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Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | |
По разделу | 104923 | 865 | 7 | 102 | 95 | 69 | 56 | 80 | 132 | 78 | 73 | 76 | 49 | 48 | 1 | 3 | 3 | 3 | 3 | 2 | 3 | 3 | 3 | 5 | 4 | 4 | 3 | 4 | 4 | 4 | 2 | 3 | 3 | 3 | 2 | 2 | 5 | 3 | 2 | 5 | 3 | 3 | 5 | 4 | 3 | 5 | 4 | 3 | 4 | 4 | 6 | 3 | 2 | 3 | 2 | 2 | 3 | 2 | 2 | 4 | 3 | 4 | 3 | 2 | 3 | 3 | 2 | 3 | 3 | 5 | 4 | 2 | 2 | 3 | 3 | 3 |
С.Выгонский. Сексуальные источники творчества Достоевского | 2048 | 282 | 0 | 27 | 22 | 16 | 18 | 12 | 80 | 24 | 29 | 19 | 23 | 12 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 3 | 2 | 2 | 1 | 0 | 4 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 2 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 |
Коротко о книге С.Выгонского "Обратная сторона Интернета" | 2908 | 253 | 3 | 41 | 29 | 13 | 7 | 26 | 22 | 30 | 23 | 27 | 20 | 12 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 3 | 0 | 5 | 1 | 3 | 1 | 2 | 4 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 5 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 3 | 1 | 1 | 0 | 0 | 1 | 3 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 3 |
С.Выгонский. Отец сексуальной революции Вильгельм Райх | 1568 | 248 | 2 | 36 | 34 | 20 | 18 | 15 | 24 | 20 | 22 | 22 | 18 | 17 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 3 | 1 | 3 | 1 | 3 | 0 | 3 | 3 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 3 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 3 | 0 | 1 | 0 | 1 | 1 | 1 | 3 | 2 | 1 | 1 | 3 | 0 | 1 |
С.Выгонский. Кто они - дети из камеры хранения (читая Рю Мураками)? | 1512 | 246 | 3 | 33 | 28 | 20 | 14 | 24 | 31 | 27 | 23 | 22 | 9 | 12 | 0 | 2 | 1 | 3 | 2 | 1 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 0 | 2 | 0 | 0 | 4 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 2 |
С.Выгонский. "Европа": фильм Ларса фон Триера | 1354 | 205 | 0 | 19 | 28 | 10 | 9 | 28 | 28 | 17 | 26 | 18 | 9 | 13 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 0 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 1 |
С.Выгонский. Кафка на пляже (читая Харуки Мураками) | 1306 | 204 | 3 | 18 | 27 | 22 | 14 | 16 | 30 | 12 | 28 | 14 | 9 | 11 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 4 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 3 | 1 | 2 | 0 | 1 | 1 | 2 |
Краткое содержание книги С.Выгонского "Обратная сторона Интернета" | 2112 | 197 | 0 | 21 | 18 | 15 | 8 | 35 | 24 | 19 | 21 | 14 | 10 | 12 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 |
Сергей Выгонский. Фильм Анджея Вайды "Пилат и другие" (по мотивам романа М.Булгакова "Мастер и Маргарита") | 1666 | 193 | 3 | 24 | 20 | 12 | 10 | 17 | 19 | 17 | 19 | 23 | 14 | 15 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 2 |
С.Выгонский. Лысый и сумасшедший - таков человек далекого будущего? | 1325 | 187 | 0 | 26 | 21 | 12 | 6 | 36 | 23 | 12 | 19 | 15 | 5 | 12 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 0 |
С.Выгонский. О фильме "Парфюмер" Тома Тыквера | 1300 | 185 | 0 | 30 | 14 | 13 | 9 | 23 | 24 | 13 | 21 | 16 | 9 | 13 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 3 | 1 | 1 | 2 | 1 | 0 | 0 | 2 | 3 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 1 |
С.Выгонский. Фильм "Жестокость" (с участием Ренаты Литвиновой) | 1728 | 182 | 3 | 28 | 25 | 11 | 6 | 16 | 17 | 20 | 19 | 15 | 11 | 11 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 3 | 1 | 1 | 0 | 3 | 3 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 1 |
Аннотация на книгу Сергея Выгонского "Как выжить в эпоху Интернета" | 1555 | 178 | 1 | 20 | 20 | 16 | 11 | 14 | 20 | 17 | 19 | 15 | 13 | 12 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 2 | 0 | 0 | 1 | 3 | 1 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 |
Сергей Выгонский. Фильм Ким Ки-Дука "Весна, лето, осень, зима, и опять весна" | 1688 | 178 | 3 | 29 | 19 | 10 | 10 | 12 | 18 | 19 | 22 | 15 | 8 | 13 | 0 | 0 | 3 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 3 | 1 | 0 | 2 | 3 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 |
С.Выгонский. Женщина и автомобиль - полет на метле? | 1205 | 175 | 1 | 26 | 17 | 11 | 9 | 35 | 24 | 8 | 15 | 13 | 6 | 10 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 4 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 3 | 3 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 1 | 0 | 0 | 0 |
С.Выгонский. Психоанализ Вильгельма Райха - диверсия против культуры? | 1659 | 175 | 2 | 27 | 26 | 12 | 8 | 7 | 22 | 15 | 14 | 15 | 11 | 16 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 3 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 4 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 |
С.Выгонский. Фильм Фатиха Акина "Солнце ацтеков" | 1302 | 174 | 1 | 21 | 26 | 10 | 8 | 14 | 18 | 13 | 29 | 15 | 6 | 13 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 3 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 5 | 3 | 1 | 0 | 1 | 2 | 1 |
С.Выгонский. Самопознание психотерапевта. Очерк 2: Доказательство вины | 1318 | 174 | 2 | 22 | 25 | 24 | 15 | 10 | 15 | 16 | 9 | 17 | 9 | 10 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 3 | 2 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 3 | 0 | 3 | 1 | 0 | 0 | 1 | 2 | 0 |
С.Выгонский. Увидеть фильм Марко Феррери "Большая жратва" | 1362 | 174 | 0 | 26 | 18 | 9 | 11 | 16 | 23 | 15 | 19 | 15 | 7 | 15 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 3 | 1 | 1 | 3 | 0 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 |
Сергей Выгонский. Фильм Н.Михалкова "Двенадцать" глазами психотерапевта | 1580 | 173 | 2 | 30 | 19 | 10 | 12 | 11 | 19 | 18 | 15 | 15 | 11 | 11 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 2 | 3 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 3 | 1 | 3 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | |
С.Выгонский. Фильм Вонга Кар-вая "Мои черничные ночи" | 1247 | 172 | 0 | 23 | 20 | 12 | 10 | 16 | 15 | 23 | 16 | 12 | 7 | 18 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 0 |
С.Выгонский. Исповедь эротоманки (Одри Тату в фильме "Любит- не любит") | 1724 | 171 | 0 | 20 | 19 | 8 | 7 | 12 | 15 | 16 | 27 | 22 | 10 | 15 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 4 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 |
С.Выгонский. Фильм "Собака Павлова" | 1289 | 168 | 1 | 24 | 20 | 8 | 14 | 14 | 13 | 12 | 19 | 20 | 8 | 15 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 1 |
С.Выгонский. Последний фильм Питера Гринуэя | 1213 | 167 | 2 | 21 | 23 | 9 | 13 | 12 | 19 | 11 | 23 | 16 | 7 | 11 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 3 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 2 |
С.Выгонский. Комплекс имени доктора Чехова | 1388 | 165 | 3 | 18 | 24 | 14 | 6 | 10 | 25 | 14 | 13 | 18 | 7 | 13 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 2 | 2 | 1 |
С.Выгонский. Что означает сон о старухе и умершем любимом? Рассказывает психотерапевт | 1347 | 164 | 3 | 25 | 23 | 10 | 9 | 17 | 18 | 18 | 14 | 9 | 7 | 11 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 3 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 2 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 2 | 0 |
С.Выгонский. Страх смерти | 1504 | 164 | 0 | 25 | 18 | 12 | 11 | 12 | 19 | 13 | 18 | 13 | 9 | 14 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 2 | 1 | 2 | 2 | 3 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 1 |
С.Выгонский. Остров в твоей душе (фильм Лунгина) | 1206 | 164 | 0 | 31 | 17 | 10 | 13 | 11 | 18 | 13 | 18 | 14 | 9 | 10 | 0 | 0 | 0 | 1 | 3 | 1 | 2 | 2 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 4 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 6 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 |
Фильм "На серебрянной планете" (по книге Ежи Жулавского) | 1455 | 163 | 1 | 18 | 23 | 8 | 11 | 10 | 16 | 20 | 19 | 14 | 9 | 14 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 3 | 0 | 1 | 0 | 2 | 1 |
С.Выгонский. Пространство власти: люди и символы | 1410 | 163 | 1 | 28 | 22 | 13 | 7 | 11 | 13 | 15 | 16 | 13 | 11 | 13 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 4 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 |
С.Выгонский. Фильм "Семь кабинок": место встречи изменить нельзя (психологические комплексы российского кино) | 1334 | 163 | 1 | 22 | 20 | 9 | 15 | 12 | 12 | 15 | 18 | 18 | 9 | 12 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 3 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 2 | 1 | 2 | 1 | 0 | 0 |
Сергей Выгонский. Страдания и сексуальность в фильме "Градива" | 1319 | 162 | 1 | 12 | 21 | 13 | 10 | 16 | 18 | 16 | 18 | 16 | 7 | 14 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 3 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 |
С.Выгонский. Распад и становление в психоанализе (читая книгу Германа Гессе "Степной волк") | 2094 | 162 | 0 | 27 | 20 | 11 | 8 | 13 | 15 | 16 | 18 | 15 | 7 | 12 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 4 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 1 | 2 |
Сергей Выгонский. Фильм А.Петровича "Мастер и Маргарита" (1972) | 1453 | 161 | 2 | 25 | 22 | 10 | 12 | 15 | 16 | 17 | 10 | 13 | 9 | 10 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 3 | 0 | 2 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 3 |
С.Выгонский. Самопознание психотерапевта. Очерк 1: Символика вечности | 1386 | 160 | 1 | 23 | 19 | 10 | 12 | 21 | 16 | 17 | 6 | 16 | 8 | 11 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 5 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 3 | 1 |
С.Выгонский. Экранизация монографии Крафта-Эбинга "Половая психопатия" | 1278 | 160 | 0 | 20 | 18 | 11 | 11 | 13 | 15 | 15 | 21 | 19 | 5 | 12 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 5 | 0 | 3 | 0 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 |
Сергей Выгонский. Апокалипсис в киберпространстве | 1236 | 157 | 1 | 35 | 24 | 11 | 8 | 9 | 9 | 13 | 14 | 11 | 8 | 14 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 3 | 4 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 4 | 2 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 2 | 0 | 2 | 0 |
Сергей Выгонский. Футурологические инсайты: планете угрожают климатические войны? | 1238 | 156 | 3 | 26 | 22 | 14 | 8 | 13 | 14 | 16 | 13 | 10 | 7 | 10 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 2 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 4 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 |
С.Выгонский. Как интерпретируется сон о патронах? Объяснение психотерапевта | 1287 | 155 | 2 | 26 | 21 | 10 | 6 | 9 | 18 | 17 | 14 | 13 | 9 | 10 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 3 | 0 | 3 | 2 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 |
Ударные цитаты из книги С.Выгонского "Обратная сторона Интернета" | 1681 | 155 | 1 | 24 | 20 | 10 | 7 | 10 | 10 | 13 | 20 | 11 | 11 | 18 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 3 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | |
С.Выгонский. Сон про город и океан | 1592 | 154 | 2 | 16 | 20 | 13 | 10 | 7 | 20 | 17 | 12 | 16 | 7 | 14 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 3 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 |
С.Выгонский. Ад в кинематографе (после просмотра фильма Гринуэя "Ад Данте") | 1466 | 154 | 1 | 27 | 18 | 12 | 8 | 11 | 16 | 14 | 16 | 13 | 9 | 9 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 3 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 1 |
С.Выгонский. Фильм Ларса фон Триера "Антихрист": мнение психотерапевта | 1900 | 153 | 1 | 16 | 20 | 14 | 7 | 12 | 18 | 10 | 21 | 12 | 10 | 12 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 |
С.Выгонский. О фильме "Дитя человеческое" | 1198 | 152 | 1 | 31 | 21 | 12 | 7 | 10 | 10 | 17 | 15 | 12 | 6 | 10 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 2 | 1 | 4 | 1 | 0 | 1 | 2 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 3 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 |
С.Выгонский. Существовал ли ад Феллини? (Читая интервью мэтра итальянского кино) | 1288 | 152 | 0 | 25 | 24 | 11 | 5 | 12 | 14 | 12 | 17 | 11 | 10 | 11 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 3 | 1 | 2 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 4 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 |
С.Выгонский. Как выглядит ипохондрический ад (фильм "Сны Акиры Куросавы") | 1328 | 152 | 1 | 19 | 17 | 15 | 12 | 10 | 16 | 13 | 15 | 15 | 7 | 12 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 |
С.Выгонский. Психопатология современных масс-медиа | 1227 | 151 | 1 | 25 | 20 | 10 | 8 | 10 | 14 | 15 | 18 | 12 | 6 | 12 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 3 | 3 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 |
С.Выгонский. Фильм А.Звягинцева "Изгнание" | 1215 | 151 | 2 | 28 | 19 | 8 | 6 | 13 | 10 | 13 | 18 | 15 | 7 | 12 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 4 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 4 | 0 | 0 | 0 | 1 | 2 |
С.Выгонский. Сон о злобной секретарше | 1404 | 151 | 5 | 31 | 20 | 14 | 5 | 13 | 13 | 11 | 7 | 12 | 8 | 12 | 0 | 3 | 2 | 1 | 3 | 1 | 0 | 3 | 1 | 2 | 3 | 1 | 1 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 2 | 0 | 0 | 0 | 0 | 0 |
Информация о владельце раздела | 1191 | 151 | 0 | 30 | 16 | 10 | 7 | 8 | 13 | 17 | 12 | 20 | 7 | 11 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 4 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 3 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 |
Содержание книги Сергея Выгонского "Как выжить в эпоху Интернета" | 1550 | 149 | 0 | 21 | 23 | 12 | 7 | 9 | 12 | 7 | 16 | 16 | 10 | 16 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 3 | 2 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 3 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 0 |
Глава 3. Существует ли Интернет-психология? | 1418 | 148 | 2 | 25 | 21 | 10 | 4 | 9 | 11 | 15 | 14 | 13 | 11 | 13 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 1 | 0 | 2 | 2 | 4 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 4 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 |
С.Выгонский. Линукс как психологический феномен | 1453 | 148 | 0 | 20 | 19 | 13 | 8 | 10 | 17 | 15 | 15 | 12 | 7 | 12 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 3 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 |
С.Выгонский. Создание автопортрета как метод психотерапии | 1127 | 147 | 0 | 29 | 19 | 11 | 3 | 8 | 12 | 16 | 13 | 14 | 9 | 13 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 2 | 0 | 1 | 3 | 0 | 0 | 3 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 3 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 |
С.Выгонский. Самопознание психотерапевта. Очерк 3: Величие и нищета страха | 1184 | 147 | 1 | 13 | 26 | 9 | 8 | 10 | 12 | 14 | 12 | 17 | 10 | 15 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 3 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 |
Сергей Выгонский. Фильм "День, когда Земля остановилась" | 1196 | 145 | 0 | 20 | 16 | 10 | 12 | 14 | 14 | 9 | 18 | 16 | 4 | 12 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 4 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 2 | 3 | 0 | 1 | 0 | 0 | 1 |
С.Выгонский. Фильм Терри Гильяма "Страна приливов" | 1062 | 144 | 1 | 19 | 21 | 11 | 7 | 13 | 11 | 7 | 21 | 13 | 8 | 12 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 3 | 1 | 1 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 |
С.Выгонский. Как расшифровывать сны? Примеры из практики психотерапевта | 1512 | 144 | 1 | 18 | 17 | 11 | 6 | 11 | 15 | 17 | 15 | 13 | 7 | 13 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 |
С.Выгонский. Культура и политика в стиле Bdsm. Послесловие к статье "политическая карьера маркиза де Сада" | 1269 | 144 | 0 | 23 | 16 | 10 | 13 | 10 | 17 | 8 | 17 | 9 | 11 | 10 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 2 | 1 | 0 | 0 | 2 | 2 | 2 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 |
С.Выгонский. Фильм "Жара" как модель локальной утопии | 1271 | 143 | 1 | 18 | 18 | 10 | 7 | 13 | 14 | 20 | 13 | 14 | 6 | 9 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 0 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | |
Сергей Выгонский. Маркетинговые войны: религия против Дарвина? | 1253 | 142 | 0 | 22 | 16 | 9 | 9 | 9 | 13 | 10 | 22 | 11 | 8 | 13 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 |
Сергей Выгонский. Фильм Киры Муратововой "Два в одном" | 1218 | 140 | 3 | 18 | 14 | 10 | 9 | 9 | 21 | 10 | 16 | 10 | 10 | 10 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 0 |
С.Выгонский. Что означают сны с числом пять? Мнение психотерапевта | 1224 | 140 | 0 | 19 | 13 | 11 | 7 | 12 | 15 | 13 | 16 | 16 | 9 | 9 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 |
С.Выгонский. Сон о комнате с зеркалами | 1385 | 139 | 1 | 24 | 16 | 9 | 10 | 8 | 16 | 8 | 9 | 16 | 8 | 14 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 |
С.Выгонский. Будущее Интернета (исследование Netfuture.ru) | 1263 | 138 | 3 | 16 | 19 | 13 | 7 | 7 | 15 | 11 | 14 | 16 | 6 | 11 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 5 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 |
С.Выгонский. Политическая карьера маркиза де Сада | 1249 | 138 | 0 | 20 | 15 | 13 | 9 | 11 | 12 | 13 | 13 | 9 | 11 | 12 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 3 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 |
С.Выгонский. Как расшифровывается сон про мертвых украинских политиков? Комментарий психотерапевта | 1206 | 138 | 0 | 16 | 22 | 10 | 4 | 10 | 14 | 8 | 19 | 12 | 10 | 13 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 |
Ударные цитаты из книги Сергея Выгонского "Как выжить в эпоху Интернета" | 1242 | 137 | 2 | 18 | 20 | 13 | 7 | 9 | 12 | 12 | 13 | 12 | 9 | 10 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 3 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 |
С.Выгонский. Бог как Pr-технология (читая Пелевина) | 1349 | 136 | 1 | 25 | 14 | 12 | 7 | 8 | 18 | 10 | 15 | 12 | 4 | 10 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 3 | 0 | 0 | 3 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 |
С.Выгонский. Фильмотерапия: "Головой об стену" (Фатих Акин) | 1587 | 135 | 1 | 16 | 16 | 8 | 7 | 11 | 13 | 10 | 16 | 15 | 12 | 10 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 0 |
С.Выгонский. Фильм Фасбиндера "Лили Марлен", или что такое абсолютное зло | 1306 | 134 | 0 | 16 | 20 | 10 | 7 | 11 | 15 | 10 | 16 | 10 | 8 | 11 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 2 | 1 | 1 |
Глава 1. Психология и компьютеры | 1462 | 132 | 1 | 15 | 23 | 7 | 7 | 12 | 11 | 11 | 17 | 10 | 9 | 9 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 |
Аннотация к книге С.Выгонского "Обратная сторона Интернета" | 1187 | 132 | 1 | 21 | 14 | 11 | 5 | 5 | 14 | 16 | 13 | 12 | 7 | 13 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 3 | 1 | 2 | 0 | 1 | 0 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 |
С.Выгонский. Конец европейского кино? (возвращаясь к фильму Микеланджело Антониони "Фотоувеличение") | 1182 | 128 | 1 | 19 | 11 | 10 | 8 | 8 | 16 | 12 | 16 | 9 | 8 | 10 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 2 |
С.Выгонский. Сон о старухе и умершем любимом | 1374 | 125 | 1 | 16 | 20 | 7 | 12 | 7 | 10 | 7 | 12 | 14 | 8 | 11 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 2 | 0 | 0 | 0 |
Новые книги авторов СИ, вышедшие из печати:
О.Болдырева "Крадуш. Чужие души"
М.Николаев "Вторжение на Землю"