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Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | |
По разделу | 399527 | 3044 | 19 | 182 | 239 | 226 | 248 | 272 | 248 | 305 | 571 | 302 | 228 | 204 | 1 | 6 | 6 | 6 | 4 | 4 | 4 | 5 | 6 | 6 | 5 | 7 | 7 | 5 | 5 | 6 | 6 | 6 | 7 | 20 | 6 | 4 | 4 | 5 | 7 | 6 | 5 | 4 | 8 | 9 | 4 | 4 | 5 | 8 | 4 | 5 | 7 | 5 | 9 | 8 | 4 | 5 | 5 | 5 | 4 | 6 | 4 | 16 | 3 | 5 | 18 | 7 | 17 | 16 | 5 | 19 | 4 | 6 | 7 | 5 | 9 | 10 |
"Стихотворения Р.А.Кудашевой". Часть первая | 6661 | 1511 | 4 | 101 | 155 | 162 | 110 | 92 | 125 | 120 | 139 | 187 | 178 | 138 | 0 | 4 | 0 | 0 | 2 | 4 | 1 | 1 | 2 | 1 | 0 | 3 | 1 | 1 | 5 | 2 | 1 | 5 | 5 | 4 | 6 | 2 | 3 | 4 | 7 | 3 | 5 | 4 | 8 | 9 | 4 | 4 | 4 | 0 | 1 | 3 | 2 | 4 | 9 | 8 | 3 | 5 | 2 | 4 | 2 | 6 | 4 | 9 | 2 | 3 | 3 | 3 | 6 | 6 | 4 | 9 | 2 | 6 | 7 | 5 | 9 | 10 |
"Стихотворения Р.А.Кудашевой". Часть вторая | 2558 | 600 | 2 | 32 | 45 | 66 | 67 | 65 | 50 | 42 | 56 | 80 | 71 | 24 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 3 | 0 | 4 | 2 | 0 | 0 | 2 | 1 | 1 | 4 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 2 | 0 | 0 | 3 | 0 | 1 | 1 | 1 | 4 | 0 | 2 | 0 | 0 | 0 | 5 | 2 | 1 | 3 | 2 | 0 | 2 | 0 | 0 | 1 | 3 |
"Осколки разбитого вдребезги": Повесть Н.И.Бобылева "Купидонов лук" и ее место в литературном процессе 1830-х годов. Часть пятая | 570 | 570 | 4 | 13 | 29 | 7 | 18 | 15 | 14 | 27 | 443 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 3 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
О стихотворении Г.Р.Державина "На возвращение графа Зубова из Персии" | 1948 | 553 | 6 | 48 | 48 | 54 | 44 | 49 | 61 | 64 | 46 | 49 | 47 | 37 | 0 | 1 | 3 | 2 | 1 | 1 | 1 | 2 | 4 | 0 | 0 | 3 | 1 | 0 | 4 | 3 | 4 | 2 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 2 | 1 | 2 | 2 | 3 | 3 | 0 | 1 | 5 | 1 | 2 | 2 | 0 | 1 | 0 | 2 | 2 | 4 | 1 | 0 | 1 | 3 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 2 | 2 | 0 | 0 |
О поэме А.С.Пушкина "Медный всадник" | 1958 | 551 | 8 | 48 | 50 | 49 | 47 | 55 | 69 | 68 | 60 | 52 | 28 | 17 | 0 | 4 | 1 | 3 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 3 | 2 | 2 | 3 | 5 | 2 | 0 | 2 | 1 | 1 | 2 | 2 | 2 | 0 | 3 | 0 | 3 | 2 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 2 | 0 | 2 | 4 | 1 | 3 | 0 | 1 | 3 | 1 | 3 | 1 | 1 | 1 | 1 | 2 | 1 | 4 |
"Москва слезам не верит": forever | 2623 | 540 | 8 | 48 | 57 | 33 | 53 | 54 | 44 | 57 | 62 | 62 | 39 | 23 | 0 | 3 | 1 | 4 | 0 | 1 | 0 | 5 | 2 | 2 | 4 | 4 | 3 | 0 | 2 | 1 | 2 | 2 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 2 | 0 | 3 | 0 | 1 | 2 | 1 | 2 | 1 | 2 | 0 | 1 | 3 | 3 | 2 | 1 | 1 | 5 | 1 | 3 | 3 | 4 | 2 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 3 |
Пушкин и Вальтер Скотт | 3226 | 527 | 4 | 48 | 48 | 31 | 33 | 51 | 54 | 64 | 55 | 59 | 33 | 47 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 2 | 3 | 1 | 2 | 1 | 1 | 3 | 1 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 6 | 4 | 0 | 1 | 2 | 0 | 2 | 3 | 3 | 1 | 5 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 2 | 3 | 5 | 3 | 1 | 1 | 1 | 0 | 2 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 1 |
К изучению творческой истории стихотворения Пушкина "Осень (Отрывок)". I I | 2174 | 516 | 9 | 46 | 41 | 21 | 21 | 52 | 40 | 38 | 47 | 67 | 85 | 49 | 0 | 5 | 3 | 1 | 2 | 2 | 0 | 1 | 4 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 2 | 3 | 1 | 1 | 2 | 1 | 2 | 2 | 1 | 2 | 3 | 1 | 3 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 4 | 1 | 2 | 4 | 0 | 0 | 3 | 0 | 1 | 2 |
Загадочный Гоголь: Сожжённая грамота (1) | 2122 | 500 | 7 | 56 | 64 | 48 | 49 | 40 | 42 | 42 | 51 | 44 | 30 | 27 | 0 | 2 | 5 | 0 | 2 | 3 | 3 | 2 | 2 | 2 | 4 | 5 | 1 | 3 | 2 | 1 | 2 | 2 | 2 | 2 | 0 | 1 | 1 | 0 | 3 | 1 | 3 | 0 | 3 | 0 | 3 | 0 | 2 | 1 | 3 | 2 | 2 | 1 | 0 | 4 | 3 | 0 | 0 | 3 | 2 | 3 | 2 | 4 | 1 | 0 | 2 | 2 | 6 | 1 | 2 | 1 | 0 | 1 | 0 | 4 | 1 | 5 |
Пушкин и Свиньин: Два очерка на "американскую" тему | 1849 | 459 | 6 | 58 | 55 | 45 | 34 | 45 | 60 | 36 | 33 | 38 | 26 | 23 | 0 | 0 | 5 | 1 | 4 | 3 | 1 | 1 | 6 | 2 | 2 | 4 | 2 | 1 | 3 | 1 | 0 | 3 | 3 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 3 | 0 | 4 | 1 | 1 | 3 | 5 | 1 | 2 | 2 | 1 | 2 | 1 | 3 | 0 | 1 | 0 | 3 | 0 | 2 | 0 | 0 | 2 | 4 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 2 | 2 |
"Стихотворения Р.А.Кудашевой". Часть четвертая | 2621 | 452 | 5 | 33 | 33 | 23 | 17 | 35 | 48 | 40 | 52 | 72 | 45 | 49 | 0 | 3 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 2 | 3 | 0 | 2 | 0 | 5 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 3 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 3 |
Булгаков и Эйнштейн (Неизученная редакция повести М.А.Булгакова "Роковые яйца") | 2508 | 438 | 14 | 61 | 38 | 32 | 36 | 28 | 33 | 41 | 48 | 53 | 27 | 27 | 0 | 6 | 2 | 6 | 1 | 2 | 1 | 1 | 2 | 4 | 3 | 4 | 1 | 3 | 2 | 1 | 3 | 1 | 3 | 1 | 2 | 2 | 1 | 1 | 1 | 2 | 4 | 0 | 1 | 7 | 3 | 1 | 2 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 4 | 1 | 0 | 4 | 1 | 0 | 2 | 0 | 1 | 2 |
Заметки об Анне Ахматовой | 1577 | 429 | 9 | 32 | 54 | 39 | 42 | 47 | 43 | 31 | 37 | 37 | 31 | 27 | 0 | 4 | 1 | 4 | 2 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 2 | 2 | 2 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 3 | 0 | 2 | 2 | 1 | 0 | 0 | 2 | 4 | 0 | 0 | 2 | 1 | 0 | 2 | 2 | 3 | 3 | 4 | 2 | 1 | 2 | 0 | 1 | 1 | 3 | 3 | 0 | 2 | 2 | 1 | 0 | 2 | 0 | 3 |
Из литературной предыстории стихотворения Е.А.Баратынского "Недоносок" | 3028 | 415 | 7 | 55 | 47 | 29 | 17 | 38 | 23 | 29 | 45 | 44 | 36 | 45 | 0 | 4 | 3 | 0 | 4 | 3 | 0 | 1 | 0 | 2 | 3 | 1 | 1 | 3 | 3 | 3 | 2 | 2 | 3 | 2 | 1 | 2 | 2 | 1 | 3 | 0 | 2 | 0 | 0 | 0 | 3 | 1 | 4 | 3 | 3 | 2 | 1 | 2 | 1 | 2 | 2 | 2 | 0 | 2 | 0 | 2 | 1 | 1 | 2 | 2 | 0 | 2 | 1 | 0 | 2 | 0 | 4 | 0 | 4 | 0 | 1 | 1 |
О стихотворении А.С.Пушкина "Свободы сеятель пустынный..." | 1673 | 399 | 6 | 35 | 31 | 24 | 21 | 20 | 42 | 32 | 52 | 54 | 42 | 40 | 0 | 3 | 3 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 3 | 2 | 1 | 1 | 0 | 2 | 1 | 4 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 4 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 5 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 1 |
К изучению творческой истории стихотворения Пушкина "Осень (Отрывок)". I | 2035 | 399 | 6 | 36 | 36 | 21 | 29 | 26 | 38 | 24 | 43 | 47 | 50 | 43 | 0 | 2 | 1 | 3 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 2 | 1 | 3 | 2 | 2 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 4 | 3 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 3 | 2 | 1 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 0 | 2 |
К вопросу о литературных взаимоотношениях Баратынского и М.А.Бестужева-Рюмина (10) | 713 | 380 | 8 | 36 | 41 | 38 | 34 | 36 | 41 | 23 | 32 | 37 | 21 | 33 | 0 | 4 | 1 | 3 | 0 | 3 | 0 | 0 | 2 | 0 | 2 | 2 | 2 | 1 | 1 | 1 | 1 | 4 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 4 | 0 | 0 | 3 | 1 | 0 | 3 | 2 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 3 | 1 | 2 | 1 | 2 | 1 | 1 | 2 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 2 |
"Человек (не) на четвереньках": Загадки стиля рассказов А.Конан Дойля о Шерлоке Холмсе | 379 | 379 | 5 | 33 | 35 | 26 | 20 | 18 | 37 | 40 | 46 | 37 | 21 | 61 | 0 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 2 | 3 | 2 | 2 | 3 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 1 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 7 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 |
Повесть Пушкина "Гробовщик": до и после | 2285 | 377 | 3 | 37 | 38 | 19 | 18 | 23 | 43 | 32 | 58 | 55 | 27 | 24 | 0 | 2 | 0 | 1 | 2 | 2 | 1 | 0 | 4 | 2 | 2 | 2 | 1 | 1 | 0 | 3 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 3 | 1 | 2 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 4 | 0 | 1 | 0 | 2 | 2 | 2 | 0 | 1 | 2 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | |
Повесть Шиллера "Преступник из-за потерянной чести" в журнале А.Е.Измайлова и А.П.Бенитцкого "Цветник" | 1996 | 364 | 4 | 51 | 41 | 31 | 14 | 20 | 17 | 31 | 44 | 41 | 29 | 41 | 0 | 2 | 1 | 1 | 0 | 3 | 1 | 0 | 3 | 4 | 3 | 3 | 2 | 1 | 3 | 1 | 2 | 4 | 1 | 1 | 2 | 1 | 2 | 1 | 2 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 3 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 3 | 1 | 1 | 0 | 0 | 1 | 1 | 2 |
Эстетика драмы: О пьесе И.А.Крылова "Модная лавка" (1806). 2 | 1989 | 364 | 2 | 29 | 37 | 18 | 21 | 22 | 39 | 42 | 51 | 46 | 29 | 28 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 3 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 3 | 0 | 0 | 2 | 1 | 1 | 2 |
О пьесе В.Ф.Одоевского "Царь-Девица" | 2031 | 361 | 7 | 26 | 41 | 20 | 18 | 27 | 29 | 42 | 37 | 52 | 27 | 35 | 0 | 2 | 4 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 3 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 3 | 2 | 1 | 0 | 0 | 0 | 1 | 3 | 4 | 1 | 1 |
Казаки - разбойники. Финалы двух произведений А.С.Пушкина и Н.В.Гоголя: романа "Дубровский" и повести "Тарас Бульба" (4) | 1341 | 351 | 6 | 29 | 34 | 23 | 16 | 30 | 36 | 22 | 32 | 46 | 41 | 36 | 0 | 2 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 3 | 0 | 3 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 2 | 1 | 1 | 4 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 |
Казаки - разбойники. Финалы двух произведений А.С.Пушкина и Н.В.Гоголя: романа "Дубровский" и повести "Тарас Бульба" (1) | 1700 | 351 | 10 | 39 | 39 | 14 | 17 | 29 | 35 | 27 | 45 | 50 | 26 | 20 | 1 | 4 | 3 | 2 | 0 | 1 | 0 | 1 | 3 | 0 | 1 | 1 | 5 | 2 | 1 | 2 | 2 | 1 | 2 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 1 | 3 | 0 | 0 | 2 | 1 | 1 | 3 | 2 | 3 | 2 | 3 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 |
Русская поэзия - детям (О раннем творчестве Федора Миллера) | 1922 | 347 | 5 | 37 | 42 | 20 | 20 | 29 | 24 | 34 | 41 | 44 | 27 | 24 | 0 | 2 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 4 | 2 | 2 | 3 | 0 | 1 | 1 | 0 | 4 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 3 | 0 | 0 | 1 | 0 | 4 | 1 | 2 | 2 | 2 | 2 | 0 | 2 | 0 | 3 | 1 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 |
Библиография работ Владимира Николаевича Турбина (1927 - 1993). Составлена О.В.Турбиной | 1911 | 347 | 8 | 31 | 35 | 18 | 15 | 20 | 39 | 41 | 40 | 47 | 36 | 17 | 0 | 2 | 4 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 2 | 1 | 1 | 3 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 2 | 4 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 2 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 2 |
О романе М.А.Булгакова "Белая гвардия" | 1882 | 345 | 0 | 18 | 35 | 24 | 23 | 34 | 29 | 33 | 49 | 51 | 30 | 19 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 |
Вокруг стихотворения Пушкина "Дар..." (1828) | 1707 | 344 | 5 | 53 | 49 | 17 | 13 | 19 | 43 | 26 | 31 | 29 | 37 | 22 | 0 | 1 | 2 | 2 | 2 | 2 | 3 | 2 | 3 | 1 | 5 | 3 | 4 | 2 | 2 | 1 | 4 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 3 | 1 | 0 | 7 | 3 | 0 | 3 | 3 | 2 | 0 | 1 | 0 | 3 | 1 | 1 | 2 | 0 | 1 | 3 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 |
Н.Н.Альтварг. Забытый альманах "Сириус" | 1919 | 333 | 10 | 67 | 37 | 19 | 17 | 20 | 23 | 30 | 39 | 36 | 16 | 19 | 0 | 4 | 3 | 3 | 1 | 1 | 0 | 2 | 2 | 6 | 2 | 4 | 1 | 4 | 4 | 6 | 4 | 4 | 5 | 0 | 3 | 1 | 0 | 1 | 0 | 5 | 4 | 0 | 1 | 1 | 2 | 1 | 0 | 2 | 3 | 3 | 3 | 0 | 2 | 2 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 3 |
Лев Аннинский. "Колдобины..." (Дружба народов, 1999, N 1) | 318 | 318 | 3 | 17 | 22 | 12 | 11 | 15 | 16 | 147 | 75 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 |
Пушкин и Фиваида (очерки) | 1855 | 315 | 6 | 40 | 40 | 18 | 18 | 20 | 27 | 29 | 40 | 46 | 14 | 17 | 0 | 2 | 0 | 4 | 1 | 2 | 0 | 0 | 1 | 2 | 1 | 3 | 1 | 2 | 1 | 2 | 1 | 4 | 1 | 0 | 3 | 0 | 3 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 5 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 2 | 2 | 2 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 2 | 2 | 1 | 0 | 0 |
К проблеме творческой биографии А.Н.Чичерина | 1800 | 313 | 4 | 27 | 41 | 19 | 27 | 29 | 29 | 24 | 33 | 36 | 23 | 21 | 0 | 1 | 0 | 3 | 1 | 1 | 0 | 0 | 1 | 1 | 4 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 3 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 4 | 0 | 4 | 1 | 1 | 1 | 0 | 2 | 1 |
"Октябрь уж наступил..." (Десять строф из романа А.С.Пушкина "Евгений Онегин") | 1831 | 312 | 4 | 40 | 36 | 18 | 10 | 16 | 26 | 33 | 51 | 36 | 21 | 21 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 4 | 3 | 1 | 3 | 1 | 1 | 1 | 3 | 2 | 5 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 5 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 |
Вуланд, Варнуха и Короваев: черновики романа М.А.Булгакова "Мастер и Маргарита" в комедии А.Ф.Писемского "Хищники" (Мир Писемского. Статья первая). 1 | 1023 | 312 | 4 | 30 | 31 | 25 | 13 | 15 | 20 | 40 | 46 | 42 | 27 | 19 | 0 | 2 | 0 | 2 | 0 | 3 | 0 | 2 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 4 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 4 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 |
Жуковский и Гете | 2030 | 311 | 4 | 35 | 36 | 20 | 14 | 20 | 29 | 29 | 36 | 41 | 23 | 24 | 0 | 2 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 3 | 1 | 1 | 2 | 0 | 2 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 3 | 3 | 2 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 1 | 3 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 |
Пушкин и Плетнев (к изучению их литературных взаимоотношений). 1 | 1374 | 310 | 4 | 29 | 28 | 21 | 16 | 24 | 24 | 31 | 51 | 31 | 24 | 27 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 4 | 2 | 0 | 2 | 0 | 1 | 1 | 3 | 1 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 4 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 |
"Бобок": К изучению замысла пушкинского "Гробовщика" | 1742 | 309 | 5 | 38 | 36 | 21 | 19 | 21 | 24 | 28 | 34 | 41 | 24 | 18 | 0 | 2 | 2 | 1 | 2 | 1 | 2 | 1 | 1 | 4 | 3 | 2 | 2 | 2 | 3 | 2 | 1 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 3 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 4 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 2 |
О шиллеровской "полемике" 1813 года | 1625 | 309 | 10 | 50 | 37 | 13 | 18 | 32 | 26 | 27 | 26 | 31 | 19 | 20 | 0 | 3 | 2 | 5 | 1 | 1 | 0 | 1 | 0 | 3 | 2 | 1 | 1 | 0 | 1 | 1 | 3 | 4 | 1 | 2 | 0 | 2 | 2 | 2 | 3 | 2 | 4 | 1 | 1 | 1 | 1 | 2 | 3 | 4 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 2 | 3 | 1 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 3 |
О.В.Турбина. Предисловие к Описи личного фонда В.Н.Турбина в Российском государственном архиве литературы и искусства | 1600 | 309 | 5 | 21 | 44 | 20 | 18 | 20 | 25 | 21 | 48 | 38 | 21 | 28 | 0 | 4 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 2 | 1 | 3 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 3 | 3 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 2 | 0 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | |
"Уже потомство настает...": Из комментария к стихотворению Пушкина "Наполеон" | 1647 | 306 | 6 | 44 | 36 | 22 | 10 | 15 | 21 | 30 | 37 | 34 | 29 | 22 | 0 | 3 | 2 | 1 | 1 | 2 | 2 | 0 | 3 | 1 | 4 | 2 | 2 | 1 | 2 | 3 | 1 | 3 | 1 | 0 | 1 | 1 | 3 | 1 | 0 | 2 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 3 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 2 | 2 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 1 |
Дополнение к "Пароходу" (пушкинский вариант) | 1833 | 305 | 3 | 32 | 38 | 19 | 28 | 19 | 32 | 23 | 36 | 33 | 17 | 25 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 3 | 0 | 1 | 4 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 4 | 3 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
Баратынский и Гейне (2) | 2191 | 303 | 7 | 60 | 41 | 19 | 8 | 14 | 31 | 31 | 26 | 29 | 20 | 17 | 0 | 2 | 4 | 1 | 2 | 2 | 1 | 2 | 4 | 2 | 3 | 2 | 3 | 1 | 2 | 3 | 4 | 3 | 3 | 0 | 3 | 1 | 2 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 2 | 4 | 2 | 2 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 4 | 3 | 0 | 2 | 2 | 3 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 1 |
Загадочный Гоголь: Сожженная грамота (2) | 1673 | 302 | 7 | 21 | 41 | 28 | 18 | 11 | 23 | 32 | 47 | 42 | 19 | 13 | 0 | 3 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 3 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 1 | 4 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 3 |
"Еще заметен след...": Баратынский и Николай Бестужев | 1598 | 302 | 3 | 57 | 33 | 12 | 15 | 10 | 30 | 27 | 29 | 41 | 21 | 24 | 0 | 3 | 0 | 0 | 1 | 1 | 2 | 1 | 3 | 1 | 4 | 2 | 1 | 2 | 1 | 4 | 2 | 4 | 1 | 3 | 1 | 1 | 0 | 0 | 2 | 0 | 4 | 1 | 2 | 3 | 0 | 2 | 3 | 5 | 0 | 0 | 2 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 |
В.Н.Турбин. К нам едет "Ревизор" (Современная драматургия, 1982, N 2) | 298 | 298 | 2 | 23 | 23 | 13 | 18 | 147 | 72 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
Баратынский и Гейне (1) | 1579 | 298 | 9 | 63 | 37 | 11 | 11 | 16 | 23 | 33 | 28 | 30 | 21 | 16 | 0 | 6 | 1 | 2 | 1 | 1 | 2 | 2 | 4 | 1 | 1 | 7 | 2 | 4 | 4 | 2 | 3 | 2 | 3 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 5 | 8 | 2 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 3 | 1 | 0 | 1 | 4 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 |
"Вы чьё, старичьё?" Мотивы романов Ф.М.Достоевского "Преступление и наказание" и "Братья Карамазовы" в советской детской литературе 1920-х - 1930-х годов. Часть 1 | 1073 | 296 | 8 | 38 | 33 | 26 | 16 | 19 | 22 | 30 | 33 | 33 | 22 | 16 | 0 | 3 | 4 | 1 | 4 | 2 | 2 | 0 | 0 | 0 | 2 | 3 | 1 | 2 | 1 | 3 | 2 | 4 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 4 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 4 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 1 |
"Доктор Ястребцов" (исследование по истории русской литературы первой половины X I X века) | 1683 | 293 | 5 | 46 | 39 | 14 | 15 | 25 | 21 | 22 | 34 | 29 | 16 | 27 | 0 | 3 | 1 | 1 | 2 | 2 | 2 | 4 | 1 | 2 | 1 | 5 | 0 | 2 | 0 | 2 | 3 | 2 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 4 | 3 | 0 | 1 | 1 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 3 | 0 | 1 | 3 | 1 | 0 | 1 | 5 | 0 | 2 | 0 | 1 |
"Осколки разбитого вдребезги": Повесть Н.И.Бобылева "Купидонов лук" и ее место в литературном процессе 1830-х годов. Часть первая | 291 | 291 | 4 | 17 | 21 | 11 | 12 | 16 | 17 | 16 | 40 | 59 | 78 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
"Яко боги". Стихотворение О.Барбье "Машина", романы Г.Уэллса и поэзия Баратынского | 1752 | 290 | 5 | 58 | 42 | 14 | 10 | 17 | 20 | 23 | 25 | 32 | 26 | 18 | 0 | 1 | 2 | 2 | 2 | 4 | 0 | 1 | 2 | 3 | 2 | 2 | 1 | 1 | 1 | 4 | 2 | 5 | 0 | 4 | 3 | 0 | 1 | 5 | 0 | 1 | 5 | 1 | 2 | 2 | 3 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 4 | 0 | 2 | 3 | 0 | 2 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 4 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 |
В.Н.Турбин. Босфор, Евфрат и Москва-река (Новый мир, 1988, N 12) | 289 | 289 | 7 | 22 | 17 | 13 | 10 | 15 | 16 | 19 | 21 | 28 | 64 | 57 | 0 | 2 | 4 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
О литературном дебюте Баратынского | 1458 | 288 | 11 | 55 | 41 | 16 | 14 | 12 | 28 | 26 | 34 | 20 | 13 | 18 | 0 | 3 | 6 | 2 | 1 | 1 | 1 | 2 | 1 | 4 | 3 | 4 | 2 | 3 | 2 | 1 | 2 | 2 | 2 | 2 | 3 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 2 | 2 | 2 | 2 | 2 | 4 | 3 | 3 | 4 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 3 |
О контексте публикации стихотворений Баратынского в журнале "Благонамеренный" в 1822 году | 1409 | 287 | 5 | 49 | 35 | 21 | 9 | 14 | 16 | 22 | 31 | 42 | 23 | 20 | 0 | 4 | 0 | 1 | 1 | 3 | 0 | 0 | 1 | 1 | 2 | 3 | 0 | 1 | 1 | 1 | 5 | 4 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 1 | 2 | 3 | 2 | 3 | 1 | 1 | 0 | 1 | 2 | 5 | 4 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 |
В.Н.Турбин. Герои Достоевского (Дружба народов, 1971, N 11) | 692 | 285 | 3 | 44 | 27 | 17 | 13 | 15 | 27 | 25 | 35 | 29 | 32 | 18 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 5 | 2 | 3 | 2 | 0 | 0 | 2 | 2 | 3 | 2 | 4 | 0 | 1 | 2 | 1 | 2 | 3 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 1 |
На корабле: О творчестве М.А.Булгакова в начале 1920-х годов | 1557 | 284 | 8 | 29 | 38 | 18 | 18 | 17 | 27 | 27 | 33 | 34 | 17 | 18 | 0 | 3 | 3 | 2 | 0 | 1 | 0 | 2 | 3 | 2 | 1 | 3 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 4 | 2 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 |
Казаки - разбойники. Финалы двух произведений А.С.Пушкина и Н.В.Гоголя: романа "Дубровский" и повести "Тарас Бульба" (5) | 1297 | 282 | 4 | 32 | 30 | 24 | 12 | 23 | 21 | 28 | 31 | 32 | 21 | 24 | 0 | 3 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 2 | 2 | 0 | 2 | 5 | 0 | 1 | 4 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 |
"Трактат о панораме": Традиция изображения городского пространства в очерке М.Ю.Лермонтова "Панорама Москвы" | 1823 | 282 | 4 | 27 | 34 | 19 | 12 | 20 | 21 | 30 | 35 | 40 | 23 | 17 | 0 | 2 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 2 | 4 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 3 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 3 | 3 | 1 | 0 | 3 | 2 | 1 | 0 | 1 | 0 | 1 |
"Бледный огонь": заметки о стихотворениях Н.С.Гумилева и О.Э.Мандельштама. 3 | 1281 | 282 | 5 | 37 | 30 | 18 | 15 | 15 | 20 | 35 | 41 | 30 | 16 | 20 | 0 | 2 | 3 | 0 | 4 | 2 | 0 | 0 | 0 | 4 | 1 | 3 | 1 | 2 | 1 | 0 | 1 | 3 | 1 | 3 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 3 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 |
Баратынский и Батюшков (переход от Батюшкова к Баратынскому) 5 | 560 | 281 | 2 | 31 | 21 | 14 | 15 | 13 | 18 | 16 | 25 | 36 | 29 | 61 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 2 | 1 | 2 | 1 | 2 | 2 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | |
Баратынский - редактор П.П.Свиньина | 1458 | 280 | 5 | 47 | 38 | 18 | 16 | 25 | 21 | 20 | 30 | 29 | 16 | 15 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 3 | 2 | 2 | 4 | 2 | 0 | 2 | 3 | 2 | 2 | 4 | 3 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 2 | 2 | 2 | 3 | 1 | 2 | 0 | 1 | 3 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 4 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 |
Зыкова Г.В, Пенская Е.Н. Семинар В.Н.Турбина в переписке его участников 1960-х годов (Новый мир, 2019, N 11) | 650 | 280 | 6 | 45 | 41 | 14 | 17 | 21 | 19 | 34 | 21 | 31 | 17 | 14 | 0 | 2 | 2 | 2 | 1 | 1 | 2 | 4 | 3 | 2 | 0 | 3 | 1 | 2 | 0 | 4 | 4 | 2 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 2 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 2 | 0 | 4 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 |
Из наблюдений над повестью А.И.Емичева "Заклятый поцелуй" (1) | 1543 | 278 | 7 | 37 | 34 | 26 | 16 | 17 | 21 | 31 | 22 | 30 | 21 | 16 | 0 | 3 | 2 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 2 | 2 | 2 | 1 | 1 | 2 | 3 | 3 | 1 | 2 | 0 | 1 | 0 | 3 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 0 | 3 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 |
Эстетика драмы: О пьесе И.А.Крылова "Модная лавка" (1806). 1 | 1860 | 276 | 8 | 28 | 31 | 18 | 22 | 19 | 23 | 22 | 33 | 34 | 20 | 18 | 0 | 2 | 0 | 6 | 1 | 1 | 2 | 0 | 2 | 0 | 2 | 2 | 0 | 0 | 0 | 2 | 0 | 4 | 1 | 0 | 0 | 0 | 2 | 3 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 |
"Бледный огонь": заметки о стихотворениях Н.С.Гумилева и О.Э.Мандельштама. 1 | 1686 | 275 | 5 | 25 | 32 | 30 | 11 | 19 | 30 | 28 | 34 | 33 | 13 | 15 | 0 | 4 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 4 | 0 | 1 | 3 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 4 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 |
"Сочинение Телешевского". Часть первая. Главы I - I I | 1467 | 275 | 4 | 46 | 35 | 14 | 14 | 15 | 14 | 30 | 35 | 39 | 14 | 15 | 0 | 2 | 1 | 1 | 2 | 4 | 0 | 3 | 3 | 1 | 5 | 3 | 1 | 2 | 2 | 2 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 2 | 1 | 2 | 1 | 2 | 2 | 0 | 1 | 0 | 3 | 0 | 0 | 1 |
"Стихотворения Р.А.Кудашевой". Часть пятая | 1589 | 272 | 1 | 25 | 26 | 19 | 21 | 29 | 25 | 24 | 31 | 33 | 22 | 16 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 3 | 1 | 3 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 |
"Судьба Буратино, или Товарищ Назон" (тексты 20-го века в строфах романа А.С.Пушкина "Евгений Онегин") | 1260 | 272 | 2 | 24 | 43 | 25 | 13 | 19 | 23 | 27 | 30 | 35 | 16 | 15 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 4 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 3 | 2 | 2 | 1 | 1 | 1 | 3 | 0 | 1 | 1 | 1 | 5 | 0 | 1 | 0 |
Калина красная: Пушкин и Шукшин | 1462 | 270 | 9 | 26 | 33 | 18 | 19 | 16 | 25 | 19 | 40 | 23 | 22 | 20 | 0 | 3 | 4 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 2 | 0 | 2 | 0 | 0 | 3 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 3 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 |
В.Н.Турбин. Два гостя из Парижа (Современная драматургия, 1988, N 6) | 270 | 270 | 5 | 16 | 25 | 7 | 12 | 10 | 16 | 179 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 |
Казаки - разбойники. Финалы двух произведений А.С.Пушкина и Н.В.Гоголя: романа "Дубровский" и повести "Тарас Бульба" (2) | 1091 | 269 | 5 | 35 | 34 | 12 | 10 | 22 | 40 | 22 | 33 | 22 | 12 | 22 | 0 | 2 | 1 | 2 | 2 | 2 | 0 | 1 | 5 | 2 | 1 | 1 | 1 | 0 | 1 | 2 | 3 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 4 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 |
О политических эпиграммах Пушкина конца 1810-х годов | 1771 | 269 | 1 | 23 | 33 | 20 | 19 | 20 | 35 | 21 | 30 | 34 | 16 | 17 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 2 | 0 | 2 | 2 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 4 | 1 | 0 | 4 | 0 | 1 | 0 | 1 | 4 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 |
О присутствии духа: Из предыстории повести Пушкина "Гробовщик" (1830) | 1617 | 267 | 5 | 33 | 30 | 20 | 12 | 21 | 18 | 30 | 28 | 27 | 17 | 26 | 0 | 2 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 4 | 1 | 1 | 1 | 0 | 2 | 3 | 2 | 3 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 2 | 0 | 1 |
Булгаков и власть | 1426 | 266 | 4 | 31 | 25 | 17 | 18 | 20 | 33 | 27 | 30 | 25 | 17 | 19 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 3 | 2 | 0 | 2 | 1 | 3 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 |
Вуланд, Варнуха и Короваев: черновики романа М.А.Булгакова "Мастер и Маргарита" в комедии А.Ф.Писемского "Хищники" (Мир Писемского. Статья первая). 4 | 828 | 265 | 5 | 30 | 22 | 20 | 4 | 11 | 19 | 33 | 39 | 41 | 26 | 15 | 0 | 1 | 1 | 3 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 3 | 0 | 1 | 2 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 |
В.Н.Турбин. Отрывки из книг: "Незадолго до Водолея", "Герои Гоголя", "Русские ночи" | 532 | 265 | 2 | 21 | 29 | 17 | 13 | 19 | 45 | 15 | 31 | 38 | 15 | 20 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 4 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 2 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 |
Ж.Жанен. "Мертвый осел и обезглавленная женщина". (Рецензия из "Сына Отечества", 1831) | 1575 | 264 | 3 | 28 | 36 | 17 | 18 | 13 | 22 | 26 | 29 | 27 | 21 | 24 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 3 | 0 | 3 | 0 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 3 | 1 | 1 | 1 | 0 | 4 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
Русский исторический роман начала Х Х века (А.П.Павлов). 2 | 908 | 264 | 5 | 40 | 39 | 23 | 11 | 18 | 20 | 24 | 27 | 22 | 20 | 15 | 0 | 2 | 1 | 2 | 1 | 3 | 0 | 0 | 3 | 2 | 1 | 2 | 2 | 2 | 1 | 0 | 3 | 2 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 4 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 3 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 2 | 3 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 2 |
"Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 7 | 729 | 263 | 7 | 27 | 23 | 16 | 14 | 15 | 34 | 32 | 28 | 33 | 13 | 21 | 0 | 1 | 2 | 4 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 2 | 1 | 2 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
"Вы чьё, старичьё?" Мотивы романов Ф.М.Достоевского "Преступление и наказание" и "Братья Карамазовы" в советской детской литературе 1920-х - 1930-х годов. Часть 2 | 913 | 262 | 7 | 29 | 32 | 26 | 19 | 12 | 19 | 19 | 27 | 34 | 20 | 18 | 0 | 4 | 3 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 2 | 2 | 4 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 3 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | |
В.Турбин, И.Вирабов. Три статьи о М.М.Бахтине | 815 | 262 | 4 | 25 | 27 | 21 | 10 | 16 | 27 | 15 | 32 | 29 | 22 | 34 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 5 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 |
К вопросу о художественной функции анахронизмов в повести В.К.Кюхельбекера "Адо" и поэме А.А.Бестужева-Марлинского "Андрей, князь Переяславский" (3) | 1132 | 261 | 5 | 40 | 27 | 21 | 16 | 15 | 33 | 25 | 30 | 18 | 17 | 14 | 0 | 3 | 0 | 2 | 3 | 3 | 0 | 1 | 3 | 0 | 2 | 3 | 1 | 2 | 2 | 1 | 1 | 2 | 4 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 2 |
Мотивы творчества А.С.Пушкина в повести В.И.Панаева "Не родись ни хорош ни пригож, а родись щастлив" (1818). Часть 1 | 1698 | 261 | 5 | 31 | 27 | 15 | 16 | 15 | 17 | 33 | 35 | 27 | 20 | 20 | 0 | 3 | 2 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 3 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 |
О Троице и Семике: К изучению символизма пушкинской прозы | 1497 | 261 | 3 | 22 | 26 | 18 | 29 | 34 | 27 | 17 | 27 | 23 | 16 | 19 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 3 |
"Европейское" стихотворение Баратынского (Баратынский против И.В.Киреевского) | 1397 | 261 | 6 | 36 | 34 | 19 | 14 | 16 | 21 | 24 | 28 | 28 | 16 | 19 | 0 | 3 | 2 | 1 | 0 | 1 | 1 | 1 | 5 | 2 | 0 | 2 | 2 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 3 | 1 | 0 | 2 | 1 | 1 | 2 | 2 | 1 | 1 | 2 | 0 | 2 | 1 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 1 |
Булгаков и Пильняк (заметки к теме) | 1299 | 261 | 2 | 35 | 36 | 13 | 20 | 13 | 20 | 27 | 45 | 21 | 15 | 14 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 4 | 0 | 0 | 1 | 1 | 2 | 2 | 3 | 2 | 1 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 3 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 4 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 4 |
Баратынский и Гейне (3) | 1395 | 261 | 8 | 47 | 36 | 14 | 14 | 18 | 20 | 32 | 23 | 22 | 16 | 11 | 0 | 3 | 3 | 2 | 2 | 2 | 3 | 1 | 3 | 4 | 3 | 3 | 0 | 1 | 0 | 2 | 2 | 3 | 1 | 1 | 3 | 0 | 1 | 1 | 0 | 3 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 3 | 1 | 2 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 2 |
О литературном контексте первых публикаций произведений Пушкина "Пир во время чумы" и "На перевод Илиады". 4 | 1451 | 260 | 1 | 34 | 31 | 13 | 16 | 16 | 17 | 21 | 35 | 31 | 24 | 21 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 3 | 2 | 3 | 4 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 3 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 |
"Осколки разбитого вдребезги": Повесть Н.И.Бобылева "Купидонов лук" и ее место в литературном процессе 1830-х годов. Часть четвертая | 260 | 260 | 3 | 15 | 28 | 7 | 17 | 11 | 19 | 23 | 43 | 94 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 3 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 |
О стихотворении С.А.Соболевского и Е.А.Баратынского "Быль" ("Жил да был петух индейский...") | 1405 | 260 | 2 | 37 | 31 | 14 | 23 | 17 | 23 | 22 | 28 | 27 | 18 | 18 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 2 | 1 | 3 | 1 | 4 | 0 | 1 | 1 | 2 | 1 | 2 | 3 | 0 | 1 | 0 | 1 | 3 | 0 | 2 | 0 | 2 | 1 | 0 | 2 | 0 | 2 | 2 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
"Pro domo sua": к текстологии стихотворения К.Н.Батюшкова "Гезиод и Омир соперники" | 1529 | 258 | 4 | 27 | 31 | 17 | 14 | 17 | 21 | 27 | 34 | 30 | 15 | 21 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 3 | 3 | 0 | 4 | 0 | 0 | 2 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 4 | 1 | 1 |
"Переход Суворова через Альпы": повесть В.В.Крестовского "Деды" и роман И.Ильфа и Е.Петрова "12 стульев" | 978 | 257 | 2 | 18 | 35 | 13 | 19 | 19 | 21 | 31 | 39 | 33 | 18 | 9 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 |
"Свидетели позорных похорон": Особенности изображения погребальных мотивов в русской литературе первой трети 19 века | 1548 | 257 | 5 | 24 | 29 | 17 | 19 | 13 | 23 | 26 | 33 | 30 | 21 | 17 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 3 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 3 | 2 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 |
"Кесарь" и "василёк": Еще о контексте публикации стихотворений Баратынского в журнале "Благонамеренный" в 1822 году | 1233 | 256 | 7 | 57 | 31 | 16 | 12 | 11 | 17 | 20 | 25 | 28 | 13 | 19 | 1 | 2 | 2 | 2 | 3 | 2 | 2 | 0 | 1 | 1 | 5 | 3 | 3 | 2 | 3 | 0 | 5 | 2 | 4 | 3 | 1 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 2 | 1 | 2 | 3 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 |
Из русской литературной критики 1810-х - 1830-х годов | 1313 | 256 | 2 | 26 | 39 | 31 | 10 | 19 | 24 | 21 | 24 | 29 | 16 | 15 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 4 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 4 | 4 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 |
"Бледный огонь": заметки о стихотворениях Н.С.Гумилева и О.Э.Мандельштама. 5 | 1289 | 256 | 5 | 26 | 35 | 15 | 16 | 17 | 21 | 30 | 28 | 34 | 17 | 12 | 0 | 3 | 1 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 2 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 |
"Кулацкая астрономия" (из заметок о Булгакове-журналисте) | 1321 | 255 | 6 | 15 | 26 | 19 | 8 | 14 | 27 | 24 | 40 | 39 | 12 | 25 | 0 | 4 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 4 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 |
"Владимир I I I-й степени" (исследование по истории русской литературы первой половины X I X-го века) | 1511 | 255 | 4 | 30 | 27 | 16 | 8 | 19 | 19 | 29 | 35 | 35 | 16 | 17 | 0 | 1 | 3 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 2 | 3 | 1 | 2 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 |
Баратынский и Батюшков (переход от Батюшкова к Баратынскому) 1 | 482 | 255 | 5 | 33 | 25 | 13 | 13 | 18 | 27 | 22 | 25 | 31 | 27 | 16 | 0 | 2 | 2 | 1 | 3 | 1 | 1 | 1 | 2 | 2 | 1 | 2 | 0 | 1 | 2 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 1 |
Две фантазии на одну тему (А.С.Пушкин и О.И.Сенковский - Барон Брамбеус) | 1527 | 255 | 5 | 33 | 32 | 17 | 11 | 14 | 27 | 21 | 30 | 32 | 17 | 16 | 0 | 2 | 1 | 2 | 0 | 2 | 1 | 2 | 3 | 1 | 1 | 2 | 1 | 0 | 0 | 2 | 3 | 2 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 3 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | |
"Басня" и "эпиграмма": О словоупотреблении Баратынского | 1349 | 255 | 5 | 41 | 46 | 15 | 8 | 16 | 20 | 18 | 22 | 27 | 18 | 19 | 0 | 3 | 1 | 1 | 2 | 1 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 2 | 2 | 3 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 3 | 0 | 1 | 1 | 3 | 4 | 1 | 1 | 2 | 5 | 2 | 1 | 1 | 4 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 3 | 0 | 3 | 3 | 1 | 0 | 1 | 1 | 0 | 1 |
О ближайшем литературном контексте публикаций А.С.Пушкина в журнале "Телескоп" в 1831 году. Часть 4 | 783 | 253 | 3 | 24 | 26 | 11 | 6 | 15 | 17 | 21 | 51 | 27 | 37 | 15 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
"Осколки разбитого вдребезги": Повесть Н.И.Бобылева "Купидонов лук" и ее место в литературном процессе 1830-х годов. Часть третья | 252 | 252 | 6 | 15 | 19 | 16 | 8 | 16 | 26 | 18 | 22 | 106 | 0 | 0 | 0 | 1 | 4 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 4 | 0 | 1 | 1 |
К проблеме творческой биографии М.А.Булгакова | 1401 | 252 | 3 | 24 | 26 | 17 | 15 | 17 | 22 | 27 | 33 | 33 | 18 | 17 | 0 | 2 | 1 | 0 | 0 | 2 | 3 | 1 | 2 | 2 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 4 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
У истоков поэтического цикла К.Ф.Рылеева "Думы": элегия П.А.Плетнева "Миних" (2) | 1230 | 251 | 4 | 23 | 38 | 12 | 13 | 19 | 34 | 22 | 34 | 25 | 12 | 15 | 0 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 2 | 1 | 2 | 0 | 0 | 1 | 2 | 1 | 0 | 2 |
О литературном контексте первых публикаций произведений Пушкина "Пир во время чумы" и "На перевод Илиады". 2 | 1318 | 251 | 3 | 25 | 26 | 18 | 12 | 16 | 16 | 26 | 37 | 29 | 16 | 27 | 0 | 0 | 3 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 |
"Стенограмма": отчет о событиях политической истории первой половины Х X века в комедии А.Ф.Писемского "Ипохондрик" (Мир Писемского. Статья вторая). 5 | 766 | 251 | 5 | 31 | 34 | 15 | 12 | 18 | 22 | 22 | 24 | 34 | 17 | 17 | 0 | 2 | 0 | 3 | 2 | 2 | 0 | 1 | 1 | 2 | 2 | 2 | 1 | 0 | 0 | 1 | 2 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 3 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 3 | 1 | 0 | 1 | 1 | 0 | 3 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 |
"Вы чьё, старичьё?" Мотивы романов Ф.М.Достоевского "Преступление и наказание" и "Братья Карамазовы" в советской детской литературе 1920-х - 1930-х годов. Эпилог | 791 | 250 | 1 | 22 | 35 | 13 | 14 | 36 | 29 | 16 | 31 | 28 | 14 | 11 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 4 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 3 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 |
Повесть Н.В.Данилевского "Адрианопольский мир" (1829) и ее роль в творчестве Пушкина и Баратынского. Часть 2 | 1345 | 250 | 4 | 34 | 26 | 19 | 11 | 12 | 35 | 22 | 30 | 25 | 16 | 16 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 2 | 3 | 1 | 3 | 0 | 2 | 0 | 4 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 |
"Незадолго до Водолея..." (опыт комментария-воспоминания) | 1368 | 250 | 4 | 34 | 30 | 16 | 16 | 25 | 19 | 21 | 27 | 24 | 18 | 16 | 0 | 2 | 1 | 1 | 0 | 1 | 3 | 1 | 2 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 4 | 3 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
Баратынский и Батюшков (переход от Батюшкова к Баратынскому) 2 | 440 | 250 | 5 | 21 | 24 | 14 | 13 | 11 | 16 | 19 | 33 | 40 | 34 | 20 | 0 | 2 | 0 | 3 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 3 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 4 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
В.Н.Турбин. Бывают странные сближения (Послесловие к книге: Волгин И.Л. Последний год Достоевского: Исторические записки. М., 1990). 2 | 563 | 249 | 4 | 23 | 30 | 9 | 12 | 41 | 28 | 18 | 25 | 21 | 17 | 21 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 6 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 4 | 1 | 2 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 |
Три сказки А.Е.Измайлова | 1386 | 249 | 6 | 32 | 26 | 18 | 20 | 22 | 16 | 23 | 20 | 30 | 16 | 20 | 0 | 2 | 2 | 2 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 3 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 |
"Вы чьё, старичьё?" Мотивы романов Ф.М.Достоевского "Преступление и наказание" и "Братья Карамазовы" в советской детской литературе 1920-х - 1930-х годов. Часть 3 (продолжение) | 837 | 249 | 2 | 30 | 35 | 16 | 8 | 29 | 31 | 21 | 22 | 32 | 13 | 10 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 5 | 0 | 0 | 0 | 1 | 1 | 3 | 2 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 1 | 3 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 |
В.Н.Турбин. Михаил Зощенко и его гро(я)зная тень: Тезисы ненаписанной монографии (Писатель и время: Сборник документальной прозы. М., Сов. писатель, 1991) | 934 | 249 | 5 | 32 | 29 | 15 | 13 | 16 | 21 | 16 | 36 | 30 | 20 | 16 | 0 | 3 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 2 | 1 | 1 | 1 | 6 | 2 | 0 | 1 | 0 | 3 | 0 | 2 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
К вопросу о литературных взаимоотношениях Баратынского и М.А.Бестужева-Рюмина (6) | 483 | 249 | 1 | 23 | 30 | 13 | 11 | 14 | 18 | 19 | 48 | 44 | 17 | 11 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 |
У истоков поэтического цикла К.Ф.Рылеева "Думы": элегия П.А.Плетнева "Миних" (1) | 1261 | 249 | 5 | 28 | 34 | 14 | 20 | 17 | 18 | 21 | 26 | 29 | 15 | 22 | 0 | 2 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 4 | 2 | 0 | 4 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 3 | 0 | 0 |
О литературном контексте первых публикаций произведений Пушкина "Пир во время чумы" и "На перевод Илиады". 1 | 1294 | 248 | 4 | 35 | 25 | 21 | 12 | 19 | 18 | 22 | 31 | 32 | 15 | 14 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 3 | 2 | 0 | 4 | 1 | 0 | 2 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 |
Пушкин и Плетнев (к изучению их литературных взаимоотношений). 3 | 1101 | 248 | 5 | 32 | 31 | 13 | 19 | 19 | 17 | 21 | 26 | 29 | 18 | 18 | 0 | 2 | 2 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 2 | 2 | 2 | 3 | 0 | 3 | 1 | 3 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 3 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 1 |
"Жизни холод..." Пушкинские мотивы у Булгакова | 1328 | 248 | 3 | 22 | 28 | 17 | 17 | 20 | 24 | 26 | 34 | 24 | 15 | 18 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | |
"Жизнь": Н.В.Гоголь, Ф.В.Булгарин и свят. Григорий Богослов. Заключение | 1130 | 247 | 3 | 20 | 21 | 14 | 10 | 23 | 29 | 24 | 41 | 34 | 16 | 12 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 |
"Веревочка": Опыт исследования истории русской литературы X I X века: П.В.Полежаев, Е.А.Салиас и К.П.Масальский. V | 869 | 247 | 6 | 32 | 28 | 20 | 15 | 12 | 34 | 18 | 29 | 26 | 17 | 10 | 0 | 1 | 1 | 4 | 0 | 2 | 2 | 1 | 1 | 4 | 2 | 4 | 0 | 1 | 1 | 2 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 2 |
Тайна "Красного Перца" (заметки на полях книги о Булгакове-журналисте) | 1324 | 246 | 7 | 19 | 33 | 19 | 15 | 15 | 21 | 27 | 30 | 25 | 14 | 21 | 0 | 6 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 |
"Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: М.Н.Волконский. Х | 873 | 246 | 3 | 33 | 35 | 21 | 13 | 14 | 18 | 23 | 30 | 22 | 21 | 13 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 3 | 1 | 0 | 1 | 0 | 1 | 1 | 5 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 2 | 3 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 3 | 2 | 1 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 2 |
"Всегда и в пурпуре, и в злате...": об историко-литературном подтексте повести И.И.Панаева "Кошелек" (1838). 1 | 348 | 244 | 4 | 19 | 28 | 15 | 12 | 12 | 22 | 18 | 26 | 36 | 29 | 23 | 0 | 1 | 2 | 1 | 0 | 4 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 |
Вуланд, Варнуха и Короваев: черновики романа М.А.Булгакова "Мастер и Маргарита" в комедии А.Ф.Писемского "Хищники" (Мир Писемского. Статья первая). 3 | 736 | 244 | 4 | 24 | 32 | 23 | 12 | 9 | 30 | 21 | 29 | 26 | 16 | 18 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 3 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 |
В.Н.Турбин. В начале было Слово... (1993) | 1323 | 243 | 1 | 38 | 29 | 18 | 17 | 18 | 19 | 21 | 32 | 24 | 13 | 13 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 3 | 2 | 4 | 1 | 2 | 3 | 0 | 2 | 1 | 2 | 3 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 3 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 4 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
Булгаков и А.Н.Толстой | 1358 | 243 | 6 | 20 | 32 | 15 | 16 | 18 | 21 | 15 | 36 | 31 | 19 | 14 | 0 | 2 | 2 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 3 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 |
К вопросу о художественной функции анахронизмов в повести В.К.Кюхельбекера "Адо" (6) | 1092 | 243 | 2 | 27 | 26 | 17 | 8 | 10 | 20 | 37 | 30 | 31 | 16 | 19 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 4 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 |
Ещё о книге И.И.Лажечникова "Походные записки русского офицера" | 1440 | 243 | 5 | 23 | 25 | 18 | 12 | 16 | 34 | 23 | 32 | 22 | 16 | 17 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 3 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 |
"Жизнь Петра Ивановича Данилова" (журнал "Атеней", 1830-1831) | 1438 | 243 | 2 | 31 | 23 | 15 | 15 | 22 | 16 | 19 | 31 | 36 | 16 | 17 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 4 | 5 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 |
О романе М.А.Булгакова "Белая гвардия" (дополнение) | 1160 | 243 | 2 | 26 | 28 | 10 | 14 | 26 | 41 | 17 | 28 | 21 | 14 | 16 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 4 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 4 |
"Жизнь": Н.В.Гоголь, Ф.В.Булгарин и свят. Григорий Богослов. Очерк первый | 1235 | 242 | 2 | 37 | 33 | 11 | 14 | 15 | 23 | 17 | 25 | 30 | 17 | 18 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 2 | 2 | 2 | 1 | 0 | 1 | 6 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 4 | 2 | 1 | 3 | 0 | 0 | 3 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 |
Вуланд, Варнуха и Короваев: черновики романа М.А.Булгакова "Мастер и Маргарита" в комедии А.Ф.Писемского "Хищники" (Мир Писемского. Статья первая). 2 | 829 | 242 | 3 | 35 | 30 | 14 | 13 | 18 | 21 | 26 | 24 | 24 | 19 | 15 | 0 | 0 | 2 | 1 | 0 | 3 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 3 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 4 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 2 | 3 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 |
"Сочинение Телешевского". Часть третья. Глава X V I (продолжение) | 1047 | 241 | 4 | 16 | 35 | 24 | 12 | 15 | 28 | 20 | 27 | 32 | 13 | 15 | 0 | 4 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 1 | 1 |
"Всегда и в пурпуре, и в злате...": об историко-литературном подтексте повести И.И.Панаева "Кошелек" (1838). 6 | 417 | 241 | 3 | 29 | 23 | 9 | 9 | 15 | 31 | 22 | 26 | 30 | 27 | 17 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 2 | 3 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 |
Театр Леонида Андреева. Глава первая | 1277 | 241 | 5 | 23 | 25 | 22 | 16 | 12 | 29 | 14 | 32 | 30 | 17 | 16 | 0 | 2 | 2 | 1 | 1 | 3 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 1 | 515 | 241 | 3 | 34 | 32 | 9 | 18 | 12 | 21 | 34 | 24 | 25 | 18 | 11 | 0 | 1 | 0 | 2 | 2 | 2 | 1 | 1 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 2 | 0 | 3 | 2 | 2 | 1 | 0 | 0 | 1 | 2 | 3 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 1 |
"Сочинение Телешевского". Часть первая. Главы I V - V | 1278 | 241 | 4 | 28 | 28 | 16 | 16 | 14 | 18 | 22 | 28 | 31 | 16 | 20 | 0 | 0 | 2 | 2 | 1 | 2 | 1 | 2 | 1 | 1 | 2 | 2 | 0 | 2 | 2 | 3 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 4 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 |
Казаки - разбойники. Финалы двух произведений А.С.Пушкина и Н.В.Гоголя: романа "Дубровский" и повести "Тарас Бульба" (3) | 1132 | 240 | 4 | 28 | 33 | 18 | 13 | 14 | 26 | 22 | 29 | 23 | 17 | 13 | 0 | 2 | 2 | 0 | 0 | 3 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 1 | 4 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | |
У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 9 | 455 | 240 | 4 | 16 | 34 | 29 | 11 | 12 | 32 | 22 | 24 | 23 | 21 | 12 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 3 | 1 | 0 | 1 | 2 | 2 | 1 | 1 | 2 | 4 |
"Не родись ни хорош ни пригож, а родись щастлив" (Истинное происшествие). Из журнала "Благонамеренный", 1818, часть 1, N 1 | 898 | 239 | 6 | 26 | 26 | 16 | 6 | 16 | 19 | 19 | 38 | 26 | 20 | 21 | 0 | 1 | 4 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 3 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 2 |
Из наблюдений над повестью А.И.Емичева "Заклятый поцелуй" (4) | 1096 | 239 | 1 | 32 | 37 | 19 | 12 | 12 | 16 | 19 | 23 | 27 | 17 | 24 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 3 | 0 | 2 | 2 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 3 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 4 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 3 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 |
Кто есть кто: проблема авторства в пьесе А.Ф.Писемского "Ваал" (Мир Писемского. Статья шестая). 3 | 513 | 239 | 7 | 20 | 29 | 11 | 13 | 11 | 24 | 24 | 26 | 33 | 23 | 18 | 0 | 4 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 4 | 1 | 2 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 2 |
"Жизнь": Н.В.Гоголь, Ф.В.Булгарин и свят. Григорий Богослов. Очерк пятый | 1213 | 238 | 2 | 34 | 28 | 14 | 9 | 20 | 31 | 21 | 36 | 19 | 10 | 14 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 2 | 0 | 3 | 1 | 0 | 2 | 1 | 2 | 2 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 3 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 |
Из наблюдений над повестью А.И.Емичева "Заклятый поцелуй" (2) | 1205 | 238 | 4 | 28 | 30 | 21 | 14 | 12 | 29 | 20 | 25 | 28 | 16 | 11 | 0 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 2 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 4 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 |
"Сочинение Телешевского". Часть первая. Глава I I I | 1361 | 237 | 5 | 34 | 28 | 13 | 12 | 18 | 14 | 26 | 28 | 27 | 19 | 13 | 0 | 3 | 2 | 0 | 2 | 3 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 3 | 0 | 2 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 4 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 |
У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 10 | 495 | 237 | 2 | 27 | 26 | 11 | 15 | 11 | 22 | 18 | 31 | 29 | 31 | 14 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 4 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 1 |
"Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 4 | 622 | 237 | 7 | 35 | 34 | 14 | 12 | 13 | 17 | 22 | 27 | 27 | 18 | 11 | 0 | 5 | 1 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 1 | 4 | 1 | 4 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 3 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 1 |
"Сочинение Телешевского". Часть третья. Глава X V I I | 1047 | 236 | 4 | 33 | 28 | 13 | 13 | 17 | 17 | 22 | 30 | 22 | 24 | 13 | 0 | 1 | 3 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 3 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 3 | 1 | 4 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 |
"Жизнь": Н.В.Гоголь, Ф.В.Булгарин и свят. Григорий Богослов. Очерк второй | 1135 | 236 | 5 | 28 | 29 | 15 | 14 | 16 | 19 | 22 | 31 | 27 | 11 | 19 | 0 | 1 | 3 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 3 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 4 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 |
В.Н.Турбин. Дядя Джо и саркома духа: И.В.Сталин на сцене и на экране (Независимая газета, 1992, N 241, 15 декабря) | 633 | 236 | 3 | 28 | 25 | 18 | 10 | 15 | 22 | 18 | 30 | 34 | 18 | 15 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 2 | 0 | 2 | 1 | 0 | 3 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 |
"Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: Н.Северин, Ф.Е.Зарин-Несвицкий, Р.Л.Антропов. X I | 889 | 236 | 5 | 24 | 28 | 14 | 14 | 14 | 18 | 28 | 32 | 18 | 24 | 17 | 0 | 1 | 2 | 2 | 0 | 3 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 2 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 |
"Жизнь": Н.В.Гоголь, Ф.В.Булгарин и свят. Григорий Богослов. Очерк четвертый | 1220 | 236 | 4 | 27 | 28 | 15 | 13 | 17 | 32 | 18 | 28 | 23 | 12 | 19 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 2 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 3 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 |
"Сочинение Телешевского". Часть первая. Глава V I | 1231 | 236 | 2 | 31 | 19 | 16 | 10 | 12 | 17 | 34 | 32 | 29 | 14 | 20 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 2 | 2 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 3 | 2 | 1 | 2 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 |
"Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 3 | 616 | 236 | 1 | 31 | 25 | 15 | 17 | 14 | 21 | 26 | 32 | 22 | 17 | 15 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 4 | 2 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 2 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
К вопросу о художественной функции анахронизмов в поэме А.А.Бестужева-Марлинского "Андрей, князь Переяславский" (2) | 1173 | 236 | 4 | 31 | 31 | 27 | 13 | 13 | 21 | 12 | 30 | 20 | 17 | 17 | 0 | 0 | 0 | 4 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 3 | 0 | 0 | 3 | 1 | 2 | 2 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 3 |
"Всегда и в пурпуре, и в злате...": об историко-литературном подтексте повести И.И.Панаева "Кошелек" (1838). 5 | 322 | 235 | 1 | 25 | 18 | 16 | 12 | 15 | 24 | 22 | 27 | 33 | 19 | 23 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 2 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
"Стенограмма": отчет о событиях политической истории первой половины Х X века в комедии А.Ф.Писемского "Ипохондрик" (Мир Писемского. Статья вторая). 4 | 709 | 235 | 5 | 26 | 31 | 16 | 15 | 16 | 21 | 18 | 28 | 24 | 16 | 19 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 4 | 1 | 1 | 1 | 0 | 0 | 1 | 3 | 1 | 2 | 3 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 1 |
"Четвертое измерение": образ релятивистской действительности в романе А.Ф.Писемского "Боярщина". 1 | 372 | 235 | 2 | 20 | 25 | 12 | 13 | 11 | 40 | 17 | 37 | 25 | 13 | 20 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | |
"По прозванью Каланча..." Комментарий к одному литературоведческому наблюдению В.Н.Турбина | 870 | 235 | 4 | 37 | 31 | 20 | 14 | 12 | 15 | 15 | 36 | 23 | 13 | 15 | 0 | 2 | 2 | 0 | 2 | 3 | 1 | 2 | 1 | 1 | 2 | 2 | 1 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 3 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 |
"Бледный огонь": заметки о стихотворениях Н.С.Гумилева и О.Э.Мандельштама. 2 | 1414 | 235 | 3 | 21 | 31 | 20 | 14 | 17 | 17 | 21 | 29 | 24 | 20 | 18 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 4 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 3 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 |
"Вы чьё, старичьё?" Мотивы романов Ф.М.Достоевского "Преступление и наказание" и "Братья Карамазовы" в советской детской литературе 1920-х - 1930-х годов. Часть 5 | 853 | 235 | 5 | 20 | 34 | 11 | 13 | 12 | 21 | 18 | 30 | 31 | 23 | 17 | 0 | 3 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 2 | 1 | 0 | 4 | 1 | 0 |
Русский исторический роман начала Х X века (Д.С.Дмитриев). 1 | 822 | 234 | 3 | 35 | 34 | 18 | 10 | 17 | 14 | 22 | 27 | 25 | 18 | 11 | 0 | 1 | 2 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 3 | 1 | 0 | 1 | 3 | 1 | 4 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 3 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 2 | 0 | 1 | 3 | 0 | 1 |
"Сочинение Телешевского". Часть вторая. Главы I V - V | 1035 | 234 | 5 | 26 | 30 | 23 | 9 | 16 | 17 | 19 | 25 | 28 | 18 | 18 | 0 | 0 | 3 | 2 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 1 | 3 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 2 |
"Стихотворения Н.И.Шибаева", 1830-31 гг | 1439 | 234 | 2 | 32 | 30 | 17 | 17 | 10 | 16 | 18 | 29 | 27 | 19 | 17 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 1 | 4 | 1 | 1 | 1 | 1 | 1 | 0 | 3 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 3 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 |
No X I I I. Сочинение Телешевского. М., 1833 | 874 | 233 | 2 | 27 | 25 | 14 | 10 | 16 | 22 | 31 | 35 | 25 | 14 | 12 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 4 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 4 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 |
"Сочинение Телешевского". Часть первая. Главы V I I I - X | 1268 | 233 | 2 | 31 | 29 | 17 | 13 | 16 | 22 | 20 | 25 | 29 | 14 | 15 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 1 | 2 | 3 | 1 | 2 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 5 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 3 | 1 | 2 | 1 | 0 | 0 | 4 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 |
В.Н.Турбин. Два этюда о Достоевском | 1298 | 233 | 3 | 32 | 28 | 15 | 13 | 13 | 22 | 18 | 38 | 21 | 16 | 14 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 3 | 0 | 2 | 3 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 4 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 |
Мотивы творчества А.С.Пушкина в повести В.И.Панаева "Не родись ни хорош ни пригож, а родись щастлив" (1818). Часть 2 | 1222 | 233 | 7 | 29 | 34 | 14 | 14 | 16 | 15 | 27 | 25 | 21 | 11 | 20 | 0 | 4 | 0 | 3 | 4 | 1 | 1 | 0 | 2 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 4 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 4 | 1 | 0 | 0 | 2 |
"Вы чьё, старичьё?" Мотивы романов Ф.М.Достоевского "Преступление и наказание" и "Братья Карамазовы" в советской детской литературе 1920-х - 1930-х годов. Часть 3 | 894 | 233 | 3 | 38 | 27 | 13 | 10 | 21 | 19 | 22 | 34 | 20 | 13 | 13 | 0 | 1 | 0 | 2 | 3 | 1 | 0 | 2 | 3 | 2 | 1 | 1 | 0 | 1 | 2 | 4 | 3 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 2 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 |
"Горстка праха": о повести Гоголя "Сорочинская ярмарка" и пьесе Леонида Андреева "Савва". Главы I V - V | 1329 | 233 | 6 | 26 | 31 | 16 | 12 | 15 | 20 | 16 | 30 | 26 | 18 | 17 | 0 | 3 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 1 | 2 | 3 | 0 | 1 | 2 | 1 | 1 | 2 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 3 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 |
Манифест русского феминизма: драма А.Ф.Писемского "Просвещенное время" (Мир Писемского. Статья четвертая). 2 | 650 | 232 | 6 | 31 | 33 | 15 | 8 | 16 | 15 | 22 | 26 | 26 | 17 | 17 | 0 | 3 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 3 | 1 | 2 | 2 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 2 | 3 | 2 | 0 | 1 | 3 | 0 | 2 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
"Жизнь": Н.В.Гоголь, Ф.В.Булгарин и свят. Григорий Богослов (тексты) | 1295 | 232 | 3 | 36 | 31 | 18 | 11 | 14 | 25 | 16 | 25 | 27 | 13 | 13 | 0 | 1 | 0 | 2 | 0 | 3 | 2 | 1 | 3 | 1 | 1 | 3 | 1 | 0 | 0 | 2 | 0 | 3 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 2 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 2 |
П.А.Плетнев. Миних. (Элегия.) | 1243 | 232 | 4 | 28 | 35 | 14 | 7 | 18 | 23 | 19 | 24 | 24 | 18 | 18 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 3 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 3 | 3 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 |
"Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 7 | 581 | 232 | 3 | 30 | 25 | 13 | 13 | 16 | 21 | 21 | 29 | 30 | 15 | 16 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 3 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 3 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 4 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Манифест русского феминизма: драма А.Ф.Писемского "Просвещенное время" (Мир Писемского. Статья четвертая). 3 | 681 | 232 | 3 | 29 | 25 | 13 | 14 | 14 | 29 | 16 | 28 | 29 | 13 | 19 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 2 | 3 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
"Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 5 | 591 | 232 | 4 | 33 | 27 | 11 | 15 | 17 | 25 | 21 | 24 | 31 | 14 | 10 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 3 | 1 | 2 | 0 | 1 | 2 | 3 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 |
Задуть луну: О рассказе М.А.Булгакова "В ночь на 3-е число" (1922) | 1284 | 232 | 4 | 23 | 32 | 16 | 11 | 17 | 20 | 16 | 38 | 26 | 16 | 13 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 3 | 2 | 1 | 0 | 0 | 0 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 |
Баратынский и Батюшков (переход от Батюшкова к Баратынскому) 6 | 444 | 231 | 2 | 20 | 28 | 12 | 6 | 11 | 18 | 20 | 37 | 22 | 17 | 38 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 3 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | |
"Доктор Ястребцов" I I. Из исследований по истории русской литературы первой половины X I X века (1) | 1283 | 231 | 5 | 34 | 23 | 16 | 11 | 15 | 17 | 22 | 32 | 24 | 18 | 14 | 0 | 3 | 1 | 1 | 0 | 4 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 2 | 3 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 |
О истинном величии человека. Спб., 1813 | 1344 | 231 | 3 | 25 | 28 | 19 | 9 | 10 | 18 | 27 | 27 | 34 | 16 | 15 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 2 | 1 | 1 | 2 | 1 | 0 | 0 | 3 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 |
Русский исторический роман начала Х Х века (А.П.Павлов). 1 | 838 | 231 | 3 | 31 | 29 | 14 | 10 | 18 | 30 | 21 | 27 | 18 | 15 | 15 | 0 | 0 | 3 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 3 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 3 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 4 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 3 |
Загадочный Гоголь: Опасная ярмарка (постскриптум) | 1364 | 231 | 4 | 32 | 27 | 15 | 11 | 17 | 23 | 21 | 23 | 26 | 16 | 16 | 0 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 3 | 1 | 0 | 2 | 1 | 4 | 3 | 1 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 |
Н.И.Бобылев. Купидонов лук: Рукопись, найденная в бумагах покойного Ивана Ивановича (Невский альбом: Литературный сборник, издаваемый Николаем Бобылевым. Спб., 1839) | 291 | 231 | 1 | 15 | 23 | 21 | 13 | 16 | 23 | 25 | 35 | 24 | 22 | 13 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 3 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 |
К вопросу о художественной функции анахронизмов в повести В.К.Кюхельбекера "Адо" (4) | 934 | 231 | 4 | 24 | 33 | 18 | 8 | 13 | 18 | 15 | 33 | 30 | 16 | 19 | 0 | 3 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 3 | 0 | 2 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 2 |
Белинский начинается... К вопросу о литературном дебюте В.Г.Белинского в 1834 году (3) | 1001 | 231 | 3 | 24 | 37 | 18 | 17 | 16 | 18 | 21 | 27 | 22 | 14 | 14 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 3 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 4 | 1 | 3 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 |
"Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 2 | 705 | 230 | 3 | 39 | 28 | 13 | 13 | 19 | 18 | 17 | 29 | 21 | 15 | 15 | 0 | 1 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 2 | 0 | 3 | 1 | 2 | 2 | 1 | 3 | 1 | 2 | 3 | 0 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 2 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 |
"Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 6 | 576 | 230 | 4 | 37 | 27 | 12 | 16 | 12 | 16 | 20 | 31 | 31 | 14 | 10 | 0 | 0 | 2 | 2 | 3 | 3 | 0 | 1 | 2 | 2 | 1 | 2 | 2 | 0 | 0 | 2 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 4 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 4 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
"Бледный огонь": заметки о стихотворениях Н.С.Гумилева и О.Э.Мандельштама. 6 | 1163 | 229 | 5 | 19 | 29 | 13 | 14 | 12 | 36 | 19 | 27 | 23 | 19 | 13 | 0 | 3 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 |
Тургенев и Блок | 1302 | 229 | 5 | 23 | 30 | 16 | 11 | 16 | 32 | 25 | 21 | 25 | 13 | 12 | 0 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 1 | 3 | 2 | 2 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 |
"Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: К.П.Масальский и М.Н.Волконский. V I I I | 880 | 229 | 3 | 38 | 29 | 13 | 10 | 14 | 22 | 23 | 23 | 25 | 17 | 12 | 0 | 2 | 1 | 0 | 0 | 1 | 3 | 1 | 3 | 2 | 2 | 2 | 2 | 3 | 1 | 3 | 0 | 2 | 2 | 0 | 0 | 3 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 4 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 |
Белинский начинается... К вопросу о литературном дебюте В.Г.Белинского в 1834 году (6) | 870 | 228 | 3 | 29 | 31 | 21 | 12 | 13 | 25 | 22 | 23 | 22 | 15 | 12 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 2 | 0 | 4 | 1 | 2 | 2 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 4 | 1 |
"Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: М.Н.Волконский. X I V | 860 | 228 | 2 | 25 | 31 | 15 | 16 | 9 | 23 | 28 | 27 | 25 | 13 | 14 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 3 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 |
"Всегда и в пурпуре, и в злате...": об историко-литературном подтексте повести И.И.Панаева "Кошелек" (1838). 7 | 292 | 228 | 2 | 16 | 27 | 7 | 10 | 14 | 23 | 23 | 26 | 33 | 25 | 22 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 4 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 2 | 0 | 0 |
У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 2 | 480 | 227 | 6 | 25 | 30 | 13 | 16 | 10 | 15 | 25 | 28 | 27 | 12 | 20 | 0 | 1 | 5 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 4 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
Изобретение Гоголя. Исследование по истории русской литературы первой половины X I X века | 1400 | 227 | 3 | 25 | 23 | 21 | 13 | 21 | 21 | 23 | 26 | 22 | 12 | 17 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 2 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
Т.Г.Мальчукова. О жанровых традициях в стихотворении А.С.Пушкина "Воспоминание" | 227 | 227 | 9 | 66 | 35 | 18 | 99 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 4 | 2 | 4 | 3 | 4 | 2 | 5 | 3 | 5 | 7 | 1 | 2 | 1 | 3 | 2 | 3 | 3 | 0 | 4 | 0 | 0 | 1 | 0 | 2 | 3 | 2 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 4 | 1 | 0 | 0 | 1 | 2 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 3 |
"Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: М.Н.Волконский. X I I I | 870 | 227 | 9 | 32 | 26 | 16 | 12 | 14 | 18 | 18 | 27 | 24 | 21 | 10 | 0 | 2 | 2 | 5 | 1 | 1 | 1 | 0 | 2 | 2 | 0 | 3 | 0 | 1 | 1 | 0 | 1 | 2 | 3 | 2 | 4 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 |
"Стихотворения Р.А.Кудашевой". Часть третья | 1185 | 227 | 2 | 30 | 30 | 16 | 12 | 15 | 24 | 14 | 22 | 23 | 23 | 16 | 0 | 0 | 0 | 2 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 3 | 0 | 2 | 1 | 1 | 1 | 4 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 2 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | |
"Вы чьё, старичьё?" Мотивы романов Ф.М.Достоевского "Преступление и наказание" и "Братья Карамазовы" в советской детской литературе 1920-х - 1930-х годов. Часть 4 | 837 | 226 | 4 | 35 | 27 | 11 | 15 | 17 | 24 | 14 | 25 | 30 | 11 | 13 | 0 | 3 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 3 | 1 | 6 | 1 | 0 | 4 | 2 | 1 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 3 | 0 | 2 |
В.Н.Турбин. Catarina Secunda охотится (Советский экран, 1991, N 8) | 708 | 226 | 4 | 19 | 22 | 12 | 10 | 39 | 30 | 14 | 30 | 23 | 17 | 6 | 0 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
Русский исторический роман начала Х Х века (М.Н.Волконский). 2 | 758 | 226 | 2 | 19 | 36 | 26 | 8 | 12 | 22 | 30 | 24 | 24 | 14 | 9 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 5 | 3 | 2 | 2 | 2 | 0 | 2 | 1 | 0 | 1 | 1 |
В.Н.Турбин. Музы работают (Из книги: Товарищ время и товарищ искусство. М., Искусство, 1961) | 428 | 226 | 5 | 13 | 30 | 14 | 8 | 8 | 14 | 23 | 26 | 48 | 17 | 20 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 3 |
В.Н.Турбин. Дни на дне (Литературная газета, 1990, N 31, 1 августа, "Критик В.Турбин размышляет о современных фильмах и спектаклях") | 549 | 226 | 3 | 28 | 27 | 12 | 15 | 12 | 15 | 16 | 44 | 17 | 20 | 17 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 2 | 0 | 0 | 2 | 2 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 4 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 |
Манифест русского феминизма: драма А.Ф.Писемского "Просвещенное время" (Мир Писемского. Статья четвертая). 4 | 596 | 226 | 3 | 28 | 28 | 26 | 10 | 14 | 18 | 24 | 31 | 23 | 14 | 7 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 3 | 3 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 3 | 0 | 0 | 1 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). I I I. 7 | 644 | 226 | 4 | 26 | 20 | 11 | 11 | 28 | 34 | 21 | 25 | 22 | 15 | 9 | 0 | 0 | 1 | 3 | 0 | 2 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 4 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 |
"Стенограмма": отчет о событиях политической истории первой половины Х X века в комедии А.Ф.Писемского "Ипохондрик" (Мир Писемского. Статья вторая). 2 | 731 | 225 | 2 | 29 | 28 | 15 | 7 | 17 | 35 | 16 | 21 | 30 | 15 | 10 | 0 | 1 | 1 | 0 | 1 | 4 | 0 | 1 | 0 | 2 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 |
"Жители маленьких городков" (Предвосхищение мотивов повести Пушкина "Гробовщик" в военных мемуарах И.И.Лажечникова и А.Ф.Раевского) | 1478 | 225 | 6 | 24 | 28 | 15 | 11 | 20 | 16 | 20 | 26 | 23 | 16 | 20 | 0 | 2 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 4 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 2 |
"Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 3 | 684 | 225 | 0 | 36 | 30 | 13 | 13 | 15 | 19 | 18 | 25 | 23 | 18 | 15 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 2 | 3 | 2 | 1 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 4 | 0 | 1 | 0 | 1 | 0 | 3 | 2 | 1 | 0 | 1 | 3 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
"Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 5 | 670 | 225 | 2 | 23 | 29 | 21 | 7 | 16 | 20 | 26 | 26 | 24 | 19 | 12 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 3 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 4 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 3 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 |
"Стенограмма": отчет о событиях политической истории первой половины Х X века в комедии А.Ф.Писемского "Ипохондрик" (Мир Писемского. Статья вторая). 3 | 700 | 224 | 0 | 27 | 25 | 13 | 10 | 15 | 18 | 30 | 30 | 33 | 9 | 14 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 2 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 4 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 |
К вопросу о литературных взаимоотношениях Баратынского и М.А.Бестужева-Рюмина (8) | 454 | 224 | 5 | 24 | 25 | 13 | 13 | 13 | 17 | 24 | 31 | 32 | 12 | 15 | 0 | 2 | 1 | 2 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 |
В.Н.Турбин. Мафусаил перед выбором: Еще раз о фильме "День ангела" (ж-л "Экран" / Рига /, 1989, N 8) | 510 | 224 | 5 | 30 | 23 | 12 | 10 | 15 | 23 | 17 | 35 | 21 | 18 | 15 | 0 | 3 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 2 | 3 | 2 | 3 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
В память графу Александру Ивановичу Кутайсову. Де Санглен. Спб., 1812 | 1278 | 224 | 3 | 34 | 25 | 15 | 16 | 14 | 18 | 15 | 32 | 23 | 13 | 16 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 1 | 1 | 3 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 4 | 2 | 1 | 0 | 2 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 3 |
"Незадолго до Водолея..." (опыт комментария-воспоминания). 5 | 1216 | 223 | 3 | 18 | 30 | 15 | 13 | 10 | 13 | 24 | 35 | 33 | 14 | 15 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 3 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 3 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
"Бэтман", "Черный плащ" и другие: мотивы отечественной и зарубежной фантастики в повести А.Ф.Писемского "M-r Батманов" (1852). 1 | 383 | 223 | 4 | 29 | 27 | 14 | 12 | 17 | 13 | 25 | 30 | 24 | 17 | 11 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 2 | 2 | 1 | 2 | 0 | 1 | 2 | 4 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 3 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 |
На изнанке булгаковской прозы (дополнение к предыдущему) | 1107 | 223 | 0 | 25 | 26 | 13 | 10 | 16 | 18 | 21 | 26 | 26 | 20 | 22 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 |
"Pro domo sua": к истории возникновения "Заметки о сочинениях Жуковского и Батюшкова" П.А.Плетнева. 1 | 1294 | 223 | 4 | 25 | 34 | 12 | 14 | 14 | 15 | 20 | 31 | 25 | 14 | 15 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 1 | 1 | 4 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 4 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 3 |
"Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: М.Н.Волконский. I Х | 835 | 223 | 3 | 22 | 32 | 22 | 11 | 14 | 13 | 25 | 32 | 22 | 15 | 12 | 0 | 2 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 1 | 3 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 4 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 2 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | |
Белинский начинается... К вопросу о литературном дебюте В.Г.Белинского в 1834 году (5) | 886 | 222 | 3 | 22 | 31 | 20 | 9 | 11 | 29 | 14 | 28 | 24 | 13 | 18 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 3 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 |
"Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 1 | 628 | 222 | 5 | 37 | 28 | 15 | 9 | 14 | 17 | 16 | 26 | 25 | 16 | 14 | 0 | 2 | 2 | 1 | 3 | 1 | 1 | 2 | 1 | 4 | 2 | 3 | 3 | 0 | 0 | 4 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 |
В.Н.Турбин. Бывают странные сближения (Послесловие к книге: Волгин И.Л. Последний год Достоевского: Исторические записки. М., 1990). 1 | 524 | 222 | 5 | 22 | 24 | 13 | 15 | 15 | 25 | 22 | 27 | 22 | 15 | 17 | 0 | 2 | 3 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 4 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
О повести А.С.Чужбинского "Пробуждение" (1839) | 1367 | 222 | 5 | 29 | 35 | 11 | 7 | 12 | 17 | 19 | 23 | 28 | 21 | 15 | 0 | 2 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 3 | 0 | 0 | 2 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 3 | 2 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 2 |
"Горстка праха": о повести Гоголя "Сорочинская ярмарка" и пьесе Леонида Андреева "Савва". Главы I - I I I | 1401 | 222 | 6 | 21 | 28 | 10 | 10 | 12 | 13 | 16 | 34 | 35 | 21 | 16 | 0 | 5 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 4 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
Белинский начинается... К вопросу о литературном дебюте В.Г.Белинского в 1834 году (4) | 884 | 222 | 3 | 34 | 20 | 14 | 11 | 12 | 29 | 14 | 27 | 26 | 17 | 15 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 2 | 3 | 2 | 2 | 3 | 2 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
Русский исторический роман начала Х Х века (М.Н.Волконский). 1 | 758 | 222 | 1 | 25 | 25 | 13 | 9 | 14 | 23 | 22 | 30 | 30 | 17 | 13 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 4 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 1 |
"Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 10 | 488 | 222 | 1 | 32 | 25 | 10 | 10 | 14 | 13 | 18 | 26 | 28 | 34 | 11 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 3 | 0 | 3 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 |
"Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 11 | 631 | 222 | 2 | 27 | 26 | 9 | 13 | 15 | 16 | 25 | 32 | 24 | 14 | 19 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 4 | 3 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). I I I. 3 | 657 | 221 | 2 | 24 | 28 | 27 | 8 | 10 | 16 | 26 | 25 | 29 | 15 | 11 | 0 | 0 | 0 | 2 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 3 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 |
"Стенограмма": отчет о событиях политической истории первой половины Х X века в комедии А.Ф.Писемского "Ипохондрик" (Мир Писемского. Статья вторая). 1 | 711 | 221 | 6 | 23 | 28 | 16 | 6 | 16 | 18 | 17 | 32 | 29 | 14 | 16 | 0 | 2 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 4 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). I I I. 2 | 707 | 221 | 2 | 21 | 28 | 27 | 9 | 10 | 20 | 24 | 21 | 27 | 18 | 14 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 2 |
У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 6 | 481 | 221 | 3 | 19 | 21 | 17 | 12 | 14 | 35 | 13 | 27 | 28 | 17 | 15 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 |
К вопросу о литературных взаимоотношениях Баратынского и М.А.Бестужева-Рюмина (3) | 434 | 221 | 5 | 32 | 29 | 13 | 13 | 14 | 15 | 17 | 27 | 28 | 12 | 16 | 0 | 4 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 2 | 2 | 0 | 3 | 1 | 2 | 2 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 1 | 4 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 |
Из наблюдений над повестью А.И.Емичева "Заклятый поцелуй" (5) | 1055 | 221 | 3 | 36 | 28 | 17 | 11 | 10 | 15 | 23 | 25 | 22 | 15 | 16 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 3 | 2 | 1 | 0 | 2 | 0 | 1 | 3 | 2 | 3 | 1 | 1 | 0 | 1 | 0 | 3 | 3 | 0 | 0 | 3 | 0 | 0 | 1 | 2 | 0 | 3 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 |
Манифест русского феминизма: драма А.Ф.Писемского "Просвещенное время" (Мир Писемского. Статья четвертая). 1 | 645 | 221 | 2 | 18 | 25 | 15 | 11 | 12 | 20 | 26 | 23 | 37 | 19 | 13 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 4 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 |
Информация о владельце раздела | 1150 | 221 | 7 | 23 | 31 | 13 | 6 | 15 | 29 | 19 | 23 | 22 | 14 | 19 | 0 | 2 | 3 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 2 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 2 |
К вопросу о литературных взаимоотношениях Баратынского и М.А.Бестужева-Рюмина (5) | 476 | 220 | 4 | 23 | 33 | 14 | 12 | 10 | 23 | 14 | 21 | 25 | 18 | 23 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 2 | 0 | 0 | 2 | 0 | 1 | 3 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 |
К вопросу о литературных взаимоотношениях Баратынского и М.А.Бестужева-Рюмина (2) | 503 | 220 | 3 | 26 | 30 | 12 | 17 | 14 | 17 | 22 | 24 | 26 | 21 | 8 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 4 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 |
Повесть Н.В.Данилевского "Адрианопольский мир" (1829) и ее роль в творчестве Пушкина и Баратынского. Часть 1 | 1277 | 220 | 4 | 20 | 30 | 18 | 11 | 15 | 14 | 25 | 24 | 27 | 16 | 16 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | |
В.Н.Турбин. Заметки на полях прочитанных пьес (Современная драматургия, 1984, N 1) | 298 | 220 | 1 | 15 | 26 | 24 | 12 | 12 | 16 | 15 | 23 | 23 | 35 | 18 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 |
"Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 1 | 720 | 220 | 6 | 32 | 23 | 15 | 7 | 18 | 19 | 20 | 29 | 21 | 17 | 13 | 0 | 1 | 4 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 1 | 3 | 3 | 1 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 3 | 2 | 0 | 0 | 1 | 2 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
"Всегда и в пурпуре, и в злате...": об историко-литературном подтексте повести И.И.Панаева "Кошелек" (1838). 2 | 340 | 219 | 2 | 27 | 27 | 11 | 7 | 11 | 17 | 19 | 22 | 29 | 30 | 17 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 3 | 1 | 2 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
В.Н.Турбин. Распятие Йозефа К.: Кафка на сцене театра Станиславского (Литературная газета, 1991, N 3, 23 января) | 555 | 219 | 4 | 20 | 28 | 16 | 14 | 16 | 23 | 14 | 31 | 23 | 15 | 15 | 0 | 2 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 3 |
К вопросу о художественной функции анахронизмов в поэме А.А.Бестужева-Марлинского "Андрей, князь Переяславский" | 1003 | 219 | 5 | 20 | 27 | 20 | 14 | 9 | 16 | 16 | 35 | 26 | 20 | 11 | 0 | 1 | 3 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 4 |
Повесть Н.В.Данилевского "Адрианопольский мир" и поэма Е.А.Баратынского "Наложница" (фрагменты) | 1193 | 219 | 3 | 23 | 25 | 14 | 15 | 18 | 20 | 25 | 22 | 27 | 12 | 15 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 3 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 4 | 0 | 1 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). I I I. 5 | 721 | 219 | 3 | 26 | 32 | 9 | 6 | 14 | 26 | 22 | 23 | 28 | 16 | 14 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 2 | 3 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 |
"Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: К.П.Масальский и М.Н.Волконский. V I | 920 | 218 | 5 | 33 | 25 | 14 | 16 | 13 | 18 | 21 | 27 | 22 | 11 | 13 | 0 | 2 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 3 | 3 | 2 | 0 | 1 | 1 | 1 | 2 | 2 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 |
"Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 11 | 501 | 218 | 5 | 29 | 26 | 20 | 10 | 12 | 19 | 20 | 22 | 22 | 19 | 14 | 0 | 2 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 3 | 0 | 2 | 2 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 3 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 2 | 0 |
"Сочинение Телешевского". Часть первая. Глава V I I | 1180 | 218 | 5 | 21 | 27 | 12 | 16 | 14 | 15 | 24 | 25 | 27 | 11 | 21 | 0 | 2 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 |
Катаев и... Китай | 1189 | 218 | 4 | 22 | 27 | 11 | 13 | 14 | 18 | 17 | 27 | 32 | 23 | 10 | 0 | 3 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 1 |
Из наблюдений над повестью А.И.Емичева "Заклятый поцелуй" (3) | 1121 | 218 | 2 | 24 | 27 | 12 | 10 | 15 | 34 | 16 | 29 | 25 | 10 | 14 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 3 |
В.Н.Турбин. А если об антропологии стиля? (Взгляд: Сборник. Критика. Полемика. Публикации. Вып. 3. М., 1991) | 336 | 218 | 2 | 16 | 21 | 18 | 20 | 11 | 20 | 19 | 23 | 24 | 11 | 33 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
О стихотворении Г.Р.Державина "На возвращение графа Зубова из Персии" (2) | 1067 | 218 | 2 | 26 | 24 | 14 | 12 | 12 | 27 | 16 | 33 | 26 | 16 | 10 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 4 | 2 | 1 | 2 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
О литературном контексте первых публикаций произведений Пушкина "Пир во время чумы" и "На перевод Илиады". 3 | 1148 | 218 | 4 | 22 | 26 | 18 | 13 | 12 | 20 | 14 | 30 | 29 | 17 | 13 | 0 | 1 | 3 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 |
"Pro domo sua": об "ошибке Карамзина", "оправдании Гнедича" и о современном состоянии историко-литературной науки | 1212 | 218 | 4 | 27 | 29 | 14 | 8 | 16 | 16 | 18 | 29 | 29 | 14 | 14 | 0 | 2 | 1 | 1 | 1 | 4 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 |
"Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 8 | 514 | 218 | 5 | 31 | 22 | 15 | 8 | 13 | 23 | 15 | 24 | 31 | 15 | 16 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 3 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 2 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 |
Белинский начинается... К вопросу о литературном дебюте В.Г.Белинского в 1834 году (1) | 1069 | 217 | 2 | 30 | 22 | 11 | 9 | 17 | 22 | 14 | 31 | 28 | 13 | 18 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 4 | 1 | 1 | 4 | 0 | 1 | 0 | 1 | 1 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 |
Об участи Батюшкова. V - V I | 1162 | 217 | 4 | 24 | 31 | 16 | 9 | 9 | 20 | 14 | 24 | 27 | 17 | 22 | 0 | 2 | 1 | 1 | 1 | 4 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 0 | 2 | 1 |
В.Н.Турбин. Русский лад. Очерки Василия Белова о народной эстетике (Советская Россия, 1981, 14 июня, N 136) | 331 | 217 | 5 | 24 | 24 | 15 | 11 | 22 | 22 | 21 | 19 | 28 | 19 | 7 | 0 | 3 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 4 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | |
В.Н.Турбин. "Арзамас" в кинематографе, или Несколько слов об именинах Мафусаила (Искусство кино, 1988, N 6) | 601 | 217 | 4 | 15 | 23 | 14 | 15 | 15 | 36 | 17 | 24 | 21 | 20 | 13 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 |
"Веревочка". Опыт исследования истории русской литературы первой половины X I X века: Пушкин, Гоголь, Достоевский. I | 997 | 217 | 3 | 29 | 27 | 18 | 9 | 11 | 16 | 20 | 29 | 23 | 19 | 13 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 2 | 4 | 1 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 2 | 0 | 0 | 2 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 |
Русский исторический роман начала Х Х века (Д.С.Дмитриев). 2 | 790 | 217 | 5 | 23 | 26 | 20 | 12 | 18 | 19 | 16 | 24 | 22 | 22 | 10 | 0 | 1 | 3 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 4 | 2 | 2 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 |
"Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: К.П.Масальский, А.Шардин. X V | 810 | 216 | 3 | 17 | 27 | 16 | 19 | 15 | 19 | 16 | 32 | 21 | 15 | 16 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 1 |
Кто есть кто: проблема авторства в пьесе А.Ф.Писемского "Ваал" (Мир Писемского. Статья шестая). 6 | 473 | 216 | 2 | 25 | 27 | 18 | 12 | 18 | 18 | 22 | 22 | 30 | 13 | 9 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 4 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 |
"Веревочка". Опыт исследования истории русской литературы первой половины X I X века: Пушкин, Гоголь, Достоевский. I I | 887 | 216 | 3 | 29 | 33 | 13 | 8 | 15 | 22 | 18 | 28 | 20 | 13 | 14 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 2 | 1 | 3 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 |
"Осколки разбитого вдребезги": Повесть Н.И.Бобылева "Купидонов лук" и ее место в литературном процессе 1830-х годов. Часть вторая | 216 | 216 | 3 | 24 | 22 | 11 | 11 | 14 | 20 | 12 | 35 | 64 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 2 | 0 | 3 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 |
"Сочинение Телешевского". Часть вторая. Главы I I - I I I | 1037 | 216 | 5 | 29 | 23 | 12 | 13 | 17 | 17 | 22 | 24 | 23 | 18 | 13 | 0 | 1 | 3 | 1 | 1 | 2 | 1 | 0 | 3 | 1 | 1 | 4 | 1 | 2 | 2 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 |
"Сочинение Телешевского". Часть вторая. Главы X - X I I | 1007 | 216 | 1 | 30 | 26 | 14 | 11 | 10 | 25 | 15 | 27 | 28 | 15 | 14 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 2 | 2 | 1 | 2 | 1 | 1 | 3 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 |
Кто есть кто: проблема авторства в пьесе А.Ф.Писемского "Ваал" (Мир Писемского. Статья шестая). 4 | 487 | 216 | 1 | 28 | 23 | 14 | 13 | 17 | 22 | 17 | 23 | 31 | 13 | 14 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 2 | 4 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 4 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 |
В.Н.Турбин. Размышления и разборы: Опыт обзора театроведческой литературы (Современная драматургия, 1983, N 1) | 862 | 215 | 4 | 27 | 22 | 17 | 17 | 14 | 15 | 22 | 29 | 24 | 11 | 13 | 0 | 2 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 3 | 2 | 3 | 0 | 1 | 1 | 0 | 3 | 0 | 2 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 1 |
П.П.Свиньин. Отрывки из книги "Опыт живописного путешествия по Северной Америке" | 1277 | 215 | 4 | 23 | 24 | 15 | 9 | 18 | 27 | 17 | 26 | 24 | 16 | 12 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 |
К вопросу о художественной функции анахронизмов в повести В.К.Кюхельбекера "Адо" и поэме А.А.Бестужева-Марлинского "Андрей, князь Переяславский" (8) | 813 | 215 | 4 | 19 | 31 | 13 | 16 | 12 | 21 | 17 | 29 | 20 | 17 | 16 | 0 | 2 | 1 | 1 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 3 |
Еще о стихотворении Н.И.Гнедича "Скоротечность юности" (1809) | 1282 | 215 | 2 | 26 | 23 | 14 | 10 | 21 | 18 | 10 | 28 | 29 | 18 | 16 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 4 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 |
"Сочинение Телешевского". Часть вторая. Главы V I - I X | 1026 | 215 | 3 | 31 | 33 | 10 | 8 | 12 | 17 | 26 | 26 | 23 | 11 | 15 | 0 | 1 | 1 | 1 | 0 | 2 | 2 | 1 | 3 | 0 | 2 | 4 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 3 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 |
Театр Леонида Андреева. Глава третья | 1235 | 215 | 2 | 19 | 34 | 15 | 10 | 13 | 18 | 20 | 27 | 23 | 21 | 13 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 2 | 2 | 0 | 2 | 0 | 1 | 2 | 0 | 3 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 |
"Веревочка": Опыт исследования истории русской литературы X I X века: П.В.Полежаев, Е.А.Салиас и К.П.Масальский. I V | 1032 | 215 | 5 | 29 | 31 | 12 | 10 | 10 | 17 | 18 | 30 | 23 | 16 | 14 | 0 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 4 | 3 | 1 | 2 | 0 | 1 | 0 | 3 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 3 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 |
"Всегда и в пурпуре, и в злате...": об историко-литературном подтексте повести И.И.Панаева "Кошелек" (1838). 3 | 295 | 214 | 1 | 30 | 25 | 8 | 8 | 10 | 20 | 21 | 24 | 31 | 21 | 15 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 4 | 0 | 1 | 0 | 1 | 1 | 0 | 3 | 3 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 3 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
"Около эколо": к вопросу о художественной топографии в произведениях Пушкина | 522 | 214 | 5 | 21 | 24 | 16 | 11 | 17 | 20 | 23 | 23 | 26 | 16 | 12 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 |
О ближайшем литературном контексте публикаций А.С.Пушкина в журнале "Телескоп" в 1831 году. Часть 2 | 788 | 214 | 3 | 27 | 22 | 13 | 15 | 14 | 18 | 16 | 26 | 26 | 24 | 10 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 3 | 0 | 2 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | |
В.Н.Турбин. Политика, власть, безумие (Экран, 1991, N 17; о фильме К.Шахназарова "Цареубийца") | 440 | 213 | 1 | 21 | 25 | 15 | 16 | 11 | 19 | 19 | 28 | 26 | 16 | 16 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 3 | 3 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 |
"Веревочка". Опыт исследования истории русской литературы первой половины X I X века: Пушкин, Гоголь, Достоевский. I I I | 985 | 213 | 1 | 21 | 30 | 13 | 7 | 13 | 19 | 18 | 31 | 25 | 17 | 18 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 3 | 2 | 0 | 0 | 1 | 1 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 2 |
"Воздушный караван": булгаковский субстрат "коллективного романа" | 1318 | 213 | 2 | 23 | 36 | 16 | 12 | 15 | 20 | 16 | 26 | 22 | 12 | 13 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 3 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 3 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 6 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 |
"Незадолго до Водолея..." (опыт комментария-воспоминания). 3 | 1177 | 212 | 2 | 25 | 25 | 16 | 14 | 13 | 19 | 17 | 31 | 23 | 15 | 12 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 2 | 3 | 1 | 3 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
Театр Леонида Андреева. Глава четвертая | 1236 | 212 | 5 | 24 | 26 | 10 | 10 | 17 | 12 | 15 | 35 | 28 | 13 | 17 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 |
Белинский начинается... К вопросу о литературном дебюте В.Г.Белинского в 1834 году (2) | 993 | 212 | 2 | 19 | 22 | 16 | 8 | 11 | 29 | 16 | 34 | 22 | 18 | 15 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 4 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 |
Из наблюдений над повестью А.И.Емичева "Заклятый поцелуй" (6) | 888 | 212 | 7 | 20 | 31 | 17 | 16 | 9 | 15 | 19 | 27 | 22 | 11 | 18 | 0 | 4 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 4 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
"Бледный огонь": заметки о стихотворениях Н.С.Гумилева и О.Э.Мандельштама. 4 | 1152 | 212 | 2 | 17 | 28 | 18 | 17 | 15 | 21 | 22 | 23 | 24 | 13 | 12 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 3 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
"Доктор Ястребцов" I I. Из исследований по истории русской литературы первой половины X I X века (2) | 922 | 211 | 2 | 26 | 26 | 23 | 10 | 8 | 19 | 24 | 27 | 20 | 12 | 14 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 4 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 4 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 |
К вопросу о литературных взаимоотношениях Баратынского и М.А.Бестужева-Рюмина (9) | 422 | 211 | 7 | 33 | 23 | 9 | 8 | 14 | 19 | 11 | 28 | 25 | 20 | 14 | 0 | 3 | 4 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 3 | 1 | 2 | 2 | 3 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 |
Повесть Н.В.Данилевского "Адрианопольский мир" (1829) и ее роль в творчестве Пушкина и Баратынского. Часть 3 | 1148 | 211 | 3 | 22 | 29 | 14 | 8 | 11 | 20 | 17 | 27 | 26 | 20 | 14 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 |
В.Н.Турбин. ...А тайна опять и опять в поэтике сокрыта (Советская культура, 1987, N 18, 10 февраля) | 787 | 211 | 2 | 21 | 22 | 16 | 10 | 17 | 26 | 19 | 25 | 31 | 10 | 12 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 |
В.Н.Турбин. Литературоведение? Зачем? (Литературная газета, 1993, N 9, 3 марта) | 527 | 211 | 2 | 19 | 25 | 19 | 13 | 16 | 18 | 18 | 25 | 31 | 11 | 14 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 3 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
О ближайшем литературном контексте публикаций А.С.Пушкина в журнале "Телескоп" в 1831 году. Часть 1 | 768 | 211 | 3 | 28 | 29 | 12 | 9 | 11 | 20 | 19 | 28 | 27 | 15 | 10 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 3 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 |
К вопросу о литературных взаимоотношениях Баратынского и М.А.Бестужева-Рюмина (1) | 436 | 211 | 7 | 27 | 24 | 7 | 7 | 13 | 17 | 17 | 28 | 31 | 17 | 16 | 0 | 3 | 2 | 2 | 0 | 2 | 0 | 0 | 2 | 2 | 1 | 3 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 |
О ближайшем литературном контексте публикаций А.С.Пушкина в журнале "Телескоп" в 1831 году. Часть 3 | 713 | 210 | 5 | 15 | 29 | 12 | 13 | 12 | 21 | 17 | 28 | 33 | 12 | 13 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 4 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 |
Баратынский и Батюшков (переход от Батюшкова к Баратынскому) 3 | 427 | 210 | 2 | 28 | 24 | 17 | 13 | 10 | 17 | 18 | 21 | 28 | 15 | 17 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 2 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 2 | 2 | 3 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 |
Об участи Батюшкова. I I I - I V | 1120 | 210 | 6 | 24 | 26 | 13 | 13 | 11 | 17 | 14 | 26 | 29 | 17 | 14 | 0 | 3 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 2 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 1 |
"Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 2 | 646 | 209 | 3 | 23 | 30 | 13 | 14 | 7 | 17 | 21 | 24 | 26 | 18 | 13 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 1 | 0 | 1 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 2 | 0 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 |
"Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: К.П.Масальский и М.Н.Волконский. V I I | 824 | 209 | 5 | 31 | 26 | 15 | 13 | 12 | 15 | 18 | 22 | 24 | 13 | 15 | 0 | 2 | 1 | 2 | 1 | 2 | 1 | 0 | 4 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | |
Манифест русского феминизма: драма А.Ф.Писемского "Просвещенное время" (Мир Писемского. Статья четвертая). 5 | 640 | 209 | 4 | 19 | 24 | 13 | 12 | 13 | 15 | 20 | 24 | 35 | 18 | 12 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). 1 | 777 | 209 | 2 | 25 | 24 | 15 | 11 | 16 | 13 | 16 | 28 | 24 | 17 | 18 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 1 | 2 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 4 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 |
В.Н.Турбин. Сегодня на экране: Размышления в фойе кинотеатра (Из книги: Товарищ время и товарищ искусство. М., Искусство, 1961) | 420 | 209 | 1 | 18 | 30 | 8 | 12 | 8 | 35 | 11 | 27 | 24 | 19 | 16 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 4 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 3 |
"Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 12 | 476 | 208 | 5 | 32 | 22 | 10 | 8 | 10 | 14 | 13 | 32 | 23 | 28 | 11 | 0 | 3 | 0 | 2 | 1 | 3 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 3 | 0 | 3 | 0 | 3 | 1 | 0 | 1 | 0 | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
"Сочинение Телешевского". Часть вторая. Главы X I V - X V I | 1008 | 208 | 2 | 26 | 24 | 14 | 11 | 13 | 21 | 16 | 33 | 20 | 16 | 12 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 3 | 2 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 |
В.Н.Турбин. Товарищ время и товарищ искусство. М., Искусство, 1961. Содержание | 407 | 208 | 4 | 18 | 27 | 10 | 15 | 13 | 13 | 17 | 30 | 29 | 20 | 12 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 3 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 |
"Не родись ни хорош ни пригож, а родись щастлив" (Истинное происшествие). Из журнала "Благонамеренный", 1818, часть 1, N 1. (Окончание) | 793 | 208 | 1 | 16 | 27 | 14 | 8 | 17 | 13 | 25 | 31 | 29 | 17 | 10 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 3 | 461 | 208 | 4 | 21 | 21 | 13 | 13 | 14 | 18 | 23 | 26 | 27 | 14 | 14 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 2 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 2 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 |
К вопросу о литературных взаимоотношениях Баратынского и М.А.Бестужева-Рюмина (4) | 448 | 207 | 2 | 23 | 30 | 12 | 9 | 10 | 13 | 17 | 23 | 31 | 19 | 18 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 4 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 3 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 2 |
В.Н.Турбин. Спасите наши лица! (Литературная газета, 1990, N 42, 17 октября) | 539 | 207 | 4 | 24 | 26 | 12 | 11 | 12 | 20 | 18 | 25 | 26 | 17 | 12 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 1 | 2 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
К вопросу о художественной функции анахронизмов в повести В.К.Кюхельбекера "Адо" (5) | 1050 | 207 | 2 | 26 | 26 | 17 | 10 | 12 | 21 | 11 | 27 | 19 | 19 | 17 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 2 | 2 | 1 | 2 | 2 | 1 | 0 | 2 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 4 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
"Четвертое измерение": образ релятивистской действительности в романе А.Ф.Писемского "Боярщина". 3 | 324 | 207 | 6 | 21 | 27 | 10 | 8 | 10 | 17 | 22 | 32 | 26 | 15 | 13 | 0 | 1 | 5 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 4 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 |
У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 4 | 447 | 207 | 2 | 34 | 24 | 12 | 9 | 13 | 19 | 14 | 24 | 28 | 11 | 17 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 3 | 2 | 2 | 3 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 3 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 |
"Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: Р.Л.Антропов. X I I | 837 | 206 | 5 | 20 | 23 | 15 | 11 | 16 | 17 | 20 | 25 | 24 | 14 | 16 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 |
К вопросу о литературных взаимоотношениях Баратынского и М.А.Бестужева-Рюмина (7) | 437 | 206 | 3 | 21 | 29 | 10 | 8 | 14 | 20 | 16 | 26 | 22 | 18 | 19 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 |
"Сочинение Телешевского". Часть третья. Глава X V I I (окончание) | 938 | 206 | 2 | 21 | 26 | 11 | 8 | 11 | 27 | 16 | 25 | 27 | 17 | 15 | 0 | 0 | 2 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 3 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 |
Баратынский и Батюшков (переход от Батюшкова к Баратынскому) 4 | 398 | 206 | 4 | 17 | 23 | 16 | 10 | 15 | 17 | 21 | 30 | 22 | 14 | 17 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 3 | 0 | 0 | 0 | 4 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). 2 | 676 | 206 | 4 | 25 | 23 | 21 | 10 | 12 | 13 | 21 | 22 | 22 | 16 | 17 | 0 | 2 | 1 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 |
"В усах и кивере два грозных часовых..." (из материалов для комментария к стихотворению Пушкина "Мирская власть") | 1225 | 206 | 4 | 23 | 32 | 16 | 4 | 10 | 19 | 16 | 33 | 20 | 15 | 14 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 3 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 2 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 0 |
У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 11 | 431 | 205 | 1 | 26 | 31 | 12 | 10 | 11 | 19 | 19 | 21 | 23 | 20 | 12 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 0 | 2 | 2 | 1 | 2 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | |
Об участи Батюшкова. I | 1167 | 205 | 1 | 23 | 26 | 18 | 8 | 12 | 17 | 13 | 31 | 28 | 13 | 15 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 4 | 0 | 1 | 1 | 0 | 3 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 |
"Всегда и в пурпуре, и в злате...": об историко-литературном подтексте повести И.И.Панаева "Кошелек" (1838). 4 | 287 | 205 | 4 | 25 | 22 | 10 | 9 | 10 | 20 | 18 | 24 | 23 | 27 | 13 | 0 | 2 | 2 | 0 | 0 | 1 | 2 | 0 | 3 | 0 | 0 | 3 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 |
У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 7 | 415 | 204 | 2 | 29 | 23 | 14 | 9 | 12 | 19 | 15 | 19 | 30 | 21 | 11 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 3 | 2 | 0 | 1 | 0 |
Кто есть кто: проблема авторства в пьесе А.Ф.Писемского "Ваал" (Мир Писемского. Статья шестая). 1 | 527 | 204 | 5 | 30 | 24 | 14 | 6 | 12 | 21 | 16 | 21 | 30 | 15 | 10 | 0 | 2 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 5 | 1 | 2 | 2 | 2 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 |
"Сочинение Телешевского". Часть вторая. Глава X I I I | 944 | 204 | 4 | 20 | 25 | 10 | 9 | 15 | 18 | 21 | 30 | 23 | 15 | 14 | 1 | 3 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 |
А.И.Емичев. Заклятый поцелуй (Телескоп, 1834, т. 22, N 33) | 1146 | 204 | 3 | 27 | 28 | 12 | 16 | 21 | 18 | 25 | 22 | 17 | 7 | 8 | 0 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 3 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). I I I. 4 | 796 | 203 | 1 | 19 | 29 | 17 | 5 | 11 | 25 | 17 | 23 | 25 | 19 | 12 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 3 | 2 | 2 | 0 | 2 |
У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 13 | 427 | 203 | 1 | 21 | 27 | 15 | 11 | 10 | 24 | 18 | 26 | 25 | 14 | 11 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 4 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
"Бэтман", "Черный плащ" и другие: мотивы отечественной и зарубежной фантастики в повести А.Ф.Писемского "M-r Батманов" (1852). 2 | 385 | 203 | 1 | 24 | 26 | 19 | 11 | 12 | 18 | 15 | 31 | 20 | 17 | 9 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 2 | 2 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 |
Об участи Батюшкова. V I I I - I X | 1051 | 202 | 7 | 20 | 20 | 16 | 9 | 13 | 14 | 23 | 23 | 27 | 10 | 20 | 0 | 2 | 1 | 4 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 3 | 2 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). I I I. 6 | 630 | 202 | 1 | 29 | 18 | 14 | 4 | 23 | 29 | 13 | 24 | 24 | 14 | 9 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 2 | 3 | 0 | 1 | 2 | 1 | 3 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 0 |
"Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 6 | 651 | 202 | 1 | 24 | 29 | 9 | 10 | 11 | 19 | 13 | 28 | 18 | 21 | 19 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 |
"Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 4 | 638 | 202 | 2 | 17 | 29 | 16 | 12 | 10 | 16 | 23 | 26 | 28 | 15 | 8 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 4 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 |
"Незадолго до Водолея..." (опыт комментария-воспоминания). 2 | 1063 | 202 | 1 | 20 | 27 | 14 | 11 | 11 | 16 | 13 | 29 | 23 | 19 | 18 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 3 |
"Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: А.Шардин. X V I I | 664 | 202 | 3 | 16 | 29 | 10 | 10 | 10 | 24 | 22 | 25 | 24 | 16 | 13 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 4 |
Писатель и сочинитель: Еще к вопросу о рефлексах публикаций из журнала "Корабль" в творчестве Б.А.Пильняка | 1109 | 202 | 8 | 16 | 24 | 15 | 9 | 9 | 18 | 22 | 29 | 22 | 17 | 13 | 0 | 3 | 4 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 |
В.Н.Турбин. У страха глаза велики (Учительская газета, 1987, N 14, 3 февраля, рубрика "Наш современник - Пушкин") | 518 | 202 | 3 | 19 | 35 | 11 | 12 | 14 | 15 | 14 | 29 | 23 | 19 | 8 | 0 | 3 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 3 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 4 | 1 | 2 | 0 | 1 | 0 | 2 |
В.Н.Турбин. И боль, и надежды (Литературная Россия, 1989, N 2, 13 января) | 525 | 202 | 3 | 19 | 24 | 10 | 9 | 15 | 15 | 24 | 27 | 27 | 16 | 13 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 |
К вопросу о художественной функции анахронизмов в повести В.К.Кюхельбекера "Адо" (7) | 985 | 201 | 5 | 18 | 26 | 15 | 12 | 14 | 16 | 18 | 29 | 21 | 13 | 14 | 0 | 2 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 |
"Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 8 | 651 | 201 | 1 | 24 | 30 | 15 | 7 | 15 | 18 | 16 | 25 | 23 | 16 | 11 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 3 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | |
"Pro domo sua": к истории возникновения "Заметки о сочинениях Жуковского и Батюшкова" П.А.Плетнева. 3 | 1137 | 201 | 6 | 27 | 26 | 12 | 9 | 10 | 17 | 15 | 27 | 25 | 13 | 14 | 0 | 2 | 3 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 4 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 3 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 |
Об участи Батюшкова. V I I | 1161 | 201 | 6 | 22 | 25 | 14 | 6 | 9 | 12 | 17 | 30 | 28 | 13 | 19 | 0 | 3 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 4 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 |
"Четвертое измерение": образ релятивистской действительности в романе А.Ф.Писемского "Боярщина". 5 | 325 | 201 | 3 | 31 | 20 | 10 | 13 | 15 | 14 | 17 | 25 | 25 | 17 | 11 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 3 | 2 | 0 | 1 | 2 | 1 | 2 | 1 | 1 | 3 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 2 |
"Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 10 | 648 | 201 | 3 | 19 | 29 | 14 | 5 | 13 | 17 | 23 | 21 | 31 | 13 | 13 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 3 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 |
"Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 9 | 531 | 201 | 1 | 26 | 31 | 9 | 11 | 8 | 20 | 20 | 26 | 22 | 10 | 17 | 0 | 0 | 0 | 1 | 1 | 2 | 3 | 0 | 0 | 0 | 2 | 4 | 0 | 1 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 3 |
Пушкин и Плетнев (к изучению их литературных взаимоотношений). 2 | 968 | 200 | 3 | 16 | 30 | 9 | 11 | 14 | 15 | 13 | 27 | 29 | 13 | 20 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 |
У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 14 | 455 | 200 | 0 | 24 | 24 | 11 | 11 | 12 | 20 | 19 | 26 | 27 | 13 | 13 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). I I. 1 | 712 | 200 | 5 | 17 | 24 | 14 | 10 | 13 | 14 | 18 | 24 | 28 | 19 | 14 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 |
"Незадолго до Водолея..." (опыт комментария-воспоминания). 4 | 1117 | 200 | 1 | 22 | 31 | 12 | 10 | 12 | 17 | 17 | 25 | 26 | 13 | 14 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 |
Об участи Батюшкова. I I | 1042 | 200 | 2 | 23 | 30 | 13 | 12 | 10 | 16 | 16 | 24 | 23 | 14 | 17 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 2 |
В.Н.Турбин. Шестидесятники: блеск и нищета (Искусство кино, 1992, N 4) | 830 | 200 | 4 | 20 | 24 | 11 | 10 | 13 | 19 | 18 | 33 | 23 | 14 | 11 | 0 | 3 | 1 | 0 | 4 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 3 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). 3 | 653 | 199 | 2 | 22 | 23 | 20 | 9 | 12 | 15 | 23 | 22 | 24 | 13 | 14 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). 4 | 725 | 199 | 3 | 23 | 27 | 16 | 9 | 14 | 12 | 22 | 25 | 21 | 14 | 13 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 3 | 2 | 1 | 2 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). 6 | 684 | 198 | 5 | 15 | 28 | 16 | 8 | 13 | 18 | 19 | 26 | 24 | 14 | 12 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 |
"Сочинение Телешевского". Часть вторая. Глава X V I (продолжение) | 955 | 197 | 2 | 24 | 26 | 8 | 8 | 8 | 17 | 19 | 23 | 26 | 23 | 13 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
Кто есть кто: проблема авторства в пьесе А.Ф.Писемского "Ваал" (Мир Писемского. Статья шестая). 7 | 446 | 197 | 3 | 23 | 25 | 17 | 5 | 10 | 25 | 14 | 23 | 25 | 15 | 12 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 4 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 |
"Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: А.Шардин, К.П.Масальский. X V I | 705 | 197 | 5 | 23 | 26 | 9 | 12 | 8 | 21 | 17 | 35 | 17 | 10 | 14 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 4 | 2 | 1 | 1 | 0 | 0 | 0 | 4 | 4 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 |
Театр Леонида Андреева. Глава вторая | 1140 | 196 | 4 | 21 | 23 | 13 | 11 | 10 | 19 | 13 | 24 | 25 | 19 | 14 | 0 | 4 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
"Четвертое измерение": образ релятивистской действительности в романе А.Ф.Писемского "Боярщина". 6 | 335 | 196 | 2 | 29 | 24 | 7 | 12 | 13 | 11 | 19 | 25 | 23 | 17 | 14 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 3 | 0 | 4 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 2 | 0 |
"Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 9 | 682 | 196 | 3 | 23 | 30 | 10 | 9 | 11 | 19 | 16 | 23 | 24 | 20 | 8 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 3 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | |
"Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 14 | 585 | 196 | 2 | 16 | 29 | 6 | 14 | 16 | 14 | 20 | 27 | 20 | 18 | 14 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 3 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 1 |
В.Н.Турбин. Юность мысли. В экспериментальном цехе истории (Из книги: Товарищ время и товарищ искусство. М., Искусство, 1961) | 341 | 196 | 4 | 18 | 33 | 9 | 10 | 11 | 17 | 21 | 25 | 24 | 9 | 15 | 1 | 1 | 2 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 4 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 1 |
"Жизнь": Н.В.Гоголь, Ф.В.Булгарин и свят. Григорий Богослов. Очерк третий | 1061 | 195 | 3 | 22 | 27 | 13 | 5 | 14 | 16 | 17 | 26 | 28 | 11 | 13 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 3 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 3 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 |
В.Н.Турбин. Во сне и наяву: Повесть Ф.М.Достоевского "Дядюшкин сон" на телевизионном экране (Советская Россия, 1981, 29 ноября, N 276) | 315 | 195 | 7 | 16 | 23 | 16 | 8 | 8 | 17 | 22 | 22 | 32 | 12 | 12 | 0 | 2 | 2 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 |
В.Н.Турбин. Не для обнюхивания, а для изобретения (Из книги: Товарищ время и товарищ искусство. М., Искусство, 1961) | 362 | 195 | 1 | 26 | 26 | 21 | 11 | 13 | 12 | 19 | 19 | 17 | 15 | 15 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 1 | 4 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 1 |
"Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 12 | 595 | 195 | 3 | 22 | 23 | 7 | 9 | 11 | 24 | 13 | 27 | 25 | 16 | 15 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 |
У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 5 | 382 | 195 | 4 | 15 | 32 | 12 | 13 | 12 | 17 | 17 | 20 | 30 | 11 | 12 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 4 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
В.Н.Турбин. Наш Пушкин (Советская культура, 1982, N 45, 4 июня) | 310 | 194 | 4 | 17 | 25 | 12 | 10 | 11 | 19 | 19 | 20 | 26 | 15 | 16 | 0 | 3 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
Кто есть кто: проблема авторства в пьесе А.Ф.Писемского "Ваал" (Мир Писемского. Статья шестая). 2 | 459 | 194 | 2 | 21 | 23 | 12 | 9 | 11 | 17 | 10 | 29 | 27 | 21 | 12 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 4 | 1 | 2 | 2 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 |
"Сочинение Телешевского". Часть вторая. Глава I | 1072 | 194 | 1 | 22 | 26 | 11 | 10 | 11 | 15 | 23 | 24 | 24 | 12 | 15 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). I I I. 1 | 692 | 193 | 2 | 18 | 24 | 19 | 10 | 12 | 17 | 23 | 23 | 21 | 13 | 11 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
В.Н.Турбин. Освобождаясь от иллюзий (Советская культура, 1989, N 109, 12 сентября) | 731 | 193 | 3 | 18 | 27 | 11 | 10 | 14 | 11 | 19 | 26 | 26 | 16 | 12 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 3 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 |
В.Н.Турбин. Голод и боль Михаила Бахтина (Литературная газета, 1994, N 24, 15 июня. Публикация О.В.Турбиной) | 520 | 193 | 4 | 17 | 31 | 10 | 6 | 16 | 15 | 18 | 29 | 22 | 13 | 12 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 3 | 0 | 1 | 2 | 0 | 1 | 1 | 4 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 |
"Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: Е.А.Салиас, Д.С.Дмитриев, В.В.Крестовский. X V I I I | 694 | 193 | 1 | 23 | 25 | 14 | 11 | 12 | 15 | 12 | 28 | 23 | 14 | 15 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 |
"Сочинение Телешевского". Часть третья. Глава X V I (окончание) | 918 | 193 | 2 | 20 | 28 | 11 | 9 | 11 | 18 | 16 | 20 | 29 | 15 | 14 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 1 |
В.Н.Турбин. Когда ломают игрушки... (Из книги: Товарищ время и товарищ искусство. М., Искусство, 1961) | 335 | 193 | 5 | 16 | 26 | 12 | 8 | 11 | 20 | 17 | 30 | 24 | 10 | 14 | 0 | 1 | 2 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 4 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 |
У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 12 | 438 | 193 | 3 | 24 | 24 | 11 | 10 | 10 | 17 | 20 | 24 | 23 | 15 | 12 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 2 | 1 | 3 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 |
Мяч. Повесть. ("Благонамеренный", 1826, часть 33, N 1) | 776 | 193 | 3 | 23 | 22 | 14 | 14 | 8 | 27 | 18 | 22 | 21 | 9 | 12 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
"Pro domo sua": к истории возникновения "Заметки о сочинениях Жуковского и Батюшкова" П.А.Плетнева. 2 | 1107 | 192 | 7 | 17 | 25 | 19 | 11 | 11 | 17 | 12 | 26 | 27 | 7 | 13 | 0 | 1 | 3 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 1 |
Об участи Батюшкова. X - X I | 1096 | 191 | 3 | 15 | 29 | 13 | 8 | 11 | 20 | 16 | 24 | 28 | 13 | 11 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | |
"Бэтман", "Черный плащ" и другие: мотивы отечественной и зарубежной фантастики в повести А.Ф.Писемского "M-r Батманов" (1852). 3 | 324 | 191 | 1 | 27 | 19 | 11 | 10 | 15 | 13 | 19 | 24 | 24 | 16 | 12 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 3 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 |
"Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 13 | 643 | 191 | 3 | 16 | 24 | 14 | 11 | 13 | 12 | 22 | 26 | 23 | 13 | 14 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 |
В.Н.Турбин. У врат тайны: По поводу телесериала "Монстр" (Литературная газета, 1992, N 50, 9 декабря) | 559 | 190 | 6 | 20 | 26 | 11 | 10 | 11 | 17 | 10 | 28 | 26 | 13 | 12 | 0 | 5 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 3 | 4 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 4 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). 5 | 663 | 190 | 1 | 15 | 29 | 14 | 4 | 13 | 20 | 16 | 32 | 17 | 15 | 14 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 3 | 0 | 0 | 1 | 2 | 2 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
Кто есть кто: проблема авторства в пьесе А.Ф.Писемского "Ваал" (Мир Писемского. Статья шестая). 5 | 430 | 190 | 4 | 21 | 26 | 9 | 8 | 11 | 14 | 22 | 27 | 21 | 17 | 10 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 1 |
У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 8 | 446 | 190 | 2 | 15 | 29 | 9 | 10 | 14 | 16 | 13 | 21 | 32 | 16 | 13 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 1 | 2 | 0 | 0 | 4 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 |
"Четвертое измерение": образ релятивистской действительности в романе А.Ф.Писемского "Боярщина". 9 | 320 | 189 | 2 | 23 | 27 | 8 | 10 | 18 | 13 | 15 | 22 | 27 | 14 | 10 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 3 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 3 |
Баратынский и Батюшков (переход от Батюшкова к Баратынскому) 7 | 395 | 189 | 4 | 15 | 24 | 9 | 11 | 10 | 14 | 17 | 27 | 26 | 18 | 14 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 3 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 |
В.Н.Турбин. Трибуна и амвон (Из книги: Товарищ время и товарищ искусство. М., Искусство, 1961) | 344 | 189 | 3 | 21 | 22 | 13 | 10 | 9 | 18 | 16 | 22 | 26 | 14 | 15 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
"Вы струсили". Кн. Голицын. Из журнала: Библиотека для Чтения, 1834, ч.3, N 2 (5). Отд. "Русская словесность" | 1105 | 189 | 2 | 15 | 35 | 14 | 8 | 12 | 16 | 18 | 24 | 19 | 12 | 14 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 4 | 0 | 2 | 2 | 1 | 1 | 0 | 2 |
В.Н.Турбин. Догадки модернизма (Новое время, 1989, N 1, 1 января) | 353 | 188 | 2 | 19 | 27 | 9 | 11 | 8 | 27 | 14 | 26 | 21 | 13 | 11 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 2 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). 7 | 669 | 188 | 1 | 18 | 28 | 13 | 11 | 12 | 14 | 18 | 18 | 26 | 16 | 13 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 |
В.Н.Турбин. Постижение правды: "Дорога" в Театре на Малой Бронной и "Братья Карамазовы" в Театре имени Моссовета (Советская Россия, 1980, N 104, 6 мая) | 244 | 187 | 3 | 15 | 23 | 11 | 13 | 16 | 19 | 15 | 28 | 18 | 11 | 15 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 2 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 |
"Четвертое измерение": образ релятивистской действительности в романе А.Ф.Писемского "Боярщина". 2 | 315 | 187 | 1 | 23 | 21 | 13 | 10 | 10 | 14 | 18 | 28 | 24 | 15 | 10 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 3 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 4 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). I I. 3 | 619 | 186 | 2 | 23 | 24 | 12 | 7 | 10 | 16 | 18 | 28 | 27 | 9 | 10 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 |
В.Н.Турбин. Одиночество: Современная французская новелла. Сост. Т.Ворсанова. Пред. Н.Ржевской. М., Прогресс, 1981 (Иностранная литература, 1983, N 4) | 229 | 185 | 4 | 20 | 21 | 10 | 12 | 12 | 17 | 17 | 21 | 23 | 14 | 14 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
В.Н.Турбин. И все формы, как формулы, непреложно верны (Из книги: Товарищ время и товарищ искусство. М., Искусство, 1961) | 370 | 184 | 4 | 22 | 26 | 8 | 9 | 9 | 17 | 19 | 24 | 20 | 19 | 7 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 |
"Четвертое измерение": образ релятивистской действительности в романе А.Ф.Писемского "Боярщина". 4 | 353 | 181 | 3 | 17 | 24 | 8 | 11 | 9 | 17 | 17 | 27 | 22 | 15 | 11 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 1 |
В.Н.Турбин. Электроды и электричество (Из книги: Товарищ время и товарищ искусство. М., Искусство, 1961) | 363 | 178 | 2 | 17 | 28 | 12 | 9 | 11 | 14 | 18 | 19 | 20 | 14 | 14 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 |
В.Н.Турбин. Слово - все, реальность - ничто? (Социум, 1991, N 9) | 349 | 177 | 3 | 12 | 28 | 12 | 12 | 10 | 19 | 10 | 26 | 20 | 15 | 10 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | |
В.Н.Турбин. У нашего микрофона творчество (Из книги: Товарищ время и товарищ искусство. М., Искусство, 1961) | 341 | 177 | 3 | 20 | 20 | 12 | 7 | 7 | 18 | 16 | 26 | 22 | 12 | 14 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 |
"Четвертое измерение": образ релятивистской действительности в романе А.Ф.Писемского "Боярщина". 7 | 273 | 176 | 2 | 11 | 22 | 9 | 16 | 10 | 14 | 19 | 24 | 23 | 19 | 7 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 |
Баратынский и Батюшков (переход от Батюшкова к Баратынскому) 8 | 331 | 176 | 5 | 23 | 18 | 13 | 8 | 13 | 15 | 15 | 21 | 20 | 9 | 16 | 0 | 3 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
В.Н.Турбин. [ Об А.И.Солженицыне ] (Литературная газеета, 1991, N 28; под общим заголовком "Год Солженицына") | 263 | 176 | 6 | 19 | 25 | 6 | 11 | 13 | 17 | 14 | 29 | 18 | 10 | 8 | 0 | 5 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 4 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 |
В.Н.Турбин. Несколько слов в защиту само собой разумеющегося (Из книги: Товарищ время и товарищ искусство. М., Искусство, 1961) | 359 | 176 | 3 | 23 | 19 | 13 | 8 | 12 | 16 | 15 | 23 | 23 | 10 | 11 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
"Четвертое измерение": образ релятивистской действительности в романе А.Ф.Писемского "Боярщина". 8 | 319 | 175 | 3 | 18 | 27 | 9 | 10 | 11 | 13 | 14 | 25 | 20 | 13 | 12 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 4 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). I I. 2 | 648 | 175 | 3 | 18 | 20 | 14 | 8 | 10 | 14 | 19 | 26 | 18 | 12 | 13 | 0 | 2 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
В.Н.Турбин. Окурки - паровозы - ракеты (Из книги: Товарищ время и товарищ искусство. М., Искусство, 1961) | 316 | 172 | 4 | 15 | 24 | 11 | 6 | 10 | 15 | 22 | 27 | 16 | 11 | 11 | 0 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
В.Н.Турбин. Духовное в привычном (Советская Россия, 1980, 12 июня, N 134) | 251 | 171 | 1 | 14 | 25 | 9 | 5 | 11 | 14 | 15 | 18 | 24 | 20 | 15 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
Мяч. Повесть. ("Благонамеренный", 1826, часть 33, N 2) | 729 | 171 | 1 | 18 | 20 | 15 | 7 | 9 | 18 | 11 | 28 | 19 | 16 | 9 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 |
В.Н.Турбин. Несколько слов об Эрнсте Неизвестном (Красноярский комсомолец, 1967, N 19, 12 февраля, воскресенье; рубрика "Гости "Вечернего Красноярска", "Комментирует В.Турбин"; страница "Вечерний Красноярск") | 212 | 165 | 2 | 15 | 23 | 11 | 12 | 13 | 15 | 9 | 20 | 25 | 11 | 9 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 |
Опыт классификации повествовательных форм в поэме А.С.Пушкина "Руслан и Людмила". Глава I | 163 | 163 | 8 | 47 | 33 | 16 | 59 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 5 | 1 | 2 | 1 | 1 | 1 | 2 | 3 | 2 | 4 | 1 | 0 | 3 | 2 | 1 | 4 | 3 | 5 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 2 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 3 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 2 |
Опыт классификации повествовательных форм в поэме А.С.Пушкина "Руслан и Людмила". Введение | 157 | 157 | 3 | 23 | 23 | 13 | 43 | 52 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 3 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 2 |
Е.М.Калло, В.Н.Турбин. Эхо "Вакхической песни" (Болдинские чтения. Горький, 1981) | 122 | 122 | 5 | 30 | 28 | 26 | 33 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 3 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 3 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 |
Послесловие к статье Е.М.Калло и В.Н.Турбина "Эхо "Вакхической песни" | 121 | 121 | 8 | 28 | 28 | 57 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 5 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 3 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 4 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 |
В.Н.Турбин. Люди и запятые: Заметки экзаменатора (Комсомольская правда, 1956, N 243, 13 октября) | 109 | 109 | 5 | 32 | 27 | 45 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 2 | 0 | 3 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 3 | 0 | 2 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
Опыт классификации повествовательных форм в поэме А.С.Пушкина "Руслан и Людмила". Глава I (окончание) | 106 | 106 | 5 | 49 | 52 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 1 | 0 | 2 | 2 | 2 | 1 | 2 | 3 | 4 | 3 | 2 | 0 | 1 | 3 | 1 | 2 | 3 | 2 | 2 | 0 | 2 | 2 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 2 | 3 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 4 | 3 | 1 | 3 | 7 | 4 | 16 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
В.Н.Турбин. Танго из-под палки. Пьеса Славомира Мрожека в постановке Александра Вилькина (Комсомольская правда, 1989, N 189, 17 августа) | 105 | 105 | 2 | 29 | 28 | 46 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 2 | 0 | 1 |
В.Н.Турбин. М.М.Бахтин: Буэнос-Айрес - Кемерово (Литературная Россия, 1989, N 18, 5 мая) | 100 | 100 | 5 | 26 | 25 | 44 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 4 | 1 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 1 |
"Пушкинское" стихотворение Ф.Н.Глинки (1) | 97 | 97 | 5 | 45 | 47 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 4 | 1 | 1 | 2 | 1 | 2 | 2 | 0 | 2 | 3 | 1 | 4 | 4 | 4 | 1 | 0 | 2 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 3 | 3 | 1 | 1 | 2 | 0 | 3 | 3 | 3 | 2 | 5 | 3 | 1 | 4 | 16 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | |
В.Н.Турбин. Жизнь, любовь и концепции: По поводу кинофильма Т.Абуладзе "Древо желания" (Дружба народов, 1978, N 5) | 89 | 89 | 5 | 30 | 54 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 1 | 3 | 0 | 1 | 1 | 0 | 3 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 3 | 1 | 4 | 0 | 1 | 1 | 2 | 2 | 0 | 6 | 1 | 3 | 3 | 5 | 17 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
В.Н.Турбин. Доедет ли колесо до Казани? Субъективные заметки о грандиозном замысле - создании "Истории русской литературы Х Х века" (Независимая газета, 1991, N 61, 25 мая) | 87 | 87 | 1 | 26 | 23 | 37 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 1 |
"Пушкинское" стихотворение Ф.Н.Глинки (2) | 82 | 82 | 8 | 74 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 3 | 2 | 2 | 4 | 2 | 1 | 3 | 3 | 4 | 5 | 7 | 1 | 0 | 3 | 6 | 6 | 7 | 20 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
В.Н.Турбин. [ Тревоги, надежда, работа. Пушкиноведы отвечают на вопросы "Л О"] (Литературное обозрение, 1989, N 7) | 75 | 75 | 2 | 22 | 23 | 28 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 |
Ф.Н.Глинка. Картины: Пароход. Плаванье днем. Черты освещения и праздника. Ночь в каюте и утро на пароходе (Северная Пчела, 1825, N 91, 30 июля) | 75 | 75 | 9 | 25 | 41 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 4 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 3 | 5 | 1 | 4 | 3 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 3 | 1 | 5 | 18 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
В.Н.Турбин. Великий русский писатель: К семидесятипятилетию со дня смерти Ф.М.Достоевского (Красная звезда, 1956, N 33, 9 февраля) | 73 | 73 | 2 | 24 | 47 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 3 | 2 | 3 | 0 | 2 | 5 | 19 | 0 | 0 | 0 | 0 | 0 | 0 |
Новые книги авторов СИ, вышедшие из печати:
О.Болдырева "Крадуш. Чужие души"
М.Николаев "Вторжение на Землю"