| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 |
По разделу |
478427 | 1243 |
50 |
148 |
128 |
192 |
98 |
88 |
90 |
87 |
74 |
91 |
85 |
112 |
0 |
5 |
5 |
3 |
7 |
12 |
3 |
5 |
3 |
4 |
3 |
5 |
4 |
4 |
3 |
3 |
5 |
5 |
5 |
5 |
2 |
2 |
3 |
4 |
13 |
10 |
4 |
5 |
4 |
5 |
7 |
5 |
6 |
3 |
3 |
4 |
4 |
4 |
6 |
6 |
4 |
5 |
5 |
3 |
6 |
4 |
5 |
6 |
6 |
5 |
5 |
4 |
4 |
4 |
6 |
8 |
4 |
5 |
4 |
4 |
4 |
3 |
Художественные описания механизмов психологической защиты |
13070 | 596 |
30 |
93 |
73 |
51 |
62 |
33 |
33 |
45 |
38 |
44 |
34 |
60 |
0 |
5 |
2 |
0 |
2 |
6 |
2 |
5 |
3 |
4 |
1 |
3 |
3 |
1 |
3 |
3 |
3 |
5 |
5 |
2 |
1 |
2 |
2 |
0 |
3 |
6 |
3 |
5 |
3 |
4 |
3 |
4 |
6 |
1 |
1 |
4 |
4 |
3 |
5 |
0 |
1 |
4 |
4 |
2 |
5 |
3 |
5 |
4 |
3 |
2 |
4 |
1 |
3 |
0 |
4 |
3 |
4 |
5 |
3 |
4 |
0 |
0 |
7. О символизации насилия. Песочный Человек |
3211 | 582 |
22 |
96 |
82 |
76 |
56 |
36 |
44 |
43 |
22 |
25 |
35 |
45 |
0 |
0 |
4 |
2 |
3 |
1 |
3 |
5 |
1 |
1 |
2 |
2 |
4 |
4 |
1 |
3 |
4 |
1 |
5 |
5 |
0 |
1 |
3 |
4 |
3 |
1 |
4 |
2 |
1 |
5 |
7 |
2 |
3 |
2 |
1 |
3 |
3 |
1 |
6 |
6 |
4 |
5 |
5 |
3 |
4 |
2 |
4 |
4 |
1 |
3 |
4 |
3 |
4 |
4 |
4 |
8 |
2 |
2 |
3 |
1 |
4 |
0 |
1. Переодетая сестра: трансформация маскулинности и женское Эго |
2334 | 370 |
10 |
42 |
50 |
46 |
22 |
18 |
24 |
29 |
38 |
23 |
29 |
39 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
3 |
0 |
3 |
1 |
0 |
1 |
0 |
2 |
3 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
4 |
2 |
2 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
2 |
2 |
0 |
0 |
3 |
2 |
2 |
3 |
5 |
2 |
4 |
0 |
4 |
1 |
0 |
1 |
5 |
2 |
1 |
0 |
1 |
0 |
1 |
1. Расставание брата и сестры |
3592 | 358 |
19 |
41 |
54 |
42 |
36 |
26 |
32 |
19 |
14 |
14 |
32 |
29 |
0 |
0 |
1 |
3 |
3 |
3 |
2 |
2 |
1 |
1 |
3 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
5 |
3 |
0 |
1 |
2 |
1 |
0 |
1 |
3 |
1 |
2 |
4 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
3 |
3 |
4 |
4 |
3 |
4 |
1 |
2 |
4 |
1 |
3 |
1 |
1 |
2 |
0 |
1 |
Проявление архетипа Раненого Целителя в субкультуре "скорой медицинской помощи |
3654 | 342 |
13 |
43 |
38 |
38 |
25 |
28 |
27 |
29 |
19 |
37 |
24 |
21 |
0 |
0 |
3 |
1 |
3 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
5 |
2 |
3 |
0 |
1 |
2 |
0 |
4 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
4 |
1 |
1 |
2 |
1 |
0 |
1 |
4 |
1 |
2 |
1 |
2 |
0 |
1 |
11. Отношения с Персоной в произведениях Э. - Т. - А. Гофмана |
1607 | 300 |
14 |
43 |
38 |
26 |
27 |
32 |
19 |
19 |
18 |
22 |
17 |
25 |
0 |
1 |
4 |
0 |
2 |
0 |
2 |
3 |
1 |
0 |
1 |
3 |
1 |
2 |
1 |
2 |
5 |
4 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
3 |
0 |
1 |
3 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
3 |
3 |
1 |
1 |
0 |
1 |
0 |
26. Динамика развития психики по оси Самость-Эго |
1862 | 273 |
22 |
41 |
34 |
27 |
23 |
20 |
15 |
12 |
15 |
9 |
23 |
32 |
0 |
0 |
3 |
0 |
4 |
7 |
2 |
4 |
0 |
0 |
2 |
1 |
0 |
4 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
3 |
2 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
3 |
1 |
2 |
4 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
Ритуал и выгорание в субкультуре скорой помощи |
9407 | 272 |
12 |
41 |
30 |
37 |
21 |
25 |
25 |
16 |
11 |
15 |
10 |
29 |
0 |
1 |
0 |
0 |
1 |
4 |
2 |
2 |
1 |
0 |
1 |
4 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
3 |
2 |
3 |
1 |
3 |
3 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
1 |
3 |
1 |
3 |
0 |
0 |
0 |
3 |
Мотив Города |
3217 | 262 |
8 |
33 |
41 |
34 |
19 |
33 |
11 |
21 |
13 |
18 |
16 |
15 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
4 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
2 |
1 |
0 |
4 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
1 |
3 |
6 |
0 |
0 |
3 |
2 |
1 |
1 |
2 |
0 |
0 |
6 |
3 |
1 |
2 |
3 |
0 |
2 |
1 |
2. Андрогинность в сказке и мифе |
1677 | 232 |
3 |
34 |
41 |
33 |
19 |
19 |
10 |
14 |
9 |
17 |
14 |
19 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
0 |
3 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
3 |
2 |
3 |
2 |
0 |
1 |
5 |
3 |
2 |
0 |
0 |
2 |
0 |
6. Насилие и интеграция психики в архаической сказке |
1364 | 226 |
5 |
24 |
24 |
85 |
22 |
12 |
10 |
11 |
6 |
6 |
4 |
17 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
4. О символизации насилия в эддической поэзии |
2287 | 224 |
7 |
34 |
46 |
28 |
16 |
17 |
17 |
12 |
10 |
14 |
5 |
18 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
4 |
3 |
1 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
3 |
1 |
2 |
1 |
2 |
0 |
1 |
4 |
3 |
0 |
3 |
2 |
2 |
1 |
2 |
психосоматика наизнанку |
4991 | 223 |
7 |
30 |
39 |
23 |
19 |
18 |
7 |
12 |
9 |
19 |
17 |
23 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
4 |
1 |
2 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
5 |
1 |
3 |
5 |
2 |
1 |
1 |
3 |
1 |
0 |
2 |
2 |
2 |
0 |
3 |
7. Интерпретация эпоса об Урал-Батыре |
1748 | 214 |
9 |
37 |
34 |
27 |
18 |
16 |
10 |
13 |
6 |
7 |
14 |
23 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
3 |
1 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
4 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
Клеменс Брентано. Лоре Лай |
1457 | 213 |
5 |
32 |
40 |
26 |
24 |
12 |
9 |
10 |
11 |
14 |
13 |
17 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
5 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
3 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
3 |
6 |
0 |
3 |
2 |
1 |
0 |
2 |
4 |
3 |
0 |
2 |
2 |
0 |
0 |
4. Влияния Анимы и Анимуса на мужское Эго |
2697 | 212 |
7 |
33 |
30 |
19 |
18 |
19 |
11 |
10 |
10 |
16 |
14 |
25 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
5 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
2 |
1 |
0 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
Совершая труд |
4720 | 210 |
5 |
24 |
31 |
52 |
16 |
18 |
10 |
5 |
9 |
12 |
12 |
16 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
14. Мастера и шарлатаны Гофмана |
2040 | 209 |
7 |
31 |
45 |
21 |
15 |
17 |
7 |
9 |
9 |
15 |
16 |
17 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
4 |
1 |
3 |
1 |
3 |
1 |
3 |
1 |
1 |
0 |
3 |
2 |
3 |
3 |
4 |
0 |
0 |
1 |
Оценка эффективности работы психолога с клиентами |
2869 | 208 |
20 |
24 |
32 |
17 |
10 |
15 |
12 |
14 |
6 |
19 |
16 |
23 |
0 |
0 |
1 |
1 |
5 |
9 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
2 |
3 |
0 |
2 |
3 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 |
Упражнение Бог |
3646 | 207 |
5 |
30 |
37 |
27 |
16 |
6 |
10 |
8 |
9 |
11 |
15 |
33 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
2 |
2 |
1 |
1 |
2 |
4 |
5 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
12. Интеграция и Анимы, и Анимуса |
1807 | 207 |
10 |
37 |
29 |
20 |
17 |
19 |
19 |
10 |
10 |
11 |
6 |
19 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
3 |
0 |
1 |
4 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
4. Ад без жала |
1557 | 207 |
8 |
21 |
28 |
32 |
21 |
25 |
8 |
17 |
8 |
12 |
8 |
19 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
4 |
2 |
0 |
3 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
10. Современные андрогинные персонажи, Душа и Дух |
1635 | 206 |
8 |
25 |
29 |
27 |
15 |
22 |
9 |
20 |
5 |
11 |
16 |
19 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
3 |
0 |
0 |
2 |
2 |
1 |
3 |
1 |
0 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
16. Типичные психологические механизмы в произведениях Э. - Т. - А. Гофмана |
1810 | 206 |
8 |
33 |
30 |
21 |
15 |
16 |
9 |
10 |
12 |
11 |
18 |
23 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
0 |
4 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
3 |
2 |
0 |
0 |
4 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
Архетипические мотивы в фольклоре єскорой помощиЋ |
2283 | 204 |
8 |
21 |
25 |
69 |
9 |
14 |
8 |
7 |
17 |
5 |
6 |
15 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
5. Сказка о Персоне, что учится самосознанию |
1653 | 203 |
8 |
23 |
32 |
27 |
19 |
15 |
11 |
13 |
10 |
17 |
9 |
19 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
3 |
2 |
2 |
2 |
0 |
0 |
2 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
2. Представления об Анимусе мужчины |
1977 | 200 |
5 |
34 |
31 |
34 |
12 |
19 |
10 |
11 |
8 |
6 |
13 |
17 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
4 |
2 |
1 |
3 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
2 |
2 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
Эмоциональное выгорание, травма и нарциссизм |
5699 | 198 |
8 |
32 |
33 |
19 |
18 |
18 |
4 |
12 |
3 |
16 |
13 |
22 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
3 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
4 |
0 |
2 |
2 |
1 |
1 |
3 |
2 |
2 |
0 |
3 |
1 |
1 |
3 |
8. Запутанная история Джона Ди |
1565 | 198 |
5 |
24 |
41 |
26 |
15 |
16 |
6 |
14 |
6 |
13 |
9 |
23 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
6 |
0 |
2 |
1 |
4 |
0 |
1 |
4 |
1 |
0 |
3 |
1 |
0 |
2 |
0 |
2. О символизации насилия в произведениях о Гражданской войне и Октябрьской Революции |
2199 | 196 |
7 |
28 |
36 |
21 |
19 |
18 |
10 |
9 |
7 |
13 |
12 |
16 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
4 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
3 |
4 |
1 |
0 |
3 |
0 |
0 |
3 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
3. Как мужчины обращаются с Анимой |
3384 | 194 |
8 |
23 |
24 |
22 |
17 |
16 |
7 |
13 |
11 |
16 |
10 |
27 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
1 |
1 |
13. Аида: комментарии к либретто |
1787 | 192 |
7 |
30 |
25 |
19 |
20 |
16 |
6 |
9 |
9 |
13 |
17 |
21 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
3 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
О книге Матрица и потенциал характера |
1501 | 189 |
10 |
21 |
36 |
20 |
18 |
15 |
4 |
15 |
7 |
9 |
7 |
27 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
0 |
3 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
3 |
1 |
4 |
2 |
2 |
1 |
0 |
1 |
4 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
Графоманские стихи |
3436 | 188 |
13 |
25 |
31 |
22 |
13 |
13 |
7 |
14 |
7 |
12 |
18 |
13 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
2 |
2 |
0 |
3 |
2 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
3 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
3 |
2 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
4 |
3 |
2 |
1 |
0 |
0 |
0 |
Представления современных городских десятиклассников о мотивах вступления в интимные отношения |
1968 | 186 |
6 |
26 |
26 |
19 |
21 |
24 |
11 |
9 |
8 |
12 |
9 |
15 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
3 |
0 |
0 |
4 |
2 |
2 |
1 |
3 |
1 |
0 |
0 |
симбиоз гештальта и символдрамы |
3175 | 185 |
8 |
29 |
26 |
29 |
16 |
15 |
11 |
8 |
6 |
11 |
10 |
16 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
2 |
0 |
3 |
2 |
0 |
2 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
2 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
2 |
1 |
2 |
0 |
2 |
графоманские стихи |
2375 | 185 |
8 |
25 |
34 |
24 |
10 |
11 |
8 |
12 |
10 |
18 |
12 |
13 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
5 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
4 |
1 |
2 |
3 |
0 |
0 |
1 |
3 |
0 |
4 |
2 |
1 |
1 |
1 |
Запрет на идентификацию с больным и эмоциональное выгорание |
2937 | 184 |
8 |
23 |
32 |
18 |
12 |
13 |
23 |
6 |
8 |
15 |
9 |
17 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
4 |
0 |
3 |
0 |
2 |
0 |
0 |
1 |
1. Преамбула: феминное и маскулинное |
1752 | 182 |
8 |
22 |
33 |
20 |
16 |
14 |
6 |
8 |
7 |
17 |
9 |
22 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
1 |
1 |
4 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
2 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 |
Выгорание в социальной работе: возможные причины, связанные с профессиональной субкультурой |
2999 | 182 |
18 |
22 |
26 |
17 |
16 |
11 |
5 |
15 |
9 |
17 |
12 |
14 |
0 |
1 |
1 |
0 |
3 |
9 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
3 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
24. Травмирующие архетипические персонажи Х. Мураками |
1622 | 181 |
9 |
29 |
28 |
21 |
24 |
10 |
6 |
8 |
8 |
9 |
14 |
15 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
4 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
6 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
13. Внутрениие вредители в произведениях Гофмана |
1645 | 179 |
9 |
28 |
28 |
18 |
13 |
19 |
5 |
7 |
14 |
9 |
13 |
16 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
2 |
2 |
1 |
2 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
О Румпельштильцхене, панических атаках, Льве Толстом и Михаиле Булгакове |
1493 | 179 |
7 |
28 |
35 |
23 |
11 |
12 |
9 |
12 |
8 |
11 |
8 |
15 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
2 |
2 |
1 |
2 |
1 |
0 |
2 |
2 |
2 |
2 |
1 |
2 |
0 |
0 |
5. Особенности архаической сказки |
1713 | 179 |
11 |
30 |
32 |
25 |
15 |
15 |
9 |
8 |
4 |
8 |
7 |
15 |
0 |
1 |
5 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
3 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
4 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
4 |
3 |
1 |
3 |
0 |
1 |
0 |
0 |
2. Неюнгианские механизмы интеграции психики в сказке |
1510 | 179 |
10 |
23 |
35 |
15 |
18 |
16 |
3 |
12 |
6 |
10 |
12 |
19 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
2 |
4 |
1 |
0 |
2 |
5 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
Тум-балалайка |
1844 | 177 |
16 |
22 |
27 |
23 |
10 |
11 |
4 |
9 |
6 |
11 |
18 |
20 |
0 |
1 |
1 |
0 |
3 |
6 |
1 |
1 |
0 |
2 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
11. Миры и зло Средиземья и Валинора |
1510 | 177 |
6 |
23 |
28 |
20 |
15 |
13 |
8 |
10 |
7 |
13 |
14 |
20 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
4 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
3 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
9. Персона и Тень |
1657 | 176 |
19 |
22 |
28 |
21 |
14 |
10 |
9 |
8 |
9 |
10 |
10 |
16 |
0 |
0 |
1 |
0 |
3 |
10 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
2 |
2 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
3. Сказочные злодеи: Консолидатор Тени |
1516 | 174 |
7 |
25 |
33 |
27 |
20 |
11 |
5 |
8 |
7 |
5 |
7 |
19 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
3 |
0 |
2 |
0 |
0 |
4 |
1 |
4 |
1 |
1 |
0 |
0 |
0 |
отношения врача и пациента с точки зрения созависимости |
6450 | 174 |
6 |
24 |
36 |
17 |
15 |
11 |
8 |
8 |
7 |
7 |
15 |
20 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
3 |
2 |
0 |
3 |
1 |
3 |
1 |
1 |
2 |
1 |
0 |
0 |
16. Список литературы |
1214 | 174 |
5 |
37 |
32 |
31 |
11 |
10 |
8 |
9 |
6 |
7 |
6 |
12 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
2 |
2 |
3 |
0 |
5 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
2 |
4 |
2 |
2 |
2 |
1 |
0 |
1 |
3 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
Дворянин Фаланд или владыка альвов? |
930 | 173 |
5 |
21 |
30 |
19 |
10 |
14 |
10 |
9 |
10 |
17 |
15 |
13 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
1 |
1 |
2 |
1 |
0 |
1 |
4 |
3 |
0 |
1 |
1 |
0 |
1 |
7. Созидающее насилие: подвиги Геракла |
1577 | 173 |
20 |
25 |
22 |
15 |
19 |
15 |
9 |
16 |
8 |
8 |
3 |
13 |
0 |
0 |
1 |
0 |
3 |
9 |
1 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
9. Психика как пара |
1629 | 173 |
8 |
20 |
34 |
32 |
12 |
16 |
7 |
7 |
4 |
7 |
12 |
14 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
0 |
1 |
2 |
4 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
Ритуалы "скорой помощи", механизмы прерывания контакта и эмоциональное выгорание |
2422 | 173 |
4 |
35 |
30 |
17 |
14 |
19 |
10 |
6 |
4 |
6 |
7 |
21 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
9 |
0 |
3 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
2 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
3 |
2 |
1 |
0 |
0 |
13. Женщина перед расстрелом |
1200 | 172 |
20 |
23 |
30 |
23 |
11 |
15 |
11 |
10 |
2 |
7 |
5 |
15 |
0 |
0 |
2 |
0 |
5 |
9 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
3 |
1 |
3 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
Больница глазами гештальт-терапевта |
3996 | 172 |
6 |
27 |
35 |
23 |
13 |
10 |
5 |
6 |
11 |
7 |
9 |
20 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
4 |
2 |
2 |
1 |
0 |
0 |
3 |
1 |
1 |
4 |
0 |
1 |
0 |
0 |
Больной Крысолов |
1413 | 171 |
4 |
24 |
30 |
27 |
14 |
13 |
9 |
6 |
5 |
13 |
10 |
16 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
0 |
4 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
8. Проблемы андрогинности в произведениях М. Цветаевой и Т. Манна |
1563 | 171 |
20 |
21 |
27 |
18 |
13 |
14 |
7 |
6 |
6 |
11 |
8 |
20 |
0 |
0 |
3 |
0 |
4 |
8 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
4 |
2 |
0 |
0 |
3 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 |
Двойные ловушки Плоского мира |
1649 | 171 |
5 |
28 |
32 |
29 |
10 |
17 |
5 |
8 |
3 |
6 |
8 |
20 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
3 |
0 |
2 |
1 |
1 |
0 |
1 |
8. О симолизации насилия. "Красный Смех" и "Красная корона" |
2141 | 170 |
8 |
28 |
25 |
20 |
15 |
13 |
4 |
12 |
7 |
12 |
10 |
16 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
5 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
3 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
3. Молитвенная мельница |
1474 | 170 |
18 |
29 |
32 |
22 |
12 |
15 |
4 |
7 |
4 |
4 |
6 |
17 |
0 |
0 |
2 |
0 |
5 |
9 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
4 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
3 |
1 |
1 |
1 |
0 |
1 |
4 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
2. Персонажи "Котлована" строят новый мир и новое тело |
1038 | 170 |
22 |
23 |
26 |
16 |
12 |
9 |
6 |
11 |
8 |
12 |
10 |
15 |
0 |
1 |
1 |
0 |
4 |
10 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
3 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
15. Николай Ставрогин и его адепты |
1825 | 169 |
5 |
18 |
32 |
22 |
19 |
15 |
5 |
11 |
3 |
14 |
8 |
17 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
4 |
2 |
1 |
0 |
0 |
0 |
1 |
10. Об Аниме женщины |
1854 | 169 |
8 |
23 |
41 |
17 |
13 |
16 |
7 |
9 |
8 |
4 |
6 |
17 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
4 |
2 |
2 |
4 |
0 |
0 |
3 |
3 |
4 |
2 |
2 |
0 |
0 |
0 |
9. Символизация насилия: предварительные замечания об интегрирующих образах травмы |
1296 | 168 |
6 |
30 |
23 |
14 |
17 |
20 |
6 |
10 |
7 |
12 |
6 |
17 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
5 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
3. О символизации насилия в поэзии скальдов |
3194 | 165 |
4 |
24 |
25 |
19 |
14 |
16 |
4 |
11 |
9 |
10 |
10 |
19 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
6. О символизации насилия. Значимые персонажи |
1966 | 164 |
7 |
24 |
27 |
28 |
11 |
15 |
9 |
6 |
3 |
6 |
11 |
17 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
33. Пространство, время, человек и божество в сказке |
1308 | 163 |
18 |
22 |
28 |
16 |
17 |
15 |
5 |
8 |
5 |
8 |
5 |
16 |
0 |
0 |
1 |
0 |
4 |
7 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
23. Настя заболела |
1185 | 163 |
4 |
22 |
24 |
19 |
15 |
15 |
5 |
10 |
9 |
12 |
8 |
20 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
3 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
Кошачья подсистема в семье |
945 | 162 |
7 |
20 |
31 |
25 |
8 |
15 |
5 |
7 |
7 |
8 |
9 |
20 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
непрожитая старость |
10313 | 161 |
3 |
31 |
24 |
20 |
16 |
17 |
9 |
6 |
4 |
6 |
9 |
16 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
5 |
2 |
1 |
1 |
1 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
3 |
2 |
2 |
0 |
1 |
0 |
0 |
6. Анимус делает Аниму зависимой и нежизнеспособной |
1532 | 161 |
9 |
26 |
33 |
13 |
15 |
15 |
5 |
7 |
7 |
12 |
7 |
12 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
4 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
3 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
15. Типичные протагонисты произведений Гофмана |
1403 | 160 |
4 |
24 |
27 |
16 |
11 |
23 |
10 |
10 |
3 |
9 |
10 |
13 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
3 |
3 |
2 |
0 |
2 |
0 |
0 |
0 |
Роковой треугольник - 1 |
1803 | 160 |
8 |
21 |
28 |
33 |
12 |
10 |
5 |
6 |
7 |
7 |
9 |
14 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
3 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
5. Мужчина выбирает между Анимусом и Анимой |
1291 | 159 |
9 |
24 |
46 |
14 |
14 |
10 |
6 |
7 |
4 |
6 |
6 |
13 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
3 |
2 |
3 |
2 |
1 |
1 |
4 |
3 |
1 |
2 |
0 |
1 |
0 |
2 |
3 консультации в гештальт-подходе |
2247 | 159 |
20 |
24 |
27 |
21 |
10 |
6 |
5 |
7 |
6 |
8 |
3 |
22 |
0 |
0 |
1 |
0 |
4 |
9 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
3 |
1 |
2 |
1 |
1 |
0 |
0 |
3 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
11. Кое-что об Анимусе женщины |
1458 | 159 |
17 |
22 |
25 |
14 |
15 |
11 |
6 |
7 |
6 |
14 |
9 |
13 |
0 |
1 |
0 |
0 |
4 |
9 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
4 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
3. Сказка о феминном и маскулинном состояниях Эго |
1499 | 158 |
6 |
18 |
25 |
19 |
15 |
17 |
11 |
13 |
8 |
9 |
3 |
14 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 |
Роковой треугольник -2 |
1710 | 149 |
3 |
24 |
34 |
22 |
9 |
12 |
5 |
7 |
3 |
5 |
9 |
16 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
5 |
2 |
2 |
2 |
0 |
1 |
3 |
1 |
1 |
1 |
4 |
2 |
0 |
0 |
телесный симптом в роли символа |
1872 | 149 |
8 |
19 |
33 |
14 |
10 |
14 |
6 |
8 |
2 |
10 |
5 |
20 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
3 |
1 |
3 |
1 |
2 |
2 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
Проблемы профессионального становления личности: работа со сновидениями |
1644 | 149 |
7 |
23 |
23 |
16 |
12 |
14 |
6 |
8 |
7 |
11 |
8 |
14 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
4 |
0 |
1 |
0 |
2 |
0 |
1 |
4 |
0 |
2 |
1 |
0 |
0 |
0 |
9. Начало перехода |
993 | 148 |
20 |
17 |
30 |
15 |
10 |
14 |
7 |
5 |
2 |
7 |
7 |
14 |
0 |
1 |
1 |
0 |
4 |
10 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
4 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
Типы семей, получающих помощь в социальном центре |
1596 | 148 |
7 |
24 |
28 |
22 |
8 |
8 |
6 |
5 |
6 |
9 |
11 |
14 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
5 |
0 |
0 |
1 |
3 |
2 |
1 |
2 |
0 |
0 |
4 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
Мотив Цветка и регуляция позы |
778 | 148 |
8 |
17 |
27 |
19 |
11 |
17 |
1 |
6 |
6 |
11 |
9 |
16 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
4 |
1 |
2 |
2 |
0 |
0 |
3 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
2. Сказка о становлении гендерных различий и женского Эго |
1527 | 148 |
7 |
26 |
21 |
17 |
15 |
15 |
7 |
8 |
2 |
8 |
8 |
14 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
4 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
20. Нвстя заболевает |
1075 | 147 |
7 |
26 |
30 |
22 |
13 |
10 |
8 |
5 |
5 |
7 |
2 |
12 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
4 |
1 |
3 |
0 |
1 |
3 |
0 |
0 |
Уходя с работы: как разобраться с травмирующими переживаниями |
1587 | 147 |
22 |
19 |
26 |
16 |
13 |
11 |
2 |
4 |
4 |
9 |
7 |
14 |
0 |
0 |
1 |
0 |
6 |
9 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
2 |
0 |
1 |
34. Ошибка психики: чрезмерная ее консолидация |
1381 | 147 |
6 |
26 |
22 |
14 |
12 |
16 |
4 |
9 |
4 |
9 |
7 |
18 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
о способности понять душевнобольного |
2144 | 146 |
18 |
19 |
28 |
14 |
14 |
6 |
7 |
7 |
6 |
7 |
7 |
13 |
0 |
0 |
1 |
0 |
4 |
10 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
2 |
3 |
3 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
Коммуникации сотрудников "скорой помощи" и кадровых служб в Интернет-сообществах |
1990 | 146 |
5 |
17 |
25 |
17 |
13 |
17 |
6 |
9 |
7 |
9 |
7 |
14 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
3 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
Венок сонетов Ваське |
1833 | 146 |
4 |
38 |
24 |
24 |
11 |
6 |
2 |
5 |
5 |
9 |
4 |
14 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
13 |
3 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
21. Радость молотобойца |
1045 | 146 |
10 |
23 |
22 |
19 |
13 |
9 |
7 |
5 |
9 |
8 |
4 |
17 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
4 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
15. Деревня изнутри. Во дворах |
1003 | 145 |
5 |
22 |
28 |
17 |
12 |
13 |
6 |
7 |
3 |
8 |
7 |
17 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
5. Заместитель |
1310 | 145 |
7 |
19 |
27 |
20 |
14 |
9 |
7 |
8 |
7 |
6 |
5 |
16 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
3 |
1 |
2 |
0 |
1 |
1 |
Юные птицы старого русского рока |
872 | 145 |
10 |
21 |
33 |
17 |
11 |
13 |
3 |
5 |
3 |
11 |
5 |
13 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
4 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
3 |
0 |
3 |
2 |
4 |
0 |
3 |
0 |
0 |
0 |
Особенности структуры семьи учащихся техникума |
1996 | 145 |
6 |
19 |
25 |
21 |
10 |
16 |
7 |
10 |
2 |
12 |
8 |
9 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
4 |
2 |
2 |
1 |
0 |
0 |
2 |
4 |
1 |
0 |
1 |
0 |
0 |
1 |
4. Архаичные материнские образы |
1328 | 144 |
8 |
19 |
26 |
16 |
11 |
15 |
5 |
7 |
5 |
9 |
9 |
14 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
3 |
0 |
0 |
2 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
5. Мужчина выбирает между Анимусом и Анимой |
1564 | 144 |
7 |
22 |
25 |
16 |
12 |
11 |
6 |
8 |
6 |
7 |
6 |
18 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
3 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 |
12. Мир и зло "Властелина Колец" |
1844 | 144 |
6 |
20 |
25 |
13 |
9 |
10 |
10 |
6 |
7 |
11 |
7 |
20 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
3 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
13. Теневая консолидация психики, Эго и границы в произведениях Дж. Р. Р. Толкиена |
1313 | 144 |
6 |
22 |
28 |
15 |
13 |
7 |
6 |
7 |
8 |
6 |
8 |
18 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
10. Большая женщина. Начало возрождения |
993 | 143 |
20 |
21 |
28 |
16 |
13 |
12 |
2 |
6 |
2 |
4 |
4 |
15 |
0 |
0 |
1 |
0 |
5 |
9 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
5. Женщина в плаще цвета Времени |
1236 | 143 |
6 |
18 |
27 |
17 |
12 |
15 |
4 |
9 |
4 |
8 |
8 |
15 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
2 |
3 |
0 |
0 |
1 |
5 |
1 |
1 |
0 |
2 |
0 |
0 |
21. Властные хитрецы |
1313 | 143 |
7 |
23 |
27 |
18 |
12 |
12 |
6 |
10 |
6 |
3 |
8 |
11 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
2 |
2 |
0 |
2 |
2 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
3. Убежища |
1482 | 143 |
6 |
23 |
32 |
25 |
12 |
10 |
6 |
4 |
4 |
4 |
6 |
11 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
4 |
2 |
1 |
1 |
0 |
0 |
5 |
1 |
1 |
3 |
1 |
2 |
0 |
2 |
5. Идущий следом |
1406 | 143 |
6 |
22 |
25 |
20 |
13 |
13 |
6 |
4 |
8 |
4 |
7 |
15 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
2 |
1 |
0 |
0 |
0 |
0 |
8. Наказанное полутело |
982 | 142 |
5 |
17 |
22 |
14 |
12 |
12 |
4 |
3 |
4 |
4 |
10 |
35 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
6. Насколько опасен Анимус мужчины |
1374 | 142 |
6 |
23 |
33 |
18 |
14 |
18 |
3 |
6 |
1 |
5 |
5 |
10 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
3 |
3 |
3 |
1 |
0 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
15. Мир и образ зла в "Темных началах" |
1299 | 142 |
6 |
21 |
28 |
18 |
14 |
13 |
5 |
7 |
4 |
4 |
7 |
15 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
2 |
2 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
9. Лихтенберг - мыслящее тело |
1080 | 142 |
19 |
17 |
27 |
17 |
8 |
15 |
5 |
8 |
2 |
4 |
8 |
12 |
0 |
0 |
1 |
0 |
5 |
10 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
3 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
19. Множественные и парные миры авторской сказки и фэнтези |
1231 | 141 |
3 |
19 |
27 |
14 |
15 |
16 |
6 |
6 |
7 |
7 |
5 |
16 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
4 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по высказанным в разговорах эмоциям |
1568 | 141 |
9 |
25 |
23 |
14 |
11 |
13 |
4 |
8 |
5 |
8 |
7 |
14 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
Перстень, яблоко, собор |
1653 | 141 |
8 |
20 |
23 |
18 |
12 |
16 |
7 |
6 |
2 |
7 |
9 |
13 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
3 |
0 |
1 |
4 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
ангел |
1576 | 141 |
18 |
25 |
24 |
17 |
12 |
9 |
3 |
6 |
5 |
6 |
4 |
12 |
0 |
1 |
1 |
1 |
4 |
8 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
9 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
2 |
1 |
0 |
3 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
7. Мужское и женское в произведениях Т. Манна |
1532 | 141 |
7 |
20 |
24 |
17 |
15 |
11 |
7 |
6 |
3 |
6 |
5 |
20 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
3 |
2 |
2 |
0 |
1 |
0 |
0 |
12. Песочник и его жертва |
1288 | 141 |
6 |
22 |
23 |
17 |
11 |
16 |
4 |
9 |
4 |
8 |
5 |
16 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2. Конец истории о Крысолове |
1933 | 140 |
8 |
28 |
25 |
19 |
12 |
11 |
4 |
5 |
4 |
6 |
5 |
13 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
22. О героях авторских сказок и фэнтези |
1444 | 140 |
9 |
19 |
26 |
20 |
11 |
12 |
7 |
4 |
3 |
5 |
7 |
17 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
3 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
Отношения клиента с субъектами профилактики и эффективность психологического консультирования |
1547 | 140 |
7 |
20 |
27 |
18 |
11 |
8 |
6 |
7 |
7 |
8 |
10 |
11 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
4 |
2 |
1 |
2 |
0 |
0 |
2 |
3 |
3 |
0 |
1 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 |
16. Медведь |
1124 | 140 |
4 |
21 |
26 |
17 |
13 |
8 |
7 |
8 |
7 |
7 |
6 |
16 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
2 |
3 |
1 |
2 |
1 |
1 |
0 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
25. Об особенностях травматической интеграции психики |
1348 | 139 |
7 |
18 |
25 |
16 |
14 |
10 |
4 |
7 |
9 |
9 |
6 |
14 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
2 |
22. Девушки и Прушевский |
1054 | 139 |
7 |
17 |
25 |
14 |
12 |
12 |
8 |
7 |
7 |
6 |
7 |
17 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
30. Сказочный персонаж: форма и содержимое |
1286 | 139 |
7 |
18 |
20 |
15 |
14 |
13 |
4 |
10 |
6 |
3 |
6 |
23 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
3. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по отмеченным ими у себя симтомам выгорания |
1598 | 139 |
7 |
22 |
24 |
14 |
12 |
12 |
4 |
9 |
3 |
10 |
6 |
16 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
3 |
3 |
1 |
1 |
0 |
2 |
2 |
3 |
0 |
1 |
0 |
0 |
1 |
7. Индивидуальности котлована |
1056 | 139 |
6 |
21 |
28 |
15 |
15 |
14 |
5 |
5 |
5 |
5 |
7 |
13 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
3 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
0 |
0 |
2 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
1. Птичьи формы феминности в эпосе "Урал-Батыр" |
635 | 139 |
11 |
20 |
21 |
14 |
11 |
12 |
5 |
7 |
5 |
9 |
9 |
15 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
4 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
4 |
1 |
0 |
1 |
0 |
0 |
4 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
17. Плот |
1053 | 139 |
20 |
17 |
27 |
14 |
11 |
10 |
6 |
6 |
2 |
5 |
7 |
14 |
0 |
0 |
1 |
0 |
4 |
10 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
6. Скорбная земля |
1519 | 139 |
7 |
24 |
23 |
18 |
11 |
12 |
7 |
5 |
2 |
6 |
11 |
13 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
35. О консервативности юнгианского подхода к сказочным сюжетам |
1410 | 139 |
7 |
19 |
25 |
18 |
13 |
12 |
7 |
6 |
4 |
5 |
10 |
13 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
7. Верховное полутело |
995 | 139 |
18 |
23 |
23 |
14 |
14 |
14 |
1 |
5 |
2 |
5 |
3 |
17 |
0 |
0 |
1 |
0 |
7 |
8 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
8. Избыток сознания и общее тело |
1016 | 138 |
8 |
15 |
26 |
11 |
14 |
15 |
5 |
11 |
6 |
9 |
5 |
13 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
Алгоритм сортировки клиентов социального центра |
1979 | 138 |
6 |
16 |
27 |
19 |
11 |
13 |
7 |
10 |
4 |
6 |
5 |
14 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
2 |
2 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
Юнгианцы и странные научные теории |
686 | 138 |
8 |
23 |
23 |
14 |
13 |
12 |
5 |
5 |
3 |
7 |
10 |
15 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
4 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
6. Следуя за стихами 1921 года |
1369 | 138 |
6 |
15 |
25 |
21 |
9 |
15 |
5 |
7 |
5 |
6 |
7 |
17 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
3 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
Из плена профессиональной Персоны? |
1433 | 138 |
4 |
22 |
23 |
16 |
14 |
14 |
4 |
8 |
4 |
8 |
6 |
15 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
4 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2. Пробуждение |
1035 | 138 |
5 |
24 |
26 |
16 |
12 |
14 |
5 |
5 |
4 |
6 |
5 |
16 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
3 |
0 |
5 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
2 |
0 |
2 |
2 |
0 |
0 |
3 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
13. Колхоз идет навстречу |
979 | 137 |
6 |
23 |
22 |
19 |
12 |
13 |
7 |
5 |
2 |
9 |
3 |
16 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
4 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
3. О смысле телесности в повести А. Платонова "Котлован" |
1045 | 136 |
7 |
20 |
20 |
15 |
11 |
11 |
8 |
10 |
3 |
6 |
10 |
15 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
4 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
4. Блуждания невоплощенного |
1065 | 136 |
5 |
24 |
23 |
15 |
15 |
13 |
4 |
6 |
4 |
8 |
7 |
12 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
4 |
2 |
0 |
0 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 |
5. Сравнение прогностической ценности разных факторов |
1593 | 133 |
6 |
28 |
23 |
17 |
11 |
9 |
3 |
5 |
4 |
4 |
9 |
14 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
9 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
18. Диспозиция и динамика некоторых авторских сказок |
1131 | 132 |
5 |
22 |
21 |
18 |
12 |
14 |
5 |
5 |
4 |
5 |
6 |
15 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
Из У. Блейка. Маленькая пропавшая девочка (Заблудившаяся дочь) |
1778 | 132 |
7 |
17 |
27 |
13 |
15 |
12 |
3 |
7 |
3 |
6 |
4 |
18 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
Для кота |
1642 | 132 |
5 |
26 |
25 |
16 |
8 |
9 |
5 |
5 |
3 |
10 |
4 |
16 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
9 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
4 |
2 |
1 |
0 |
0 |
0 |
1 |
4 |
0 |
2 |
1 |
0 |
0 |
0 |
9. Некоторые модели психической интеграции |
1404 | 132 |
6 |
18 |
27 |
14 |
13 |
11 |
4 |
9 |
6 |
6 |
4 |
14 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
2 |
1 |
1 |
0 |
3 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
2. О преображении в полете |
714 | 132 |
7 |
19 |
29 |
21 |
8 |
12 |
3 |
5 |
3 |
2 |
9 |
14 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
5 |
0 |
1 |
2 |
0 |
0 |
4 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
Прогнозирование эффективности психологической помощи семьям |
1604 | 132 |
8 |
23 |
24 |
13 |
10 |
10 |
4 |
10 |
3 |
7 |
5 |
15 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
3 |
0 |
0 |
3 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
Из У. Блейка. Заложенная маленькая девочка (обретенная дочь) |
1615 | 132 |
6 |
18 |
28 |
16 |
12 |
8 |
7 |
4 |
5 |
6 |
7 |
15 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
2 |
2 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
12. Новое пространство |
938 | 131 |
6 |
19 |
26 |
16 |
11 |
13 |
4 |
5 |
3 |
3 |
11 |
14 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
27. Безвременье котлована |
983 | 131 |
4 |
22 |
23 |
20 |
15 |
10 |
8 |
4 |
4 |
4 |
7 |
10 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
4 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
8. Поглощенное время |
1394 | 131 |
5 |
21 |
26 |
14 |
10 |
12 |
6 |
7 |
2 |
6 |
12 |
10 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
3 |
0 |
2 |
0 |
0 |
0 |
10. Начало контакта |
979 | 131 |
16 |
13 |
25 |
14 |
11 |
11 |
6 |
5 |
3 |
5 |
6 |
16 |
0 |
0 |
1 |
0 |
4 |
8 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
9. Расщепление Эго и Персоны в отношениях с Анимой |
1280 | 131 |
7 |
17 |
27 |
14 |
11 |
13 |
5 |
8 |
7 |
5 |
4 |
13 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
Вариация на тему |
798 | 130 |
6 |
19 |
26 |
17 |
12 |
8 |
4 |
7 |
2 |
8 |
7 |
14 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
5 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
5. Погибшее братство и Лихтенберг |
928 | 130 |
6 |
19 |
25 |
18 |
11 |
15 |
6 |
4 |
4 |
6 |
5 |
11 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
3 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
Хрупкие миры |
468 | 130 |
7 |
17 |
23 |
21 |
12 |
13 |
7 |
6 |
3 |
3 |
7 |
11 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
11. Пространство лагеря |
1029 | 130 |
19 |
14 |
27 |
12 |
11 |
14 |
3 |
5 |
4 |
3 |
7 |
11 |
0 |
1 |
1 |
0 |
5 |
8 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
3 |
0 |
0 |
5 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
14. Мертвая мать и ее дети |
1023 | 129 |
4 |
20 |
22 |
15 |
13 |
12 |
8 |
5 |
3 |
3 |
8 |
16 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
10. Модели интеграции психики в героическом эпосе |
1452 | 129 |
7 |
20 |
29 |
12 |
12 |
11 |
4 |
5 |
4 |
7 |
6 |
12 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
3 |
1 |
1 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
8. Как остаться инфантильной |
1267 | 129 |
5 |
23 |
26 |
15 |
10 |
13 |
5 |
4 |
3 |
5 |
5 |
15 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
0 |
1 |
3 |
4 |
0 |
0 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 |
Огонь |
1582 | 129 |
15 |
17 |
27 |
15 |
7 |
9 |
5 |
6 |
3 |
8 |
2 |
15 |
0 |
0 |
1 |
0 |
2 |
9 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
6 |
1 |
2 |
1 |
0 |
1 |
1 |
3 |
1 |
2 |
1 |
0 |
0 |
0 |
10 охламонов |
1687 | 129 |
5 |
23 |
26 |
18 |
8 |
8 |
6 |
9 |
2 |
7 |
2 |
15 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
9 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
3 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
жили-были... |
1568 | 129 |
19 |
24 |
23 |
15 |
7 |
11 |
1 |
6 |
2 |
4 |
7 |
10 |
0 |
0 |
1 |
0 |
4 |
11 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
10 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
2 |
0 |
1 |
2 |
2 |
3 |
0 |
0 |
3 |
0 |
0 |
0 |
5. Мужской Анимус конкурирует с Анимой в том, что касается творчества |
1429 | 129 |
6 |
20 |
28 |
15 |
10 |
9 |
7 |
5 |
5 |
6 |
6 |
12 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
2 |
1 |
0 |
3 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
Ответ Земли (другой вариант) |
1557 | 128 |
17 |
23 |
23 |
12 |
15 |
6 |
2 |
4 |
4 |
5 |
5 |
12 |
0 |
0 |
1 |
0 |
4 |
9 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
9 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
Хороший начальник Емеля |
947 | 128 |
7 |
16 |
25 |
15 |
17 |
11 |
5 |
4 |
4 |
5 |
7 |
12 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
Реквием Ваське |
1509 | 128 |
4 |
23 |
25 |
16 |
14 |
13 |
3 |
5 |
3 |
6 |
5 |
11 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
Шекспир, сонет 146 |
1295 | 128 |
4 |
20 |
30 |
23 |
10 |
10 |
3 |
4 |
4 |
4 |
5 |
11 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
3 |
3 |
1 |
3 |
0 |
0 |
3 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
6 Тело и труд |
984 | 128 |
5 |
20 |
20 |
16 |
12 |
14 |
2 |
5 |
2 |
6 |
11 |
15 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
обряд изгнания чужого в субкультуре скорой помощи |
2063 | 128 |
4 |
18 |
27 |
13 |
10 |
12 |
6 |
8 |
4 |
5 |
6 |
15 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
2 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
15. Ненаучное животное в мусорном ветре |
1050 | 128 |
4 |
21 |
26 |
14 |
11 |
10 |
5 |
5 |
4 |
7 |
3 |
18 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
1 |
0 |
0 |
0 |
Шекспир, сонет 144 |
1418 | 127 |
17 |
18 |
27 |
14 |
10 |
10 |
3 |
5 |
2 |
5 |
3 |
13 |
0 |
0 |
1 |
0 |
5 |
10 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
4. Расчлененное и воссозданное тело толпы |
1058 | 127 |
3 |
26 |
21 |
16 |
14 |
12 |
6 |
3 |
2 |
7 |
3 |
14 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
9 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
из Цурэна. Как лист увядший падает на душу... |
1636 | 127 |
6 |
28 |
22 |
13 |
10 |
11 |
2 |
5 |
4 |
7 |
6 |
13 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
9 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
4 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
11. Ничего не кончается |
977 | 127 |
6 |
19 |
29 |
12 |
16 |
10 |
5 |
5 |
4 |
6 |
3 |
12 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
3 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
Милая жизнь |
1144 | 127 |
3 |
14 |
23 |
15 |
14 |
11 |
8 |
6 |
4 |
6 |
5 |
18 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
Из У. Блейка. Ответ Земли |
1741 | 126 |
6 |
28 |
27 |
12 |
12 |
9 |
3 |
5 |
2 |
3 |
4 |
15 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
9 |
1 |
3 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
5. О символизации насилия. Сравнение описаний скальдов, эддических и советских авторов |
1531 | 126 |
4 |
16 |
26 |
15 |
12 |
11 |
5 |
9 |
5 |
10 |
1 |
12 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
4 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
3. На улице |
1010 | 126 |
7 |
17 |
29 |
13 |
10 |
10 |
7 |
4 |
2 |
8 |
4 |
15 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
1. Маленький рыцарский роман |
1419 | 126 |
4 |
17 |
24 |
15 |
13 |
16 |
4 |
8 |
7 |
2 |
3 |
13 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
1 |
3 |
1 |
0 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 |
6. Лихтенберг - предмет |
962 | 126 |
7 |
14 |
25 |
16 |
11 |
13 |
3 |
4 |
1 |
8 |
7 |
17 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
0 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
вскрытие |
1569 | 125 |
4 |
15 |
26 |
17 |
11 |
11 |
4 |
5 |
5 |
8 |
7 |
12 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
4 |
4 |
3 |
1 |
0 |
2 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
Мир на костылях |
1372 | 125 |
6 |
18 |
27 |
16 |
9 |
11 |
8 |
4 |
3 |
5 |
3 |
15 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
королева |
1736 | 125 |
5 |
15 |
26 |
20 |
11 |
10 |
6 |
3 |
3 |
7 |
4 |
15 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
4 |
2 |
3 |
1 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
юнгианское стихотворение о сказках |
1404 | 125 |
5 |
22 |
25 |
15 |
12 |
7 |
5 |
6 |
6 |
3 |
6 |
13 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
9 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
Плач на реках Вавилонских |
1396 | 125 |
3 |
17 |
23 |
13 |
12 |
12 |
4 |
6 |
4 |
9 |
8 |
14 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
2 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
Компьютерная игра вместо визуализации |
1690 | 125 |
7 |
17 |
22 |
12 |
9 |
12 |
4 |
11 |
4 |
7 |
4 |
16 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
Поиск света |
2048 | 125 |
8 |
13 |
22 |
16 |
8 |
15 |
9 |
5 |
2 |
8 |
3 |
16 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
возвращение |
1636 | 125 |
6 |
17 |
24 |
15 |
11 |
14 |
4 |
8 |
5 |
4 |
5 |
12 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
6 |
0 |
0 |
0 |
0 |
2 |
5 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
ритуал перехода и эмоциональное выгорание сотрудников скорой помощи |
2189 | 125 |
10 |
19 |
26 |
10 |
12 |
11 |
4 |
5 |
3 |
6 |
6 |
13 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
3 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
3 |
2 |
1 |
2 |
0 |
0 |
1 |
4 |
0 |
2 |
1 |
1 |
1 |
0 |
Звездный ворон и ядовитый волк |
1040 | 124 |
2 |
23 |
23 |
17 |
10 |
7 |
4 |
5 |
8 |
8 |
4 |
13 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
3 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
26. Настина смерть |
1020 | 124 |
5 |
18 |
25 |
16 |
12 |
16 |
4 |
3 |
7 |
4 |
4 |
10 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
14. Деревня изнутри. В избах |
1050 | 124 |
6 |
13 |
26 |
15 |
15 |
17 |
3 |
5 |
2 |
3 |
4 |
15 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1. О символизации насилия. Преамбула. |
1746 | 124 |
4 |
25 |
26 |
14 |
10 |
10 |
3 |
6 |
2 |
3 |
4 |
17 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
4 |
3 |
4 |
0 |
0 |
0 |
1 |
0 |
Кто это входит в мои мозги? |
1654 | 123 |
5 |
15 |
28 |
17 |
10 |
12 |
4 |
8 |
2 |
7 |
3 |
12 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
Попурри а-ля постмодерн |
1610 | 123 |
5 |
18 |
26 |
14 |
8 |
11 |
6 |
8 |
3 |
4 |
6 |
14 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
Пустоты |
1434 | 123 |
5 |
19 |
23 |
19 |
9 |
11 |
7 |
4 |
2 |
6 |
7 |
11 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
4. Сказка о травме и восстановлении |
1501 | 123 |
8 |
17 |
20 |
13 |
13 |
10 |
2 |
10 |
2 |
6 |
6 |
16 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
Человек, Которого Не Было Дома |
1698 | 122 |
5 |
16 |
28 |
13 |
10 |
14 |
8 |
3 |
4 |
5 |
8 |
8 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
4 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
12. Люди лагеря |
936 | 122 |
5 |
19 |
29 |
15 |
8 |
10 |
3 |
5 |
4 |
7 |
6 |
11 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
3 |
1 |
0 |
3 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |