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Итого | За последние 12 месяцев | Mar | Feb | Jan | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | |
По разделу | 470175 | 1161 | 10 | 128 | 192 | 98 | 88 | 90 | 87 | 74 | 91 | 85 | 112 | 106 | 1 | 4 | 5 | 5 | 3 | 6 | 4 | 5 | 6 | 6 | 5 | 5 | 4 | 4 | 4 | 6 | 8 | 4 | 5 | 4 | 4 | 4 | 3 | 4 | 4 | 5 | 4 | 3 | 4 | 5 | 4 | 3 | 3 | 2 | 3 | 3 | 6 | 6 | 5 | 3 | 5 | 10 | 7 | 7 | 4 | 3 | 8 | 49 | 5 | 4 | 5 | 6 | 5 | 5 | 5 | 4 | 7 | 3 | 5 | 4 | 3 | 4 |
Художественные описания механизмов психологической защиты | 12952 | 546 | 5 | 73 | 51 | 62 | 33 | 33 | 45 | 38 | 44 | 34 | 60 | 68 | 0 | 1 | 4 | 4 | 2 | 5 | 3 | 5 | 4 | 3 | 2 | 4 | 1 | 3 | 0 | 4 | 3 | 4 | 5 | 3 | 4 | 0 | 0 | 2 | 4 | 1 | 1 | 1 | 2 | 3 | 0 | 1 | 0 | 2 | 3 | 1 | 2 | 0 | 3 | 1 | 2 | 4 | 2 | 6 | 2 | 2 | 3 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 3 | 0 | 0 | 4 |
7. О символизации насилия. Песочный Человек | 3102 | 525 | 9 | 82 | 76 | 56 | 36 | 44 | 43 | 22 | 25 | 35 | 45 | 52 | 0 | 4 | 5 | 5 | 3 | 4 | 2 | 4 | 4 | 1 | 3 | 4 | 3 | 4 | 4 | 4 | 8 | 2 | 2 | 3 | 1 | 4 | 0 | 2 | 3 | 2 | 1 | 3 | 2 | 2 | 2 | 0 | 1 | 2 | 0 | 2 | 3 | 6 | 5 | 1 | 2 | 10 | 7 | 5 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 3 | 5 | 2 | 2 | 4 | 2 | 0 | 1 | 4 | 1 | 1 |
1. Переодетая сестра: трансформация маскулинности и женское Эго | 2285 | 346 | 3 | 50 | 46 | 22 | 18 | 24 | 29 | 38 | 23 | 29 | 39 | 25 | 1 | 2 | 0 | 0 | 3 | 2 | 2 | 3 | 5 | 2 | 4 | 0 | 4 | 1 | 0 | 1 | 5 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 4 | 2 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 4 | 4 | 0 | 5 | 0 | 1 | 4 | 1 | 3 | 1 | 1 | 2 | 1 | 3 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 4 |
1. Расставание брата и сестры | 3533 | 317 | 1 | 54 | 42 | 36 | 26 | 32 | 19 | 14 | 14 | 32 | 29 | 18 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 3 | 3 | 4 | 4 | 3 | 4 | 1 | 2 | 4 | 1 | 3 | 1 | 1 | 2 | 0 | 1 | 2 | 3 | 1 | 0 | 0 | 1 | 1 | 4 | 2 | 1 | 0 | 0 | 1 | 5 | 1 | 2 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 2 | 0 | 2 | 3 | 3 | 3 | 3 | 0 | 2 | 1 | 1 | 0 | 1 | 1 |
Проявление архетипа Раненого Целителя в субкультуре "скорой медицинской помощи | 3601 | 314 | 3 | 38 | 38 | 25 | 28 | 27 | 29 | 19 | 37 | 24 | 21 | 25 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 4 | 1 | 1 | 2 | 1 | 0 | 1 | 4 | 1 | 2 | 1 | 2 | 0 | 1 | 4 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 3 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 2 | 1 | 2 | 0 | 2 | 1 | 4 | 0 | 2 | 1 | 2 | 1 | 2 | 1 | 2 | 1 |
11. Отношения с Персоной в произведениях Э. - Т. - А. Гофмана | 1551 | 251 | 1 | 38 | 26 | 27 | 32 | 19 | 19 | 18 | 22 | 17 | 25 | 7 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 3 | 3 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 2 | 0 | 5 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 2 |
Ритуал и выгорание в субкультуре скорой помощи | 9356 | 251 | 2 | 30 | 37 | 21 | 25 | 25 | 16 | 11 | 15 | 10 | 29 | 30 | 0 | 1 | 1 | 3 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 2 | 1 | 3 | 1 | 3 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 3 | 2 | 3 | 2 | 1 | 1 | 1 | 1 | 1 | 3 | 1 |
26. Динамика развития психики по оси Самость-Эго | 1805 | 242 | 6 | 34 | 27 | 23 | 20 | 15 | 12 | 15 | 9 | 23 | 32 | 26 | 0 | 2 | 4 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 2 | 2 | 0 | 1 | 2 | 3 | 0 | 2 | 0 | 0 | 0 | 4 | 3 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 2 |
Мотив Города | 3179 | 238 | 3 | 41 | 34 | 19 | 33 | 11 | 21 | 13 | 18 | 16 | 15 | 14 | 0 | 0 | 3 | 1 | 3 | 6 | 0 | 0 | 3 | 2 | 1 | 1 | 2 | 0 | 0 | 6 | 3 | 1 | 2 | 3 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 3 | 0 | 3 | 1 | 4 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 3 | 3 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 5 | 2 | 0 | 0 |
6. Насилие и интеграция психики в архаической сказке | 1336 | 207 | 1 | 24 | 85 | 22 | 12 | 10 | 11 | 6 | 6 | 4 | 17 | 9 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 4 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 6 | 4 | 2 | 3 | 3 | 2 | 7 | 4 | 1 | 5 | 2 | 5 | 2 | 5 | 6 | 5 | 5 | 0 | 0 | 7 | 1 | 4 | 1 | 0 | 2 |
4. Ад без жала | 1530 | 203 | 2 | 28 | 32 | 21 | 25 | 8 | 17 | 8 | 12 | 8 | 19 | 23 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 4 | 2 | 0 | 3 | 1 | 1 | 0 | 2 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 3 | 0 | 1 | 1 | 3 | 2 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 |
психосоматика наизнанку | 4956 | 203 | 2 | 39 | 23 | 19 | 18 | 7 | 12 | 9 | 19 | 17 | 23 | 15 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 5 | 1 | 3 | 5 | 2 | 1 | 1 | 3 | 1 | 0 | 2 | 2 | 2 | 0 | 3 | 1 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 2 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 |
2. Андрогинность в сказке и мифе | 1641 | 202 | 1 | 41 | 33 | 19 | 19 | 10 | 14 | 9 | 17 | 14 | 19 | 6 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 3 | 2 | 3 | 2 | 0 | 1 | 5 | 3 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 4 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 3 | 3 | 3 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 2 | 0 | 1 |
Упражнение Бог | 3612 | 196 | 1 | 37 | 27 | 16 | 6 | 10 | 8 | 9 | 11 | 15 | 33 | 23 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 3 | 2 | 2 | 1 | 1 | 2 | 4 | 5 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 3 | 0 | 1 | 2 | 1 | 1 | 0 | 3 | 3 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 |
Клеменс Брентано. Лоре Лай | 1421 | 195 | 1 | 40 | 26 | 24 | 12 | 9 | 10 | 11 | 14 | 13 | 17 | 18 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 3 | 6 | 0 | 3 | 2 | 1 | 0 | 2 | 4 | 3 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 3 | 0 | 1 | 1 | 2 | 0 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 2 |
4. О символизации насилия в эддической поэзии | 2246 | 195 | 0 | 46 | 28 | 16 | 17 | 17 | 12 | 10 | 14 | 5 | 18 | 12 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 2 | 3 | 1 | 2 | 1 | 2 | 0 | 1 | 4 | 3 | 0 | 3 | 2 | 2 | 1 | 2 | 1 | 1 | 2 | 3 | 0 | 1 | 3 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 2 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 1 |
16. Типичные психологические механизмы в произведениях Э. - Т. - А. Гофмана | 1771 | 192 | 2 | 30 | 21 | 15 | 16 | 9 | 10 | 12 | 11 | 18 | 23 | 25 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 3 | 3 | 2 | 0 | 0 | 4 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 1 |
Совершая труд | 4691 | 190 | 0 | 31 | 52 | 16 | 18 | 10 | 5 | 9 | 12 | 12 | 16 | 9 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 3 | 3 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 7 | 16 | 3 | 0 | 1 | 2 | 1 | 1 | 5 | 1 | 1 | 0 | 1 | 1 | 1 | 1 |
Архетипические мотивы в фольклоре єскорой помощиЋ | 2256 | 187 | 2 | 25 | 69 | 9 | 14 | 8 | 7 | 17 | 5 | 6 | 15 | 10 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 2 | 2 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 8 | 49 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 0 |
Итого | За последние 12 месяцев | Mar | Feb | Jan | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | |
10. Современные андрогинные персонажи, Душа и Дух | 1606 | 186 | 4 | 29 | 27 | 15 | 22 | 9 | 20 | 5 | 11 | 16 | 19 | 9 | 0 | 2 | 2 | 1 | 0 | 3 | 0 | 0 | 2 | 2 | 1 | 3 | 1 | 0 | 0 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 5 | 0 | 0 | 0 | 3 | 0 | 0 | 2 | 2 | 3 | 0 | 2 | 2 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 |
3. Как мужчины обращаются с Анимой | 3354 | 184 | 1 | 24 | 22 | 17 | 16 | 7 | 13 | 11 | 16 | 10 | 27 | 20 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 |
7. Интерпретация эпоса об Урал-Батыре | 1704 | 183 | 2 | 34 | 27 | 18 | 16 | 10 | 13 | 6 | 7 | 14 | 23 | 13 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 4 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 3 | 2 | 1 | 1 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 |
Эмоциональное выгорание, травма и нарциссизм | 5661 | 183 | 2 | 33 | 19 | 18 | 18 | 4 | 12 | 3 | 16 | 13 | 22 | 23 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 4 | 0 | 2 | 2 | 1 | 1 | 3 | 2 | 2 | 0 | 3 | 1 | 1 | 3 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 |
14. Мастера и шарлатаны Гофмана | 2003 | 183 | 1 | 45 | 21 | 15 | 17 | 7 | 9 | 9 | 15 | 16 | 17 | 11 | 0 | 0 | 1 | 0 | 2 | 4 | 1 | 3 | 1 | 3 | 1 | 3 | 1 | 1 | 0 | 3 | 2 | 3 | 3 | 4 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 |
2. О символизации насилия в произведениях о Гражданской войне и Октябрьской Революции | 2164 | 182 | 0 | 36 | 21 | 19 | 18 | 10 | 9 | 7 | 13 | 12 | 16 | 21 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 3 | 3 | 4 | 1 | 0 | 3 | 0 | 0 | 3 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 |
5. Сказка о Персоне, что учится самосознанию | 1622 | 182 | 0 | 32 | 27 | 19 | 15 | 11 | 13 | 10 | 17 | 9 | 19 | 10 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 1 | 3 | 2 | 2 | 2 | 0 | 0 | 2 | 1 | 3 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 3 | 1 | 2 | 0 |
8. Запутанная история Джона Ди | 1538 | 182 | 2 | 41 | 26 | 15 | 16 | 6 | 14 | 6 | 13 | 9 | 23 | 11 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 1 | 6 | 0 | 2 | 1 | 4 | 0 | 1 | 4 | 1 | 0 | 3 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 6 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 2 |
4. Влияния Анимы и Анимуса на мужское Эго | 2658 | 181 | 1 | 30 | 19 | 18 | 19 | 11 | 10 | 10 | 16 | 14 | 25 | 8 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 3 | 1 | 2 | 1 | 0 | 4 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
Оценка эффективности работы психолога с клиентами | 2826 | 179 | 1 | 32 | 17 | 10 | 15 | 12 | 14 | 6 | 19 | 16 | 23 | 14 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 2 | 1 | 2 | 3 | 0 | 2 | 3 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 |
13. Аида: комментарии к либретто | 1753 | 178 | 3 | 25 | 19 | 20 | 16 | 6 | 9 | 9 | 13 | 17 | 21 | 20 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 4 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 |
О книге Матрица и потенциал характера | 1471 | 172 | 1 | 36 | 20 | 18 | 15 | 4 | 15 | 7 | 9 | 7 | 27 | 13 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 3 | 1 | 4 | 2 | 2 | 1 | 0 | 1 | 4 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 |
12. Интеграция и Анимы, и Анимуса | 1762 | 170 | 2 | 29 | 20 | 17 | 19 | 19 | 10 | 10 | 11 | 6 | 19 | 8 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 3 | 1 | 1 | 2 | 2 | 1 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 |
2. Представления об Анимусе мужчины | 1938 | 170 | 0 | 31 | 34 | 12 | 19 | 10 | 11 | 8 | 6 | 13 | 17 | 9 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 3 | 2 | 2 | 0 | 1 | 2 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 4 | 0 | 0 | 1 | 2 | 0 | 3 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 1 |
Представления современных городских десятиклассников о мотивах вступления в интимные отношения | 1938 | 168 | 2 | 26 | 19 | 21 | 24 | 11 | 9 | 8 | 12 | 9 | 15 | 12 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 0 | 3 | 0 | 0 | 4 | 2 | 2 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 3 |
Графоманские стихи | 3399 | 164 | 1 | 31 | 22 | 13 | 13 | 7 | 14 | 7 | 12 | 18 | 13 | 13 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 3 | 2 | 2 | 0 | 2 | 1 | 2 | 1 | 0 | 4 | 3 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 3 | 0 | 3 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 |
симбиоз гештальта и символдрамы | 3142 | 163 | 4 | 26 | 29 | 16 | 15 | 11 | 8 | 6 | 11 | 10 | 16 | 11 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 3 | 2 | 1 | 2 | 0 | 0 | 2 | 2 | 0 | 2 | 1 | 2 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 3 | 1 | 2 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 4 | 2 | 1 | 0 |
Запрет на идентификацию с больным и эмоциональное выгорание | 2908 | 162 | 2 | 32 | 18 | 12 | 13 | 23 | 6 | 8 | 15 | 9 | 17 | 7 | 0 | 0 | 2 | 0 | 2 | 0 | 2 | 1 | 2 | 1 | 2 | 1 | 1 | 1 | 0 | 4 | 0 | 3 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 4 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 1 |
графоманские стихи | 2342 | 162 | 0 | 34 | 24 | 10 | 11 | 8 | 12 | 10 | 18 | 12 | 13 | 10 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 4 | 1 | 2 | 3 | 0 | 0 | 1 | 3 | 0 | 4 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 4 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 1 |
отношения врача и пациента с точки зрения созависимости | 6423 | 162 | 3 | 36 | 17 | 15 | 11 | 8 | 8 | 7 | 7 | 15 | 20 | 15 | 0 | 0 | 3 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 3 | 2 | 0 | 3 | 1 | 3 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 3 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 |
Итого | За последние 12 месяцев | Mar | Feb | Jan | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | |
Дворянин Фаланд или владыка альвов? | 905 | 161 | 1 | 30 | 19 | 10 | 14 | 10 | 9 | 10 | 17 | 15 | 13 | 13 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 3 | 1 | 1 | 2 | 1 | 0 | 1 | 4 | 3 | 0 | 1 | 1 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 |
1. Преамбула: феминное и маскулинное | 1723 | 160 | 1 | 33 | 20 | 16 | 14 | 6 | 8 | 7 | 17 | 9 | 22 | 7 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 2 | 2 | 1 | 1 | 1 | 4 | 0 | 0 | 2 | 3 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 4 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 |
15. Николай Ставрогин и его адепты | 1803 | 158 | 1 | 32 | 22 | 19 | 15 | 5 | 11 | 3 | 14 | 8 | 17 | 11 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 2 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 1 | 4 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 1 |
11. Миры и зло Средиземья и Валинора | 1481 | 157 | 0 | 28 | 20 | 15 | 13 | 8 | 10 | 7 | 13 | 14 | 20 | 9 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 3 | 0 | 0 | 3 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 |
8. Проблемы андрогинности в произведениях М. Цветаевой и Т. Манна | 1522 | 156 | 0 | 27 | 18 | 13 | 14 | 7 | 6 | 6 | 11 | 8 | 20 | 26 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 4 | 2 | 0 | 0 | 3 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 2 |
О Румпельштильцхене, панических атаках, Льве Толстом и Михаиле Булгакове | 1459 | 156 | 1 | 35 | 23 | 11 | 12 | 9 | 12 | 8 | 11 | 8 | 15 | 11 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 3 | 2 | 2 | 1 | 2 | 1 | 0 | 2 | 2 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 |
13. Внутрениие вредители в произведениях Гофмана | 1608 | 155 | 0 | 28 | 18 | 13 | 19 | 5 | 7 | 14 | 9 | 13 | 16 | 13 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 2 | 2 | 1 | 1 | 0 | 4 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 |
24. Травмирующие архетипические персонажи Х. Мураками | 1585 | 155 | 1 | 28 | 21 | 24 | 10 | 6 | 8 | 8 | 9 | 14 | 15 | 11 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 6 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 |
Выгорание в социальной работе: возможные причины, связанные с профессиональной субкультурой | 2960 | 155 | 1 | 26 | 17 | 16 | 11 | 5 | 15 | 9 | 17 | 12 | 14 | 12 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 2 | 2 | 0 | 0 | 3 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 |
2. Неюнгианские механизмы интеграции психики в сказке | 1477 | 154 | 0 | 35 | 15 | 18 | 16 | 3 | 12 | 6 | 10 | 12 | 19 | 8 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 2 | 2 | 4 | 1 | 0 | 2 | 5 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 |
5. Особенности архаической сказки | 1676 | 152 | 4 | 32 | 25 | 15 | 15 | 9 | 8 | 4 | 8 | 7 | 15 | 10 | 0 | 4 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 4 | 3 | 1 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 3 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 3 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 1 |
9. Психика как пара | 1601 | 152 | 0 | 34 | 32 | 12 | 16 | 7 | 7 | 4 | 7 | 12 | 14 | 7 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 3 | 1 | 2 | 0 | 0 | 1 | 2 | 4 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 2 | 0 | 0 | 3 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 4 | 1 | 2 | 1 |
3. Сказочные злодеи: Консолидатор Тени | 1484 | 151 | 0 | 33 | 27 | 20 | 11 | 5 | 8 | 7 | 5 | 7 | 19 | 9 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 3 | 0 | 2 | 0 | 0 | 4 | 1 | 4 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 |
Кошачья подсистема в семье | 919 | 151 | 1 | 31 | 25 | 8 | 15 | 5 | 7 | 7 | 8 | 9 | 20 | 15 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 3 | 0 | 0 | 2 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 5 | 1 | 2 | 0 | 1 | 0 | 0 | 4 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 2 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 |
Больной Крысолов | 1386 | 149 | 1 | 30 | 27 | 14 | 13 | 9 | 6 | 5 | 13 | 10 | 16 | 5 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 3 | 1 | 1 | 1 | 1 | 0 | 4 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 3 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 3 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 |
3. О символизации насилия в поэзии скальдов | 3167 | 149 | 1 | 25 | 19 | 14 | 16 | 4 | 11 | 9 | 10 | 10 | 19 | 11 | 0 | 0 | 1 | 2 | 1 | 3 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 |
Двойные ловушки Плоского мира | 1617 | 148 | 1 | 32 | 29 | 10 | 17 | 5 | 8 | 3 | 6 | 8 | 20 | 9 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 2 | 3 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 3 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 1 | 2 | 0 | 2 | 1 | 1 | 1 |
10. Об Аниме женщины | 1823 | 148 | 0 | 41 | 17 | 13 | 16 | 7 | 9 | 8 | 4 | 6 | 17 | 10 | 0 | 0 | 0 | 3 | 1 | 2 | 0 | 0 | 0 | 4 | 2 | 2 | 4 | 0 | 0 | 3 | 3 | 4 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 3 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 1 |
Ритуалы "скорой помощи", механизмы прерывания контакта и эмоциональное выгорание | 2385 | 148 | 2 | 30 | 17 | 14 | 19 | 10 | 6 | 4 | 6 | 7 | 21 | 12 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 3 | 2 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 3 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 3 | 0 |
Тум-балалайка | 1807 | 147 | 1 | 27 | 23 | 10 | 11 | 4 | 9 | 6 | 11 | 18 | 20 | 7 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 3 | 1 | 1 | 0 | 1 | 1 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 3 | 1 | 1 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 |
Итого | За последние 12 месяцев | Mar | Feb | Jan | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | |
8. О симолизации насилия. "Красный Смех" и "Красная корона" | 2107 | 147 | 2 | 25 | 20 | 15 | 13 | 4 | 12 | 7 | 12 | 10 | 16 | 11 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 1 | 0 | 1 | 3 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 |
23. Настя заболела | 1159 | 147 | 0 | 24 | 19 | 15 | 15 | 5 | 10 | 9 | 12 | 8 | 20 | 10 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 3 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 2 |
Больница глазами гештальт-терапевта | 3963 | 146 | 0 | 35 | 23 | 13 | 10 | 5 | 6 | 11 | 7 | 9 | 20 | 7 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 4 | 2 | 2 | 1 | 0 | 0 | 3 | 1 | 1 | 4 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 3 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 1 |
4. Ранние пьесы М. Цветаевой | 1849 | 146 | 1 | 31 | 22 | 12 | 15 | 5 | 9 | 6 | 9 | 11 | 12 | 13 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 3 | 2 | 2 | 0 | 0 | 3 | 2 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 |
9. Персона и Тень | 1616 | 145 | 0 | 28 | 21 | 14 | 10 | 9 | 8 | 9 | 10 | 10 | 16 | 10 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 3 | 1 | 2 | 2 | 0 | 0 | 3 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 3 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 1 |
16. Список литературы | 1174 | 145 | 2 | 32 | 31 | 11 | 10 | 8 | 9 | 6 | 7 | 6 | 12 | 11 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 2 | 4 | 2 | 2 | 2 | 1 | 0 | 1 | 3 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 2 | 2 | 0 | 3 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 1 |
7 Заклинатели | 1637 | 144 | 1 | 35 | 18 | 12 | 13 | 7 | 7 | 6 | 5 | 10 | 15 | 15 | 0 | 1 | 0 | 0 | 1 | 0 | 4 | 1 | 2 | 1 | 1 | 4 | 3 | 3 | 1 | 1 | 3 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 |
6. О символизации насилия. Значимые персонажи | 1935 | 144 | 0 | 27 | 28 | 11 | 15 | 9 | 6 | 3 | 6 | 11 | 17 | 11 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 2 | 2 | 2 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 2 | 2 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 1 |
9. Символизация насилия: предварительные замечания об интегрирующих образах травмы | 1260 | 144 | 0 | 23 | 14 | 17 | 20 | 6 | 10 | 7 | 12 | 6 | 17 | 12 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 |
3. Сказка о феминном и маскулинном состояниях Эго | 1475 | 142 | 0 | 25 | 19 | 15 | 17 | 11 | 13 | 8 | 9 | 3 | 14 | 8 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 3 | 1 | 1 | 0 | 1 | 3 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 3 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 |
6. Сходство и различия сюжетов о Переодетой сестре | 1630 | 142 | 0 | 35 | 16 | 16 | 16 | 8 | 7 | 5 | 8 | 5 | 15 | 11 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 2 | 1 | 5 | 0 | 3 | 2 | 1 | 1 | 5 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 |
Роковой треугольник - 1 | 1775 | 142 | 1 | 28 | 33 | 12 | 10 | 5 | 6 | 7 | 7 | 9 | 14 | 10 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 3 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 14 | 0 | 0 | 2 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 2 |
15. Типичные протагонисты произведений Гофмана | 1375 | 139 | 0 | 27 | 16 | 11 | 23 | 10 | 10 | 3 | 9 | 10 | 13 | 7 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 3 | 3 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 |
13. Женщина перед расстрелом | 1157 | 139 | 0 | 30 | 23 | 11 | 15 | 11 | 10 | 2 | 7 | 5 | 15 | 10 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 3 | 1 | 3 | 1 | 0 | 1 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 2 | 3 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 |
7. Созидающее насилие: подвиги Геракла | 1535 | 139 | 3 | 22 | 15 | 19 | 15 | 9 | 16 | 8 | 8 | 3 | 13 | 8 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 3 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 |
непрожитая старость | 10280 | 138 | 1 | 24 | 20 | 16 | 17 | 9 | 6 | 4 | 6 | 9 | 16 | 10 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 2 | 3 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 1 |
17. Психологические задачи сказок на разных этапах становления человеческой психики | 1312 | 138 | 0 | 27 | 20 | 15 | 12 | 11 | 7 | 7 | 9 | 4 | 18 | 8 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 4 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 |
6. Анимус делает Аниму зависимой и нежизнеспособной | 1498 | 138 | 1 | 33 | 13 | 15 | 15 | 5 | 7 | 7 | 12 | 7 | 12 | 11 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 3 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 4 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
3. Произведения молодости М. Цветаевой | 1308 | 137 | 0 | 26 | 17 | 15 | 12 | 9 | 8 | 6 | 12 | 7 | 16 | 9 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 3 | 1 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 |
Мотив Цветка и регуляция позы | 755 | 136 | 2 | 27 | 19 | 11 | 17 | 1 | 6 | 6 | 11 | 9 | 16 | 11 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 4 | 1 | 2 | 2 | 0 | 0 | 3 | 2 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 1 | 2 |
Итого | За последние 12 месяцев | Mar | Feb | Jan | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | |
Г. Гессе. Стихотворение о Степном Волке | 1739 | 136 | 1 | 27 | 19 | 13 | 10 | 7 | 12 | 8 | 10 | 5 | 11 | 13 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 3 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 0 |
16. Миры и образы зла, связанные с Темной Башней | 2026 | 136 | 0 | 27 | 22 | 16 | 11 | 6 | 7 | 7 | 8 | 10 | 10 | 12 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 3 | 1 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 |
27. О различении Я и Эго-комплекса | 1188 | 135 | 1 | 27 | 12 | 16 | 15 | 7 | 8 | 5 | 9 | 11 | 16 | 8 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 3 | 2 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 |
5. Мужчина выбирает между Анимусом и Анимой | 1259 | 135 | 1 | 46 | 14 | 14 | 10 | 6 | 7 | 4 | 6 | 6 | 13 | 8 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 3 | 2 | 3 | 2 | 1 | 1 | 4 | 3 | 1 | 2 | 0 | 1 | 0 | 2 | 2 | 1 | 3 | 0 | 1 | 1 | 3 | 4 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 |
8. Наказанное полутело | 960 | 134 | 0 | 22 | 14 | 12 | 12 | 4 | 3 | 4 | 4 | 10 | 35 | 14 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
2. Персонажи "Котлована" строят новый мир и новое тело | 994 | 134 | 1 | 26 | 16 | 12 | 9 | 6 | 11 | 8 | 12 | 10 | 15 | 8 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 3 | 2 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 |
Коммуникации сотрудников "скорой помощи" и кадровых служб в Интернет-сообществах | 1968 | 133 | 0 | 25 | 17 | 13 | 17 | 6 | 9 | 7 | 9 | 7 | 14 | 9 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 0 | 3 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
5. Заместитель | 1286 | 133 | 2 | 27 | 20 | 14 | 9 | 7 | 8 | 7 | 6 | 5 | 16 | 12 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 3 | 3 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 2 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 |
19. Множественные и парные миры авторской сказки и фэнтези | 1210 | 132 | 1 | 27 | 14 | 15 | 16 | 6 | 6 | 7 | 7 | 5 | 16 | 12 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 1 | 0 | 2 | 4 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 |
8. Тотем, Трикстер, Первопредки | 1414 | 132 | 1 | 28 | 25 | 10 | 17 | 6 | 7 | 6 | 3 | 3 | 19 | 7 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 2 | 1 | 1 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 2 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 |
Роковой треугольник -2 | 1685 | 132 | 2 | 34 | 22 | 9 | 12 | 5 | 7 | 3 | 5 | 9 | 16 | 8 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 5 | 2 | 2 | 2 | 0 | 1 | 3 | 1 | 1 | 1 | 4 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 |
Особенности структуры семьи учащихся техникума | 1972 | 132 | 1 | 25 | 21 | 10 | 16 | 7 | 10 | 2 | 12 | 8 | 9 | 11 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 4 | 2 | 2 | 1 | 0 | 0 | 2 | 4 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 4 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 |
Алгоритм сортировки клиентов социального центра | 1958 | 131 | 1 | 27 | 19 | 11 | 13 | 7 | 10 | 4 | 6 | 5 | 14 | 14 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 2 | 2 | 2 | 0 | 0 | 3 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 4 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 1 |
1. Телесные трансформации в рассказе "Мусорный ветер" | 976 | 131 | 0 | 24 | 17 | 13 | 12 | 10 | 8 | 6 | 10 | 9 | 17 | 5 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 2 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 |
Проблемы профессионального становления личности: работа со сновидениями | 1616 | 131 | 2 | 23 | 16 | 12 | 14 | 6 | 8 | 7 | 11 | 8 | 14 | 10 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 2 | 4 | 0 | 1 | 0 | 2 | 0 | 1 | 4 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 |
Типы семей, получающих помощь в социальном центре | 1567 | 130 | 2 | 28 | 22 | 8 | 8 | 6 | 5 | 6 | 9 | 11 | 14 | 11 | 0 | 2 | 0 | 0 | 0 | 5 | 0 | 0 | 1 | 3 | 2 | 1 | 2 | 0 | 0 | 4 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 |
20. О некоторых особенностях структуры фэнтези | 1736 | 130 | 2 | 35 | 22 | 12 | 13 | 7 | 4 | 5 | 5 | 5 | 12 | 8 | 0 | 1 | 1 | 2 | 2 | 2 | 1 | 2 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 5 | 0 | 3 | 3 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 1 |
11. Кое-что об Анимусе женщины | 1422 | 130 | 3 | 25 | 14 | 15 | 11 | 6 | 7 | 6 | 14 | 9 | 13 | 7 | 0 | 1 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 2 | 0 | 0 | 4 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 |
33. Пространство, время, человек и божество в сказке | 1269 | 129 | 1 | 28 | 16 | 17 | 15 | 5 | 8 | 5 | 8 | 5 | 16 | 5 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 3 | 1 | 1 | 1 | 0 | 2 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 |
3. Убежища | 1454 | 129 | 1 | 32 | 25 | 12 | 10 | 6 | 4 | 4 | 4 | 6 | 11 | 14 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 4 | 2 | 1 | 1 | 0 | 0 | 5 | 1 | 1 | 3 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 |
Итого | За последние 12 месяцев | Mar | Feb | Jan | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | |
телесный симптом в роли символа | 1846 | 129 | 1 | 33 | 14 | 10 | 14 | 6 | 8 | 2 | 10 | 5 | 20 | 6 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 3 | 1 | 3 | 1 | 2 | 2 | 1 | 1 | 2 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 |
4. Погребальные дроги | 1304 | 129 | 0 | 26 | 28 | 11 | 8 | 5 | 9 | 7 | 5 | 6 | 16 | 8 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 4 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 3 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 7 | 1 | 1 | 0 | 0 | 2 |
30. Сказочный персонаж: форма и содержимое | 1262 | 128 | 1 | 20 | 15 | 14 | 13 | 4 | 10 | 6 | 3 | 6 | 23 | 13 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 |
3. Молитвенная мельница | 1427 | 128 | 0 | 32 | 22 | 12 | 15 | 4 | 7 | 4 | 4 | 6 | 17 | 5 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 2 | 3 | 1 | 1 | 1 | 0 | 1 | 4 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 1 |
1. Тело и мир персонажей Андрея Платонова | 1299 | 128 | 1 | 25 | 17 | 15 | 9 | 9 | 10 | 4 | 8 | 7 | 16 | 7 | 0 | 1 | 0 | 0 | 0 | 4 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 4 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 |
25. Об особенностях травматической интеграции психики | 1326 | 127 | 3 | 25 | 16 | 14 | 10 | 4 | 7 | 9 | 9 | 6 | 14 | 10 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 3 | 1 | 0 | 2 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
5. Мужчина выбирает между Анимусом и Анимой | 1536 | 127 | 1 | 25 | 16 | 12 | 11 | 6 | 8 | 6 | 7 | 6 | 18 | 11 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 2 | 2 | 0 | 3 | 0 | 0 | 0 | 3 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 |
15. Мир и образ зла в "Темных началах" | 1272 | 127 | 0 | 28 | 18 | 14 | 13 | 5 | 7 | 4 | 4 | 7 | 15 | 12 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 3 | 2 | 2 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 2 | 1 |
10. Самозванцы: Пепсер и Крошка Цахес | 2429 | 127 | 1 | 32 | 20 | 11 | 11 | 4 | 6 | 7 | 7 | 4 | 17 | 7 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 5 | 0 | 1 | 0 | 0 | 3 | 1 | 2 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 2 |
Представления современных городских девятиклассников о мотивах вступления в интимные отношения | 1581 | 127 | 1 | 21 | 16 | 9 | 14 | 4 | 12 | 7 | 8 | 7 | 15 | 13 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 4 | 2 | 0 | 1 | 0 | 1 | 1 | 4 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 |
3. Выбор художника - Анима или Анимус? | 1470 | 127 | 0 | 22 | 19 | 14 | 16 | 6 | 9 | 3 | 6 | 7 | 16 | 9 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 |
13. Теневая консолидация психики, Эго и границы в произведениях Дж. Р. Р. Толкиена | 1287 | 127 | 2 | 28 | 15 | 13 | 7 | 6 | 7 | 8 | 6 | 8 | 18 | 9 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 2 | 2 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 |
4. Архаичные материнские образы | 1302 | 126 | 1 | 26 | 16 | 11 | 15 | 5 | 7 | 5 | 9 | 9 | 14 | 8 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 2 | 1 | 3 | 0 | 0 | 2 | 3 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 |
14. Мир и образ зла в эпопее о Гарри Поттере | 1471 | 126 | 2 | 29 | 16 | 13 | 11 | 6 | 6 | 4 | 8 | 4 | 13 | 14 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 3 | 2 | 0 | 0 | 3 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 |
16. Медведь | 1101 | 126 | 2 | 26 | 17 | 13 | 8 | 7 | 8 | 7 | 7 | 6 | 16 | 9 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 2 | 3 | 1 | 2 | 1 | 1 | 0 | 3 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 |
5. Женщина в плаще цвета Времени | 1212 | 125 | 0 | 27 | 17 | 12 | 15 | 4 | 9 | 4 | 8 | 8 | 15 | 6 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 2 | 3 | 0 | 0 | 1 | 5 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 |
15. Деревня изнутри. Во дворах | 977 | 125 | 1 | 28 | 17 | 12 | 13 | 6 | 7 | 3 | 8 | 7 | 17 | 6 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 |
6. Следуя за стихами 1921 года | 1349 | 125 | 1 | 25 | 21 | 9 | 15 | 5 | 7 | 5 | 6 | 7 | 17 | 7 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 3 | 2 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 |
12. Мир и зло "Властелина Колец" | 1818 | 125 | 0 | 25 | 13 | 9 | 10 | 10 | 6 | 7 | 11 | 7 | 20 | 7 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 2 | 2 | 0 | 0 | 3 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 |
5. Идущий следом | 1379 | 125 | 1 | 25 | 20 | 13 | 13 | 6 | 4 | 8 | 4 | 7 | 15 | 9 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 4 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 1 |
Итого | За последние 12 месяцев | Mar | Feb | Jan | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | |
3. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по отмеченным ими у себя симтомам выгорания | 1574 | 124 | 5 | 24 | 14 | 12 | 12 | 4 | 9 | 3 | 10 | 6 | 16 | 9 | 0 | 1 | 4 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 3 | 3 | 1 | 1 | 0 | 2 | 2 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 0 |
Перстень, яблоко, собор | 1625 | 124 | 0 | 23 | 18 | 12 | 16 | 7 | 6 | 2 | 7 | 9 | 13 | 11 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 3 | 0 | 1 | 4 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 |
Отношения клиента с субъектами профилактики и эффективность психологического консультирования | 1521 | 124 | 1 | 27 | 18 | 11 | 8 | 6 | 7 | 7 | 8 | 10 | 11 | 10 | 0 | 0 | 1 | 1 | 0 | 3 | 1 | 0 | 1 | 4 | 2 | 1 | 2 | 0 | 0 | 2 | 3 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 |
18. Ночные пляски | 974 | 124 | 1 | 24 | 18 | 13 | 12 | 6 | 8 | 4 | 9 | 6 | 12 | 11 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 2 | 3 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 3 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 |
22. Девушки и Прушевский | 1031 | 123 | 1 | 25 | 14 | 12 | 12 | 8 | 7 | 7 | 6 | 7 | 17 | 7 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 2 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 |
9. Начало перехода | 958 | 123 | 2 | 30 | 15 | 10 | 14 | 7 | 5 | 2 | 7 | 7 | 14 | 10 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 4 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 4 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 |
7. Индивидуальности котлована | 1029 | 123 | 0 | 28 | 15 | 15 | 14 | 5 | 5 | 5 | 5 | 7 | 13 | 11 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 1 | 0 | 2 | 3 | 1 | 0 | 0 | 2 | 2 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
20. Нвстя заболевает | 1043 | 123 | 1 | 30 | 22 | 13 | 10 | 8 | 5 | 5 | 7 | 2 | 12 | 8 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 2 | 4 | 1 | 3 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 2 |
34. Ошибка психики: чрезмерная ее консолидация | 1350 | 123 | 1 | 22 | 14 | 12 | 16 | 4 | 9 | 4 | 9 | 7 | 18 | 7 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
2. Сказка о становлении гендерных различий и женского Эго | 1496 | 123 | 2 | 21 | 17 | 15 | 15 | 7 | 8 | 2 | 8 | 8 | 14 | 6 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
32. Для чего нужен символ? | 1144 | 123 | 1 | 29 | 17 | 13 | 16 | 3 | 7 | 5 | 9 | 6 | 9 | 8 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 2 | 1 | 2 | 2 | 0 | 3 | 1 | 3 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 0 |
35. О консервативности юнгианского подхода к сказочным сюжетам | 1385 | 123 | 1 | 25 | 18 | 13 | 12 | 7 | 6 | 4 | 5 | 10 | 13 | 9 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 |
8. Избыток сознания и общее тело | 993 | 122 | 0 | 26 | 11 | 14 | 15 | 5 | 11 | 6 | 9 | 5 | 13 | 7 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
о способности понять душевнобольного | 2109 | 122 | 2 | 28 | 14 | 14 | 6 | 7 | 7 | 6 | 7 | 7 | 13 | 11 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 3 | 2 | 3 | 3 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
6. Насколько опасен Анимус мужчины | 1346 | 122 | 1 | 33 | 18 | 14 | 18 | 3 | 6 | 1 | 5 | 5 | 10 | 8 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 2 | 3 | 3 | 3 | 1 | 0 | 3 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 3 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 |
Из У. Блейка. Заблудшая дочь (пропавшая маленькая девочка) | 1594 | 122 | 0 | 21 | 28 | 14 | 11 | 7 | 4 | 5 | 7 | 7 | 13 | 5 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 3 | 0 | 1 | 1 | 1 | 1 | 3 | 0 | 1 | 1 | 1 | 0 |
2.Почему же произведения Гофмана популярны до сих пор? | 1162 | 122 | 1 | 29 | 14 | 12 | 7 | 10 | 10 | 2 | 6 | 8 | 14 | 9 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 3 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 |
Образ Бога и зрелость личности | 2380 | 122 | 2 | 19 | 22 | 9 | 14 | 2 | 7 | 7 | 9 | 7 | 12 | 12 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 |
21. Радость молотобойца | 1012 | 122 | 0 | 22 | 19 | 13 | 9 | 7 | 5 | 9 | 8 | 4 | 17 | 9 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 3 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 1 |
Senex - Puer | 1224 | 121 | 0 | 24 | 20 | 11 | 18 | 3 | 5 | 3 | 4 | 10 | 13 | 10 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 2 | 3 | 1 | 0 | 1 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 4 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 |
Итого | За последние 12 месяцев | Mar | Feb | Jan | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | |
гулял молодец | 1199 | 121 | 2 | 21 | 21 | 8 | 16 | 3 | 8 | 5 | 7 | 4 | 18 | 8 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 3 | 0 | 0 | 3 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 2 |
8. Поглощенное время | 1370 | 121 | 2 | 26 | 14 | 10 | 12 | 6 | 7 | 2 | 6 | 12 | 10 | 14 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 2 | 0 | 3 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 3 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 |
7. Мужское и женское в произведениях Т. Манна | 1506 | 121 | 1 | 24 | 17 | 15 | 11 | 7 | 6 | 3 | 6 | 5 | 20 | 6 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 3 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 |
Юные птицы старого русского рока | 841 | 121 | 0 | 33 | 17 | 11 | 13 | 3 | 5 | 3 | 11 | 5 | 13 | 7 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 3 | 0 | 3 | 2 | 4 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 |
Три бестселлера | 1314 | 121 | 2 | 28 | 21 | 12 | 10 | 4 | 5 | 3 | 9 | 7 | 12 | 8 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 4 | 0 | 2 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 3 | 2 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 |
Милая жизнь | 1127 | 121 | 0 | 23 | 15 | 14 | 11 | 8 | 6 | 4 | 6 | 5 | 18 | 11 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 2 | 3 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 1 |
3 консультации в гештальт-подходе | 2204 | 121 | 1 | 27 | 21 | 10 | 6 | 5 | 7 | 6 | 8 | 3 | 22 | 5 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 3 | 1 | 2 | 1 | 1 | 0 | 0 | 3 | 4 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 2 |
5. Рядом с общим телом | 1089 | 120 | 0 | 27 | 20 | 12 | 12 | 3 | 7 | 2 | 6 | 7 | 14 | 10 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 3 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 4 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 0 |
1. Прогнозирование выгорания у сотрудников "скорой медицинской помощи" по метафорическим высказываниям | 2095 | 120 | 2 | 24 | 15 | 11 | 8 | 5 | 9 | 6 | 6 | 9 | 13 | 12 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 3 | 0 | 0 | 2 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 |
21. Властные хитрецы | 1285 | 120 | 2 | 27 | 18 | 12 | 12 | 6 | 10 | 6 | 3 | 8 | 11 | 5 | 0 | 0 | 2 | 0 | 2 | 2 | 0 | 1 | 2 | 2 | 0 | 2 | 2 | 0 | 0 | 2 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 |
1. Маленький рыцарский роман | 1398 | 120 | 0 | 24 | 15 | 13 | 16 | 4 | 8 | 7 | 2 | 3 | 13 | 15 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 4 | 1 | 0 | 1 | 3 | 1 | 0 | 2 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 |
9. Некоторые модели психической интеграции | 1380 | 120 | 0 | 27 | 14 | 13 | 11 | 4 | 9 | 6 | 6 | 4 | 14 | 12 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 0 | 2 | 1 | 1 | 0 | 3 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 |
12. Песочник и его жертва | 1260 | 120 | 0 | 23 | 17 | 11 | 16 | 4 | 9 | 4 | 8 | 5 | 16 | 7 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 4 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 |
Вариация на тему | 777 | 119 | 4 | 26 | 17 | 12 | 8 | 4 | 7 | 2 | 8 | 7 | 14 | 10 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 5 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 1 |
5. О символизации насилия. Сравнение описаний скальдов, эддических и советских авторов | 1511 | 119 | 0 | 26 | 15 | 12 | 11 | 5 | 9 | 5 | 10 | 1 | 12 | 13 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 4 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 |
3. О смысле телесности в повести А. Платонова "Котлован" | 1019 | 119 | 1 | 20 | 15 | 11 | 11 | 8 | 10 | 3 | 6 | 10 | 15 | 9 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 4 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 |
22. О героях авторских сказок и фэнтези | 1416 | 119 | 0 | 26 | 20 | 11 | 12 | 7 | 4 | 3 | 5 | 7 | 17 | 7 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 2 | 1 | 0 | 3 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 |
9. Расщепление Эго и Персоны в отношениях с Анимой | 1256 | 119 | 0 | 27 | 14 | 11 | 13 | 5 | 8 | 7 | 5 | 4 | 13 | 12 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 3 | 1 | 1 | 1 | 0 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 |
Из У. Блейка. Маленькая пропавшая девочка (Заблудившаяся дочь) | 1755 | 118 | 1 | 27 | 13 | 15 | 12 | 3 | 7 | 3 | 6 | 4 | 18 | 9 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 3 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 |
Юнгианцы и странные научные теории | 655 | 118 | 0 | 23 | 14 | 13 | 12 | 5 | 5 | 3 | 7 | 10 | 15 | 11 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 4 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
Итого | За последние 12 месяцев | Mar | Feb | Jan | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | |
Шекспир, сонет 146 | 1273 | 118 | 2 | 30 | 23 | 10 | 10 | 3 | 4 | 4 | 4 | 5 | 11 | 12 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 3 | 3 | 1 | 3 | 0 | 0 | 3 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 |
4. Блуждания невоплощенного | 1040 | 118 | 4 | 23 | 15 | 15 | 13 | 4 | 6 | 4 | 8 | 7 | 12 | 7 | 0 | 2 | 2 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 4 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
Из плена профессиональной Персоны? | 1408 | 118 | 1 | 23 | 16 | 14 | 14 | 4 | 8 | 4 | 8 | 6 | 15 | 5 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 4 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
1. Явление Крысолова | 1327 | 117 | 1 | 27 | 22 | 8 | 12 | 6 | 5 | 2 | 7 | 5 | 17 | 5 | 0 | 0 | 1 | 3 | 0 | 2 | 0 | 1 | 0 | 3 | 0 | 1 | 3 | 1 | 1 | 4 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 |
2. Конец истории о Крысолове | 1898 | 117 | 1 | 25 | 19 | 12 | 11 | 4 | 5 | 4 | 6 | 5 | 13 | 12 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 3 | 0 | 0 | 0 | 0 | 3 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 |
2. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по высказанным в разговорах эмоциям | 1536 | 117 | 2 | 23 | 14 | 11 | 13 | 4 | 8 | 5 | 8 | 7 | 14 | 8 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 1 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 |
2. О преображении в полете | 689 | 117 | 1 | 29 | 21 | 8 | 12 | 3 | 5 | 3 | 2 | 9 | 14 | 10 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 3 | 0 | 5 | 0 | 1 | 2 | 0 | 0 | 4 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 1 |
Г. Гессе. Ступени | 1612 | 116 | 2 | 29 | 19 | 14 | 7 | 6 | 5 | 4 | 4 | 3 | 13 | 10 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 3 | 0 | 0 | 2 | 2 | 3 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 |
31. Становление символа во времени | 1172 | 116 | 0 | 25 | 12 | 10 | 16 | 5 | 8 | 4 | 6 | 6 | 14 | 10 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 3 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 3 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
27. Безвременье котлована | 957 | 116 | 0 | 23 | 20 | 15 | 10 | 8 | 4 | 4 | 4 | 7 | 10 | 11 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 4 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 5 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 0 |
1. Птичьи формы феминности в эпосе "Урал-Батыр" | 606 | 116 | 2 | 21 | 14 | 11 | 12 | 5 | 7 | 5 | 9 | 9 | 15 | 6 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 4 | 1 | 0 | 1 | 0 | 0 | 4 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 |
Уходя с работы: как разобраться с травмирующими переживаниями | 1546 | 116 | 0 | 26 | 16 | 13 | 11 | 2 | 4 | 4 | 9 | 7 | 14 | 10 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 1 |
Информация о владельце раздела | 1315 | 116 | 0 | 26 | 18 | 7 | 13 | 2 | 6 | 6 | 9 | 6 | 15 | 8 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 2 | 1 | 1 | 4 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 |
6. Скорбная земля | 1489 | 116 | 1 | 23 | 18 | 11 | 12 | 7 | 5 | 2 | 6 | 11 | 13 | 7 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 3 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 |
1 Дитя в мирах Психеи и Ананке | 1623 | 116 | 3 | 21 | 16 | 13 | 12 | 4 | 7 | 5 | 1 | 8 | 15 | 11 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 4 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 3 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 |
28. О символике эволюции | 1190 | 116 | 0 | 29 | 15 | 10 | 16 | 6 | 7 | 3 | 8 | 5 | 11 | 6 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 3 | 0 | 1 | 2 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
13. Колхоз идет навстречу | 951 | 116 | 1 | 22 | 19 | 12 | 13 | 7 | 5 | 2 | 9 | 3 | 16 | 7 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 |
5. Погибшее братство и Лихтенберг | 904 | 115 | 1 | 25 | 18 | 11 | 15 | 6 | 4 | 4 | 6 | 5 | 11 | 9 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 4 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 |
2. Пробуждение | 1007 | 115 | 1 | 26 | 16 | 12 | 14 | 5 | 5 | 4 | 6 | 5 | 16 | 5 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 2 | 2 | 0 | 2 | 2 | 0 | 0 | 3 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 |
обряд изгнания чужого в субкультуре скорой помощи | 2043 | 115 | 2 | 27 | 13 | 10 | 12 | 6 | 8 | 4 | 5 | 6 | 15 | 7 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 4 | 2 | 0 | 2 | 1 | 0 | 2 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 |
Итого | За последние 12 месяцев | Mar | Feb | Jan | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | |
1. Миф, мир и психика | 1395 | 115 | 0 | 24 | 17 | 9 | 14 | 8 | 6 | 4 | 7 | 6 | 14 | 6 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 3 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 |
Венок сонетов Ваське | 1792 | 115 | 1 | 24 | 24 | 11 | 6 | 2 | 5 | 5 | 9 | 4 | 14 | 10 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 |
Прогнозирование эффективности психологической помощи семьям | 1576 | 115 | 3 | 24 | 13 | 10 | 10 | 4 | 10 | 3 | 7 | 5 | 15 | 11 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 3 | 0 | 0 | 3 | 1 | 0 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 |
Из У. Блейка. Заложенная маленькая девочка (обретенная дочь) | 1591 | 115 | 0 | 28 | 16 | 12 | 8 | 7 | 4 | 5 | 6 | 7 | 15 | 7 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 3 | 2 | 2 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 3 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 |
12. Новое пространство | 914 | 114 | 1 | 26 | 16 | 11 | 13 | 4 | 5 | 3 | 3 | 11 | 14 | 7 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 3 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 3 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 |
Шекспир, сонет 20 | 1285 | 114 | 0 | 25 | 16 | 11 | 10 | 4 | 7 | 2 | 7 | 6 | 16 | 10 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 3 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
2. Усталость | 1654 | 114 | 3 | 21 | 17 | 12 | 12 | 4 | 6 | 4 | 4 | 4 | 16 | 11 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 3 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 |
18. Диспозиция и динамика некоторых авторских сказок | 1105 | 113 | 1 | 21 | 18 | 12 | 14 | 5 | 5 | 4 | 5 | 6 | 15 | 7 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 |
14. Мертвая мать и ее дети | 1000 | 113 | 1 | 22 | 15 | 13 | 12 | 8 | 5 | 3 | 3 | 8 | 16 | 7 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 |
Хороший начальник Емеля | 926 | 113 | 2 | 25 | 15 | 17 | 11 | 5 | 4 | 4 | 5 | 7 | 12 | 6 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 2 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 |
Хрупкие миры | 444 | 113 | 0 | 23 | 21 | 12 | 13 | 7 | 6 | 3 | 3 | 7 | 11 | 7 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 3 |
возвращение | 1614 | 113 | 1 | 24 | 15 | 11 | 14 | 4 | 8 | 5 | 4 | 5 | 12 | 10 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 6 | 0 | 0 | 0 | 0 | 2 | 5 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 4 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 |
вскрытие | 1550 | 112 | 0 | 26 | 17 | 11 | 11 | 4 | 5 | 5 | 8 | 7 | 12 | 6 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 4 | 4 | 3 | 1 | 0 | 2 | 2 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 |
4. Зловещие магнетизеры | 2156 | 112 | 0 | 26 | 15 | 12 | 14 | 4 | 4 | 3 | 9 | 3 | 10 | 12 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 2 | 3 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 |
10. Модели интеграции психики в героическом эпосе | 1426 | 112 | 1 | 29 | 12 | 12 | 11 | 4 | 5 | 4 | 7 | 6 | 12 | 9 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 2 | 3 | 1 | 1 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
Реквием Ваське | 1483 | 112 | 1 | 25 | 16 | 14 | 13 | 3 | 5 | 3 | 6 | 5 | 11 | 10 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 2 | 1 | 0 | 0 | 2 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 0 |
9. Лихтенберг - мыслящее тело | 1045 | 112 | 1 | 27 | 17 | 8 | 15 | 5 | 8 | 2 | 4 | 8 | 12 | 5 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 3 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 |
10. Начало контакта | 951 | 112 | 1 | 25 | 14 | 11 | 11 | 6 | 5 | 3 | 5 | 6 | 16 | 9 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 |
дорога длиною в тысячу ли | 1496 | 112 | 1 | 25 | 15 | 12 | 8 | 7 | 5 | 3 | 8 | 4 | 13 | 11 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 2 | 2 | 0 | 0 | 2 | 4 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 |
гроза летом | 1944 | 112 | 0 | 21 | 17 | 12 | 9 | 6 | 4 | 5 | 4 | 8 | 17 | 9 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 4 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 |
Итого | За последние 12 месяцев | Mar | Feb | Jan | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | |
Выгоревшее тело | 1571 | 111 | 0 | 26 | 17 | 10 | 10 | 4 | 6 | 3 | 6 | 3 | 15 | 11 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 4 | 1 | 2 | 1 | 1 | 0 | 1 | 4 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 |
17. Плот | 1017 | 111 | 1 | 27 | 14 | 11 | 10 | 6 | 6 | 2 | 5 | 7 | 14 | 8 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 3 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 3 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 |
6 Тело и труд | 959 | 111 | 0 | 20 | 16 | 12 | 14 | 2 | 5 | 2 | 6 | 11 | 15 | 8 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 |
26. Настина смерть | 997 | 111 | 0 | 25 | 16 | 12 | 16 | 4 | 3 | 7 | 4 | 4 | 10 | 10 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 3 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 |
14. Деревня изнутри. В избах | 1031 | 111 | 0 | 26 | 15 | 15 | 17 | 3 | 5 | 2 | 3 | 4 | 15 | 6 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 3 | 1 | 1 | 1 | 2 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 |
6. Лихтенберг - предмет | 941 | 111 | 0 | 25 | 16 | 11 | 13 | 3 | 4 | 1 | 8 | 7 | 17 | 6 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 2 | 1 | 0 | 4 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 3 | 0 | 0 | 0 |
королева | 1716 | 110 | 0 | 26 | 20 | 11 | 10 | 6 | 3 | 3 | 7 | 4 | 15 | 5 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 4 | 2 | 3 | 1 | 0 | 0 | 3 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 2 |
10. Большая женщина. Начало возрождения | 953 | 110 | 1 | 28 | 16 | 13 | 12 | 2 | 6 | 2 | 4 | 4 | 15 | 7 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 3 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 4 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
Для чего нужны джинны? | 904 | 110 | 0 | 26 | 19 | 10 | 13 | 4 | 3 | 3 | 6 | 5 | 10 | 11 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 4 | 0 | 0 | 2 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 |
Плач на реках Вавилонских | 1377 | 110 | 1 | 23 | 13 | 12 | 12 | 4 | 6 | 4 | 9 | 8 | 14 | 4 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 2 | 0 | 0 | 2 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 |
11. Ничего не кончается | 953 | 110 | 1 | 29 | 12 | 16 | 10 | 5 | 5 | 4 | 6 | 3 | 12 | 7 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 3 | 1 | 2 | 0 | 0 | 3 | 2 | 1 | 2 | 1 | 2 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 |
Поиск света | 2027 | 110 | 0 | 22 | 16 | 8 | 15 | 9 | 5 | 2 | 8 | 3 | 16 | 6 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 |
Кто это входит в мои мозги? | 1634 | 109 | 0 | 28 | 17 | 10 | 12 | 4 | 8 | 2 | 7 | 3 | 12 | 6 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 0 | 1 | 1 | 3 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 3 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 |
7. О проекции переживаний травмы на Аниму | 1362 | 109 | 0 | 29 | 11 | 13 | 10 | 7 | 7 | 4 | 4 | 4 | 12 | 8 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 4 | 3 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 |
Человек, Которого Не Было Дома | 1677 | 109 | 0 | 28 | 13 | 10 | 14 | 8 | 3 | 4 | 5 | 8 | 8 | 8 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 3 | 4 | 0 | 1 | 3 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 |
3. На улице | 986 | 109 | 0 | 29 | 13 | 10 | 10 | 7 | 4 | 2 | 8 | 4 | 15 | 7 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 2 | 3 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
Начальство развлекается | 1310 | 109 | 0 | 28 | 15 | 10 | 16 | 1 | 6 | 3 | 8 | 3 | 16 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 3 | 2 | 0 | 1 | 0 | 0 | 4 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 |
О старости | 2072 | 109 | 0 | 27 | 15 | 7 | 11 | 6 | 4 | 4 | 5 | 7 | 13 | 10 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 3 | 2 | 1 | 2 | 1 | 2 | 1 | 3 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 |
5. Мужской Анимус конкурирует с Анимой в том, что касается творчества | 1403 | 109 | 0 | 28 | 15 | 10 | 9 | 7 | 5 | 5 | 6 | 6 | 12 | 6 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 2 | 2 | 1 | 0 | 3 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 |
Мир на костылях | 1348 | 108 | 0 | 27 | 16 | 9 | 11 | 8 | 4 | 3 | 5 | 3 | 15 | 7 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 2 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 3 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 |
Итого | За последние 12 месяцев | Mar | Feb | Jan | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | |
19. Тишина | 967 | 108 | 1 | 24 | 16 | 9 | 12 | 8 | 5 | 2 | 3 | 6 | 16 | 6 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 3 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 4 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 2 |
4. Сказка о травме и восстановлении | 1476 | 108 | 0 | 20 | 13 | 13 | 10 | 2 | 10 | 2 | 6 | 6 | 16 | 10 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 |
15. Ненаучное животное в мусорном ветре | 1026 | 108 | 1 | 26 | 14 | 11 | 10 | 5 | 5 | 4 | 7 | 3 | 18 | 4 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 3 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
Для кота | 1612 | 108 | 1 | 25 | 16 | 8 | 9 | 5 | 5 | 3 | 10 | 4 | 16 | 6 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 4 | 2 | 1 | 0 | 0 | 0 | 1 | 4 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 3 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 2 |
Компьютерная игра вместо визуализации | 1666 | 108 | 0 | 22 | 12 | 9 | 12 | 4 | 11 | 4 | 7 | 4 | 16 | 7 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 3 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 |
Кости | 936 | 108 | 1 | 25 | 15 | 10 | 12 | 6 | 4 | 4 | 5 | 4 | 15 | 7 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 3 | 1 | 2 | 0 | 0 | 0 | 6 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 |
Пустоты | 1411 | 107 | 1 | 23 | 19 | 9 | 11 | 7 | 4 | 2 | 6 | 7 | 11 | 7 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 2 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 |
Звездный ворон и ядовитый волк | 1015 | 107 | 0 | 23 | 17 | 10 | 7 | 4 | 5 | 8 | 8 | 4 | 13 | 8 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 3 | 1 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 |
12. Люди лагеря | 912 | 107 | 0 | 29 | 15 | 8 | 10 | 3 | 5 | 4 | 7 | 6 | 11 | 9 | 0 | 0 | 0 | 2 | 3 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 3 | 1 | 0 | 3 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 |
10 охламонов | 1659 | 107 | 0 | 26 | 18 | 8 | 8 | 6 | 9 | 2 | 7 | 2 | 15 | 6 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 3 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 |
3. Ничтожные | 1450 | 107 | 0 | 19 | 16 | 9 | 8 | 7 | 6 | 7 | 6 | 11 | 9 | 9 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 |
ритуал перехода и эмоциональное выгорание сотрудников скорой помощи | 2161 | 107 | 1 | 26 | 10 | 12 | 11 | 4 | 5 | 3 | 6 | 6 | 13 | 10 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 3 | 2 | 1 | 2 | 0 | 0 | 1 | 4 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 |
Попурри а-ля постмодерн | 1587 | 106 | 0 | 26 | 14 | 8 | 11 | 6 | 8 | 3 | 4 | 6 | 14 | 6 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 |
8. Как остаться инфантильной | 1241 | 106 | 2 | 26 | 15 | 10 | 13 | 5 | 4 | 3 | 5 | 5 | 15 | 3 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 3 | 0 | 0 | 1 | 3 | 4 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 |
Бумажная Принцесса | 1050 | 106 | 1 | 22 | 17 | 8 | 6 | 3 | 8 | 7 | 4 | 4 | 15 | 11 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 4 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 |
7. Верховное полутело | 956 | 106 | 2 | 23 | 14 | 14 | 14 | 1 | 5 | 2 | 5 | 3 | 17 | 6 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 |
2. Шаманское странствие | 1151 | 105 | 1 | 20 | 16 | 8 | 14 | 5 | 7 | 3 | 5 | 3 | 14 | 9 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 3 |
юнгианское стихотворение о сказках | 1377 | 105 | 0 | 25 | 15 | 12 | 7 | 5 | 6 | 6 | 3 | 6 | 13 | 7 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 3 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 |
4. Расчлененное и воссозданное тело толпы | 1029 | 105 | 0 | 21 | 16 | 14 | 12 | 6 | 3 | 2 | 7 | 3 | 14 | 7 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
ангел | 1533 | 105 | 0 | 24 | 17 | 12 | 9 | 3 | 6 | 5 | 6 | 4 | 12 | 7 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 3 | 1 | 0 | 1 | 2 | 1 | 0 | 3 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 4 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 |
Итого | За последние 12 месяцев | Mar | Feb | Jan | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | |
11. Пространство лагеря | 997 | 105 | 1 | 27 | 12 | 11 | 14 | 3 | 5 | 4 | 3 | 7 | 11 | 7 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 2 | 1 | 1 | 2 | 3 | 0 | 0 | 5 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
Сначала была деперсонализация | 1822 | 105 | 0 | 25 | 16 | 11 | 9 | 2 | 6 | 3 | 5 | 7 | 11 | 10 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 0 | 3 | 3 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 |
5. Сравнение прогностической ценности разных факторов | 1560 | 105 | 1 | 23 | 17 | 11 | 9 | 3 | 5 | 4 | 4 | 9 | 14 | 5 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
Путешествиепо склону | 1409 | 104 | 0 | 25 | 17 | 8 | 6 | 3 | 4 | 5 | 5 | 6 | 15 | 10 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 1 |
Шекспир, сонет 144 | 1384 | 104 | 1 | 27 | 14 | 10 | 10 | 3 | 5 | 2 | 5 | 3 | 13 | 11 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 3 | 2 | 0 | 1 | 0 | 0 | 3 | 2 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
среда обитания | 1644 | 104 | 0 | 24 | 14 | 9 | 11 | 4 | 5 | 3 | 4 | 9 | 11 | 10 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 3 | 0 | 3 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 3 | 1 |
Ангельская роса | 1575 | 104 | 0 | 22 | 14 | 8 | 12 | 3 | 4 | 2 | 6 | 7 | 18 | 8 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 3 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 |
Человек | 1520 | 104 | 0 | 25 | 13 | 12 | 9 | 2 | 5 | 4 | 4 | 5 | 16 | 9 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 2 | 2 | 2 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 |
Слоненок учится мыслить | 430 | 104 | 0 | 29 | 18 | 8 | 12 | 2 | 5 | 2 | 5 | 5 | 11 | 7 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 3 | 3 | 3 | 0 | 1 | 2 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 1 |
23. Снейп и Колтер: маргинальные персонажи фэнтези | 1161 | 103 | 2 | 25 | 13 | 10 | 11 | 5 | 6 | 3 | 6 | 2 | 13 | 7 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 3 | 1 | 1 | 2 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
как растет Бог | 1586 | 103 | 0 | 24 | 20 | 9 | 13 | 6 | 4 | 3 | 4 | 5 | 10 | 5 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 5 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 1 |
Огонь | 1550 | 103 | 0 | 27 | 15 | 7 | 9 | 5 | 6 | 3 | 8 | 2 | 15 | 6 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 6 | 1 | 2 | 1 | 0 | 1 | 1 | 3 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 |
орфей | 1523 | 103 | 0 | 23 | 14 | 8 | 7 | 7 | 5 | 4 | 6 | 3 | 19 | 7 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 3 | 1 | 1 | 1 | 1 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 3 |
Заклинатель дождя | 1716 | 103 | 0 | 24 | 15 | 11 | 10 | 2 | 8 | 4 | 3 | 3 | 14 | 9 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 3 | 2 | 0 | 4 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 |
Из У. Блейка. Ответ Земли | 1708 | 102 | 1 | 27 | 12 | 12 | 9 | 3 | 5 | 2 | 3 | 4 | 15 | 9 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 2 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 |
1. Введение | 1487 | 102 | 0 | 23 | 18 | 12 | 13 | 3 | 4 | 3 | 5 | 3 | 8 | 10 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 4 | 1 | 0 | 3 | 0 | 0 | 2 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 3 | 1 |
29. Как экономят мышление с помощью мифических образов | 1125 | 102 | 1 | 29 | 10 | 15 | 10 | 1 | 7 | 3 | 3 | 3 | 15 | 5 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 3 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 |
реквием по идиоту | 1629 | 102 | 0 | 22 | 21 | 7 | 12 | 4 | 4 | 2 | 5 | 7 | 14 | 4 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 1 | 2 | 1 | 0 | 0 | 4 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 4 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 |
Бестиарий | 1278 | 102 | 0 | 21 | 13 | 9 | 12 | 5 | 6 | 2 | 7 | 4 | 15 | 8 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 3 | 3 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 |
жил-был кот | 1667 | 101 | 0 | 24 | 14 | 14 | 11 | 3 | 4 | 2 | 5 | 6 | 13 | 5 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 3 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 4 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 |
Итого | За последние 12 месяцев | Mar | Feb | Jan | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | |
из Цурэна. Как лист увядший падает на душу... | 1603 | 101 | 1 | 22 | 13 | 10 | 11 | 2 | 5 | 4 | 7 | 6 | 13 | 7 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 4 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 |
Ты - мой инструмент | 1532 | 101 | 1 | 24 | 14 | 6 | 10 | 2 | 4 | 2 | 7 | 9 | 12 | 10 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 3 | 0 | 2 | 2 | 1 | 0 | 3 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 |
Колыбельная | 1316 | 101 | 0 | 25 | 16 | 11 | 11 | 5 | 3 | 2 | 6 | 2 | 13 | 7 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 3 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 |
24. Медведь и другие | 860 | 101 | 1 | 25 | 15 | 10 | 8 | 2 | 4 | 2 | 5 | 3 | 17 | 9 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 2 | 3 | 3 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 |
Мышиная звезда | 616 | 101 | 2 | 26 | 13 | 8 | 9 | 3 | 5 | 5 | 6 | 5 | 14 | 5 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 3 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 |
1. О символизации насилия. Преамбула. | 1718 | 101 | 1 | 26 | 14 | 10 | 10 | 3 | 6 | 2 | 3 | 4 | 17 | 5 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 4 | 3 | 4 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 |
Мы и Они | 1706 | 100 | 0 | 21 | 16 | 11 | 8 | 2 | 5 | 3 | 5 | 5 | 15 | 9 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 4 | 0 | 0 | 1 | 1 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 0 |
Король | 1401 | 99 | 2 | 21 | 13 | 11 | 9 | 5 | 4 | 4 | 5 | 3 | 14 | 8 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 3 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 |
Визит Аристокла | 1382 | 99 | 0 | 25 | 16 | 7 | 10 | 7 | 5 | 5 | 5 | 6 | 7 | 6 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 4 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 |
4 сонета Шекспира | 1739 | 99 | 1 | 24 | 14 | 8 | 7 | 3 | 8 | 4 | 2 | 8 | 11 | 9 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 2 | 1 | 0 | 2 | 1 | 4 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 |
Из У. Блейка. Тигр | 1656 | 99 | 0 | 24 | 14 | 10 | 8 | 3 | 5 | 2 | 2 | 10 | 15 | 6 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 4 | 0 | 2 | 1 | 0 | 1 | 2 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 |
4. прогнозирование выгорани я у сотрудников "скорой медицинской помощи" по отмеченным ими значимым факторам трудового стресса | 1463 | 99 | 3 | 26 | 12 | 9 | 8 | 1 | 4 | 2 | 6 | 7 | 13 | 8 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 3 | 2 | 3 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 |
рождество | 1421 | 99 | 0 | 22 | 18 | 10 | 10 | 2 | 4 | 1 | 5 | 6 | 11 | 10 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 4 | 0 | 1 | 1 | 0 | 0 | 3 | 3 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 |
Ответ Земли (другой вариант) | 1517 | 98 | 0 | 23 | 12 | 15 | 6 | 2 | 4 | 4 | 5 | 5 | 12 | 10 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 1 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 |
Человек Божий | 1880 | 98 | 0 | 21 | 17 | 9 | 10 | 4 | 6 | 3 | 2 | 9 | 12 | 5 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 3 | 1 | 4 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 |
25. Утильсырье | 871 | 98 | 0 | 23 | 15 | 9 | 8 | 6 | 4 | 4 | 5 | 4 | 12 | 8 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 3 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 |
Из У. Блейка. Ангел | 1435 | 96 | 1 | 25 | 11 | 11 | 7 | 2 | 6 | 2 | 7 | 8 | 11 | 5 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 3 | 3 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 |
жили-были... | 1526 | 96 | 1 | 23 | 15 | 7 | 11 | 1 | 6 | 2 | 4 | 7 | 10 | 9 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 2 | 2 | 0 | 1 | 2 | 2 | 3 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 |
среда обитания | 1609 | 94 | 0 | 23 | 15 | 10 | 11 | 1 | 3 | 2 | 5 | 6 | 9 | 9 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 |
Понтий Пилат | 1311 | 93 | 2 | 22 | 17 | 11 | 8 | 3 | 4 | 3 | 5 | 1 | 12 | 5 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 2 | 0 | 0 | 1 | 3 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 |
Итого | За последние 12 месяцев | Mar | Feb | Jan | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | |
пьяный двор | 1478 | 89 | 0 | 25 | 12 | 8 | 9 | 5 | 4 | 2 | 3 | 5 | 10 | 6 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 3 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 |
Новые книги авторов СИ, вышедшие из печати:
О.Болдырева "Крадуш. Чужие души"
М.Николаев "Вторжение на Землю"