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Итого | За последние 12 месяцев | Jan | Dec | Nov | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | |
По разделу | 179709 | 3126 | 188 | 150 | 161 | 260 | 288 | 99 | 118 | 162 | 216 | 429 | 647 | 408 | 0 | 9 | 12 | 8 | 6 | 8 | 10 | 13 | 9 | 6 | 7 | 6 | 7 | 11 | 6 | 6 | 9 | 5 | 5 | 3 | 8 | 4 | 3 | 5 | 3 | 7 | 3 | 7 | 2 | 3 | 3 | 5 | 2 | 5 | 4 | 6 | 3 | 7 | 18 | 4 | 3 | 4 | 7 | 4 | 7 | 3 | 3 | 4 | 5 | 6 | 4 | 2 | 8 | 2 | 7 | 5 | 4 | 2 | 3 | 7 | 4 | 8 |
Ирония и гротеск в рассказе А .Платонова "Усомнившийся Макар" | 10568 | 2069 | 82 | 47 | 48 | 51 | 45 | 55 | 45 | 94 | 180 | 426 | 642 | 354 | 0 | 9 | 12 | 2 | 2 | 2 | 2 | 1 | 8 | 2 | 2 | 3 | 3 | 1 | 2 | 6 | 3 | 3 | 1 | 0 | 2 | 0 | 3 | 1 | 1 | 2 | 2 | 5 | 2 | 0 | 3 | 3 | 2 | 2 | 1 | 1 | 1 | 3 | 2 | 2 | 0 | 0 | 2 | 0 | 7 | 1 | 0 | 1 | 3 | 0 | 3 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 5 | 1 | 0 |
Героини "Бесприданницы" А.Н.Островского. Хронотоп пьесы | 20888 | 1623 | 157 | 117 | 130 | 253 | 251 | 72 | 75 | 85 | 83 | 120 | 118 | 162 | 0 | 8 | 10 | 8 | 5 | 3 | 9 | 13 | 3 | 6 | 7 | 6 | 7 | 11 | 6 | 3 | 9 | 2 | 4 | 2 | 8 | 2 | 3 | 3 | 1 | 7 | 2 | 7 | 2 | 1 | 2 | 5 | 2 | 3 | 4 | 2 | 3 | 7 | 18 | 2 | 3 | 4 | 7 | 4 | 5 | 2 | 1 | 0 | 4 | 1 | 4 | 0 | 8 | 2 | 7 | 1 | 4 | 2 | 2 | 7 | 2 | 8 |
Жанр баллады в русской романтической поэзии | 14186 | 856 | 102 | 64 | 66 | 142 | 99 | 42 | 37 | 61 | 64 | 76 | 60 | 43 | 0 | 4 | 7 | 4 | 6 | 4 | 3 | 5 | 9 | 6 | 3 | 4 | 1 | 2 | 1 | 5 | 6 | 5 | 3 | 2 | 6 | 4 | 1 | 1 | 1 | 2 | 2 | 4 | 1 | 1 | 1 | 1 | 1 | 3 | 1 | 4 | 1 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 5 | 2 | 1 | 4 | 1 | 6 | 2 | 2 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 6 | 1 | 1 |
Уильям Шекспир. "Укрощение строптивой" как пример гармоничного объединения заимствованных сюжетных линий в оригинальном произведении | 11783 | 722 | 59 | 67 | 30 | 50 | 45 | 47 | 33 | 90 | 119 | 93 | 63 | 26 | 0 | 3 | 1 | 2 | 4 | 2 | 5 | 3 | 2 | 1 | 3 | 2 | 2 | 1 | 3 | 1 | 0 | 1 | 0 | 3 | 3 | 2 | 2 | 3 | 1 | 3 | 2 | 3 | 1 | 2 | 3 | 4 | 0 | 4 | 0 | 2 | 3 | 5 | 2 | 4 | 1 | 2 | 4 | 3 | 3 | 0 | 1 | 1 | 5 | 0 | 0 | 0 | 2 | 1 | 1 | 5 | 2 | 2 | 3 | 2 | 0 | 0 |
Обманчивая легкость "несерьезного" жанра. "Отель "У погибшего альпиниста" | 6002 | 684 | 80 | 59 | 51 | 64 | 46 | 49 | 62 | 60 | 59 | 60 | 47 | 47 | 0 | 4 | 3 | 3 | 3 | 3 | 10 | 3 | 3 | 5 | 3 | 3 | 4 | 1 | 4 | 4 | 1 | 1 | 2 | 2 | 3 | 3 | 0 | 5 | 0 | 1 | 2 | 2 | 2 | 1 | 3 | 2 | 1 | 2 | 4 | 3 | 1 | 5 | 0 | 2 | 2 | 2 | 4 | 1 | 5 | 0 | 3 | 1 | 1 | 0 | 4 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 4 | 2 | 1 |
Пресса Франции. 1949-1989 гг | 9381 | 676 | 82 | 59 | 41 | 72 | 48 | 32 | 32 | 54 | 69 | 57 | 84 | 46 | 0 | 4 | 5 | 1 | 0 | 8 | 4 | 6 | 5 | 2 | 4 | 3 | 3 | 6 | 0 | 2 | 2 | 2 | 3 | 1 | 6 | 1 | 0 | 2 | 1 | 2 | 2 | 6 | 1 | 3 | 2 | 3 | 0 | 4 | 2 | 4 | 2 | 2 | 0 | 1 | 1 | 0 | 4 | 0 | 2 | 2 | 0 | 3 | 2 | 1 | 3 | 1 | 3 | 2 | 2 | 1 | 2 | 1 | 1 | 5 | 1 | 4 |
Полемика - искусство спора | 7458 | 637 | 58 | 55 | 40 | 51 | 53 | 34 | 38 | 60 | 72 | 92 | 57 | 27 | 0 | 1 | 2 | 2 | 2 | 4 | 1 | 5 | 3 | 2 | 3 | 3 | 2 | 1 | 1 | 3 | 0 | 2 | 5 | 3 | 3 | 2 | 1 | 1 | 1 | 1 | 0 | 4 | 0 | 2 | 1 | 1 | 2 | 4 | 1 | 6 | 2 | 1 | 3 | 1 | 1 | 1 | 3 | 2 | 6 | 2 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 3 | 1 | 2 | 1 | 0 | 2 |
Элементы авантюрного романа в "гистории о российском матросе Василии Кориотском" | 6544 | 610 | 62 | 59 | 51 | 55 | 133 | 29 | 22 | 41 | 43 | 44 | 40 | 31 | 0 | 2 | 2 | 1 | 2 | 2 | 5 | 2 | 1 | 0 | 4 | 3 | 2 | 6 | 4 | 4 | 3 | 0 | 2 | 2 | 2 | 2 | 0 | 2 | 1 | 3 | 0 | 3 | 2 | 1 | 0 | 5 | 2 | 4 | 0 | 4 | 3 | 3 | 2 | 0 | 2 | 4 | 6 | 2 | 2 | 2 | 2 | 2 | 2 | 0 | 3 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 4 | 0 |
Гротеск в литературе | 6284 | 514 | 85 | 50 | 49 | 48 | 39 | 32 | 23 | 37 | 43 | 49 | 36 | 23 | 0 | 3 | 4 | 3 | 6 | 2 | 4 | 2 | 8 | 5 | 7 | 3 | 3 | 1 | 2 | 2 | 3 | 2 | 2 | 2 | 2 | 2 | 2 | 4 | 1 | 1 | 3 | 5 | 1 | 0 | 1 | 4 | 1 | 3 | 3 | 3 | 3 | 1 | 2 | 1 | 3 | 0 | 2 | 2 | 2 | 3 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 4 | 2 | 0 |
Творчество Мольера | 8308 | 486 | 40 | 40 | 41 | 33 | 46 | 28 | 32 | 25 | 49 | 47 | 72 | 33 | 0 | 2 | 1 | 0 | 1 | 2 | 3 | 3 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 2 | 0 | 2 | 4 | 1 | 0 | 1 | 2 | 2 | 3 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 4 | 2 | 2 | 3 | 2 | 1 | 1 | 0 | 0 | 4 | 0 | 2 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 2 | 1 | 1 | 3 | 2 | 2 |
Стресс - понятие, характеристика, стадии развития | 17904 | 469 | 50 | 47 | 54 | 50 | 34 | 28 | 25 | 40 | 46 | 39 | 28 | 28 | 0 | 1 | 2 | 1 | 1 | 1 | 2 | 3 | 5 | 0 | 1 | 2 | 1 | 2 | 2 | 4 | 1 | 0 | 0 | 1 | 5 | 2 | 2 | 1 | 0 | 3 | 2 | 4 | 1 | 1 | 0 | 4 | 2 | 3 | 4 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 1 | 0 | 4 | 2 | 2 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 7 | 0 | 2 |
Романтические новеллы Вашингтона Ирвинга | 4592 | 299 | 35 | 29 | 29 | 22 | 20 | 23 | 17 | 30 | 24 | 23 | 29 | 18 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 3 | 2 | 2 | 0 | 2 | 2 | 3 | 1 | 0 | 1 | 0 | 2 | 1 | 4 | 0 | 3 | 0 | 1 | 1 | 3 | 0 | 2 | 1 | 0 | 1 | 2 | 1 | 0 | 3 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 3 | 0 |
Николай Гумилев - "бороться и искать, найти и не сдаваться". Поэма "Капитаны" | 3735 | 276 | 35 | 33 | 26 | 23 | 23 | 22 | 28 | 24 | 24 | 13 | 14 | 11 | 0 | 1 | 0 | 3 | 1 | 1 | 1 | 4 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 3 | 0 | 3 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 3 | 1 | 0 | 1 | 3 | 2 | 2 | 1 | 2 | 3 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 5 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 |
Публицистика 80х годов. В.Песков | 4911 | 253 | 39 | 28 | 29 | 16 | 12 | 10 | 15 | 29 | 28 | 28 | 13 | 6 | 0 | 1 | 1 | 1 | 5 | 0 | 1 | 2 | 3 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 5 | 0 | 0 | 2 | 5 | 1 | 1 | 3 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 3 | 0 | 2 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 2 | 0 | 1 |
Деятельность В.Коротича - публициста и главного редактора журнала "Огонек" | 6567 | 252 | 30 | 22 | 21 | 17 | 22 | 17 | 13 | 21 | 23 | 27 | 26 | 13 | 0 | 2 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 2 | 2 | 0 | 2 | 1 | 2 | 3 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 |
О "черном романтизме" в литературе | 3935 | 220 | 24 | 21 | 16 | 26 | 24 | 13 | 12 | 17 | 13 | 26 | 18 | 10 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 3 | 1 | 1 | 0 | 3 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 |
В шелесте ангельских крыл | 2190 | 178 | 29 | 32 | 24 | 15 | 16 | 14 | 7 | 7 | 11 | 12 | 5 | 6 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 3 | 3 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 3 | 1 | 1 | 1 | 3 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 4 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 2 | 0 | 1 |
Мотивы путешествия на чёрте в литературе первой трети Xix века | 2598 | 163 | 16 | 17 | 14 | 16 | 10 | 11 | 18 | 12 | 18 | 13 | 11 | 7 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 5 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 0 |
Счастливчик Джесс | 1958 | 161 | 28 | 14 | 17 | 16 | 12 | 13 | 7 | 12 | 16 | 13 | 5 | 8 | 0 | 1 | 0 | 1 | 2 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 3 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 |
Итого | За последние 12 месяцев | Jan | Dec | Nov | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | |
Приемы плетения интриг в "Повести о Бове-королевиче" | 1635 | 145 | 27 | 18 | 15 | 11 | 7 | 10 | 8 | 12 | 12 | 12 | 6 | 7 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 3 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 3 | 2 | 1 | 0 | 2 | 0 | 2 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 |
Тайна старого поместья | 1864 | 145 | 22 | 14 | 14 | 14 | 9 | 9 | 9 | 14 | 14 | 10 | 9 | 7 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
300 лет литературной традиции российской журналистики | 1772 | 138 | 20 | 19 | 16 | 10 | 9 | 8 | 7 | 11 | 12 | 12 | 6 | 8 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 4 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 3 | 2 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 |
Сюрреализм Л.Петрушевской."Конфеты с ликером" | 2502 | 138 | 19 | 13 | 11 | 7 | 7 | 7 | 8 | 13 | 21 | 15 | 10 | 7 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 4 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 |
Еще одна история, рассказанная в Диканьке | 1598 | 134 | 21 | 20 | 13 | 11 | 9 | 12 | 11 | 10 | 12 | 5 | 4 | 6 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 1 | 1 | 0 | 3 | 0 | 3 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 |
"Последнее плавание "Морскoй ведьмы" | 3076 | 133 | 22 | 23 | 15 | 10 | 8 | 7 | 5 | 9 | 9 | 9 | 7 | 9 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 3 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 1 |
Битва Титанов. Сон Сэма Уортингтона | 1507 | 128 | 20 | 18 | 14 | 9 | 8 | 10 | 8 | 8 | 13 | 8 | 4 | 8 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 2 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
"Белая гвардия". Война на соседней улице, обыкновенный фашизм и современные реалии | 2365 | 127 | 21 | 19 | 14 | 7 | 5 | 8 | 5 | 11 | 10 | 5 | 13 | 9 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 5 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
Плесень | 1358 | 127 | 22 | 14 | 15 | 9 | 11 | 7 | 10 | 8 | 6 | 13 | 4 | 8 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 |
Ты помнишь, как все начиналось?... | 2093 | 126 | 25 | 10 | 18 | 9 | 8 | 9 | 6 | 10 | 12 | 10 | 4 | 5 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 2 | 2 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 |
Категория таинственного в романтическом произведении | 1439 | 125 | 29 | 12 | 17 | 10 | 4 | 6 | 6 | 5 | 10 | 8 | 9 | 9 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 5 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 3 | 2 | 1 | 0 | 0 | 3 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 |
Так не бывает | 1991 | 123 | 21 | 12 | 15 | 14 | 7 | 10 | 3 | 8 | 13 | 6 | 7 | 7 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 |
Как Кур Лисице мстил | 1556 | 120 | 20 | 15 | 16 | 7 | 5 | 10 | 8 | 12 | 12 | 6 | 6 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 |
Утро главного редактора | 1180 | 111 | 24 | 15 | 9 | 7 | 5 | 6 | 7 | 7 | 10 | 5 | 11 | 5 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 2 | 0 | 2 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 |
Ангельское пение | 1200 | 110 | 21 | 13 | 8 | 10 | 8 | 7 | 6 | 10 | 8 | 11 | 3 | 5 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 4 | 1 | 4 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Встреча | 1313 | 109 | 16 | 11 | 12 | 7 | 8 | 8 | 4 | 13 | 13 | 7 | 3 | 7 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 |
Информация о владельце раздела | 1468 | 106 | 16 | 19 | 9 | 8 | 6 | 7 | 3 | 9 | 14 | 6 | 5 | 4 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 2 | 0 | 3 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 |
Новые книги авторов СИ, вышедшие из печати:
О.Болдырева "Крадуш. Чужие души"
М.Николаев "Вторжение на Землю"