Михаил. Образ Венеции для России |
2060 | 176 |
25 |
28 |
20 |
8 |
15 |
11 |
9 |
10 |
8 |
13 |
9 |
20 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
5 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
4 |
3 |
0 |
1 |
0 |
1 |
0 |
Портрет семьи в советской живописи.20век |
1054 | 175 |
27 |
22 |
20 |
12 |
17 |
8 |
14 |
4 |
9 |
8 |
16 |
18 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
3 |
2 |
0 |
2 |
3 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
4 |
1 |
0 |
2 |
0 |
0 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 |
Сергей Шнуров про брендреализм |
1074 | 161 |
28 |
22 |
17 |
11 |
15 |
8 |
7 |
8 |
12 |
13 |
9 |
11 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
4 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
1 |
0 |
2 |
4 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
3 |
1 |
1 |
1 |
1 |
0 |
В.Башкиров. Нестареющая Природа в его живописи |
1774 | 161 |
26 |
22 |
19 |
11 |
10 |
8 |
8 |
7 |
10 |
13 |
11 |
16 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
4 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
Виктор Норкин и его Вантастическая живопись |
2092 | 160 |
26 |
21 |
21 |
12 |
13 |
9 |
8 |
9 |
9 |
9 |
11 |
12 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
Лариса и Валерий Блохины. Запад и Восток в творчестве |
1484 | 158 |
22 |
23 |
19 |
11 |
15 |
6 |
11 |
8 |
11 |
9 |
9 |
14 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
4 |
2 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
3 |
0 |
0 |
2 |
0 |
0 |
Олег Рамодин -творец сказочной вселенной |
2028 | 157 |
28 |
31 |
20 |
9 |
12 |
7 |
7 |
7 |
8 |
6 |
14 |
8 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
6 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
2 |
0 |
2 |
0 |
1 |
1 |
Владимир Романов.Портреты и акварели |
1063 | 157 |
25 |
26 |
19 |
10 |
11 |
8 |
7 |
7 |
13 |
8 |
11 |
12 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
3 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
4 |
0 |
0 |
0 |
1 |
0 |
Мария Бабич.Молодые голоса в стиле фьюжн |
1699 | 157 |
26 |
28 |
19 |
10 |
8 |
4 |
11 |
3 |
15 |
8 |
13 |
12 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
2 |
3 |
1 |
0 |
0 |
4 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
Рецензии на книги Карлоса Руиса Сафона "Тень ветра" и " Игра Ангела" |
2406 | 156 |
22 |
20 |
15 |
13 |
13 |
7 |
9 |
9 |
8 |
13 |
12 |
15 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
Павел Филонов и его механика Вселенной |
1393 | 156 |
30 |
21 |
19 |
10 |
9 |
9 |
6 |
6 |
9 |
13 |
11 |
13 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
3 |
4 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
Попов Алексей (1955 -2013).Прекрасно небо голубое |
2217 | 156 |
23 |
31 |
22 |
8 |
10 |
7 |
9 |
5 |
10 |
8 |
11 |
12 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
4 |
1 |
1 |
1 |
2 |
3 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
4 |
1 |
1 |
3 |
1 |
0 |
0 |
4 |
0 |
0 |
5.Людмила Петтоки. Рассказы музейного человечка |
693 | 155 |
24 |
27 |
24 |
16 |
13 |
7 |
6 |
6 |
8 |
3 |
10 |
11 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
4 |
1 |
1 |
0 |
4 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
5 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
1 |
0 |
Японская гравюра |
1173 | 155 |
22 |
24 |
18 |
13 |
9 |
6 |
8 |
9 |
8 |
13 |
13 |
12 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
4 |
0 |
2 |
0 |
3 |
2 |
1 |
1 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
Панкратов Василий - портретист |
756 | 155 |
29 |
26 |
17 |
14 |
10 |
6 |
6 |
4 |
10 |
6 |
16 |
11 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
4 |
2 |
2 |
1 |
3 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
3 |
1 |
3 |
0 |
1 |
0 |
От утопии до игры.Новые поступления авангарда в Сохм |
1475 | 155 |
30 |
54 |
14 |
7 |
8 |
2 |
6 |
3 |
5 |
6 |
13 |
7 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
6 |
5 |
2 |
3 |
1 |
3 |
3 |
3 |
2 |
3 |
1 |
2 |
2 |
2 |
2 |
2 |
2 |
3 |
3 |
1 |
0 |
2 |
2 |
3 |
1 |
3 |
2 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
Н.Какошкина и В. Рябцев. Уходящая натура |
1827 | 155 |
28 |
28 |
18 |
9 |
13 |
7 |
7 |
5 |
8 |
7 |
12 |
13 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
4 |
3 |
0 |
2 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
Левитан и его современники |
1106 | 154 |
30 |
23 |
29 |
8 |
17 |
7 |
5 |
3 |
3 |
3 |
13 |
13 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
4 |
2 |
0 |
2 |
0 |
0 |
3 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
2 |
0 |
2 |
1 |
Вилковы.На нашей маленькой земле |
2157 | 154 |
22 |
24 |
17 |
13 |
14 |
9 |
5 |
5 |
12 |
5 |
15 |
13 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
Корнелия Функе.Волшебные сказки для взрослых" |
2214 | 154 |
25 |
24 |
25 |
6 |
13 |
6 |
5 |
6 |
9 |
7 |
14 |
14 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
4 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
6. Василий Ващенко. Рассказы музейного человечка |
769 | 151 |
21 |
21 |
22 |
17 |
17 |
8 |
6 |
4 |
8 |
8 |
9 |
10 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
0 |
4 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
Бойчукисты в Самаре |
2221 | 151 |
30 |
22 |
20 |
9 |
9 |
8 |
7 |
9 |
7 |
9 |
10 |
11 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
11 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 |
Андреев Юрий. Найди себе учителя и приобрети друга |
2018 | 151 |
24 |
20 |
19 |
12 |
10 |
9 |
8 |
6 |
12 |
8 |
11 |
12 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
2 |
4 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
Дхш им Марка Шагала -30 лет |
662 | 151 |
26 |
27 |
16 |
10 |
13 |
5 |
6 |
3 |
14 |
6 |
15 |
10 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
3 |
3 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
4 |
1 |
1 |
0 |
0 |
0 |
1 |
Альфред фон Вакано. Саркофаг из египетской коллекции |
446 | 151 |
20 |
27 |
17 |
9 |
16 |
6 |
9 |
8 |
7 |
4 |
12 |
16 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
4 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
В.Пентюх и Н.Непьянова.Образ Отечества |
1945 | 150 |
27 |
27 |
22 |
10 |
10 |
10 |
5 |
5 |
6 |
5 |
10 |
13 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
3 |
4 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
3 |
3 |
0 |
1 |
4 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
Запечатленное время в мировоззрении поколения семидесятых |
1950 | 150 |
24 |
37 |
22 |
12 |
9 |
6 |
4 |
1 |
6 |
11 |
9 |
9 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
2 |
3 |
2 |
1 |
1 |
0 |
2 |
2 |
2 |
2 |
2 |
2 |
0 |
1 |
2 |
Выставка.Лицо старого дома.Самара |
1536 | 149 |
28 |
36 |
13 |
9 |
10 |
10 |
4 |
4 |
9 |
6 |
11 |
9 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
1 |
3 |
5 |
3 |
0 |
4 |
3 |
0 |
1 |
0 |
4 |
1 |
2 |
0 |
1 |
0 |
2 |
3 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
2 |
0 |
Коновалов Ген Гри -художник 20 века |
1739 | 149 |
20 |
24 |
24 |
13 |
11 |
5 |
5 |
5 |
10 |
11 |
10 |
11 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
1 |
1 |
0 |
2 |
3 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
Вадим Сушко.Я люблю судьбу свою |
2530 | 148 |
32 |
17 |
21 |
11 |
12 |
10 |
6 |
2 |
8 |
6 |
9 |
14 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
3 |
0 |
2 |
1 |
2 |
4 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
2 |
2 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
Арнольд Лаховский.Наследие Эмигранта |
2074 | 148 |
26 |
29 |
24 |
10 |
6 |
7 |
8 |
3 |
7 |
8 |
15 |
5 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
5 |
2 |
3 |
1 |
1 |
1 |
4 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
Солдат Победы. История жизни |
2424 | 147 |
21 |
24 |
24 |
11 |
13 |
6 |
6 |
8 |
6 |
8 |
11 |
9 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
2 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
3 |
0 |
0 |
0 |
0 |
1 |
Валерий Самаринкин.Дорога к храму |
461 | 147 |
22 |
23 |
20 |
11 |
13 |
7 |
16 |
7 |
6 |
3 |
9 |
10 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
1 |
0 |
0 |
3 |
1 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1. Чернова Валентина.Пленники искусства |
2491 | 146 |
23 |
25 |
17 |
8 |
13 |
7 |
6 |
8 |
8 |
11 |
12 |
8 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
5 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
Юлия Кузнецова ее пленэрная живопись |
1746 | 144 |
29 |
29 |
20 |
8 |
6 |
6 |
6 |
3 |
9 |
9 |
11 |
8 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
3 |
4 |
3 |
2 |
0 |
1 |
4 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
4 |
0 |
1 |
0 |
1 |
1 |
Елена Макеева. Стремительная живопись |
2107 | 144 |
22 |
24 |
21 |
6 |
14 |
4 |
4 |
5 |
10 |
4 |
14 |
16 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
2 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
4 |
0 |
3 |
0 |
0 |
0 |
Станислав Федоров |
1359 | 144 |
22 |
23 |
18 |
7 |
10 |
4 |
8 |
5 |
10 |
13 |
13 |
11 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
1 |
3 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
Любить жизнь глазами Виктора Новокрещенова |
2817 | 144 |
22 |
23 |
21 |
13 |
12 |
8 |
5 |
7 |
7 |
6 |
10 |
10 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
2 |
0 |
1 |
4 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
Восток в Сохм |
1561 | 143 |
23 |
22 |
15 |
11 |
12 |
8 |
6 |
6 |
10 |
9 |
7 |
14 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
3 |
2 |
3 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
Дмитрий Кондратьев |
1144 | 143 |
24 |
28 |
16 |
10 |
9 |
8 |
4 |
5 |
8 |
5 |
15 |
11 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
2 |
2 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
4 |
1 |
0 |
1 |
1 |
0 |
Юферев Геннадий |
458 | 143 |
23 |
23 |
22 |
14 |
11 |
6 |
3 |
5 |
8 |
6 |
9 |
13 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
3 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
1 |
Портретная галерея "Сыны Отечества" |
2223 | 142 |
25 |
25 |
17 |
6 |
13 |
8 |
9 |
5 |
7 |
4 |
8 |
15 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 |
Любовь Пархоменко."Вдохновение" Из Москвы в Самару |
1691 | 142 |
21 |
23 |
21 |
8 |
10 |
7 |
7 |
7 |
9 |
9 |
10 |
10 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
3 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
1 |
0 |
Е.Поленова и М.Якунчикова творительницы красоты |
405 | 142 |
21 |
23 |
23 |
9 |
8 |
7 |
5 |
3 |
3 |
12 |
17 |
11 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
2 |
3 |
3 |
0 |
0 |
0 |
1 |
0 |
Рерих и его держава на долгую память |
1692 | 142 |
25 |
24 |
19 |
8 |
8 |
7 |
6 |
6 |
8 |
11 |
10 |
10 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
4 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
Острецов Анатолий -художник наблюдатель |
2011 | 142 |
20 |
26 |
20 |
11 |
16 |
4 |
5 |
5 |
3 |
5 |
13 |
14 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
2 |
Игорь Петров Гений места |
1544 | 141 |
20 |
24 |
18 |
10 |
12 |
8 |
10 |
3 |
6 |
5 |
16 |
9 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
2 |
0 |
4 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
Альфред фон Вакано. Его музей |
492 | 141 |
27 |
22 |
15 |
10 |
12 |
7 |
9 |
8 |
5 |
6 |
11 |
9 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
4 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
В Лабиринте книжной иллюстрации |
1908 | 140 |
18 |
26 |
17 |
11 |
10 |
5 |
10 |
8 |
5 |
9 |
14 |
7 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
4 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
Юлия Кузнецова.Игры Солнца и теней |
1489 | 140 |
25 |
26 |
18 |
16 |
6 |
6 |
6 |
5 |
9 |
7 |
7 |
9 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
5 |
1 |
0 |
0 |
2 |
4 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
4 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
Эрбштейн Борис.Часть вторая |
471 | 140 |
23 |
18 |
20 |
12 |
11 |
5 |
5 |
6 |
9 |
13 |
8 |
10 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
4 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
Андрей Бодров -мастер сухой иглы |
1607 | 140 |
29 |
25 |
13 |
10 |
11 |
5 |
7 |
4 |
10 |
9 |
8 |
9 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
3 |
2 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
4 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
Валентина Крушинина.Своя тема |
1558 | 140 |
27 |
22 |
17 |
8 |
11 |
7 |
6 |
4 |
8 |
10 |
8 |
12 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
5 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
Николай Вдовкин и Ирина Елизарова.Эмали |
1849 | 139 |
28 |
17 |
17 |
9 |
9 |
8 |
10 |
4 |
4 |
6 |
10 |
17 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
4 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
Михаил Нестеров.Внутренняя жизнь и красота духа |
1989 | 138 |
28 |
21 |
13 |
10 |
14 |
6 |
6 |
4 |
5 |
6 |
7 |
18 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
4 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
3 |
0 |
1 |
0 |
0 |
1 |
Бородачев Юрий Петрович. Вспоминая современника |
942 | 137 |
19 |
23 |
17 |
11 |
13 |
10 |
8 |
2 |
10 |
5 |
11 |
8 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
2 |
1 |
1 |
0 |
3 |
2 |
2 |
3 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
Юрий Маланенков.Зима, весна, лето, осень - четыре времени года или - дороги России |
1935 | 137 |
27 |
25 |
26 |
10 |
12 |
3 |
5 |
2 |
6 |
2 |
10 |
9 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
4 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
3 |
0 |
1 |
0 |
1 |
1 |
1. Рассказы музейного человечка. Дом, где прирастают сердцем |
1636 | 136 |
17 |
27 |
19 |
13 |
8 |
6 |
7 |
1 |
8 |
6 |
10 |
14 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
3 |
1 |
0 |
3 |
3 |
2 |
1 |
2 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
С любовью из Крыма". Выставка |
1837 | 135 |
26 |
19 |
16 |
7 |
12 |
5 |
6 |
5 |
6 |
7 |
12 |
14 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
4 |
3 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
1 |
0 |
1 |
0 |
Станислав Федоров. Графика |
1104 | 135 |
20 |
21 |
14 |
10 |
14 |
7 |
6 |
4 |
9 |
9 |
14 |
7 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
3 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
Женя Бабушкин.Пыльные цветы |
2057 | 135 |
18 |
23 |
15 |
12 |
10 |
10 |
6 |
5 |
8 |
5 |
7 |
16 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
3 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
Дневник влюбленного предпринимателя |
2724 | 134 |
21 |
25 |
20 |
9 |
8 |
7 |
7 |
2 |
10 |
5 |
12 |
8 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 |
В.Герасимов -монументалист,живописец,график |
1430 | 134 |
18 |
24 |
15 |
8 |
11 |
7 |
9 |
6 |
5 |
6 |
10 |
15 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
Тумпуров Александр. Пейзаж как основная тема в русской живописи |
1881 | 134 |
27 |
20 |
21 |
10 |
12 |
10 |
5 |
1 |
2 |
5 |
9 |
12 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
3 |
3 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
3 |
0 |
2 |
0 |
0 |
0 |
Время волшебников, кукольники |
2302 | 134 |
22 |
26 |
23 |
7 |
10 |
6 |
5 |
3 |
6 |
5 |
7 |
14 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
1 |
3 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
Информация о владельце раздела |
1999 | 134 |
21 |
19 |
23 |
11 |
10 |
7 |
5 |
3 |
7 |
6 |
11 |
11 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
Егорова Любовь. Творчество под знаком воздуха и потока |
878 | 134 |
24 |
21 |
17 |
11 |
6 |
10 |
6 |
4 |
8 |
5 |
13 |
9 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
3 |
2 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
Рецензия на книгу Аркадия Ипполитова "Вчера,сегодня,навсегда" |
1923 | 133 |
24 |
18 |
19 |
7 |
12 |
9 |
6 |
3 |
9 |
2 |
10 |
14 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
2 |
0 |
1 |
3 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
100 картин из Оренбурга для Самары |
1971 | 132 |
18 |
19 |
26 |
8 |
12 |
2 |
6 |
4 |
8 |
7 |
10 |
12 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
Волжский самовар в экзистенциальных поисках |
930 | 132 |
21 |
21 |
18 |
8 |
10 |
4 |
5 |
6 |
5 |
13 |
11 |
10 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
4 |
0 |
0 |
0 |
0 |
1 |
Самара в творчестве семидесятников |
2326 | 132 |
21 |
19 |
18 |
8 |
7 |
9 |
10 |
2 |
6 |
8 |
13 |
11 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
3 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
Наталья Шепелева. Мастер детского портрета |
1794 | 131 |
23 |
18 |
20 |
9 |
15 |
4 |
3 |
3 |
7 |
5 |
7 |
17 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
2 |
2 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
4 |
1 |
0 |
0 |
1 |
Художники к 70-летию Победы. Выставка.Память, ставшая далекой тенью в новой весне |
1790 | 131 |
23 |
24 |
22 |
7 |
10 |
3 |
5 |
4 |
7 |
5 |
10 |
11 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
4 |
4 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
Ковалева Дина и ее теория Красоты |
673 | 131 |
23 |
24 |
17 |
9 |
11 |
2 |
4 |
4 |
5 |
6 |
15 |
11 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
4 |
1 |
1 |
1 |
0 |
1 |
0 |
Европейские фаянсы 18 века в собрании Сохм |
1700 | 131 |
20 |
21 |
14 |
7 |
14 |
6 |
7 |
5 |
6 |
7 |
12 |
12 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
4 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
Рассказы из прошлого века |
2356 | 130 |
23 |
21 |
13 |
9 |
15 |
5 |
5 |
6 |
3 |
7 |
13 |
10 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
Выставка к 100 -летию революции |
1156 | 130 |
21 |
23 |
15 |
12 |
13 |
4 |
7 |
3 |
4 |
6 |
10 |
12 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
Лариса Кондратова. Валяние не Валенков |
2281 | 129 |
22 |
26 |
14 |
10 |
10 |
5 |
5 |
5 |
4 |
4 |
9 |
15 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
Эрбштейн Борис. Часть первая |
570 | 129 |
16 |
20 |
20 |
9 |
15 |
5 |
6 |
5 |
8 |
8 |
10 |
7 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
0 |
1 |
3 |
3 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
Акварель -хорошая девка |
2008 | 129 |
17 |
27 |
15 |
8 |
13 |
5 |
5 |
4 |
9 |
4 |
11 |
11 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
4 |
1 |
0 |
0 |
3 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
4 |
0 |
1 |
0 |
1 |
0 |
Анна Голубкина - русский гений |
612 | 129 |
21 |
20 |
19 |
9 |
11 |
6 |
5 |
5 |
6 |
8 |
9 |
10 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
3 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
Туман Жумабаев. Свет старой Самары |
2001 | 129 |
22 |
20 |
18 |
8 |
14 |
4 |
5 |
4 |
6 |
6 |
11 |
11 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
4 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 |
2. Чернова Валентина. В мастерской художника |
2096 | 121 |
23 |
17 |
14 |
8 |
7 |
6 |
5 |
4 |
6 |
9 |
12 |
10 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
Мальвы самарского кэмпа |
2615 | 121 |
21 |
22 |
16 |
6 |
12 |
6 |
7 |
1 |
6 |
4 |
9 |
11 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
1 |
0 |
2 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
Соцреализм. Долой тихие пейзажики,уснувшие прудики |
2161 | 121 |
22 |
21 |
13 |
12 |
13 |
4 |
4 |
5 |
7 |
5 |
10 |
5 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
4 |
1 |
1 |
0 |
3 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
Дина Богусонова мастер эмали |
361 | 121 |
18 |
25 |
14 |
8 |
10 |
6 |
5 |
5 |
6 |
6 |
12 |
6 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
0 |
0 |
3 |
2 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
Рецензия на серию книг Артема Каменистого - "Девятый" |
1730 | 121 |
18 |
21 |
18 |
9 |
7 |
4 |
7 |
2 |
7 |
4 |
11 |
13 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
3 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
Посвящается Франции |
1825 | 121 |
27 |
12 |
13 |
8 |
9 |
3 |
5 |
2 |
5 |
4 |
11 |
22 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
3 |
5 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
Хохлова Наталья |
322 | 120 |
19 |
18 |
15 |
8 |
10 |
7 |
4 |
5 |
7 |
5 |
10 |
12 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
4 |
1 |
1 |
0 |
0 |
1 |
По закону племени |
2002 | 120 |
23 |
23 |
18 |
6 |
8 |
4 |
4 |
5 |
3 |
6 |
11 |
9 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
2 |
3 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
Самарские амазонки в интерьере цветущего папорпотника |
1393 | 120 |
16 |
25 |
17 |
8 |
7 |
5 |
5 |
5 |
4 |
5 |
9 |
14 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
4 |
1 |
0 |
1 |
3 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
Дина Богусонова.Эмали |
676 | 120 |
18 |
21 |
16 |
10 |
12 |
5 |
7 |
2 |
6 |
5 |
8 |
10 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
3 |
1 |
0 |
0 |
1 |
0 |
Юрий Филиппов. Паломники в Древнюю Русь |
1590 | 120 |
21 |
21 |
18 |
8 |
7 |
7 |
5 |
1 |
7 |
4 |
12 |
9 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
4 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
Рецензия на книгу Дэниэля Пеннака "Почти роман" |
1623 | 119 |
17 |
23 |
21 |
10 |
11 |
4 |
5 |
1 |
4 |
2 |
9 |
12 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
3 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
4. Рассказы музейного человечка. Похищение Курильщиков |
1891 | 119 |
15 |
22 |
13 |
8 |
9 |
9 |
5 |
3 |
6 |
6 |
14 |
9 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
3 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
Гений ар- деко. Эрте |
932 | 119 |
21 |
18 |
18 |
7 |
11 |
5 |
4 |
1 |
10 |
4 |
11 |
9 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
2 |
0 |
Альфред фон Вакано.Путешествие в Японию начинается |
421 | 119 |
18 |
22 |
22 |
9 |
9 |
7 |
5 |
3 |
4 |
6 |
6 |
8 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
1 |
0 |
1 |
5 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
0 |
2 |
0 |
0 |
Аромат сластей над садами |
2001 | 119 |
19 |
19 |
15 |
8 |
14 |
7 |
5 |
2 |
3 |
5 |
12 |
10 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
Осенние вернисажи 2016 |
1457 | 118 |
20 |
19 |
17 |
6 |
12 |
3 |
6 |
3 |
2 |
11 |
11 |
8 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
2 |
3 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
Многообразие фактур и таинство стиля |
2001 | 118 |
19 |
25 |
15 |
8 |
8 |
4 |
6 |
2 |
8 |
4 |
11 |
8 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
Тольятти.Союз художников |
408 | 118 |
19 |
19 |
18 |
10 |
9 |
7 |
3 |
3 |
5 |
10 |
7 |
8 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
2 |
3 |
1 |
0 |
0 |
Владимир Булеков.Экспрессивный портрет художника |
345 | 118 |
18 |
20 |
17 |
11 |
9 |
3 |
7 |
4 |
5 |
6 |
11 |
7 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
3 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 |
Мужская гостиная в Музее Модерна |
1754 | 118 |
16 |
20 |
17 |
10 |
11 |
5 |
3 |
0 |
7 |
5 |
17 |
7 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
1 |
0 |
1 |
1 |
5 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
Выставка Ильи Репина.Удовольствие для просвещенного зрителя |
1930 | 118 |
17 |
20 |
16 |
9 |
11 |
3 |
8 |
4 |
8 |
3 |
11 |
8 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
Обзор выставок ноября 2016 |
1407 | 118 |
18 |
24 |
18 |
7 |
12 |
5 |
3 |
2 |
2 |
8 |
9 |
10 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
3 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
3 |
2 |
0 |
1 |
0 |
2 |
0 |
Свет живописи старых мастеров |
1231 | 117 |
21 |
18 |
13 |
7 |
11 |
3 |
3 |
8 |
9 |
5 |
10 |
9 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
Зураб Церетели. Мелодии Грузии |
1478 | 117 |
20 |
27 |
18 |
8 |
6 |
5 |
3 |
2 |
5 |
2 |
10 |
11 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
4 |
2 |
0 |
0 |
3 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
Рецензия на книгу Артуро Переса-Реверте "Осада,или Шахматы со смертью" |
1610 | 115 |
19 |
18 |
18 |
8 |
10 |
4 |
5 |
3 |
6 |
6 |
6 |
12 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
3 |
2 |
1 |
3 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
Мысли вслух в технике гобелена |
1205 | 115 |
19 |
21 |
15 |
6 |
12 |
7 |
4 |
3 |
5 |
3 |
12 |
8 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
4 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
Цыганская рапсодия |
1839 | 115 |
22 |
22 |
16 |
6 |
9 |
4 |
3 |
5 |
6 |
1 |
13 |
8 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
25 лет Дкг. Для взрослых, которые были детьми, и для детей, которые обязательно будут взрослыми |
1570 | 114 |
21 |
20 |
13 |
6 |
8 |
7 |
6 |
2 |
3 |
2 |
14 |
12 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
4 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
Сад ее глазами ,и сад тот -райская страна |
1667 | 114 |
17 |
18 |
17 |
6 |
10 |
4 |
6 |
3 |
7 |
3 |
12 |
11 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
2 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
Рецензия на книгу Хайнлайна "Неприятная профессия Джонатана Хогана" |
1517 | 114 |
29 |
15 |
16 |
6 |
10 |
5 |
3 |
2 |
3 |
4 |
14 |
7 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
4 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
4 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
Обзор выставок в Самаре. Экспозиция это? |
1876 | 113 |
21 |
19 |
13 |
8 |
8 |
3 |
4 |
3 |
7 |
8 |
11 |
8 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
Все краски весенней выставки |
1203 | 113 |
20 |
18 |
13 |
8 |
10 |
4 |
6 |
4 |
4 |
8 |
10 |
8 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
3 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
Передвижники |
475 | 113 |
25 |
20 |
12 |
7 |
10 |
4 |
5 |
4 |
6 |
4 |
8 |
8 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
3 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
Грани 20 века |
1330 | 113 |
19 |
23 |
11 |
12 |
11 |
3 |
3 |
2 |
5 |
3 |
12 |
9 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
Рецензия на книгу Вудхауса "Любовь со взломом |
1809 | 113 |
17 |
22 |
15 |
4 |
9 |
5 |
4 |
4 |
7 |
1 |
10 |
15 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
Илья Репин, наше все? |
1778 | 113 |
18 |
19 |
20 |
6 |
7 |
6 |
3 |
4 |
6 |
6 |
9 |
9 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
Что собирают в Самаре |
2071 | 113 |
19 |
24 |
14 |
9 |
8 |
5 |
4 |
4 |
6 |
4 |
9 |
7 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
4 |
1 |
1 |
0 |
3 |
0 |
0 |
2 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
Рецензия на книгу Анны Коростелевой. "Цветы корицы и аромат сливы" |
1560 | 112 |
17 |
22 |
13 |
8 |
12 |
7 |
3 |
2 |
6 |
4 |
9 |
9 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
Три рассказа о грустном Фане |
1922 | 112 |
16 |
17 |
17 |
8 |
8 |
5 |
7 |
3 |
7 |
4 |
12 |
8 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |