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| Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | |
| По разделу | 195462 | 3398 | 205 | 251 | 137 | 179 | 218 | 255 | 284 | 741 | 584 | 233 | 150 | 161 | 0 | 8 | 4 | 9 | 4 | 4 | 7 | 6 | 10 | 6 | 6 | 5 | 8 | 10 | 7 | 6 | 14 | 4 | 6 | 7 | 6 | 8 | 8 | 9 | 5 | 6 | 7 | 13 | 12 | 16 | 11 | 13 | 4 | 10 | 13 | 14 | 18 | 10 | 5 | 6 | 6 | 6 | 12 | 8 | 3 | 5 | 2 | 6 | 8 | 10 | 9 | 9 | 11 | 4 | 6 | 7 | 4 | 7 | 8 | 4 | 3 | 5 |
| Героини "Бесприданницы" А.Н.Островского. Хронотоп пьесы | 23447 | 2963 | 175 | 204 | 103 | 141 | 156 | 207 | 243 | 719 | 574 | 194 | 117 | 130 | 0 | 4 | 1 | 9 | 3 | 4 | 5 | 6 | 10 | 6 | 6 | 0 | 8 | 3 | 6 | 6 | 14 | 3 | 3 | 7 | 5 | 8 | 8 | 9 | 3 | 6 | 7 | 13 | 12 | 16 | 11 | 13 | 3 | 10 | 13 | 14 | 18 | 10 | 4 | 3 | 5 | 6 | 12 | 8 | 3 | 5 | 1 | 6 | 2 | 4 | 7 | 3 | 8 | 4 | 0 | 1 | 3 | 7 | 4 | 4 | 2 | 5 |
| Ирония и гротеск в рассказе А .Платонова "Усомнившийся Макар" | 11626 | 1235 | 78 | 73 | 69 | 77 | 106 | 141 | 171 | 173 | 146 | 106 | 47 | 48 | 0 | 6 | 0 | 3 | 0 | 2 | 7 | 4 | 3 | 1 | 3 | 5 | 0 | 6 | 0 | 4 | 0 | 3 | 2 | 2 | 2 | 0 | 2 | 1 | 5 | 4 | 4 | 5 | 4 | 8 | 0 | 2 | 4 | 5 | 6 | 2 | 3 | 0 | 2 | 0 | 4 | 1 | 1 | 3 | 1 | 1 | 1 | 2 | 1 | 2 | 4 | 3 | 2 | 1 | 3 | 4 | 2 | 4 | 1 | 0 | 2 | 2 |
| Жанр баллады в русской романтической поэзии | 15109 | 1155 | 95 | 56 | 55 | 66 | 79 | 142 | 147 | 145 | 126 | 114 | 64 | 66 | 0 | 3 | 0 | 2 | 2 | 0 | 1 | 5 | 2 | 6 | 1 | 5 | 1 | 10 | 7 | 5 | 4 | 1 | 6 | 2 | 2 | 3 | 8 | 3 | 2 | 4 | 4 | 3 | 3 | 3 | 0 | 1 | 4 | 5 | 1 | 1 | 2 | 3 | 0 | 0 | 2 | 0 | 1 | 4 | 2 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 3 | 3 | 7 | 2 | 2 | 2 | 3 | 2 | 2 |
| Гротеск в литературе | 7075 | 975 | 61 | 55 | 61 | 78 | 106 | 120 | 107 | 106 | 86 | 96 | 50 | 49 | 0 | 1 | 4 | 0 | 3 | 2 | 4 | 2 | 2 | 4 | 2 | 2 | 0 | 2 | 2 | 3 | 1 | 0 | 3 | 3 | 2 | 0 | 2 | 4 | 2 | 3 | 5 | 0 | 3 | 4 | 0 | 3 | 2 | 4 | 3 | 0 | 2 | 1 | 1 | 4 | 2 | 1 | 0 | 4 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 2 | 0 | 4 | 1 | 3 | 1 | 3 | 2 | 3 | 2 | 4 |
| Обманчивая легкость "несерьезного" жанра. "Отель "У погибшего альпиниста" | 6765 | 953 | 72 | 79 | 69 | 77 | 98 | 109 | 78 | 83 | 90 | 88 | 59 | 51 | 0 | 5 | 4 | 4 | 1 | 4 | 4 | 2 | 4 | 2 | 5 | 2 | 4 | 2 | 0 | 2 | 1 | 4 | 2 | 3 | 0 | 0 | 2 | 3 | 0 | 5 | 1 | 1 | 5 | 1 | 0 | 3 | 1 | 1 | 2 | 3 | 2 | 5 | 5 | 0 | 3 | 3 | 3 | 3 | 3 | 2 | 2 | 5 | 5 | 2 | 3 | 1 | 4 | 2 | 2 | 1 | 4 | 0 | 8 | 2 | 1 | 4 |
| Уильям Шекспир. "Укрощение строптивой" как пример гармоничного объединения заимствованных сюжетных линий в оригинальном произведении | 12558 | 931 | 75 | 78 | 72 | 70 | 97 | 122 | 91 | 90 | 62 | 77 | 67 | 30 | 0 | 5 | 4 | 5 | 1 | 2 | 3 | 2 | 5 | 0 | 4 | 1 | 2 | 3 | 0 | 5 | 1 | 0 | 3 | 1 | 3 | 1 | 2 | 3 | 5 | 0 | 6 | 3 | 5 | 4 | 5 | 2 | 2 | 1 | 5 | 3 | 1 | 4 | 1 | 6 | 4 | 3 | 1 | 5 | 2 | 4 | 2 | 3 | 0 | 1 | 2 | 3 | 1 | 2 | 1 | 4 | 2 | 3 | 1 | 1 | 3 | 2 |
| Полемика - искусство спора | 8223 | 918 | 70 | 63 | 63 | 68 | 75 | 119 | 120 | 97 | 79 | 69 | 55 | 40 | 0 | 7 | 2 | 1 | 2 | 2 | 2 | 3 | 4 | 0 | 3 | 3 | 5 | 2 | 3 | 2 | 4 | 0 | 1 | 0 | 3 | 0 | 2 | 3 | 4 | 5 | 2 | 1 | 4 | 5 | 2 | 1 | 3 | 3 | 4 | 2 | 0 | 2 | 1 | 4 | 3 | 3 | 3 | 3 | 2 | 2 | 1 | 1 | 2 | 0 | 3 | 1 | 2 | 2 | 4 | 1 | 3 | 0 | 0 | 4 | 0 | 4 |
| Пресса Франции. 1949-1989 гг | 10095 | 896 | 51 | 48 | 53 | 68 | 76 | 114 | 123 | 101 | 71 | 91 | 59 | 41 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 5 | 1 | 2 | 1 | 2 | 1 | 2 | 1 | 3 | 0 | 3 | 2 | 0 | 6 | 3 | 1 | 2 | 1 | 3 | 5 | 0 | 2 | 1 | 1 | 3 | 1 | 3 | 2 | 4 | 2 | 1 | 2 | 0 | 3 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 0 | 6 | 2 | 0 | 5 | 1 | 3 | 0 | 3 |
| Элементы авантюрного романа в "гистории о российском матросе Василии Кориотском" | 7190 | 818 | 67 | 108 | 48 | 49 | 64 | 93 | 69 | 65 | 70 | 75 | 59 | 51 | 0 | 4 | 1 | 3 | 0 | 1 | 0 | 3 | 3 | 4 | 1 | 3 | 2 | 1 | 0 | 4 | 3 | 1 | 6 | 1 | 3 | 4 | 6 | 2 | 4 | 2 | 0 | 3 | 2 | 2 | 3 | 4 | 2 | 5 | 1 | 0 | 3 | 2 | 0 | 3 | 4 | 4 | 2 | 2 | 1 | 4 | 1 | 5 | 8 | 10 | 9 | 9 | 11 | 4 | 1 | 2 | 1 | 4 | 1 | 2 | 0 | 1 |
| Творчество Мольера | 8884 | 697 | 71 | 39 | 54 | 61 | 60 | 102 | 72 | 71 | 39 | 47 | 40 | 41 | 0 | 8 | 1 | 3 | 4 | 3 | 4 | 6 | 0 | 4 | 1 | 1 | 2 | 1 | 3 | 0 | 1 | 3 | 1 | 3 | 0 | 2 | 1 | 2 | 2 | 2 | 3 | 9 | 1 | 3 | 0 | 1 | 0 | 2 | 2 | 2 | 0 | 1 | 1 | 0 | 3 | 1 | 2 | 1 | 3 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 3 | 1 | 3 | 0 | 1 | 2 | 3 | 1 | 3 |
| Романтические новеллы Вашингтона Ирвинга | 5022 | 523 | 48 | 39 | 48 | 49 | 44 | 81 | 47 | 38 | 32 | 39 | 29 | 29 | 0 | 5 | 3 | 2 | 0 | 2 | 0 | 3 | 2 | 3 | 0 | 0 | 3 | 0 | 2 | 1 | 2 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 2 | 4 | 4 | 2 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 3 | 1 | 1 | 1 | 0 | 6 | 1 | 1 | 1 | 2 | 2 | 0 | 2 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 3 | 2 | 0 | 1 | 2 | 0 | 1 |
| Николай Гумилев - "бороться и искать, найти и не сдаваться". Поэма "Капитаны" | 4143 | 502 | 49 | 48 | 38 | 56 | 46 | 53 | 47 | 42 | 26 | 38 | 33 | 26 | 0 | 3 | 1 | 0 | 2 | 2 | 3 | 1 | 3 | 1 | 0 | 1 | 1 | 1 | 2 | 2 | 1 | 3 | 1 | 1 | 2 | 1 | 1 | 2 | 2 | 3 | 3 | 4 | 2 | 3 | 0 | 2 | 0 | 0 | 4 | 1 | 1 | 1 | 0 | 2 | 4 | 3 | 0 | 6 | 2 | 2 | 0 | 0 | 2 | 2 | 1 | 3 | 0 | 2 | 2 | 2 | 1 | 0 | 2 | 1 | 2 | 2 |
| Стресс - понятие, характеристика, стадии развития | 18216 | 463 | 30 | 28 | 27 | 33 | 21 | 46 | 41 | 39 | 42 | 55 | 47 | 54 | 0 | 1 | 2 | 0 | 4 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 3 | 2 | 1 | 2 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 3 |
| Деятельность В.Коротича - публициста и главного редактора журнала "Огонек" | 6919 | 425 | 41 | 22 | 26 | 45 | 40 | 57 | 34 | 42 | 41 | 34 | 22 | 21 | 0 | 1 | 2 | 6 | 0 | 4 | 1 | 3 | 0 | 1 | 2 | 0 | 2 | 3 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 4 | 2 | 1 | 4 | 5 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 3 |
| Публицистика 80х годов. В.Песков | 5223 | 408 | 29 | 23 | 28 | 27 | 33 | 45 | 41 | 44 | 39 | 42 | 28 | 29 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 3 | 0 | 2 | 2 | 4 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 2 | 2 | 0 | 1 |
| В шелесте ангельских крыл | 2444 | 339 | 31 | 18 | 22 | 23 | 48 | 53 | 20 | 18 | 18 | 32 | 32 | 24 | 0 | 2 | 2 | 3 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 1 | 0 | 2 | 2 | 1 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 3 | 0 | 1 |
| О "черном романтизме" в литературе | 4180 | 306 | 19 | 14 | 26 | 33 | 18 | 57 | 23 | 25 | 27 | 27 | 21 | 16 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 |
| Приемы плетения интриг в "Повести о Бове-королевиче" | 1851 | 276 | 20 | 12 | 23 | 23 | 21 | 55 | 22 | 23 | 14 | 30 | 18 | 15 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 3 | 1 | 1 | 4 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Счастливчик Джесс | 2175 | 276 | 24 | 19 | 24 | 29 | 18 | 43 | 16 | 21 | 21 | 30 | 14 | 17 | 0 | 2 | 4 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 4 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 2 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | |
| Тайна старого поместья | 2088 | 274 | 16 | 19 | 26 | 26 | 21 | 55 | 19 | 22 | 17 | 25 | 14 | 14 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 2 | 2 | 3 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 |
| "Белая гвардия". Война на соседней улице, обыкновенный фашизм и современные реалии | 2584 | 273 | 20 | 15 | 22 | 21 | 11 | 50 | 35 | 23 | 19 | 24 | 19 | 14 | 0 | 3 | 1 | 0 | 1 | 1 | 1 | 3 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 |
| Мотивы путешествия на чёрте в литературе первой трети Xix века | 2823 | 272 | 15 | 25 | 24 | 27 | 10 | 54 | 21 | 26 | 18 | 21 | 17 | 14 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 3 | 0 | 3 |
| 300 лет литературной традиции российской журналистики | 1986 | 269 | 28 | 24 | 24 | 17 | 18 | 41 | 17 | 24 | 19 | 22 | 19 | 16 | 0 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 2 | 0 | 0 | 3 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 3 | 0 | 2 | 4 | 3 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 |
| Еще одна история, рассказанная в Диканьке | 1812 | 268 | 22 | 28 | 24 | 25 | 13 | 42 | 18 | 23 | 15 | 25 | 20 | 13 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 2 | 1 | 0 | 4 | 0 | 0 | 0 | 2 | 3 | 1 | 1 | 2 | 0 | 1 | 1 | 3 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 1 |
| Категория таинственного в романтическом произведении | 1649 | 268 | 16 | 16 | 15 | 24 | 20 | 41 | 16 | 35 | 24 | 32 | 12 | 17 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 |
| "Последнее плавание "Морскoй ведьмы" | 3274 | 258 | 27 | 21 | 21 | 21 | 12 | 40 | 15 | 22 | 15 | 26 | 23 | 15 | 0 | 3 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 4 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 1 | 0 | 0 | 1 |
| Так не бывает | 2195 | 252 | 23 | 19 | 23 | 20 | 11 | 40 | 14 | 37 | 15 | 23 | 12 | 15 | 0 | 3 | 4 | 3 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 3 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 3 |
| Плесень | 1559 | 252 | 22 | 20 | 21 | 19 | 15 | 42 | 17 | 23 | 20 | 24 | 14 | 15 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 3 | 1 | 1 | 4 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 2 | 1 | 2 |
| Информация о владельце раздела | 1675 | 251 | 23 | 12 | 25 | 40 | 12 | 34 | 22 | 19 | 17 | 19 | 19 | 9 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 2 | 3 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 |
| Ты помнишь, как все начиналось?... | 2285 | 245 | 22 | 24 | 23 | 17 | 16 | 27 | 21 | 22 | 18 | 27 | 10 | 18 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 2 |
| Сюрреализм Л.Петрушевской."Конфеты с ликером" | 2699 | 240 | 22 | 11 | 22 | 24 | 16 | 40 | 21 | 24 | 15 | 21 | 13 | 11 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 2 | 1 | 1 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 2 |
| Утро главного редактора | 1371 | 239 | 20 | 16 | 23 | 24 | 13 | 38 | 18 | 17 | 17 | 29 | 15 | 9 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 2 |
| Как Кур Лисице мстил | 1743 | 238 | 14 | 15 | 19 | 20 | 15 | 44 | 19 | 25 | 14 | 22 | 15 | 16 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 3 |
| Битва Титанов. Сон Сэма Уортингтона | 1692 | 237 | 24 | 20 | 24 | 24 | 10 | 25 | 20 | 20 | 16 | 22 | 18 | 14 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 3 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 |
| Ангельское пение | 1395 | 237 | 22 | 18 | 14 | 25 | 13 | 37 | 28 | 18 | 16 | 25 | 13 | 8 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 4 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 3 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 |
| Встреча | 1487 | 213 | 21 | 16 | 18 | 22 | 18 | 20 | 13 | 22 | 22 | 18 | 11 | 12 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 3 |