| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 |
По разделу |
133515 | 1392 |
32 |
160 |
194 |
196 |
165 |
93 |
132 |
109 |
79 |
77 |
74 |
81 |
1 |
4 |
5 |
6 |
2 |
7 |
4 |
3 |
6 |
3 |
8 |
4 |
4 |
9 |
5 |
5 |
5 |
4 |
7 |
5 |
4 |
5 |
5 |
6 |
7 |
2 |
3 |
5 |
6 |
4 |
4 |
5 |
10 |
9 |
5 |
5 |
4 |
6 |
7 |
4 |
9 |
5 |
3 |
5 |
6 |
5 |
5 |
5 |
6 |
4 |
7 |
11 |
8 |
6 |
3 |
6 |
12 |
7 |
7 |
5 |
3 |
4 |
Античность (Платон, Сократ, Аристотель) |
16152 | 1074 |
23 |
130 |
179 |
182 |
154 |
75 |
55 |
85 |
51 |
55 |
39 |
46 |
0 |
3 |
5 |
6 |
1 |
2 |
4 |
2 |
6 |
3 |
8 |
2 |
4 |
5 |
3 |
5 |
1 |
4 |
7 |
5 |
2 |
5 |
5 |
4 |
7 |
2 |
3 |
2 |
6 |
3 |
4 |
2 |
4 |
9 |
5 |
5 |
3 |
6 |
7 |
3 |
4 |
5 |
3 |
3 |
6 |
5 |
5 |
3 |
6 |
3 |
7 |
11 |
8 |
6 |
1 |
6 |
12 |
7 |
7 |
5 |
2 |
4 |
Введение в психоанализ |
22516 | 551 |
13 |
72 |
66 |
64 |
52 |
43 |
52 |
49 |
42 |
36 |
30 |
32 |
0 |
1 |
1 |
3 |
2 |
3 |
0 |
3 |
1 |
3 |
4 |
2 |
2 |
1 |
4 |
3 |
4 |
1 |
6 |
2 |
3 |
4 |
2 |
6 |
0 |
1 |
2 |
0 |
4 |
0 |
2 |
2 |
0 |
4 |
1 |
3 |
1 |
4 |
2 |
3 |
4 |
2 |
0 |
3 |
2 |
2 |
0 |
5 |
1 |
2 |
2 |
3 |
2 |
3 |
1 |
4 |
1 |
1 |
3 |
1 |
0 |
0 |
Георг Зиммель: философия культуры |
16593 | 524 |
16 |
78 |
63 |
67 |
54 |
35 |
38 |
42 |
24 |
31 |
28 |
48 |
0 |
2 |
2 |
5 |
1 |
2 |
3 |
1 |
3 |
0 |
2 |
3 |
2 |
9 |
1 |
3 |
1 |
2 |
2 |
4 |
0 |
1 |
2 |
4 |
4 |
2 |
1 |
5 |
3 |
4 |
1 |
5 |
3 |
2 |
2 |
2 |
4 |
1 |
3 |
1 |
5 |
1 |
1 |
5 |
1 |
2 |
0 |
2 |
2 |
4 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
5 |
2 |
0 |
1 |
В миру и наедине с собой |
10119 | 519 |
9 |
43 |
64 |
62 |
69 |
40 |
94 |
46 |
17 |
28 |
24 |
23 |
0 |
4 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
0 |
2 |
2 |
1 |
2 |
3 |
2 |
1 |
4 |
1 |
0 |
1 |
2 |
3 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
2 |
2 |
2 |
3 |
0 |
0 |
1 |
1 |
5 |
1 |
1 |
0 |
1 |
4 |
3 |
3 |
2 |
3 |
4 |
3 |
1 |
2 |
2 |
0 |
4 |
Культурология (учебник) - первые 4 главы |
15822 | 401 |
18 |
44 |
36 |
51 |
54 |
32 |
28 |
41 |
28 |
15 |
20 |
34 |
0 |
1 |
3 |
2 |
1 |
7 |
1 |
3 |
1 |
0 |
1 |
1 |
4 |
2 |
0 |
1 |
0 |
2 |
3 |
2 |
4 |
1 |
3 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
5 |
0 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
4 |
0 |
0 |
3 |
0 |
Хосе Ортега-и-Гассет: искусство и массовая культура в Хх веке |
11032 | 370 |
10 |
46 |
53 |
41 |
57 |
27 |
32 |
35 |
15 |
14 |
15 |
25 |
0 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
4 |
3 |
1 |
5 |
3 |
0 |
3 |
3 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
4 |
1 |
1 |
2 |
3 |
4 |
9 |
1 |
1 |
2 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
Фридрих Ницше и рождение культуры из "духа музыки" |
6697 | 317 |
8 |
56 |
22 |
29 |
28 |
26 |
33 |
37 |
21 |
14 |
23 |
20 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
2 |
2 |
2 |
1 |
2 |
3 |
0 |
2 |
1 |
2 |
2 |
3 |
2 |
2 |
2 |
2 |
2 |
0 |
5 |
5 |
0 |
3 |
0 |
3 |
3 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
Фотографии автора (Соколов Эльмар Владимирович) |
3150 | 243 |
3 |
28 |
25 |
29 |
20 |
19 |
32 |
31 |
13 |
8 |
16 |
19 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
10 |
0 |
0 |
0 |
1 |
4 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
Памяти Эльмара Владимировича Соколова |
479 | 227 |
11 |
19 |
18 |
35 |
25 |
19 |
25 |
25 |
6 |
11 |
15 |
18 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
5 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
Жизнь штандартенфюрера Сс Штирлица - как воплощенная мечта советского человека |
3390 | 205 |
5 |
39 |
18 |
16 |
27 |
9 |
26 |
25 |
8 |
8 |
12 |
12 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
4 |
0 |
3 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
3 |
1 |
3 |
1 |
1 |
3 |
3 |
0 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
Эльмар Соколов как философ жизни |
540 | 204 |
9 |
18 |
34 |
19 |
19 |
11 |
25 |
25 |
6 |
11 |
17 |
10 |
0 |
1 |
2 |
1 |
0 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
5 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
Эльмар и его друзья |
474 | 191 |
5 |
33 |
18 |
21 |
24 |
13 |
22 |
20 |
10 |
7 |
7 |
11 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
5 |
9 |
1 |
0 |
0 |
2 |
4 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
Общение с другом |
477 | 190 |
4 |
25 |
16 |
23 |
17 |
15 |
24 |
24 |
8 |
11 |
13 |
10 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
Человек мыслящий |
4557 | 190 |
5 |
34 |
19 |
22 |
22 |
13 |
18 |
20 |
6 |
8 |
10 |
13 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
5 |
5 |
0 |
2 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
Социальные нормы, запреты и стимулы деятельности в мировом сообществе 21 века |
4441 | 190 |
4 |
37 |
21 |
18 |
21 |
10 |
19 |
22 |
11 |
8 |
10 |
9 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
4 |
4 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
Самопознание науки как вектор культуры Xxi века |
4345 | 189 |
2 |
40 |
23 |
13 |
21 |
14 |
23 |
21 |
10 |
6 |
6 |
10 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
5 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
3 |
3 |
0 |
2 |
2 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
Испанский гений Сальвадора де Мадариаги и проблемы национального характера |
5145 | 189 |
4 |
22 |
20 |
18 |
24 |
12 |
22 |
21 |
6 |
8 |
17 |
15 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
Возможна ли культурология как наука? |
5439 | 186 |
6 |
19 |
22 |
13 |
22 |
22 |
19 |
27 |
5 |
10 |
9 |
12 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
Информация о владельце раздела |
1670 | 162 |
5 |
32 |
11 |
15 |
16 |
13 |
22 |
25 |
3 |
2 |
8 |
10 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
1 |
3 |
4 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |