| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
По разделу |
208143 | 986 |
15 |
139 |
97 |
107 |
101 |
78 |
78 |
79 |
73 |
65 |
69 |
85 |
0 |
4 |
4 |
3 |
4 |
6 |
3 |
3 |
4 |
4 |
6 |
6 |
4 |
4 |
5 |
5 |
5 |
4 |
5 |
3 |
3 |
6 |
4 |
5 |
5 |
4 |
5 |
4 |
6 |
10 |
3 |
4 |
5 |
4 |
4 |
2 |
4 |
2 |
3 |
2 |
2 |
2 |
3 |
3 |
1 |
2 |
3 |
3 |
2 |
3 |
4 |
4 |
3 |
6 |
3 |
4 |
4 |
3 |
2 |
2 |
3 |
4 |
Почему Ференц Шанта назвал роман "пятая печать"? |
8547 | 563 |
3 |
71 |
67 |
73 |
66 |
39 |
32 |
48 |
45 |
36 |
39 |
44 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
3 |
1 |
2 |
6 |
3 |
2 |
4 |
1 |
4 |
1 |
4 |
1 |
2 |
2 |
4 |
3 |
0 |
3 |
0 |
5 |
2 |
1 |
1 |
2 |
2 |
5 |
0 |
3 |
2 |
3 |
1 |
3 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
3 |
3 |
0 |
2 |
2 |
4 |
1 |
2 |
3 |
3 |
2 |
3 |
0 |
2 |
2 |
4 |
Человек рессентимента как социальный тип. Проблема рессентимента |
11858 | 445 |
7 |
48 |
46 |
49 |
61 |
38 |
43 |
29 |
34 |
33 |
27 |
30 |
0 |
3 |
2 |
0 |
2 |
0 |
3 |
1 |
0 |
4 |
1 |
3 |
4 |
3 |
2 |
0 |
3 |
1 |
1 |
0 |
1 |
6 |
0 |
0 |
3 |
1 |
3 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
0 |
2 |
2 |
1 |
1 |
0 |
2 |
1 |
3 |
0 |
2 |
2 |
2 |
2 |
0 |
3 |
2 |
0 |
2 |
2 |
2 |
4 |
0 |
0 |
1 |
1 |
1 |
Мировоззрение Достоевского |
11872 | 401 |
8 |
54 |
32 |
38 |
46 |
36 |
31 |
35 |
37 |
28 |
30 |
26 |
0 |
0 |
3 |
1 |
4 |
2 |
0 |
2 |
1 |
2 |
3 |
2 |
2 |
2 |
1 |
2 |
2 |
3 |
0 |
1 |
2 |
2 |
2 |
2 |
2 |
0 |
1 |
2 |
1 |
2 |
3 |
0 |
4 |
2 |
4 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
2 |
0 |
2 |
Будущее одной иллюзии Фрейда |
18214 | 321 |
13 |
75 |
46 |
31 |
39 |
18 |
21 |
27 |
12 |
10 |
10 |
19 |
0 |
4 |
3 |
3 |
3 |
6 |
2 |
2 |
2 |
3 |
2 |
6 |
1 |
0 |
5 |
1 |
1 |
3 |
5 |
2 |
1 |
6 |
0 |
2 |
3 |
1 |
3 |
4 |
4 |
0 |
2 |
4 |
1 |
2 |
1 |
0 |
2 |
0 |
3 |
2 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
3 |
3 |
3 |
3 |
6 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
Нигилизм Хайдеггера: ћчеловеческое, слишком человеческоеЋ на обломках метафизики |
3634 | 313 |
5 |
53 |
26 |
31 |
36 |
28 |
21 |
22 |
27 |
17 |
22 |
25 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
3 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
2 |
2 |
2 |
1 |
4 |
1 |
1 |
5 |
8 |
1 |
0 |
2 |
1 |
3 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
Воля к Власти |
13408 | 306 |
6 |
55 |
30 |
25 |
31 |
23 |
23 |
24 |
23 |
19 |
17 |
30 |
0 |
2 |
1 |
1 |
2 |
1 |
3 |
1 |
4 |
0 |
3 |
0 |
1 |
3 |
0 |
5 |
0 |
0 |
3 |
0 |
1 |
2 |
4 |
0 |
5 |
2 |
2 |
0 |
5 |
4 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
4 |
2 |
1 |
1 |
0 |
3 |
0 |
Достоевский и Ницше |
10197 | 281 |
6 |
40 |
25 |
23 |
31 |
26 |
21 |
28 |
24 |
17 |
20 |
20 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
2 |
0 |
4 |
1 |
2 |
0 |
1 |
4 |
1 |
5 |
0 |
0 |
1 |
0 |
5 |
0 |
2 |
1 |
0 |
3 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
Актуальность Достоевского |
4359 | 225 |
2 |
41 |
25 |
24 |
27 |
15 |
11 |
12 |
17 |
9 |
17 |
25 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
0 |
4 |
1 |
0 |
2 |
3 |
10 |
2 |
2 |
0 |
4 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
3 |
Этика Достоевского |
9937 | 221 |
4 |
41 |
35 |
25 |
30 |
14 |
20 |
8 |
15 |
5 |
13 |
11 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
2 |
0 |
2 |
2 |
4 |
1 |
1 |
5 |
4 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
3 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
2 |
Викторианская мораль в Новейшее Время |
5959 | 205 |
2 |
17 |
24 |
20 |
22 |
25 |
22 |
26 |
12 |
10 |
13 |
12 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
5 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
4 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
Постчеловеческое, слишком постчеловеческое Или Почему Я пишу такие Книги |
4951 | 201 |
4 |
19 |
25 |
18 |
27 |
18 |
15 |
12 |
12 |
16 |
14 |
21 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
Оракул информационного общества |
3030 | 185 |
2 |
35 |
20 |
25 |
23 |
18 |
11 |
6 |
8 |
5 |
12 |
20 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
4 |
0 |
1 |
3 |
2 |
1 |
1 |
5 |
4 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
Опыт человеческой интроспекции: Ингмар Бергман |
3750 | 179 |
3 |
45 |
19 |
32 |
15 |
15 |
9 |
7 |
10 |
8 |
7 |
9 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
3 |
4 |
2 |
5 |
2 |
3 |
1 |
0 |
3 |
5 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
Достоевский-философ |
9713 | 176 |
2 |
36 |
22 |
21 |
23 |
9 |
13 |
9 |
12 |
7 |
7 |
15 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
4 |
1 |
2 |
1 |
4 |
1 |
0 |
3 |
4 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
Будущее одной иллюзии по ту сторону Добра и Зла |
4902 | 175 |
2 |
25 |
24 |
15 |
26 |
12 |
19 |
19 |
12 |
6 |
5 |
10 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
3 |
9 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
Эстетические искания А. Куприна (на примере Ямы) |
3428 | 174 |
3 |
27 |
19 |
12 |
25 |
16 |
14 |
8 |
17 |
7 |
14 |
12 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
4 |
2 |
0 |
4 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
Ницше и прагматисты |
3017 | 172 |
3 |
39 |
19 |
21 |
25 |
17 |
6 |
7 |
8 |
8 |
7 |
12 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
1 |
2 |
2 |
2 |
0 |
4 |
3 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
Вечное возвращение Великого |
4905 | 170 |
3 |
35 |
18 |
17 |
17 |
11 |
10 |
7 |
16 |
7 |
16 |
13 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
5 |
1 |
2 |
2 |
2 |
1 |
2 |
5 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
Гарри Поттер - принц - полудурок. кризис Роулинг |
4169 | 167 |
1 |
22 |
28 |
20 |
27 |
11 |
12 |
5 |
13 |
8 |
7 |
13 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
Почему глючат программы? |
5802 | 164 |
4 |
19 |
31 |
20 |
23 |
6 |
14 |
7 |
12 |
9 |
7 |
12 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
Романтическая иллюзия |
2199 | 163 |
3 |
34 |
24 |
9 |
27 |
12 |
13 |
7 |
11 |
5 |
8 |
10 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
4 |
1 |
1 |
1 |
3 |
1 |
0 |
4 |
5 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
Новая наука логики Или Как философствуют тупым предметом |
2655 | 161 |
2 |
36 |
17 |
18 |
24 |
10 |
9 |
6 |
10 |
6 |
10 |
13 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
4 |
0 |
2 |
1 |
3 |
1 |
0 |
4 |
4 |
1 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
Мертвый постмодернист |
2325 | 146 |
2 |
33 |
12 |
22 |
16 |
13 |
13 |
5 |
10 |
3 |
9 |
8 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
9 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
Мой Шен Би Де Бао |
2382 | 145 |
1 |
25 |
18 |
19 |
20 |
15 |
10 |
10 |
10 |
6 |
1 |
10 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
Развитие философии от Декарта к Спинозе |
3592 | 143 |
3 |
18 |
24 |
18 |
23 |
12 |
11 |
6 |
10 |
5 |
6 |
7 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
Сценарий лучшего игрового кино. Русская версия |
2443 | 142 |
4 |
33 |
18 |
22 |
19 |
8 |
7 |
4 |
10 |
4 |
6 |
7 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
3 |
1 |
1 |
3 |
5 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
Боже, храни дуче Викторию |
2895 | 135 |
2 |
30 |
18 |
9 |
20 |
10 |
8 |
6 |
10 |
5 |
9 |
8 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
4 |
1 |
1 |
2 |
2 |
1 |
0 |
4 |
3 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
Сценарий лучшего игрового фильма на сегодня |
2416 | 133 |
2 |
31 |
19 |
17 |
17 |
13 |
5 |
4 |
8 |
2 |
6 |
9 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
1 |
3 |
2 |
1 |
5 |
4 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
Романтическая иллюзия |
2134 | 132 |
3 |
25 |
15 |
13 |
15 |
9 |
14 |
14 |
9 |
6 |
3 |
6 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
5 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
Петербург 2 |
2097 | 132 |
2 |
36 |
18 |
16 |
15 |
6 |
12 |
5 |
7 |
5 |
5 |
5 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
4 |
0 |
1 |
3 |
1 |
4 |
0 |
1 |
1 |
4 |
1 |
0 |
6 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
Злое Добро |
2897 | 131 |
2 |
32 |
12 |
11 |
17 |
16 |
7 |
10 |
9 |
4 |
4 |
7 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
4 |
1 |
1 |
2 |
3 |
1 |
0 |
5 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
Мысли о России |
2570 | 130 |
2 |
28 |
13 |
11 |
14 |
13 |
5 |
9 |
16 |
3 |
2 |
14 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
2 |
3 |
1 |
1 |
5 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
Techi И Geek - Герои Нашего Времени |
2036 | 129 |
5 |
13 |
16 |
11 |
15 |
12 |
8 |
7 |
12 |
4 |
13 |
13 |
0 |
0 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
Сумерки себя |
2136 | 129 |
1 |
27 |
21 |
13 |
16 |
10 |
6 |
7 |
8 |
3 |
8 |
9 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
1 |
1 |
2 |
2 |
1 |
0 |
4 |
4 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
Проблематика образов человека у Достоевского |
4633 | 127 |
2 |
14 |
21 |
17 |
16 |
13 |
8 |
7 |
7 |
7 |
4 |
11 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Олигархи всех стран, объединяйтесь! |
2015 | 127 |
2 |
30 |
15 |
11 |
18 |
11 |
8 |
6 |
11 |
4 |
1 |
10 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
2 |
3 |
1 |
0 |
6 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Разговор в метро |
2148 | 123 |
2 |
26 |
17 |
11 |
18 |
9 |
10 |
8 |
7 |
3 |
3 |
9 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
4 |
1 |
1 |
1 |
4 |
1 |
0 |
3 |
3 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
ћбаллада переменЋ Франсуа Вийона в контексте позиции ренессансного антропоцентризма |
2679 | 122 |
3 |
30 |
16 |
15 |
15 |
7 |
7 |
4 |
11 |
3 |
4 |
7 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
3 |
2 |
2 |
1 |
2 |
1 |
0 |
4 |
4 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Лекция профессора Фредерика Тчертовски |
2327 | 118 |
2 |
31 |
11 |
16 |
17 |
9 |
11 |
7 |
5 |
1 |
2 |
6 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
4 |
3 |
1 |
1 |
4 |
1 |
0 |
4 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |