|  | Итого | За последние 12 месяцев | Oct | Sep | Aug | 
|  | Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 
| По разделу | 517928 | 1587 | 124 | 129 | 140 | 113 | 155 | 134 | 138 | 148 | 128 | 192 | 98 | 88 | 1 | 4 | 6 | 6 | 5 | 4 | 4 | 4 | 3 | 4 | 3 | 4 | 3 | 2 | 4 | 3 | 3 | 5 | 3 | 3 | 3 | 4 | 3 | 4 | 5 | 5 | 7 | 4 | 6 | 5 | 4 | 7 | 4 | 2 | 3 | 6 | 3 | 3 | 6 | 5 | 3 | 5 | 5 | 5 | 6 | 5 | 4 | 6 | 5 | 5 | 4 | 4 | 5 | 5 | 3 | 3 | 4 | 3 | 3 | 4 | 3 | 5 | 
| 7. О символизации насилия. Песочный Человек | 3572 | 729 | 52 | 56 | 46 | 40 | 55 | 74 | 60 | 96 | 82 | 76 | 56 | 36 | 0 | 2 | 5 | 1 | 3 | 1 | 3 | 1 | 3 | 1 | 3 | 1 | 3 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 1 | 3 | 2 | 2 | 1 | 2 | 2 | 2 | 1 | 1 | 1 | 5 | 0 | 0 | 1 | 6 | 0 | 1 | 1 | 4 | 0 | 5 | 2 | 4 | 2 | 3 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 5 | 3 | 2 | 1 | 2 | 0 | 3 | 0 | 1 | 
| Художественные  описания механизмов психологической защиты | 13382 | 654 | 46 | 42 | 49 | 39 | 44 | 47 | 75 | 93 | 73 | 51 | 62 | 33 | 0 | 0 | 3 | 0 | 2 | 2 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 5 | 0 | 1 | 3 | 3 | 3 | 1 | 1 | 3 | 2 | 0 | 3 | 1 | 2 | 3 | 0 | 2 | 2 | 1 | 2 | 1 | 2 | 5 | 0 | 0 | 2 | 1 | 5 | 0 | 2 | 1 | 0 | 2 | 0 | 2 | 4 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 
| Проявление архетипа Раненого Целителя в субкультуре "скорой медицинской помощи | 4025 | 556 | 56 | 48 | 70 | 62 | 47 | 55 | 46 | 43 | 38 | 38 | 25 | 28 | 0 | 1 | 6 | 1 | 2 | 3 | 1 | 2 | 3 | 1 | 3 | 0 | 2 | 0 | 2 | 3 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 2 | 2 | 4 | 3 | 4 | 1 | 4 | 1 | 3 | 0 | 1 | 0 | 3 | 1 | 2 | 1 | 3 | 0 | 5 | 2 | 2 | 4 | 1 | 1 | 0 | 3 | 2 | 1 | 0 | 1 | 2 | 3 | 1 | 2 | 0 | 0 | 3 | 1 | 5 | 
| 1. Расставание брата и сестры | 3916 | 542 | 33 | 31 | 44 | 37 | 113 | 47 | 38 | 41 | 54 | 42 | 36 | 26 | 0 | 0 | 3 | 2 | 2 | 2 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 3 | 1 | 1 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 2 | 1 | 1 | 0 | 2 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 1 | 
| 11. Отношения с Персоной в произведениях Э. - Т. - А. Гофмана | 1951 | 524 | 51 | 46 | 55 | 47 | 50 | 50 | 59 | 43 | 38 | 26 | 27 | 32 | 0 | 0 | 6 | 0 | 3 | 0 | 3 | 2 | 0 | 2 | 2 | 2 | 0 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 3 | 0 | 2 | 3 | 3 | 3 | 2 | 3 | 2 | 2 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 3 | 2 | 4 | 2 | 3 | 0 | 0 | 4 | 3 | 3 | 2 | 2 | 2 | 0 | 2 | 1 | 2 | 0 | 0 | 2 | 
| 7. Интерпретация эпоса об Урал-Батыре | 2099 | 492 | 56 | 62 | 54 | 50 | 42 | 55 | 41 | 37 | 34 | 27 | 18 | 16 | 0 | 1 | 2 | 2 | 3 | 1 | 2 | 1 | 2 | 1 | 2 | 4 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 3 | 0 | 2 | 0 | 1 | 1 | 3 | 7 | 4 | 5 | 1 | 4 | 2 | 2 | 0 | 1 | 3 | 3 | 1 | 2 | 0 | 3 | 2 | 5 | 3 | 6 | 3 | 4 | 0 | 1 | 1 | 0 | 4 | 1 | 3 | 0 | 0 | 3 | 2 | 2 | 3 | 2 | 0 | 
| Ритуал и выгорание в субкультуре скорой помощи | 9701 | 460 | 33 | 35 | 48 | 23 | 93 | 36 | 38 | 41 | 30 | 37 | 21 | 25 | 0 | 2 | 1 | 2 | 3 | 0 | 1 | 4 | 1 | 1 | 3 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 4 | 1 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 2 | 0 | 3 | 0 | 1 | 2 | 2 | 0 | 1 | 3 | 1 | 2 | 0 | 2 | 1 | 0 | 2 | 3 | 2 | 
| 1. Переодетая сестра: трансформация маскулинности и женское Эго | 2584 | 438 | 50 | 57 | 30 | 30 | 33 | 29 | 31 | 42 | 50 | 46 | 22 | 18 | 0 | 2 | 2 | 1 | 2 | 0 | 1 | 3 | 2 | 1 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 3 | 1 | 2 | 0 | 2 | 2 | 5 | 4 | 5 | 1 | 2 | 2 | 1 | 2 | 4 | 0 | 3 | 2 | 1 | 0 | 2 | 1 | 3 | 4 | 1 | 2 | 4 | 0 | 1 | 2 | 2 | 1 | 0 | 2 | 2 | 4 | 1 | 3 | 2 | 2 | 2 | 3 | 1 | 0 | 
| Мотив Города | 3411 | 362 | 37 | 30 | 38 | 22 | 22 | 29 | 24 | 33 | 41 | 34 | 19 | 33 | 0 | 2 | 5 | 4 | 3 | 1 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 2 | 2 | 1 | 2 | 0 | 0 | 3 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 4 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 
| 26. Динамика развития психики по оси Самость-Эго | 2051 | 356 | 33 | 29 | 29 | 29 | 25 | 27 | 39 | 41 | 34 | 27 | 23 | 20 | 0 | 1 | 4 | 1 | 4 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 3 | 1 | 5 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 3 | 3 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 5 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 
| 6. Насилие и интеграция психики в архаической сказке | 1521 | 329 | 26 | 25 | 21 | 23 | 27 | 19 | 21 | 24 | 24 | 85 | 22 | 12 | 0 | 0 | 2 | 0 | 3 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 3 | 2 | 2 | 1 | 1 | 3 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 3 | 0 | 2 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 
| Психосоматика наизнанку | 5182 | 327 | 32 | 31 | 28 | 29 | 20 | 19 | 39 | 30 | 39 | 23 | 19 | 18 | 0 | 0 | 4 | 1 | 5 | 3 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 3 | 3 | 4 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 6 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 
| 4. О символизации насилия в эддической поэзии | 2466 | 327 | 43 | 35 | 24 | 21 | 21 | 19 | 23 | 34 | 46 | 28 | 16 | 17 | 0 | 3 | 2 | 1 | 2 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 4 | 0 | 0 | 5 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 3 | 3 | 0 | 3 | 2 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 4 | 0 | 2 | 1 | 1 | 2 | 4 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 1 | 
| 12. Интеграция и Анимы, и Анимуса | 1997 | 322 | 35 | 29 | 34 | 25 | 24 | 20 | 33 | 37 | 29 | 20 | 17 | 19 | 0 | 2 | 6 | 0 | 3 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 2 | 3 | 4 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 
| Совершая труд | 4884 | 310 | 34 | 33 | 22 | 24 | 18 | 17 | 21 | 24 | 31 | 52 | 16 | 18 | 0 | 0 | 3 | 6 | 5 | 1 | 2 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 3 | 2 | 1 | 2 | 0 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 3 | 2 | 3 | 1 | 2 | 2 | 1 | 2 | 1 | 2 | 0 | 5 | 
| 5. Особенности архаической сказки | 1893 | 308 | 33 | 32 | 33 | 29 | 18 | 19 | 27 | 30 | 32 | 25 | 15 | 15 | 0 | 0 | 2 | 0 | 2 | 2 | 2 | 1 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 2 | 1 | 2 | 3 | 2 | 0 | 2 | 3 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 2 | 1 | 2 | 2 | 2 | 1 | 0 | 0 | 1 | 3 | 0 | 2 | 0 | 3 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 2 | 
| 14. Мастера и шарлатаны Гофмана | 2212 | 308 | 30 | 28 | 22 | 24 | 38 | 15 | 22 | 31 | 45 | 21 | 15 | 17 | 0 | 1 | 2 | 2 | 1 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 3 | 3 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 4 | 1 | 0 | 3 | 1 | 0 | 1 | 3 | 3 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 
| Графоманские стихи | 3625 | 306 | 38 | 33 | 32 | 23 | 22 | 23 | 31 | 25 | 31 | 22 | 13 | 13 | 0 | 1 | 4 | 1 | 2 | 0 | 2 | 4 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 4 | 0 | 2 | 0 | 1 | 4 | 0 | 1 | 2 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 5 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 3 | 2 | 
| 8. Запутанная история Джона Ди | 1741 | 303 | 33 | 28 | 25 | 20 | 24 | 28 | 23 | 24 | 41 | 26 | 15 | 16 | 0 | 3 | 3 | 3 | 2 | 0 | 4 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 3 | 0 | 2 | 4 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 4 | 3 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 
|  | Итого | За последние 12 месяцев | Oct | Sep | Aug | 
|  | Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 
| Упражнение Бог | 3827 | 302 | 26 | 25 | 34 | 27 | 27 | 19 | 28 | 30 | 37 | 27 | 16 | 6 | 1 | 1 | 3 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 4 | 0 | 4 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 3 | 1 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 
| 2. Андрогинность в сказке и мифе | 1829 | 301 | 26 | 19 | 26 | 30 | 18 | 20 | 16 | 34 | 41 | 33 | 19 | 19 | 0 | 0 | 2 | 2 | 4 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 3 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 
| Симбиоз гештальта и символдрамы | 3352 | 300 | 30 | 35 | 25 | 23 | 17 | 25 | 30 | 29 | 26 | 29 | 16 | 15 | 0 | 1 | 5 | 2 | 2 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 2 | 1 | 2 | 1 | 1 | 4 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 3 | 3 | 1 | 3 | 3 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 
| 24. Травмирующие архетипические персонажи Х. Мураками | 1798 | 297 | 30 | 32 | 32 | 26 | 21 | 22 | 22 | 29 | 28 | 21 | 24 | 10 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 3 | 2 | 1 | 4 | 0 | 2 | 1 | 2 | 3 | 1 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 
| 10. Об Аниме женщины | 2028 | 292 | 23 | 19 | 40 | 25 | 27 | 20 | 28 | 23 | 41 | 17 | 13 | 16 | 0 | 2 | 3 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 2 | 0 | 3 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 
| 16. Список литературы | 1380 | 292 | 39 | 29 | 29 | 25 | 12 | 16 | 21 | 37 | 32 | 31 | 11 | 10 | 0 | 3 | 5 | 4 | 3 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 3 | 0 | 3 | 5 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 3 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 
| Клеменс Брентано. Лоре Лай | 1605 | 287 | 33 | 28 | 26 | 16 | 17 | 16 | 17 | 32 | 40 | 26 | 24 | 12 | 0 | 0 | 2 | 0 | 4 | 2 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 4 | 4 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 5 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 
| 2. О символизации насилия в произведениях о Гражданской войне и Октябрьской Революции | 2354 | 284 | 44 | 20 | 23 | 23 | 16 | 16 | 20 | 28 | 36 | 21 | 19 | 18 | 0 | 2 | 4 | 0 | 3 | 0 | 3 | 2 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 3 | 3 | 1 | 2 | 2 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 
| 4. Ад без жала | 1706 | 284 | 37 | 20 | 25 | 18 | 16 | 18 | 23 | 21 | 28 | 32 | 21 | 25 | 0 | 1 | 3 | 3 | 5 | 1 | 1 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 1 | 5 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 4 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 
| Архетипические мотивы в фольклоре єскорой помощи" | 2421 | 284 | 21 | 25 | 24 | 20 | 12 | 23 | 21 | 21 | 25 | 69 | 9 | 14 | 0 | 1 | 2 | 0 | 3 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 3 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 3 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 
| 13. Аида: комментарии к либретто | 1953 | 283 | 33 | 29 | 24 | 24 | 30 | 14 | 19 | 30 | 25 | 19 | 20 | 16 | 0 | 0 | 4 | 1 | 5 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 4 | 2 | 5 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 3 | 4 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 2 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 
| 16. Типичные психологические механизмы в произведениях Э. - Т. - А. Гофмана | 1969 | 282 | 28 | 24 | 34 | 23 | 21 | 21 | 16 | 33 | 30 | 21 | 15 | 16 | 0 | 0 | 3 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 3 | 2 | 2 | 3 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 
| 4. Влияния Анимы и Анимуса на мужское Эго | 2852 | 281 | 33 | 31 | 26 | 22 | 14 | 19 | 17 | 33 | 30 | 19 | 18 | 19 | 0 | 1 | 2 | 1 | 4 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 3 | 1 | 2 | 0 | 1 | 1 | 1 | 2 | 2 | 2 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 3 | 2 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 
| Ритуалы "скорой помощи", механизмы прерывания контакта и эмоциональное выгорание | 2584 | 281 | 23 | 21 | 26 | 27 | 26 | 21 | 22 | 35 | 30 | 17 | 14 | 19 | 0 | 1 | 2 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 3 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 
| 10. Современные андрогинные персонажи, Душа и Дух | 1787 | 278 | 38 | 18 | 28 | 22 | 23 | 13 | 18 | 25 | 29 | 27 | 15 | 22 | 0 | 2 | 4 | 1 | 4 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 3 | 1 | 3 | 2 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 
| Эмоциональное выгорание, травма и нарциссизм | 5849 | 278 | 29 | 28 | 25 | 21 | 16 | 16 | 23 | 32 | 33 | 19 | 18 | 18 | 0 | 0 | 2 | 0 | 3 | 3 | 2 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 3 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 3 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 3 | 0 | 1 | 1 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 2 | 1 | 0 | 
| 13. Внутрениие вредители в произведениях Гофмана | 1807 | 277 | 28 | 26 | 27 | 17 | 24 | 22 | 27 | 28 | 28 | 18 | 13 | 19 | 0 | 0 | 3 | 0 | 4 | 1 | 3 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 4 | 1 | 0 | 1 | 2 | 3 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 
| 2. Представления об Анимусе мужчины | 2119 | 277 | 24 | 29 | 30 | 20 | 14 | 16 | 14 | 34 | 31 | 34 | 12 | 19 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 4 | 2 | 0 | 3 | 0 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 
| О книге Матрица и потенциал характера | 1657 | 276 | 30 | 30 | 34 | 18 | 13 | 21 | 20 | 21 | 36 | 20 | 18 | 15 | 0 | 1 | 4 | 1 | 2 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 2 | 3 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 2 | 2 | 1 | 
| 6. О символизации насилия. Значимые персонажи | 2128 | 274 | 29 | 25 | 30 | 24 | 24 | 18 | 19 | 24 | 27 | 28 | 11 | 15 | 0 | 0 | 3 | 1 | 2 | 1 | 0 | 3 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 3 | 4 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 2 | 1 | 2 | 2 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 
|  | Итого | За последние 12 месяцев | Oct | Sep | Aug | 
|  | Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 
| 3. О символизации насилия в поэзии скальдов | 3365 | 273 | 33 | 26 | 26 | 18 | 21 | 37 | 14 | 24 | 25 | 19 | 14 | 16 | 0 | 0 | 2 | 2 | 3 | 3 | 2 | 4 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 4 | 3 | 1 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 2 | 0 | 3 | 0 | 0 | 2 | 0 | 5 | 3 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 
| 5. Сказка о Персоне, что учится самосознанию | 1800 | 271 | 24 | 27 | 27 | 24 | 17 | 17 | 19 | 23 | 32 | 27 | 19 | 15 | 0 | 0 | 2 | 1 | 3 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 3 | 1 | 0 | 2 | 1 | 3 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 3 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 
| Оценка эффективности работы психолога с клиентами | 3021 | 270 | 31 | 23 | 23 | 26 | 19 | 20 | 30 | 24 | 32 | 17 | 10 | 15 | 1 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 3 | 2 | 1 | 2 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 3 | 1 | 0 | 0 | 0 | 2 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 
| 3. Как мужчины обращаются с Анимой | 3544 | 270 | 29 | 25 | 33 | 34 | 13 | 16 | 18 | 23 | 24 | 22 | 17 | 16 | 0 | 0 | 3 | 2 | 5 | 2 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 2 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 3 | 0 | 3 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 
| Уходя с работы: как разобраться с травмирующими переживаниями | 1748 | 268 | 33 | 28 | 31 | 30 | 10 | 16 | 35 | 19 | 26 | 16 | 13 | 11 | 0 | 1 | 3 | 1 | 5 | 0 | 1 | 3 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 1 | 2 | 2 | 3 | 1 | 0 | 0 | 1 | 0 | 3 | 3 | 1 | 0 | 0 | 0 | 3 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 
| Графоманские стихи | 2531 | 268 | 26 | 25 | 31 | 24 | 15 | 22 | 21 | 25 | 34 | 24 | 10 | 11 | 0 | 0 | 2 | 3 | 3 | 2 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 
| Отношения врача и пациента с точки зрения созависимости | 6609 | 268 | 22 | 27 | 27 | 24 | 21 | 23 | 21 | 24 | 36 | 17 | 15 | 11 | 0 | 0 | 3 | 1 | 1 | 4 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 2 | 1 | 0 | 2 | 0 | 5 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 3 | 0 | 1 | 2 | 
| Представления современных городских десятиклассников о мотивах вступления в интимные отношения | 2113 | 267 | 24 | 22 | 35 | 24 | 13 | 15 | 18 | 26 | 26 | 19 | 21 | 24 | 0 | 1 | 3 | 0 | 3 | 0 | 3 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 
| Двойные ловушки Плоского мира | 1795 | 267 | 29 | 26 | 33 | 17 | 16 | 13 | 17 | 28 | 32 | 29 | 10 | 17 | 0 | 2 | 3 | 0 | 3 | 1 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 2 | 3 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 
| Непрожитая старость | 10468 | 266 | 31 | 27 | 25 | 25 | 18 | 18 | 14 | 31 | 24 | 20 | 16 | 17 | 0 | 0 | 4 | 3 | 3 | 0 | 1 | 3 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 3 | 3 | 5 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 1 | 1 | 3 | 1 | 2 | 2 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 
| 3. Сказочные злодеи: Консолидатор Тени | 1659 | 266 | 36 | 20 | 29 | 19 | 13 | 17 | 16 | 25 | 33 | 27 | 20 | 11 | 0 | 2 | 2 | 1 | 3 | 1 | 3 | 3 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 2 | 0 | 3 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 
| 13. Женщина перед расстрелом | 1341 | 263 | 22 | 24 | 24 | 19 | 25 | 18 | 29 | 23 | 30 | 23 | 11 | 15 | 0 | 0 | 2 | 0 | 3 | 1 | 1 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 2 | 2 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 4 | 2 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 
| 15. Николай Ставрогин и его адепты | 1977 | 263 | 27 | 25 | 23 | 33 | 15 | 15 | 19 | 18 | 32 | 22 | 19 | 15 | 0 | 2 | 3 | 0 | 3 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 2 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 3 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 
| 8. О симолизации насилия. "Красный Смех" и "Красная корона" | 2294 | 262 | 32 | 23 | 28 | 21 | 19 | 13 | 25 | 28 | 25 | 20 | 15 | 13 | 0 | 2 | 5 | 0 | 4 | 0 | 2 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 2 | 2 | 2 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 3 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 
| 2. Неюнгианские механизмы интеграции психики в сказке | 1655 | 262 | 25 | 19 | 32 | 22 | 15 | 19 | 23 | 23 | 35 | 15 | 18 | 16 | 0 | 1 | 3 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 1 | 2 | 0 | 1 | 2 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 
| Из У. Блейка. Заблудшая дочь (пропавшая маленькая девочка) | 1780 | 260 | 27 | 21 | 23 | 24 | 14 | 25 | 21 | 31 | 21 | 28 | 14 | 11 | 0 | 1 | 2 | 1 | 2 | 1 | 2 | 3 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 
| 7 Заклинатели | 1818 | 260 | 31 | 28 | 36 | 14 | 20 | 14 | 19 | 20 | 35 | 18 | 12 | 13 | 0 | 0 | 2 | 2 | 4 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 2 | 2 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 2 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 
| 8. Проблемы андрогинности в произведениях М. Цветаевой и Т. Манна | 1709 | 259 | 31 | 20 | 30 | 20 | 19 | 16 | 30 | 21 | 27 | 18 | 13 | 14 | 0 | 1 | 3 | 1 | 2 | 1 | 3 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 4 | 2 | 0 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 
| О Румпельштильцхене, панических атаках, Льве Толстом и Михаиле Булгакове | 1636 | 259 | 28 | 21 | 25 | 23 | 11 | 18 | 24 | 28 | 35 | 23 | 11 | 12 | 0 | 0 | 3 | 2 | 4 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 4 | 1 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 
| 9. Лихтенберг - мыслящее тело | 1236 | 259 | 25 | 23 | 28 | 29 | 21 | 16 | 33 | 17 | 27 | 17 | 8 | 15 | 0 | 0 | 2 | 0 | 3 | 1 | 3 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 3 | 2 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 4 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 
|  | Итого | За последние 12 месяцев | Oct | Sep | Aug | 
|  | Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 
| 6. Сходство и различия сюжетов о Переодетой сестре | 1806 | 259 | 27 | 30 | 24 | 18 | 16 | 23 | 17 | 21 | 35 | 16 | 16 | 16 | 0 | 1 | 2 | 2 | 2 | 3 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 3 | 1 | 1 | 1 | 0 | 2 | 0 | 2 | 2 | 4 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 
| 1. Преамбула: феминное и маскулинное | 1897 | 258 | 27 | 26 | 28 | 20 | 20 | 15 | 17 | 22 | 33 | 20 | 16 | 14 | 0 | 0 | 2 | 1 | 4 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 2 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 4 | 2 | 3 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 
| 9. Персона и Тень | 1801 | 258 | 30 | 25 | 22 | 21 | 19 | 16 | 30 | 22 | 28 | 21 | 14 | 10 | 0 | 0 | 2 | 0 | 3 | 1 | 2 | 3 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 2 | 2 | 4 | 3 | 0 | 0 | 4 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 
| 8. Тотем, Трикстер, Первопредки | 1590 | 257 | 27 | 22 | 26 | 25 | 15 | 14 | 20 | 28 | 28 | 25 | 10 | 17 | 0 | 2 | 5 | 2 | 3 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 
| Выгорание в социальной работе: возможные причины, связанные с профессиональной субкультурой | 3145 | 256 | 29 | 18 | 29 | 21 | 12 | 18 | 37 | 22 | 26 | 17 | 16 | 11 | 0 | 0 | 3 | 0 | 3 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 5 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 
| Больной Крысолов | 1556 | 255 | 31 | 22 | 25 | 24 | 13 | 15 | 17 | 24 | 30 | 27 | 14 | 13 | 0 | 0 | 3 | 1 | 4 | 1 | 2 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 2 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 2 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 
| 4. Зловещие магнетизеры | 2343 | 254 | 25 | 29 | 35 | 31 | 19 | 13 | 17 | 18 | 26 | 15 | 12 | 14 | 0 | 0 | 3 | 1 | 5 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 2 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 3 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 
| 17. Психологические задачи сказок на разных этапах становления человеческой психики | 1491 | 253 | 32 | 41 | 20 | 17 | 17 | 14 | 19 | 19 | 27 | 20 | 15 | 12 | 0 | 1 | 4 | 0 | 2 | 1 | 2 | 2 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 2 | 2 | 1 | 0 | 2 | 3 | 1 | 0 | 1 | 1 | 2 | 1 | 2 | 2 | 2 | 3 | 1 | 2 | 3 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 3 | 2 | 0 | 
| Больница глазами гештальт-терапевта | 4135 | 253 | 25 | 22 | 30 | 20 | 17 | 11 | 20 | 27 | 35 | 23 | 13 | 10 | 0 | 0 | 3 | 0 | 4 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 3 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 4 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 
| 9. Психика как пара | 1760 | 253 | 22 | 19 | 27 | 20 | 18 | 13 | 20 | 20 | 34 | 32 | 12 | 16 | 0 | 1 | 2 | 0 | 2 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 3 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 
| Запрет на идентификацию с больным и эмоциональное выгорание | 3082 | 251 | 32 | 26 | 24 | 25 | 11 | 17 | 18 | 23 | 32 | 18 | 12 | 13 | 0 | 1 | 2 | 3 | 3 | 2 | 2 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 3 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 3 | 2 | 4 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 
| 33. Пространство, время, человек и божество в сказке | 1443 | 251 | 35 | 20 | 25 | 20 | 9 | 14 | 30 | 22 | 28 | 16 | 17 | 15 | 0 | 0 | 3 | 2 | 3 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 3 | 2 | 2 | 3 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 3 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 
| 5. Мужчина выбирает между Анимусом и Анимой | 1425 | 251 | 26 | 19 | 35 | 24 | 8 | 10 | 21 | 24 | 46 | 14 | 14 | 10 | 0 | 0 | 3 | 0 | 2 | 0 | 1 | 2 | 0 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 5 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 4 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 
| Образ Бога и зрелость личности | 2565 | 251 | 30 | 29 | 25 | 24 | 18 | 10 | 28 | 23 | 19 | 22 | 9 | 14 | 0 | 1 | 4 | 1 | 2 | 1 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 3 | 1 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 2 | 2 | 2 | 0 | 1 | 2 | 2 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 
| 20. О некоторых особенностях структуры фэнтези | 1902 | 250 | 29 | 26 | 19 | 20 | 17 | 15 | 20 | 22 | 35 | 22 | 12 | 13 | 0 | 1 | 3 | 1 | 4 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 3 | 1 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 2 | 1 | 0 | 0 | 4 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 
| Юные птицы старого русского рока | 1017 | 250 | 26 | 30 | 28 | 21 | 11 | 13 | 26 | 21 | 33 | 17 | 11 | 13 | 0 | 2 | 2 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 1 | 3 | 0 | 3 | 3 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 4 | 2 | 0 | 
| 7. Созидающее насилие: подвиги Геракла | 1711 | 250 | 23 | 26 | 25 | 20 | 18 | 11 | 31 | 25 | 22 | 15 | 19 | 15 | 0 | 0 | 3 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 2 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 3 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 
| 14. Мир и образ зла в эпопее о Гарри Поттере | 1649 | 249 | 28 | 26 | 26 | 21 | 11 | 16 | 22 | 30 | 29 | 16 | 13 | 11 | 0 | 1 | 3 | 0 | 2 | 1 | 1 | 3 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 2 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 
| Перстень, яблоко, собор | 1805 | 249 | 36 | 27 | 28 | 24 | 12 | 16 | 17 | 20 | 23 | 18 | 12 | 16 | 0 | 0 | 4 | 1 | 4 | 1 | 3 | 2 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 2 | 1 | 2 | 0 | 4 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 3 | 0 | 0 | 0 | 1 | 2 | 1 | 
| 9. Символизация насилия: предварительные замечания об интегрирующих образах травмы | 1435 | 249 | 25 | 24 | 22 | 24 | 14 | 18 | 18 | 30 | 23 | 14 | 17 | 20 | 0 | 1 | 2 | 0 | 3 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 5 | 3 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 
|  | Итого | За последние 12 месяцев | Oct | Sep | Aug | 
|  | Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 
| 2. Конец истории о Крысолове | 2078 | 248 | 27 | 30 | 35 | 16 | 12 | 11 | 22 | 28 | 25 | 19 | 12 | 11 | 0 | 2 | 3 | 1 | 4 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 2 | 1 | 5 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 1 | 
| 22. О героях авторских сказок и фэнтези | 1595 | 248 | 29 | 37 | 27 | 23 | 12 | 10 | 22 | 19 | 26 | 20 | 11 | 12 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 4 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 3 | 1 | 4 | 1 | 1 | 0 | 1 | 5 | 0 | 1 | 0 | 1 | 1 | 1 | 3 | 0 | 1 | 1 | 3 | 3 | 3 | 3 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 
| 16. Миры и образы зла, связанные с Темной Башней | 2197 | 247 | 31 | 26 | 20 | 17 | 18 | 17 | 17 | 25 | 27 | 22 | 16 | 11 | 0 | 1 | 4 | 4 | 2 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 3 | 1 | 4 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 2 | 3 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 
| 2. О преображении в полете | 865 | 247 | 29 | 32 | 22 | 20 | 26 | 14 | 15 | 19 | 29 | 21 | 8 | 12 | 0 | 1 | 4 | 0 | 3 | 2 | 3 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 3 | 3 | 1 | 2 | 0 | 0 | 1 | 1 | 3 | 2 | 3 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 2 | 
| Кошачья подсистема в семье | 1085 | 246 | 27 | 19 | 28 | 21 | 14 | 15 | 23 | 20 | 31 | 25 | 8 | 15 | 0 | 1 | 2 | 2 | 4 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 3 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 
| 3. Молитвенная мельница | 1591 | 245 | 20 | 19 | 23 | 17 | 14 | 15 | 27 | 29 | 32 | 22 | 12 | 15 | 0 | 1 | 1 | 0 | 4 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 
| О старости | 2257 | 245 | 32 | 29 | 30 | 15 | 16 | 32 | 16 | 15 | 27 | 15 | 7 | 11 | 0 | 1 | 1 | 2 | 2 | 1 | 2 | 2 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 2 | 2 | 1 | 4 | 3 | 1 | 2 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 3 | 2 | 2 | 2 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 
| 7. Верховное полутело | 1134 | 245 | 28 | 31 | 22 | 21 | 13 | 15 | 27 | 23 | 23 | 14 | 14 | 14 | 0 | 2 | 3 | 0 | 4 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 2 | 0 | 3 | 0 | 1 | 4 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 3 | 2 | 2 | 0 | 1 | 4 | 0 | 0 | 0 | 1 | 0 | 
| 5. Мужчина выбирает между Анимусом и Анимой | 1715 | 244 | 23 | 24 | 23 | 23 | 20 | 20 | 25 | 22 | 25 | 16 | 12 | 11 | 0 | 0 | 2 | 0 | 3 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 2 | 2 | 3 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 4 | 0 | 1 | 3 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 
| 3. Убежища | 1618 | 244 | 26 | 31 | 27 | 21 | 11 | 11 | 15 | 23 | 32 | 25 | 12 | 10 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 2 | 2 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 1 | 4 | 3 | 5 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 
| Из плена профессиональной Персоны? | 1583 | 243 | 37 | 24 | 32 | 16 | 12 | 15 | 18 | 22 | 23 | 16 | 14 | 14 | 0 | 1 | 1 | 1 | 1 | 2 | 4 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 3 | 2 | 4 | 3 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 3 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 
| Роковой треугольник - 1 | 1934 | 243 | 26 | 25 | 25 | 17 | 12 | 14 | 20 | 21 | 28 | 33 | 12 | 10 | 0 | 0 | 2 | 0 | 3 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 3 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 
| 15. Мир и образ зла в "Темных началах" | 1441 | 242 | 27 | 30 | 28 | 18 | 14 | 14 | 17 | 21 | 28 | 18 | 14 | 13 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 4 | 1 | 2 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 4 | 2 | 2 | 1 | 0 | 1 | 4 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 2 | 
| 11. Миры и зло Средиземья и Валинора | 1647 | 242 | 23 | 23 | 22 | 20 | 15 | 19 | 21 | 23 | 28 | 20 | 15 | 13 | 0 | 1 | 1 | 0 | 3 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 
| 12. Песочник и его жертва | 1435 | 242 | 22 | 37 | 18 | 20 | 19 | 16 | 21 | 22 | 23 | 17 | 11 | 16 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 3 | 3 | 2 | 0 | 0 | 2 | 3 | 2 | 1 | 0 | 0 | 1 | 1 | 6 | 1 | 1 | 0 | 3 | 3 | 2 | 2 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 
| Дворянин Фаланд или владыка альвов? | 1072 | 241 | 23 | 30 | 26 | 20 | 16 | 16 | 16 | 21 | 30 | 19 | 10 | 14 | 0 | 0 | 1 | 2 | 4 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 3 | 3 | 1 | 0 | 0 | 0 | 2 | 4 | 3 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 
| 3 консультации в гештальт-подходе | 2380 | 241 | 31 | 25 | 24 | 17 | 10 | 14 | 32 | 24 | 27 | 21 | 10 | 6 | 0 | 0 | 3 | 5 | 2 | 0 | 2 | 1 | 1 | 1 | 1 | 4 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 3 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 
| 11. Кое-что об Анимусе женщины | 1595 | 241 | 35 | 22 | 28 | 23 | 10 | 10 | 26 | 22 | 25 | 14 | 15 | 11 | 0 | 1 | 3 | 2 | 3 | 4 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 2 | 3 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 0 | 
| 27. О различении Я и Эго-комплекса | 1357 | 240 | 29 | 30 | 22 | 25 | 12 | 14 | 16 | 22 | 27 | 12 | 16 | 15 | 0 | 1 | 2 | 0 | 4 | 0 | 2 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 2 | 1 | 3 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 2 | 1 | 1 | 1 | 1 | 4 | 2 | 0 | 1 | 1 | 3 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 
| 7. О проекции переживаний травмы на Аниму | 1538 | 239 | 27 | 25 | 34 | 17 | 11 | 15 | 17 | 30 | 29 | 11 | 13 | 10 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 3 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 4 | 3 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 
|  | Итого | За последние 12 месяцев | Oct | Sep | Aug | 
|  | Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 
| Особенности структуры семьи учащихся техникума | 2138 | 239 | 27 | 19 | 26 | 23 | 23 | 11 | 19 | 19 | 25 | 21 | 10 | 16 | 0 | 0 | 3 | 0 | 4 | 0 | 2 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 2 | 3 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 
| Звездный ворон и ядовитый волк | 1196 | 238 | 34 | 25 | 29 | 31 | 13 | 11 | 15 | 23 | 23 | 17 | 10 | 7 | 0 | 0 | 2 | 3 | 4 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 4 | 4 | 1 | 3 | 2 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 3 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 
| 10. Самозванцы: Пепсер и Крошка Цахес | 2592 | 238 | 29 | 18 | 26 | 18 | 14 | 16 | 16 | 27 | 32 | 20 | 11 | 11 | 0 | 3 | 1 | 0 | 2 | 3 | 1 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 3 | 1 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 3 | 
| 11. Пространство лагеря | 1170 | 238 | 22 | 21 | 33 | 17 | 18 | 18 | 31 | 14 | 27 | 12 | 11 | 14 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 6 | 1 | 0 | 3 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 0 | 0 | 0 | 1 | 0 | 
| 4. Ранние пьесы М. Цветаевой | 2006 | 238 | 27 | 22 | 22 | 22 | 16 | 14 | 17 | 18 | 31 | 22 | 12 | 15 | 0 | 1 | 2 | 3 | 3 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 1 | 3 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 
| 2. Персонажи "Котлована" строят новый мир и новое тело | 1168 | 238 | 23 | 22 | 18 | 25 | 19 | 11 | 34 | 23 | 26 | 16 | 12 | 9 | 0 | 2 | 1 | 1 | 3 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 3 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 
| 12. Мир и зло "Властелина Колец" | 1998 | 237 | 30 | 25 | 28 | 24 | 14 | 19 | 20 | 20 | 25 | 13 | 9 | 10 | 0 | 2 | 4 | 1 | 2 | 0 | 3 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 4 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 
| Начальство развлекается | 1478 | 237 | 23 | 28 | 25 | 23 | 11 | 11 | 25 | 22 | 28 | 15 | 10 | 16 | 0 | 2 | 3 | 1 | 2 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 2 | 2 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 4 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 
| Три бестселлера | 1478 | 237 | 26 | 32 | 27 | 18 | 14 | 16 | 12 | 21 | 28 | 21 | 12 | 10 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 3 | 1 | 4 | 2 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 1 | 3 | 1 | 0 | 1 | 4 | 0 | 2 | 0 | 0 | 0 | 0 | 3 | 0 | 
| 3. Произведения молодости М. Цветаевой | 1475 | 237 | 31 | 29 | 31 | 14 | 13 | 11 | 17 | 21 | 26 | 17 | 15 | 12 | 0 | 3 | 3 | 1 | 2 | 2 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 5 | 1 | 3 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 2 | 0 | 1 | 0 | 2 | 5 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 
| 10. Большая женщина. Начало возрождения | 1119 | 236 | 23 | 20 | 27 | 22 | 17 | 11 | 26 | 21 | 28 | 16 | 13 | 12 | 0 | 2 | 1 | 0 | 2 | 0 | 2 | 2 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 3 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 4 | 0 | 1 | 
| 8. Как остаться инфантильной | 1411 | 236 | 22 | 24 | 26 | 28 | 20 | 12 | 17 | 23 | 26 | 15 | 10 | 13 | 0 | 0 | 2 | 1 | 4 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 1 | 2 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 2 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 
| 6. Насколько опасен Анимус мужчины | 1497 | 235 | 23 | 27 | 19 | 19 | 11 | 11 | 19 | 23 | 33 | 18 | 14 | 18 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 3 | 1 | 3 | 2 | 0 | 3 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 4 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 
| 2. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по высказанным в разговорах эмоциям | 1708 | 235 | 39 | 18 | 21 | 19 | 16 | 13 | 23 | 25 | 23 | 14 | 11 | 13 | 0 | 1 | 2 | 0 | 3 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 2 | 3 | 2 | 5 | 2 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 
| 15. Типичные протагонисты произведений Гофмана | 1532 | 234 | 23 | 23 | 21 | 19 | 11 | 17 | 19 | 24 | 27 | 16 | 11 | 23 | 1 | 1 | 2 | 1 | 3 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 4 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 
| Г. Гессе. Стихотворение о Степном Волке | 1903 | 234 | 32 | 23 | 20 | 14 | 16 | 17 | 19 | 24 | 27 | 19 | 13 | 10 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 2 | 2 | 3 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 3 | 1 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 2 | 
| 6. Анимус делает Аниму зависимой и нежизнеспособной | 1655 | 234 | 29 | 22 | 16 | 21 | 13 | 13 | 18 | 26 | 33 | 13 | 15 | 15 | 0 | 0 | 2 | 0 | 2 | 0 | 3 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 4 | 2 | 1 | 2 | 1 | 0 | 1 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 
| 4. Погребальные дроги | 1465 | 234 | 26 | 27 | 25 | 19 | 12 | 14 | 12 | 26 | 26 | 28 | 11 | 8 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 4 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 
| 4. Архаичные материнские образы | 1466 | 233 | 23 | 26 | 25 | 23 | 14 | 14 | 21 | 19 | 26 | 16 | 11 | 15 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 2 | 1 | 2 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 
| 11. Ничего не кончается | 1118 | 233 | 23 | 29 | 22 | 31 | 11 | 12 | 19 | 19 | 29 | 12 | 16 | 10 | 0 | 0 | 1 | 1 | 3 | 2 | 1 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 1 | 0 | 0 | 4 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 2 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 
|  | Итого | За последние 12 месяцев | Oct | Sep | Aug | 
|  | Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 
| Телесный симптом в роли символа | 2007 | 233 | 18 | 24 | 24 | 21 | 13 | 20 | 23 | 19 | 33 | 14 | 10 | 14 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 2 | 2 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 5 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 
| 28. О символике эволюции | 1353 | 233 | 23 | 31 | 23 | 22 | 14 | 12 | 23 | 15 | 29 | 15 | 10 | 16 | 0 | 0 | 2 | 2 | 2 | 2 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 0 | 3 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 2 | 0 | 3 | 0 | 1 | 2 | 0 | 2 | 2 | 1 | 2 | 1 | 2 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 
| О способности понять душевнобольного | 2277 | 232 | 28 | 30 | 20 | 21 | 10 | 12 | 30 | 19 | 28 | 14 | 14 | 6 | 0 | 2 | 3 | 1 | 2 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 2 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 
| 5. Идущий следом | 1539 | 232 | 28 | 27 | 26 | 14 | 16 | 13 | 15 | 22 | 25 | 20 | 13 | 13 | 0 | 0 | 2 | 1 | 3 | 4 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 2 | 1 | 1 | 1 | 4 | 0 | 1 | 0 | 2 | 0 | 2 | 4 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 
| Из У. Блейка. Заложенная маленькая девочка (обретенная дочь) | 1759 | 232 | 28 | 26 | 24 | 20 | 21 | 17 | 14 | 18 | 28 | 16 | 12 | 8 | 0 | 1 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 3 | 3 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 4 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 4 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 
| 1. Явление Крысолова | 1488 | 231 | 27 | 25 | 31 | 18 | 14 | 14 | 14 | 19 | 27 | 22 | 8 | 12 | 0 | 2 | 1 | 2 | 2 | 0 | 2 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 3 | 1 | 3 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 1 | 2 | 2 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 
| 15. Деревня изнутри. Во дворах | 1137 | 231 | 24 | 25 | 26 | 19 | 16 | 10 | 19 | 22 | 28 | 17 | 12 | 13 | 0 | 0 | 3 | 2 | 3 | 0 | 2 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 2 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 
| 3. Сказка о феминном и маскулинном состояниях Эго | 1630 | 231 | 23 | 26 | 25 | 17 | 15 | 17 | 14 | 18 | 25 | 19 | 15 | 17 | 0 | 2 | 3 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 4 | 2 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 5 | 2 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 3 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 
| 1. Тело и мир персонажей Андрея Платонова | 1463 | 231 | 25 | 20 | 23 | 21 | 14 | 17 | 20 | 25 | 25 | 17 | 15 | 9 | 0 | 1 | 1 | 0 | 3 | 0 | 3 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 2 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 3 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 
| Тум-балалайка | 1965 | 230 | 25 | 21 | 18 | 18 | 15 | 12 | 28 | 22 | 27 | 23 | 10 | 11 | 0 | 2 | 2 | 0 | 2 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 3 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 2 | 3 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 
| Шекспир, сонет 146 | 1428 | 230 | 24 | 27 | 23 | 21 | 14 | 11 | 17 | 20 | 30 | 23 | 10 | 10 | 0 | 1 | 1 | 1 | 4 | 1 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 2 | 2 | 1 | 2 | 
| 2.Почему же произведения Гофмана популярны до сих пор? | 1329 | 230 | 31 | 23 | 18 | 23 | 12 | 14 | 31 | 16 | 29 | 14 | 12 | 7 | 0 | 0 | 1 | 0 | 3 | 3 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 2 | 2 | 1 | 0 | 4 | 2 | 3 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 
| 5. Заместитель | 1444 | 230 | 26 | 22 | 24 | 25 | 11 | 14 | 19 | 19 | 27 | 20 | 14 | 9 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 3 | 2 | 1 | 4 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 
| Роковой треугольник -2 | 1836 | 230 | 26 | 24 | 26 | 16 | 8 | 15 | 14 | 24 | 34 | 22 | 9 | 12 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 2 | 2 | 1 | 2 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 
| Ответ Земли (другой вариант) | 1690 | 229 | 23 | 25 | 28 | 22 | 13 | 13 | 26 | 23 | 23 | 12 | 15 | 6 | 0 | 2 | 3 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 3 | 2 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 
| 30. Сказочный персонаж: форма и содержимое | 1428 | 229 | 31 | 24 | 21 | 18 | 21 | 14 | 20 | 18 | 20 | 15 | 14 | 13 | 0 | 2 | 3 | 2 | 3 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 3 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 0 | 0 | 1 | 2 | 2 | 2 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 
| Коммуникации сотрудников "скорой помощи" и кадровых служб в Интернет-сообществах | 2125 | 229 | 26 | 20 | 17 | 26 | 17 | 11 | 23 | 17 | 25 | 17 | 13 | 17 | 0 | 1 | 3 | 3 | 3 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 3 | 0 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 
| 5. Женщина в плаще цвета Времени | 1370 | 229 | 23 | 21 | 28 | 26 | 13 | 10 | 19 | 18 | 27 | 17 | 12 | 15 | 0 | 2 | 3 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 
| Мы и Они | 1879 | 229 | 33 | 32 | 21 | 21 | 16 | 13 | 18 | 19 | 21 | 16 | 11 | 8 | 0 | 1 | 3 | 2 | 2 | 1 | 3 | 1 | 1 | 0 | 3 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 4 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 2 | 4 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 2 | 4 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 
| 5. Сравнение прогностической ценности разных факторов | 1728 | 229 | 22 | 25 | 24 | 23 | 15 | 14 | 18 | 28 | 23 | 17 | 11 | 9 | 0 | 0 | 1 | 0 | 3 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 2 | 1 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 2 | 5 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 
|  | Итого | За последние 12 месяцев | Oct | Sep | Aug | 
|  | Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 
| 3. Выбор художника - Анима или Анимус? | 1628 | 229 | 22 | 20 | 22 | 20 | 11 | 15 | 20 | 28 | 22 | 19 | 14 | 16 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 4 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 
| 2. Сказка о становлении гендерных различий и женского Эго | 1654 | 228 | 22 | 23 | 24 | 22 | 11 | 14 | 18 | 26 | 21 | 17 | 15 | 15 | 0 | 1 | 2 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 3 | 1 | 2 | 3 | 0 | 3 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 
| Хороший начальник Емеля | 1083 | 227 | 24 | 28 | 27 | 20 | 10 | 15 | 19 | 16 | 25 | 15 | 17 | 11 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 2 | 2 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 4 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 
| Мотив Цветка и регуляция позы | 906 | 227 | 27 | 24 | 23 | 16 | 14 | 8 | 24 | 17 | 27 | 19 | 11 | 17 | 0 | 1 | 3 | 0 | 4 | 4 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 4 | 2 | 0 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 
| 1. Введение | 1648 | 227 | 28 | 26 | 29 | 19 | 15 | 11 | 17 | 16 | 23 | 18 | 12 | 13 | 0 | 2 | 1 | 0 | 4 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 3 | 0 | 4 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 4 | 0 | 1 | 0 | 1 | 1 | 4 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 
| Ангел | 1698 | 227 | 23 | 25 | 22 | 18 | 13 | 11 | 28 | 25 | 24 | 17 | 12 | 9 | 0 | 0 | 1 | 0 | 3 | 0 | 3 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 1 | 2 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 2 | 2 | 1 | 1 | 3 | 1 | 
| 16. Медведь | 1262 | 227 | 25 | 32 | 24 | 20 | 10 | 12 | 19 | 21 | 26 | 17 | 13 | 8 | 0 | 0 | 2 | 1 | 2 | 0 | 3 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 2 | 2 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 2 | 0 | 1 | 3 | 0 | 2 | 0 | 2 | 0 | 3 | 2 | 0 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 
| 3. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по отмеченным ими у себя симтомам выгорания | 1733 | 226 | 24 | 24 | 26 | 18 | 21 | 11 | 18 | 22 | 24 | 14 | 12 | 12 | 0 | 1 | 3 | 0 | 2 | 0 | 1 | 4 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 
| Алгоритм сортировки клиентов социального центра | 2113 | 226 | 23 | 25 | 24 | 19 | 16 | 12 | 21 | 16 | 27 | 19 | 11 | 13 | 0 | 1 | 2 | 0 | 3 | 3 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 5 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 3 | 1 | 2 | 3 | 2 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 
| Юнгианское стихотворение о сказках | 1544 | 226 | 24 | 20 | 34 | 22 | 11 | 15 | 19 | 22 | 25 | 15 | 12 | 7 | 0 | 0 | 2 | 2 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 
| 8. Поглощенное время | 1532 | 226 | 26 | 22 | 26 | 21 | 10 | 20 | 18 | 21 | 26 | 14 | 10 | 12 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 5 | 2 | 2 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 
| Представления современных городских девятиклассников о мотивах вступления в интимные отношения | 1746 | 226 | 25 | 17 | 24 | 18 | 19 | 17 | 14 | 32 | 21 | 16 | 9 | 14 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 2 | 2 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 
| 4. прогнозирование выгорани я у сотрудников "скорой медицинской помощи" по отмеченным ими значимым факторам трудового стресса | 1631 | 226 | 29 | 23 | 24 | 17 | 13 | 11 | 29 | 25 | 26 | 12 | 9 | 8 | 0 | 1 | 1 | 4 | 3 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 2 | 3 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 2 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 
| 35. О консервативности юнгианского подхода к сказочным сюжетам | 1542 | 226 | 24 | 29 | 19 | 24 | 11 | 13 | 19 | 19 | 25 | 18 | 13 | 12 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 2 | 3 | 3 | 2 | 0 | 0 | 3 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 
| Г. Гессе. Ступени | 1766 | 225 | 24 | 24 | 25 | 15 | 18 | 10 | 15 | 25 | 29 | 19 | 14 | 7 | 0 | 1 | 1 | 4 | 2 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 3 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 
| Senex - Puer | 1376 | 225 | 23 | 23 | 24 | 17 | 19 | 10 | 19 | 17 | 24 | 20 | 11 | 18 | 0 | 0 | 1 | 1 | 2 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 3 | 0 | 2 | 2 | 1 | 4 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 
| 2. Шаманское странствие | 1317 | 225 | 22 | 21 | 19 | 26 | 19 | 9 | 18 | 33 | 20 | 16 | 8 | 14 | 0 | 1 | 2 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 3 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 
| Типы семей, получающих помощь в социальном центре | 1724 | 225 | 24 | 21 | 20 | 23 | 13 | 12 | 22 | 24 | 28 | 22 | 8 | 8 | 0 | 1 | 1 | 3 | 3 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 3 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 4 | 2 | 2 | 2 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 
| 10. Модели интеграции психики в героическом эпосе | 1586 | 225 | 27 | 31 | 17 | 21 | 15 | 12 | 18 | 20 | 29 | 12 | 12 | 11 | 0 | 0 | 2 | 1 | 4 | 1 | 1 | 3 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 2 | 1 | 3 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 3 | 0 | 3 | 0 | 0 | 1 | 2 | 0 | 0 | 
| 1. Маленький рыцарский роман | 1555 | 225 | 25 | 22 | 30 | 18 | 17 | 10 | 18 | 17 | 24 | 15 | 13 | 16 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 2 | 3 | 1 | 0 | 3 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 4 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 
|  | Итого | За последние 12 месяцев | Oct | Sep | Aug | 
|  | Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 
| 23. Настя заболела | 1311 | 225 | 25 | 17 | 30 | 17 | 16 | 11 | 14 | 22 | 24 | 19 | 15 | 15 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 3 | 2 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 
| Мир на костылях | 1509 | 224 | 33 | 22 | 26 | 18 | 9 | 15 | 20 | 18 | 27 | 16 | 9 | 11 | 0 | 0 | 2 | 0 | 2 | 0 | 2 | 2 | 0 | 2 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 4 | 2 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 4 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 
| 4. Блуждания невоплощенного | 1194 | 224 | 27 | 27 | 21 | 19 | 10 | 15 | 15 | 24 | 23 | 15 | 15 | 13 | 0 | 0 | 2 | 3 | 2 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 4 | 1 | 3 | 1 | 1 | 4 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 2 | 2 | 2 | 3 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 
| 1. Птичьи формы феминности в эпосе "Урал-Батыр" | 770 | 224 | 30 | 29 | 25 | 15 | 14 | 12 | 21 | 20 | 21 | 14 | 11 | 12 | 0 | 0 | 1 | 0 | 2 | 4 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 3 | 2 | 4 | 1 | 2 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 4 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 3 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 
| Венок сонетов Ваське | 1950 | 224 | 21 | 23 | 25 | 18 | 10 | 8 | 16 | 38 | 24 | 24 | 11 | 6 | 0 | 1 | 1 | 2 | 3 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 4 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 4 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 
| 13. Колхоз идет навстречу | 1108 | 224 | 26 | 24 | 23 | 14 | 16 | 16 | 16 | 23 | 22 | 19 | 12 | 13 | 0 | 2 | 2 | 1 | 4 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 3 | 0 | 3 | 1 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 
| 18. Ночные пляски | 1130 | 224 | 27 | 31 | 26 | 16 | 14 | 10 | 14 | 19 | 24 | 18 | 13 | 12 | 0 | 3 | 2 | 0 | 2 | 0 | 3 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 4 | 0 | 1 | 5 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 3 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 
| 9. Начало перехода | 1110 | 223 | 24 | 24 | 18 | 16 | 11 | 15 | 29 | 17 | 30 | 15 | 10 | 14 | 0 | 0 | 1 | 0 | 3 | 1 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 3 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 4 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 
| Информация о владельце раздела | 1474 | 223 | 28 | 27 | 24 | 20 | 11 | 13 | 16 | 20 | 26 | 18 | 7 | 13 | 0 | 1 | 3 | 3 | 3 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 4 | 4 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 
| 26. Настина смерть | 1151 | 223 | 27 | 26 | 30 | 18 | 10 | 12 | 13 | 18 | 25 | 16 | 12 | 16 | 0 | 2 | 1 | 0 | 2 | 0 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 3 | 1 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 
| 1 Дитя в мирах Психеи и Ананке | 1781 | 223 | 24 | 25 | 24 | 16 | 20 | 11 | 19 | 22 | 21 | 16 | 13 | 12 | 0 | 2 | 2 | 0 | 4 | 1 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 5 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 
| 14. Мертвая мать и ее дети | 1159 | 222 | 31 | 26 | 23 | 20 | 13 | 14 | 13 | 20 | 22 | 15 | 13 | 12 | 0 | 4 | 1 | 0 | 3 | 0 | 2 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 4 | 1 | 2 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 3 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 
| 21. Властные хитрецы | 1436 | 222 | 24 | 19 | 22 | 18 | 13 | 16 | 18 | 23 | 27 | 18 | 12 | 12 | 0 | 2 | 3 | 1 | 2 | 0 | 2 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 
| Бестиарий | 1445 | 222 | 30 | 25 | 23 | 21 | 15 | 15 | 16 | 22 | 21 | 13 | 9 | 12 | 0 | 0 | 3 | 0 | 3 | 0 | 2 | 3 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 4 | 2 | 2 | 3 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 
| Ритуал перехода и эмоциональное выгорание сотрудников скорой помощи | 2323 | 222 | 23 | 24 | 28 | 16 | 14 | 12 | 27 | 19 | 26 | 10 | 12 | 11 | 0 | 0 | 2 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 3 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 3 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 
| Реквием Ваське | 1635 | 221 | 25 | 25 | 28 | 17 | 9 | 10 | 16 | 23 | 25 | 16 | 14 | 13 | 0 | 1 | 2 | 1 | 2 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 4 | 1 | 2 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 2 | 1 | 3 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 
| 1. Прогнозирование выгорания у сотрудников "скорой медицинской помощи" по метафорическим высказываниям | 2256 | 221 | 23 | 34 | 23 | 20 | 11 | 10 | 21 | 21 | 24 | 15 | 11 | 8 | 0 | 1 | 4 | 1 | 2 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 0 | 7 | 0 | 2 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 3 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 3 | 
| 18. Диспозиция и динамика некоторых авторских сказок | 1259 | 220 | 20 | 24 | 23 | 21 | 11 | 17 | 17 | 22 | 21 | 18 | 12 | 14 | 0 | 1 | 2 | 0 | 3 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 4 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 3 | 2 | 2 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 
| Из У. Блейка. Ответ Земли | 1867 | 220 | 24 | 30 | 20 | 22 | 10 | 12 | 14 | 28 | 27 | 12 | 12 | 9 | 0 | 0 | 2 | 0 | 3 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 4 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 2 | 1 | 2 | 4 | 3 | 2 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 
| Как растет Бог | 1740 | 220 | 25 | 26 | 16 | 16 | 25 | 11 | 21 | 14 | 24 | 20 | 9 | 13 | 0 | 0 | 1 | 3 | 2 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 3 | 1 | 0 | 4 | 1 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 
|  | Итого | За последние 12 месяцев | Oct | Sep | Aug | 
|  | Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 
| 19. Множественные и парные миры авторской сказки и фэнтези | 1357 | 220 | 20 | 24 | 19 | 19 | 12 | 18 | 17 | 19 | 27 | 14 | 15 | 16 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 2 | 1 | 0 | 1 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 
| 6. Скорбная земля | 1644 | 220 | 29 | 20 | 23 | 17 | 13 | 16 | 14 | 24 | 23 | 18 | 11 | 12 | 0 | 2 | 1 | 0 | 3 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 3 | 2 | 2 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 
| 25. Об особенностях травматической интеграции психики | 1477 | 219 | 20 | 24 | 24 | 20 | 16 | 13 | 19 | 18 | 25 | 16 | 14 | 10 | 0 | 2 | 1 | 0 | 2 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 
| 5. Рядом с общим телом | 1237 | 219 | 23 | 25 | 22 | 12 | 17 | 10 | 21 | 18 | 27 | 20 | 12 | 12 | 0 | 2 | 1 | 0 | 4 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 4 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 2 | 2 | 1 | 0 | 
| Хрупкие миры | 594 | 219 | 26 | 27 | 19 | 16 | 16 | 10 | 19 | 17 | 23 | 21 | 12 | 13 | 0 | 0 | 3 | 1 | 4 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 4 | 2 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 2 | 1 | 0 | 1 | 3 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 
| 15. Ненаучное животное в мусорном ветре | 1183 | 219 | 27 | 21 | 25 | 24 | 10 | 13 | 17 | 21 | 26 | 14 | 11 | 10 | 0 | 1 | 1 | 0 | 3 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 3 | 1 | 2 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 4 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 
| Милая жизнь | 1283 | 219 | 33 | 22 | 30 | 17 | 17 | 10 | 13 | 14 | 23 | 15 | 14 | 11 | 0 | 1 | 2 | 1 | 2 | 2 | 1 | 1 | 1 | 3 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 4 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 
| 5. Мужской Анимус конкурирует с Анимой в том, что касается творчества | 1560 | 219 | 26 | 21 | 21 | 17 | 21 | 15 | 16 | 20 | 28 | 15 | 10 | 9 | 0 | 0 | 2 | 2 | 2 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 
| Королева | 1867 | 218 | 33 | 25 | 25 | 19 | 10 | 9 | 15 | 15 | 26 | 20 | 11 | 10 | 0 | 0 | 1 | 2 | 3 | 3 | 1 | 3 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 5 | 1 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 
| 27. Безвременье котлована | 1107 | 218 | 22 | 16 | 23 | 18 | 15 | 13 | 21 | 22 | 23 | 20 | 15 | 10 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 3 | 1 | 0 | 4 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 
| 3. На улице | 1142 | 218 | 34 | 23 | 30 | 14 | 12 | 13 | 13 | 17 | 29 | 13 | 10 | 10 | 0 | 1 | 5 | 3 | 2 | 1 | 3 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 3 | 2 | 3 | 1 | 1 | 3 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 
| Отношения клиента с субъектами профилактики и эффективность психологического консультирования | 1674 | 218 | 19 | 21 | 25 | 20 | 16 | 14 | 19 | 20 | 27 | 18 | 11 | 8 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 
| 34. Ошибка психики: чрезмерная ее консолидация | 1503 | 218 | 27 | 19 | 16 | 22 | 15 | 11 | 18 | 26 | 22 | 14 | 12 | 16 | 0 | 0 | 2 | 1 | 3 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 3 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 
| 9. Расщепление Эго и Персоны в отношениях с Анимой | 1409 | 218 | 22 | 25 | 22 | 19 | 13 | 15 | 20 | 17 | 27 | 14 | 11 | 13 | 0 | 1 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 3 | 2 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 4 | 0 | 1 | 1 | 2 | 3 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 
| Визит Аристокла | 1541 | 217 | 25 | 28 | 23 | 23 | 11 | 12 | 16 | 21 | 25 | 16 | 7 | 10 | 0 | 0 | 1 | 1 | 3 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 5 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 3 | 1 | 0 | 
| Юнгианцы и странные научные теории | 810 | 217 | 31 | 16 | 21 | 22 | 12 | 12 | 18 | 23 | 23 | 14 | 13 | 12 | 0 | 1 | 1 | 2 | 3 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 4 | 3 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 
| 17. Плот | 1171 | 217 | 24 | 27 | 17 | 13 | 12 | 11 | 34 | 17 | 27 | 14 | 11 | 10 | 0 | 2 | 2 | 0 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 5 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 3 | 3 | 0 | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 0 | 
| 7. Мужское и женское в произведениях Т. Манна | 1655 | 217 | 18 | 25 | 22 | 20 | 11 | 20 | 14 | 20 | 24 | 17 | 15 | 11 | 0 | 0 | 2 | 0 | 2 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 3 | 2 | 3 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 
| Кости | 1090 | 217 | 26 | 27 | 22 | 21 | 14 | 13 | 15 | 17 | 25 | 15 | 10 | 12 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 3 | 3 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 
| Прогнозирование эффективности психологической помощи семьям | 1733 | 217 | 30 | 21 | 22 | 19 | 10 | 16 | 19 | 23 | 24 | 13 | 10 | 10 | 0 | 0 | 2 | 0 | 3 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 3 | 2 | 4 | 3 | 1 | 2 | 0 | 0 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 
|  | Итого | За последние 12 месяцев | Oct | Sep | Aug | 
|  | Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 
| 5. Погибшее братство и Лихтенберг | 1047 | 213 | 19 | 28 | 25 | 16 | 11 | 9 | 17 | 19 | 25 | 18 | 11 | 15 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 1 | 1 | 4 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 
| Проблемы профессионального становления личности: работа со сновидениями | 1762 | 213 | 21 | 22 | 22 | 18 | 17 | 9 | 16 | 23 | 23 | 16 | 12 | 14 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 3 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 
| 21. Радость молотобойца | 1162 | 213 | 23 | 24 | 22 | 22 | 9 | 10 | 17 | 23 | 22 | 19 | 13 | 9 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 3 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 3 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 
| 3. О смысле телесности в повести А. Платонова "Котлован" | 1173 | 212 | 27 | 24 | 25 | 17 | 12 | 12 | 18 | 20 | 20 | 15 | 11 | 11 | 0 | 1 | 3 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 3 | 0 | 4 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 2 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 3 | 1 | 
| 29. Как экономят мышление с помощью мифических образов | 1272 | 212 | 20 | 23 | 21 | 22 | 13 | 10 | 18 | 21 | 29 | 10 | 15 | 10 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 2 | 0 | 0 | 
| Компьютерная игра вместо визуализации | 1823 | 212 | 20 | 28 | 28 | 18 | 17 | 12 | 17 | 17 | 22 | 12 | 9 | 12 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 2 | 0 | 3 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 
| 23. Снейп и Колтер: маргинальные персонажи фэнтези | 1311 | 211 | 24 | 28 | 27 | 20 | 8 | 8 | 16 | 21 | 25 | 13 | 10 | 11 | 0 | 1 | 3 | 1 | 2 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 4 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 3 | 2 | 1 | 0 | 3 | 1 | 1 | 3 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 
| 2. Пробуждение | 1149 | 211 | 21 | 20 | 15 | 20 | 17 | 9 | 17 | 24 | 26 | 16 | 12 | 14 | 0 | 1 | 4 | 0 | 3 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 3 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 
| 10. Начало контакта | 1100 | 211 | 22 | 21 | 25 | 20 | 9 | 12 | 28 | 13 | 25 | 14 | 11 | 11 | 0 | 1 | 2 | 1 | 3 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 3 | 1 | 2 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 3 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 
| Мышиная звезда | 769 | 211 | 27 | 21 | 24 | 20 | 11 | 14 | 14 | 24 | 26 | 13 | 8 | 9 | 0 | 0 | 2 | 2 | 4 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 2 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 
| 1. О символизации насилия. Преамбула | 1868 | 211 | 25 | 26 | 22 | 14 | 15 | 11 | 13 | 25 | 26 | 14 | 10 | 10 | 0 | 1 | 4 | 3 | 2 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 3 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 
| 31. Становление символа во времени | 1319 | 210 | 15 | 28 | 22 | 21 | 11 | 11 | 20 | 19 | 25 | 12 | 10 | 16 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 2 | 1 | 1 | 3 | 2 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 
| Выгоревшее тело | 1718 | 210 | 26 | 16 | 30 | 16 | 19 | 14 | 13 | 13 | 26 | 17 | 10 | 10 | 0 | 1 | 4 | 1 | 2 | 1 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 3 | 1 | 2 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 
| 19. Тишина | 1114 | 209 | 23 | 20 | 22 | 19 | 12 | 12 | 16 | 24 | 24 | 16 | 9 | 12 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 2 | 2 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 
| 6. Следуя за стихами 1921 года | 1487 | 209 | 25 | 23 | 26 | 9 | 17 | 8 | 16 | 15 | 25 | 21 | 9 | 15 | 0 | 1 | 2 | 3 | 2 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 2 | 1 | 1 | 1 | 3 | 2 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 
| Человек, Которого Не Было Дома | 1821 | 209 | 23 | 22 | 28 | 16 | 12 | 10 | 17 | 16 | 28 | 13 | 10 | 14 | 0 | 0 | 2 | 3 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 3 | 3 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 
| 10 охламонов | 1808 | 209 | 29 | 22 | 22 | 20 | 11 | 7 | 15 | 23 | 26 | 18 | 8 | 8 | 0 | 0 | 3 | 2 | 2 | 1 | 2 | 3 | 0 | 4 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 3 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 
| Возвращение | 1758 | 209 | 24 | 22 | 22 | 18 | 17 | 11 | 14 | 17 | 24 | 15 | 11 | 14 | 0 | 1 | 3 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 4 | 3 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 0 | 0 | 1 | 2 | 2 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 
| Жил-был кот | 1812 | 208 | 23 | 21 | 23 | 22 | 15 | 12 | 14 | 15 | 24 | 14 | 14 | 11 | 0 | 0 | 3 | 3 | 2 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 3 | 3 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 4 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 
| Слоненок учится мыслить | 571 | 208 | 29 | 15 | 24 | 16 | 12 | 10 | 18 | 17 | 29 | 18 | 8 | 12 | 0 | 1 | 5 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 3 | 3 | 3 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |