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| Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | |
| По разделу | 106227 | 935 | 77 | 102 | 95 | 69 | 56 | 80 | 132 | 78 | 73 | 76 | 49 | 48 | 1 | 5 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 3 | 3 | 3 | 4 | 4 | 7 | 3 | 3 | 3 | 3 | 2 | 3 | 3 | 3 | 5 | 4 | 4 | 3 | 4 | 4 | 4 | 2 | 3 | 3 | 3 | 2 | 2 | 5 | 3 | 2 | 5 | 3 | 3 | 5 | 4 | 3 | 5 | 4 | 3 | 4 | 4 | 6 | 3 | 2 |
| С.Выгонский. Сексуальные источники творчества Достоевского | 2069 | 303 | 21 | 27 | 22 | 16 | 18 | 12 | 80 | 24 | 29 | 19 | 23 | 12 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 6 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 3 | 2 | 2 | 1 | 0 | 4 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 1 | 0 | 0 |
| Коротко о книге С.Выгонского "Обратная сторона Интернета" | 2936 | 281 | 31 | 41 | 29 | 13 | 7 | 26 | 22 | 30 | 23 | 27 | 20 | 12 | 0 | 1 | 3 | 3 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 1 | 5 | 0 | 2 | 1 | 1 | 0 | 0 | 3 | 0 | 5 | 1 | 3 | 1 | 2 | 4 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 5 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 3 | 1 | 1 |
| С.Выгонский. Кто они - дети из камеры хранения (читая Рю Мураками)? | 1531 | 265 | 22 | 33 | 28 | 20 | 14 | 24 | 31 | 27 | 23 | 22 | 9 | 12 | 0 | 0 | 2 | 0 | 0 | 3 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 3 | 2 | 1 | 3 | 2 | 1 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 0 | 2 | 0 | 0 | 4 | 1 | 0 | 1 | 2 | 0 | 1 | 1 |
| С.Выгонский. Отец сексуальной революции Вильгельм Райх | 1584 | 264 | 18 | 36 | 34 | 20 | 18 | 15 | 24 | 20 | 22 | 22 | 18 | 17 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 3 | 2 | 0 | 1 | 1 | 0 | 2 | 3 | 1 | 3 | 1 | 3 | 0 | 3 | 3 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 3 | 2 | 1 | 2 | 1 | 0 |
| С.Выгонский. Кафка на пляже (читая Харуки Мураками) | 1334 | 232 | 31 | 18 | 27 | 22 | 14 | 16 | 30 | 12 | 28 | 14 | 9 | 11 | 1 | 0 | 0 | 1 | 0 | 3 | 2 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 2 | 4 | 4 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 4 | 0 | 0 |
| С.Выгонский. "Европа": фильм Ларса фон Триера | 1372 | 223 | 18 | 19 | 28 | 10 | 9 | 28 | 28 | 17 | 26 | 18 | 9 | 13 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 0 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 2 | 1 |
| Краткое содержание книги С.Выгонского "Обратная сторона Интернета" | 2132 | 217 | 20 | 21 | 18 | 15 | 8 | 35 | 24 | 19 | 21 | 14 | 10 | 12 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 4 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 |
| Сергей Выгонский. Фильм Анджея Вайды "Пилат и другие" (по мотивам романа М.Булгакова "Мастер и Маргарита") | 1684 | 211 | 21 | 24 | 20 | 12 | 10 | 17 | 19 | 17 | 19 | 23 | 14 | 15 | 0 | 2 | 0 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 |
| С.Выгонский. Лысый и сумасшедший - таков человек далекого будущего? | 1346 | 208 | 21 | 26 | 21 | 12 | 6 | 36 | 23 | 12 | 19 | 15 | 5 | 12 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 5 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 1 | 0 | 0 |
| С.Выгонский. О фильме "Парфюмер" Тома Тыквера | 1318 | 203 | 18 | 30 | 14 | 13 | 9 | 23 | 24 | 13 | 21 | 16 | 9 | 13 | 0 | 0 | 0 | 0 | 1 | 3 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 2 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 3 | 1 | 1 | 2 | 1 | 0 | 0 | 2 | 3 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 |
| С.Выгонский. Фильм "Жестокость" (с участием Ренаты Литвиновой) | 1749 | 203 | 24 | 28 | 25 | 11 | 6 | 16 | 17 | 20 | 19 | 15 | 11 | 11 | 0 | 4 | 0 | 0 | 0 | 2 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 3 | 1 | 1 | 0 | 3 | 3 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 2 |
| С.Выгонский. Самопознание психотерапевта. Очерк 2: Доказательство вины | 1343 | 199 | 27 | 22 | 25 | 24 | 15 | 10 | 15 | 16 | 9 | 17 | 9 | 10 | 1 | 2 | 1 | 1 | 1 | 3 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 2 | 4 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 3 | 2 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 2 | 0 |
| Аннотация на книгу Сергея Выгонского "Как выжить в эпоху Интернета" | 1575 | 198 | 21 | 20 | 20 | 16 | 11 | 14 | 20 | 17 | 19 | 15 | 13 | 12 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 4 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 2 | 0 | 0 | 1 | 3 | 1 | 3 | 1 | 2 | 0 | 0 |
| С.Выгонский. Психоанализ Вильгельма Райха - диверсия против культуры? | 1681 | 197 | 24 | 27 | 26 | 12 | 8 | 7 | 22 | 15 | 14 | 15 | 11 | 16 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 7 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 3 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 4 | 1 | 0 |
| С.Выгонский. Фильм Вонга Кар-вая "Мои черничные ночи" | 1267 | 192 | 20 | 23 | 20 | 12 | 10 | 16 | 15 | 23 | 16 | 12 | 7 | 18 | 0 | 0 | 0 | 3 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 3 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 2 | 2 | 2 | 0 | 0 | 0 |
| Сергей Выгонский. Фильм Н.Михалкова "Двенадцать" глазами психотерапевта | 1599 | 192 | 21 | 30 | 19 | 10 | 12 | 11 | 19 | 18 | 15 | 15 | 11 | 11 | 0 | 2 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 2 | 3 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 3 | 1 | 3 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 3 | 0 | 0 | 0 |
| С.Выгонский. Увидеть фильм Марко Феррери "Большая жратва" | 1380 | 192 | 18 | 26 | 18 | 9 | 11 | 16 | 23 | 15 | 19 | 15 | 7 | 15 | 0 | 0 | 0 | 3 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 3 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 3 | 1 | 1 | 3 | 0 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 0 |
| Сергей Выгонский. Фильм Ким Ки-Дука "Весна, лето, осень, зима, и опять весна" | 1701 | 191 | 16 | 29 | 19 | 10 | 10 | 12 | 18 | 19 | 22 | 15 | 8 | 13 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 2 | 0 | 3 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 3 | 1 | 0 | 2 | 3 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 2 | 1 | 2 |
| С.Выгонский. Женщина и автомобиль - полет на метле? | 1220 | 190 | 16 | 26 | 17 | 11 | 9 | 35 | 24 | 8 | 15 | 13 | 6 | 10 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 4 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 3 | 3 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | |
| С.Выгонский. Фильм Фатиха Акина "Солнце ацтеков" | 1317 | 189 | 16 | 21 | 26 | 10 | 8 | 14 | 18 | 13 | 29 | 15 | 6 | 13 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 3 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 0 |
| С.Выгонский. Комплекс имени доктора Чехова | 1411 | 188 | 26 | 18 | 24 | 14 | 6 | 10 | 25 | 14 | 13 | 18 | 7 | 13 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 2 | 6 | 1 | 2 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 |
| С.Выгонский. Последний фильм Питера Гринуэя | 1233 | 187 | 22 | 21 | 23 | 9 | 13 | 12 | 19 | 11 | 23 | 16 | 7 | 11 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 3 | 0 | 2 | 0 | 1 |
| С.Выгонский. Исповедь эротоманки (Одри Тату в фильме "Любит- не любит") | 1740 | 187 | 16 | 20 | 19 | 8 | 7 | 12 | 15 | 16 | 27 | 22 | 10 | 15 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 3 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 4 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 1 |
| С.Выгонский. Что означает сон о старухе и умершем любимом? Рассказывает психотерапевт | 1367 | 184 | 23 | 25 | 23 | 10 | 9 | 17 | 18 | 18 | 14 | 9 | 7 | 11 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 4 | 3 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 3 | 2 | 1 | 0 | 1 | 0 | 0 |
| С.Выгонский. Остров в твоей душе (фильм Лунгина) | 1226 | 184 | 20 | 31 | 17 | 10 | 13 | 11 | 18 | 13 | 18 | 14 | 9 | 10 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 3 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 3 | 1 | 2 | 2 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 4 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 6 | 0 | 0 |
| Фильм "На серебрянной планете" (по книге Ежи Жулавского) | 1475 | 183 | 21 | 18 | 23 | 8 | 11 | 10 | 16 | 20 | 19 | 14 | 9 | 14 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 3 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 |
| С.Выгонский. Пространство власти: люди и символы | 1430 | 183 | 21 | 28 | 22 | 13 | 7 | 11 | 13 | 15 | 16 | 13 | 11 | 13 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 4 | 3 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 4 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 3 | 0 | 1 |
| С.Выгонский. Фильм "Семь кабинок": место встречи изменить нельзя (психологические комплексы российского кино) | 1354 | 183 | 21 | 22 | 20 | 9 | 15 | 12 | 12 | 15 | 18 | 18 | 9 | 12 | 0 | 0 | 1 | 0 | 1 | 3 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 3 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 |
| С.Выгонский. Распад и становление в психоанализе (читая книгу Германа Гессе "Степной волк") | 2114 | 182 | 20 | 27 | 20 | 11 | 8 | 13 | 15 | 16 | 18 | 15 | 7 | 12 | 0 | 2 | 0 | 0 | 1 | 3 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 3 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 4 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 |
| Сергей Выгонский. Фильм А.Петровича "Мастер и Маргарита" (1972) | 1473 | 181 | 22 | 25 | 22 | 10 | 12 | 15 | 16 | 17 | 10 | 13 | 9 | 10 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 4 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 3 | 0 | 2 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 0 |
| С.Выгонский. Самопознание психотерапевта. Очерк 1: Символика вечности | 1407 | 181 | 22 | 23 | 19 | 10 | 12 | 21 | 16 | 17 | 6 | 16 | 8 | 11 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 5 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 0 | 2 | 1 | 1 | 0 |
| Сергей Выгонский. Страдания и сексуальность в фильме "Градива" | 1337 | 180 | 19 | 12 | 21 | 13 | 10 | 16 | 18 | 16 | 18 | 16 | 7 | 14 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 3 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 3 | 0 | 0 | 2 | 0 | 0 |
| С.Выгонский. Фильм "Собака Павлова" | 1301 | 180 | 13 | 24 | 20 | 8 | 14 | 14 | 13 | 12 | 19 | 20 | 8 | 15 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 |
| С.Выгонский. Экранизация монографии Крафта-Эбинга "Половая психопатия" | 1298 | 180 | 20 | 20 | 18 | 11 | 11 | 13 | 15 | 15 | 21 | 19 | 5 | 12 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 5 | 0 | 3 | 0 | 0 | 4 | 0 | 0 |
| Сергей Выгонский. Апокалипсис в киберпространстве | 1257 | 178 | 22 | 35 | 24 | 11 | 8 | 9 | 9 | 13 | 14 | 11 | 8 | 14 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 4 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 3 | 4 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 4 | 2 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 |
| С.Выгонский. О фильме "Дитя человеческое" | 1223 | 177 | 26 | 31 | 21 | 12 | 7 | 10 | 10 | 17 | 15 | 12 | 6 | 10 | 0 | 3 | 2 | 2 | 0 | 2 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 2 | 1 | 4 | 1 | 0 | 1 | 2 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 3 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 |
| С.Выгонский. Страх смерти | 1516 | 176 | 12 | 25 | 18 | 12 | 11 | 12 | 19 | 13 | 18 | 13 | 9 | 14 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 2 | 1 | 2 | 2 | 3 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 |
| Сергей Выгонский. Футурологические инсайты: планете угрожают климатические войны? | 1257 | 175 | 22 | 26 | 22 | 14 | 8 | 13 | 14 | 16 | 13 | 10 | 7 | 10 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 3 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 2 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 1 | 0 |
| С.Выгонский. Психопатология современных масс-медиа | 1248 | 172 | 22 | 25 | 20 | 10 | 8 | 10 | 14 | 15 | 18 | 12 | 6 | 12 | 0 | 5 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 3 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 3 | 3 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | |
| Ударные цитаты из книги С.Выгонского "Обратная сторона Интернета" | 1698 | 172 | 18 | 24 | 20 | 10 | 7 | 10 | 10 | 13 | 20 | 11 | 11 | 18 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 3 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 0 |
| С.Выгонский. Как интерпретируется сон о патронах? Объяснение психотерапевта | 1303 | 171 | 18 | 26 | 21 | 10 | 6 | 9 | 18 | 17 | 14 | 13 | 9 | 10 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 3 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 3 | 0 | 3 | 2 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 |
| С.Выгонский. Как выглядит ипохондрический ад (фильм "Сны Акиры Куросавы") | 1347 | 171 | 20 | 19 | 17 | 15 | 12 | 10 | 16 | 13 | 15 | 15 | 7 | 12 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 0 | 1 |
| С.Выгонский. Ад в кинематографе (после просмотра фильма Гринуэя "Ад Данте") | 1481 | 169 | 16 | 27 | 18 | 12 | 8 | 11 | 16 | 14 | 16 | 13 | 9 | 9 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 3 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 2 | 1 | 0 | 1 | 0 |
| С.Выгонский. Существовал ли ад Феллини? (Читая интервью мэтра итальянского кино) | 1304 | 168 | 16 | 25 | 24 | 11 | 5 | 12 | 14 | 12 | 17 | 11 | 10 | 11 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 3 | 1 | 2 | 0 | 2 | 2 | 0 |
| С.Выгонский. Фильм А.Звягинцева "Изгнание" | 1232 | 168 | 19 | 28 | 19 | 8 | 6 | 13 | 10 | 13 | 18 | 15 | 7 | 12 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 4 | 3 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 4 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 |
| Сергей Выгонский. Фильм "День, когда Земля остановилась" | 1217 | 166 | 21 | 20 | 16 | 10 | 12 | 14 | 14 | 9 | 18 | 16 | 4 | 12 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 1 | 2 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 4 | 0 | 0 | 1 | 0 | 0 | 0 |
| С.Выгонский. Создание автопортрета как метод психотерапии | 1146 | 166 | 19 | 29 | 19 | 11 | 3 | 8 | 12 | 16 | 13 | 14 | 9 | 13 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 2 | 1 | 3 | 0 | 0 | 2 | 1 | 1 | 2 | 2 | 0 | 1 | 3 | 0 | 0 | 3 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 3 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 |
| С.Выгонский. Сон о злобной секретарше | 1419 | 166 | 20 | 31 | 20 | 14 | 5 | 13 | 13 | 11 | 7 | 12 | 8 | 12 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 3 | 0 | 4 | 0 | 3 | 2 | 1 | 3 | 1 | 0 | 3 | 1 | 2 | 3 | 1 | 1 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 |
| С.Выгонский. Сон про город и океан | 1603 | 165 | 13 | 16 | 20 | 13 | 10 | 7 | 20 | 17 | 12 | 16 | 7 | 14 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 3 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 3 | 1 | 1 | 1 |
| Содержание книги Сергея Выгонского "Как выжить в эпоху Интернета" | 1566 | 165 | 16 | 21 | 23 | 12 | 7 | 9 | 12 | 7 | 16 | 16 | 10 | 16 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 2 | 3 | 2 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 3 | 2 |
| Информация о владельце раздела | 1204 | 164 | 13 | 30 | 16 | 10 | 7 | 8 | 13 | 17 | 12 | 20 | 7 | 11 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 4 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 3 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 |
| С.Выгонский. Фильм Ларса фон Триера "Антихрист": мнение психотерапевта | 1911 | 164 | 12 | 16 | 20 | 14 | 7 | 12 | 18 | 10 | 21 | 12 | 10 | 12 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 |
| Глава 3. Существует ли Интернет-психология? | 1432 | 162 | 16 | 25 | 21 | 10 | 4 | 9 | 11 | 15 | 14 | 13 | 11 | 13 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 1 | 0 | 2 | 2 | 4 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 4 | 1 | 1 | 0 |
| С.Выгонский. Линукс как психологический феномен | 1467 | 162 | 14 | 20 | 19 | 13 | 8 | 10 | 17 | 15 | 15 | 12 | 7 | 12 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 4 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 3 | 2 | 1 |
| С.Выгонский. Как расшифровывать сны? Примеры из практики психотерапевта | 1529 | 161 | 18 | 18 | 17 | 11 | 6 | 11 | 15 | 17 | 15 | 13 | 7 | 13 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 4 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 |
| Сергей Выгонский. Маркетинговые войны: религия против Дарвина? | 1272 | 161 | 19 | 22 | 16 | 9 | 9 | 9 | 13 | 10 | 22 | 11 | 8 | 13 | 0 | 4 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 3 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 4 | 0 | 0 | 0 |
| С.Выгонский. Культура и политика в стиле Bdsm. Послесловие к статье "политическая карьера маркиза де Сада" | 1286 | 161 | 17 | 23 | 16 | 10 | 13 | 10 | 17 | 8 | 17 | 9 | 11 | 10 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 4 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 2 | 1 | 0 | 0 | 2 | 2 | 2 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 |
| С.Выгонский. Будущее Интернета (исследование Netfuture.ru) | 1285 | 160 | 25 | 16 | 19 | 13 | 7 | 7 | 15 | 11 | 14 | 16 | 6 | 11 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 3 | 4 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 5 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 |
| Сергей Выгонский. Фильм Киры Муратововой "Два в одном" | 1237 | 159 | 22 | 18 | 14 | 10 | 9 | 9 | 21 | 10 | 16 | 10 | 10 | 10 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 3 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | |
| С.Выгонский. Фильм "Жара" как модель локальной утопии | 1287 | 159 | 17 | 18 | 18 | 10 | 7 | 13 | 14 | 20 | 13 | 14 | 6 | 9 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 3 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 |
| С.Выгонский. Самопознание психотерапевта. Очерк 3: Величие и нищета страха | 1194 | 157 | 11 | 13 | 26 | 9 | 8 | 10 | 12 | 14 | 12 | 17 | 10 | 15 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 3 | 2 | 0 | 0 | 0 |
| С.Выгонский. Фильм Терри Гильяма "Страна приливов" | 1074 | 156 | 13 | 19 | 21 | 11 | 7 | 13 | 11 | 7 | 21 | 13 | 8 | 12 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 3 | 1 | 1 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 2 | 0 | 0 |
| С.Выгонский. Что означают сны с числом пять? Мнение психотерапевта | 1239 | 155 | 15 | 19 | 13 | 11 | 7 | 12 | 15 | 13 | 16 | 16 | 9 | 9 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 3 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 |
| С.Выгонский. Бог как Pr-технология (читая Пелевина) | 1368 | 155 | 20 | 25 | 14 | 12 | 7 | 8 | 18 | 10 | 15 | 12 | 4 | 10 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 2 | 6 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 3 | 0 | 0 | 3 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 |
| С.Выгонский. Политическая карьера маркиза де Сада | 1265 | 154 | 16 | 20 | 15 | 13 | 9 | 11 | 12 | 13 | 13 | 9 | 11 | 12 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 3 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 |
| Ударные цитаты из книги Сергея Выгонского "Как выжить в эпоху Интернета" | 1258 | 153 | 18 | 18 | 20 | 13 | 7 | 9 | 12 | 12 | 13 | 12 | 9 | 10 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 6 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 3 | 2 |
| С.Выгонский. Сон о комнате с зеркалами | 1397 | 151 | 13 | 24 | 16 | 9 | 10 | 8 | 16 | 8 | 9 | 16 | 8 | 14 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 3 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 3 | 0 | 0 |
| С.Выгонский. Фильм Фасбиндера "Лили Марлен", или что такое абсолютное зло | 1323 | 151 | 17 | 16 | 20 | 10 | 7 | 11 | 15 | 10 | 16 | 10 | 8 | 11 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 |
| С.Выгонский. Фильмотерапия: "Головой об стену" (Фатих Акин) | 1602 | 150 | 16 | 16 | 16 | 8 | 7 | 11 | 13 | 10 | 16 | 15 | 12 | 10 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 |
| С.Выгонский. Как расшифровывается сон про мертвых украинских политиков? Комментарий психотерапевта | 1218 | 150 | 12 | 16 | 22 | 10 | 4 | 10 | 14 | 8 | 19 | 12 | 10 | 13 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 0 |
| Аннотация к книге С.Выгонского "Обратная сторона Интернета" | 1200 | 145 | 14 | 21 | 14 | 11 | 5 | 5 | 14 | 16 | 13 | 12 | 7 | 13 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 3 | 1 | 2 | 0 | 1 | 0 | 0 | 4 | 0 | 0 | 0 | 0 |
| Глава 1. Психология и компьютеры | 1473 | 143 | 12 | 15 | 23 | 7 | 7 | 12 | 11 | 11 | 17 | 10 | 9 | 9 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 1 |
| С.Выгонский. Сон о старухе и умершем любимом | 1390 | 141 | 17 | 16 | 20 | 7 | 12 | 7 | 10 | 7 | 12 | 14 | 8 | 11 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 3 | 0 | 1 | 1 | 3 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 0 |
| С.Выгонский. Конец европейского кино? (возвращаясь к фильму Микеланджело Антониони "Фотоувеличение") | 1195 | 141 | 14 | 19 | 11 | 10 | 8 | 8 | 16 | 12 | 16 | 9 | 8 | 10 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 |