| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 |
|
По разделу |
794024 | 2307 |
38 |
313 |
393 |
161 |
180 |
221 |
167 |
176 |
180 |
151 |
133 |
194 |
0 |
5 |
8 |
4 |
8 |
13 |
10 |
23 |
17 |
27 |
28 |
34 |
7 |
5 |
9 |
5 |
6 |
13 |
3 |
5 |
7 |
5 |
6 |
14 |
7 |
9 |
6 |
5 |
3 |
4 |
15 |
3 |
6 |
3 |
24 |
4 |
78 |
54 |
100 |
8 |
5 |
6 |
4 |
7 |
5 |
4 |
4 |
4 |
3 |
4 |
6 |
4 |
13 |
5 |
3 |
3 |
7 |
8 |
4 |
6 |
4 |
4 |
|
Поэтика абсурда в аспекте литературно-художественной методологии |
30524 | 1361 |
20 |
158 |
187 |
81 |
112 |
163 |
132 |
122 |
114 |
66 |
93 |
113 |
0 |
1 |
6 |
0 |
8 |
5 |
1 |
4 |
2 |
3 |
12 |
4 |
2 |
3 |
9 |
1 |
5 |
13 |
2 |
5 |
2 |
4 |
4 |
12 |
7 |
7 |
0 |
0 |
2 |
1 |
15 |
1 |
6 |
3 |
24 |
4 |
78 |
3 |
4 |
2 |
4 |
5 |
2 |
3 |
5 |
3 |
3 |
2 |
3 |
3 |
2 |
3 |
13 |
5 |
1 |
2 |
7 |
1 |
4 |
6 |
1 |
3 |
|
Поэтика абсурда. Часть 1 |
3663 | 872 |
20 |
93 |
98 |
61 |
70 |
102 |
82 |
92 |
60 |
58 |
59 |
77 |
0 |
2 |
8 |
2 |
3 |
5 |
1 |
5 |
0 |
4 |
5 |
2 |
2 |
2 |
5 |
3 |
5 |
0 |
2 |
2 |
7 |
5 |
3 |
4 |
2 |
6 |
0 |
1 |
3 |
4 |
5 |
1 |
6 |
1 |
4 |
3 |
4 |
3 |
2 |
2 |
2 |
2 |
1 |
4 |
2 |
3 |
2 |
2 |
0 |
2 |
4 |
2 |
4 |
0 |
3 |
3 |
6 |
8 |
4 |
2 |
3 |
2 |
|
Метод приведения к абсурду в школьной классике |
2434 | 792 |
11 |
66 |
201 |
38 |
59 |
68 |
57 |
64 |
52 |
51 |
46 |
79 |
0 |
1 |
2 |
4 |
3 |
1 |
0 |
2 |
2 |
3 |
3 |
2 |
7 |
2 |
3 |
4 |
5 |
2 |
3 |
1 |
2 |
4 |
4 |
2 |
2 |
2 |
0 |
3 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
54 |
100 |
2 |
4 |
2 |
2 |
3 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
4 |
3 |
0 |
1 |
0 |
1 |
2 |
2 |
5 |
0 |
1 |
|
Почему умирает Акакий Акакиевич в повести "Шинель" Гоголя |
3446 | 724 |
10 |
58 |
51 |
49 |
58 |
104 |
67 |
70 |
54 |
57 |
60 |
86 |
0 |
0 |
4 |
0 |
4 |
2 |
2 |
3 |
6 |
3 |
2 |
9 |
0 |
2 |
2 |
4 |
1 |
1 |
1 |
0 |
7 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
3 |
2 |
2 |
0 |
3 |
0 |
0 |
1 |
3 |
0 |
4 |
0 |
3 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
4 |
1 |
4 |
|
Мертвые души: хозяйственная бесхозяйственность |
2550 | 565 |
7 |
50 |
42 |
31 |
51 |
70 |
76 |
63 |
42 |
45 |
48 |
40 |
0 |
2 |
1 |
2 |
0 |
2 |
4 |
6 |
3 |
1 |
4 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
5 |
1 |
0 |
2 |
1 |
3 |
1 |
1 |
3 |
1 |
2 |
0 |
2 |
2 |
3 |
0 |
2 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
3 |
0 |
3 |
1 |
2 |
1 |
0 |
2 |
0 |
2 |
2 |
2 |
|
Гипербола и Гиперборея Маяковского |
1404 | 547 |
7 |
49 |
45 |
31 |
38 |
67 |
60 |
71 |
47 |
42 |
43 |
47 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
4 |
3 |
5 |
1 |
3 |
4 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
3 |
0 |
3 |
0 |
3 |
1 |
0 |
3 |
0 |
2 |
0 |
3 |
1 |
0 |
3 |
0 |
3 |
0 |
3 |
0 |
1 |
3 |
1 |
3 |
0 |
1 |
1 |
1 |
6 |
0 |
3 |
0 |
2 |
0 |
0 |
4 |
0 |
0 |
4 |
0 |
|
Внутренний монолог |
1369 | 545 |
5 |
53 |
41 |
31 |
37 |
65 |
66 |
67 |
48 |
47 |
38 |
47 |
0 |
2 |
0 |
2 |
0 |
1 |
3 |
2 |
3 |
3 |
4 |
1 |
2 |
5 |
0 |
3 |
2 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
3 |
2 |
3 |
0 |
1 |
2 |
3 |
0 |
2 |
0 |
2 |
0 |
4 |
0 |
1 |
3 |
1 |
2 |
0 |
2 |
0 |
4 |
0 |
0 |
2 |
0 |
3 |
0 |
4 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
4 |
0 |
|
Автобиографизм и автопсихологизм |
1120 | 520 |
4 |
51 |
40 |
32 |
50 |
60 |
64 |
58 |
36 |
45 |
36 |
44 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
3 |
2 |
5 |
4 |
2 |
2 |
2 |
2 |
1 |
2 |
0 |
2 |
1 |
2 |
2 |
2 |
4 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
3 |
1 |
3 |
1 |
3 |
1 |
4 |
0 |
0 |
0 |
3 |
0 |
3 |
0 |
1 |
3 |
0 |
3 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
|
"Волшебная самоволка" Сергея Панарина сквозь призму Войновича |
6090 | 437 |
5 |
29 |
22 |
12 |
36 |
59 |
47 |
54 |
29 |
21 |
35 |
88 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
3 |
0 |
1 |
2 |
1 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
|
Интервью с Аланом Эбботом, взятое на берегах Невы во время встречи Си-Петербург |
3114 | 415 |
5 |
35 |
23 |
11 |
30 |
44 |
41 |
44 |
27 |
29 |
22 |
104 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
5 |
2 |
0 |
1 |
1 |
3 |
1 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
|
В чем философский смысл фильма "Остров проклятых" |
1317 | 407 |
3 |
24 |
17 |
29 |
26 |
34 |
31 |
42 |
34 |
44 |
52 |
71 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
3 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
|
Полифония Блока |
1758 | 368 |
5 |
37 |
20 |
16 |
34 |
54 |
47 |
47 |
36 |
22 |
16 |
34 |
0 |
1 |
0 |
1 |
0 |
3 |
3 |
0 |
3 |
2 |
2 |
3 |
0 |
0 |
1 |
1 |
6 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
0 |
|
Шукшин ли "Хозяин бани и огорода"? |
2271 | 361 |
2 |
24 |
23 |
16 |
34 |
63 |
42 |
43 |
31 |
23 |
30 |
30 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
3 |
|
Энтропия.net |
6326 | 343 |
4 |
34 |
10 |
10 |
37 |
52 |
39 |
45 |
24 |
33 |
23 |
32 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
4 |
2 |
3 |
1 |
1 |
3 |
4 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Что общего между не любящими друг друга Раскольниковым и Лужиным |
1285 | 341 |
4 |
45 |
25 |
12 |
28 |
51 |
41 |
42 |
33 |
23 |
18 |
19 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
5 |
2 |
3 |
0 |
2 |
3 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
3 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
|
Пестрый дятел |
4884 | 339 |
4 |
33 |
16 |
14 |
18 |
50 |
45 |
55 |
37 |
22 |
23 |
22 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
3 |
1 |
0 |
1 |
2 |
1 |
1 |
5 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Елена Чудинова. Мечеть Парижской Богоматери |
11984 | 337 |
3 |
37 |
17 |
13 |
20 |
53 |
39 |
46 |
32 |
28 |
21 |
28 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
5 |
3 |
2 |
3 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
5 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
|
С какой целью нарушен хронологический порядок глав в "Герое нашего времени" |
1147 | 336 |
2 |
39 |
18 |
9 |
33 |
40 |
37 |
37 |
28 |
25 |
25 |
43 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
4 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
3 |
2 |
4 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Медвежонок |
9216 | 335 |
3 |
33 |
15 |
16 |
25 |
48 |
45 |
49 |
35 |
25 |
22 |
19 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
3 |
2 |
1 |
2 |
2 |
2 |
1 |
4 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 |
|
Смертная казнь как эротика государственного самоубийства |
7839 | 335 |
3 |
32 |
20 |
21 |
40 |
44 |
41 |
39 |
28 |
25 |
21 |
21 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
3 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Михаил Гарцев. История внутри нас |
4664 | 334 |
2 |
29 |
18 |
16 |
28 |
42 |
37 |
40 |
23 |
29 |
42 |
28 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
2 |
2 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
4 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
3 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Интерьер в "Капитанской дочке" |
1625 | 333 |
3 |
31 |
13 |
16 |
26 |
42 |
43 |
67 |
25 |
20 |
21 |
26 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
2 |
2 |
2 |
4 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
3 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
|
Жанр фантастики сегодня: С.Лукьяненко, С.Алексеев, А.Виноградов |
5897 | 332 |
6 |
26 |
21 |
15 |
26 |
46 |
42 |
47 |
34 |
29 |
18 |
22 |
0 |
0 |
1 |
0 |
1 |
4 |
1 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
3 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
3 |
1 |
|
Печорин и декабристы - бесславие героев времени |
1591 | 328 |
3 |
33 |
24 |
19 |
24 |
45 |
34 |
40 |
27 |
29 |
18 |
32 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
4 |
3 |
4 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
4 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
|
Я играю вместе с мамой |
9889 | 323 |
4 |
33 |
13 |
12 |
28 |
39 |
46 |
40 |
36 |
25 |
21 |
26 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
4 |
1 |
5 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
3 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
|
Каждый знает |
6878 | 317 |
5 |
33 |
13 |
12 |
23 |
39 |
35 |
39 |
30 |
28 |
21 |
39 |
0 |
0 |
0 |
0 |
4 |
1 |
4 |
2 |
1 |
3 |
1 |
4 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Кот Васька в своей квартире |
8063 | 313 |
2 |
28 |
22 |
12 |
19 |
54 |
37 |
40 |
27 |
27 |
26 |
19 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
5 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
2 |
0 |
|
Дуэль Онегина и Ленского |
1490 | 309 |
3 |
26 |
15 |
22 |
31 |
50 |
37 |
37 |
27 |
25 |
14 |
22 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
3 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
|
Учимся мыслить логически |
3887 | 308 |
4 |
23 |
24 |
14 |
19 |
43 |
43 |
46 |
27 |
29 |
17 |
19 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
3 |
1 |
2 |
3 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
|
Александр Кушнер. Аполлон в траве |
4777 | 308 |
2 |
22 |
20 |
17 |
26 |
44 |
47 |
39 |
26 |
24 |
16 |
25 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
|
Образ России в арт-среде Интернета |
2805 | 308 |
2 |
26 |
27 |
9 |
32 |
38 |
37 |
43 |
27 |
29 |
21 |
17 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
2 |
4 |
1 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
8 |
2 |
6 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
"История Рода Толстых - история России". Фоторепортаж |
5838 | 308 |
2 |
26 |
14 |
12 |
28 |
44 |
52 |
42 |
19 |
26 |
21 |
22 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
2 |
1 |
4 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Похождения Чичикова и мертвых душ в Xxi веке |
306 | 306 |
3 |
30 |
17 |
11 |
25 |
31 |
37 |
47 |
105 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
2 |
2 |
3 |
2 |
2 |
1 |
0 |
3 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
|
Михаил Гарцев и сетевое письмо |
4686 | 306 |
3 |
25 |
21 |
8 |
27 |
43 |
34 |
44 |
32 |
25 |
22 |
22 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
3 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
5 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
|
Кто убил старуху процентщицу? |
2241 | 304 |
6 |
29 |
14 |
11 |
18 |
38 |
33 |
43 |
23 |
38 |
22 |
29 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
4 |
3 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Поэтика абсурда и образ Святой Земли |
3710 | 303 |
8 |
36 |
25 |
9 |
23 |
34 |
40 |
32 |
25 |
27 |
20 |
24 |
0 |
1 |
7 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
5 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
4 |
0 |
0 |
1 |
1 |
4 |
2 |
1 |
5 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
2 |
0 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
|
Самоубийство разума |
3282 | 302 |
3 |
30 |
13 |
15 |
24 |
37 |
35 |
45 |
26 |
30 |
22 |
22 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
1 |
6 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
|
Стихи для детей |
5645 | 302 |
2 |
25 |
16 |
11 |
30 |
49 |
38 |
39 |
26 |
28 |
19 |
19 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
5 |
5 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Ослик |
8551 | 302 |
2 |
18 |
18 |
15 |
28 |
44 |
37 |
41 |
25 |
34 |
22 |
18 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 |
|
Древесная лирика Хельги Ольшванг |
3927 | 301 |
2 |
32 |
16 |
5 |
28 |
45 |
38 |
39 |
20 |
39 |
20 |
17 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
2 |
3 |
2 |
1 |
1 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
|
Потомки "Метрополя" |
5990 | 300 |
4 |
36 |
20 |
10 |
19 |
37 |
33 |
43 |
25 |
29 |
26 |
18 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
2 |
3 |
2 |
1 |
0 |
2 |
2 |
4 |
3 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
|
О любви к правителям и поэтам |
1380 | 296 |
5 |
30 |
12 |
14 |
21 |
38 |
31 |
36 |
33 |
29 |
27 |
20 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
4 |
2 |
3 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
|
Антитеза |
735 | 295 |
3 |
20 |
14 |
11 |
22 |
34 |
37 |
43 |
32 |
22 |
31 |
26 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
|
Дискуссия о гениальности, Достоевском и социальном запросе |
1243 | 293 |
2 |
22 |
13 |
16 |
21 |
30 |
52 |
52 |
26 |
26 |
15 |
18 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
4 |
2 |
1 |
3 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
|
Александр Шленский: "Художник, канонир и козни дьявола". Рецензия |
2575 | 293 |
6 |
27 |
10 |
17 |
20 |
41 |
38 |
47 |
29 |
29 |
14 |
15 |
0 |
1 |
0 |
0 |
3 |
2 |
2 |
0 |
2 |
2 |
1 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
С кем я познакомилась на Си |
3650 | 292 |
2 |
26 |
13 |
10 |
25 |
46 |
39 |
35 |
31 |
32 |
16 |
17 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
2 |
4 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Ботинок |
4212 | 292 |
3 |
30 |
13 |
14 |
26 |
44 |
38 |
39 |
25 |
32 |
11 |
17 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
3 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Что на небе |
8274 | 289 |
2 |
25 |
13 |
9 |
21 |
46 |
36 |
49 |
30 |
21 |
21 |
16 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
5 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
|
Рифма к городу |
3721 | 288 |
6 |
26 |
12 |
10 |
24 |
40 |
36 |
43 |
31 |
27 |
15 |
18 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Возвращение блудного Чацкого |
1041 | 287 |
3 |
24 |
18 |
13 |
30 |
44 |
35 |
41 |
25 |
27 |
12 |
15 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
4 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Кирилл Юрьевич отбывает в Канаду |
3315 | 287 |
9 |
31 |
11 |
12 |
20 |
36 |
44 |
38 |
23 |
24 |
18 |
21 |
0 |
3 |
2 |
1 |
0 |
3 |
4 |
1 |
0 |
0 |
2 |
4 |
1 |
2 |
0 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Язык и генетика |
4664 | 287 |
2 |
33 |
14 |
12 |
16 |
41 |
38 |
42 |
26 |
21 |
22 |
20 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
3 |
2 |
1 |
3 |
1 |
0 |
3 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
|
К вопросу о Фрейде и православии |
3279 | 287 |
4 |
23 |
14 |
11 |
25 |
40 |
36 |
41 |
25 |
29 |
17 |
22 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
|
Средства художественной изобразительности |
1720 | 286 |
4 |
19 |
16 |
9 |
19 |
42 |
43 |
38 |
32 |
28 |
15 |
21 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
|
Конечный смысл страдания |
2638 | 286 |
3 |
21 |
10 |
16 |
27 |
44 |
33 |
36 |
29 |
25 |
25 |
17 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
3 |
2 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
|
Сказка о гейзере на Стихире |
3150 | 286 |
1 |
24 |
21 |
26 |
21 |
36 |
30 |
36 |
16 |
25 |
26 |
24 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
|
Кто как кричит |
4678 | 285 |
1 |
27 |
14 |
7 |
18 |
51 |
39 |
39 |
21 |
37 |
13 |
18 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
|
Возвращение |
3496 | 285 |
3 |
23 |
19 |
11 |
18 |
41 |
39 |
45 |
24 |
26 |
19 |
17 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
3 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
3 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Пушкинские и лермонтовские мотивы у Некрасова |
988 | 283 |
6 |
19 |
21 |
10 |
24 |
36 |
31 |
36 |
25 |
29 |
19 |
27 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 |
|
Почему Некрасов сказал о своей поэме: "Ей не суждено закончиться"? |
996 | 283 |
2 |
24 |
12 |
8 |
15 |
46 |
40 |
36 |
19 |
30 |
29 |
22 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
4 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
|
План анализа стихотворения |
771 | 281 |
4 |
29 |
12 |
10 |
24 |
51 |
40 |
35 |
20 |
22 |
16 |
18 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
2 |
5 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
|
Про что поэзия Барто? - да все про то! |
5995 | 281 |
4 |
30 |
14 |
8 |
22 |
44 |
36 |
35 |
25 |
20 |
24 |
19 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
3 |
0 |
1 |
2 |
2 |
2 |
2 |
0 |
1 |
5 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
|
Утенок |
4704 | 280 |
4 |
32 |
17 |
12 |
15 |
40 |
29 |
31 |
28 |
30 |
27 |
15 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
4 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Замятин "Мы". Конспект урока |
1101 | 280 |
1 |
26 |
13 |
8 |
18 |
42 |
34 |
38 |
17 |
27 |
36 |
20 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
3 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
|
Ушки, ножки, рожки |
6668 | 279 |
3 |
27 |
12 |
8 |
27 |
44 |
38 |
45 |
24 |
24 |
14 |
13 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
3 |
1 |
1 |
1 |
2 |
2 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Где же новая поэзия |
2610 | 279 |
2 |
33 |
13 |
14 |
16 |
40 |
39 |
36 |
31 |
26 |
15 |
14 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
3 |
4 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
|
О "Медном всаднике" |
1286 | 276 |
3 |
26 |
8 |
13 |
23 |
41 |
34 |
39 |
31 |
18 |
15 |
25 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
4 |
3 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Манифест |
2809 | 276 |
2 |
32 |
17 |
17 |
22 |
41 |
29 |
32 |
23 |
27 |
20 |
14 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
2 |
2 |
1 |
2 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
|
Комментариии к статье А.Виноградова о сетевой литературе |
4184 | 276 |
2 |
14 |
17 |
9 |
25 |
29 |
30 |
36 |
34 |
35 |
27 |
18 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Достоевский как оптимальная точка видения |
3138 | 275 |
3 |
37 |
8 |
7 |
18 |
36 |
37 |
34 |
32 |
26 |
16 |
21 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
2 |
0 |
2 |
2 |
6 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
|
Монтаж у Гоголя и Алексиевич |
921 | 275 |
1 |
20 |
14 |
8 |
21 |
40 |
36 |
46 |
31 |
29 |
12 |
17 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
|
Нам много миллионов лет. Каждому |
1021 | 274 |
3 |
27 |
13 |
8 |
25 |
32 |
40 |
38 |
22 |
27 |
19 |
20 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
3 |
2 |
2 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
|
Сон как нонсенс в "Войне и мире" |
789 | 273 |
1 |
21 |
12 |
11 |
20 |
41 |
35 |
42 |
30 |
29 |
14 |
17 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
|
Психология - наука рабов |
6917 | 273 |
1 |
27 |
16 |
9 |
30 |
39 |
37 |
28 |
18 |
30 |
20 |
18 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
0 |
1 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
|
Избранница народного слова |
2587 | 272 |
4 |
29 |
11 |
11 |
17 |
28 |
37 |
35 |
26 |
31 |
23 |
20 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
4 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
4 |
2 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Социальные болезни Стихи.ру |
7168 | 271 |
4 |
20 |
8 |
8 |
19 |
47 |
42 |
35 |
31 |
20 |
19 |
18 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
|
Вмешиваясь в разговор с богом |
3482 | 271 |
2 |
28 |
16 |
26 |
23 |
32 |
26 |
34 |
21 |
23 |
14 |
26 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
4 |
1 |
3 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Карнавал и декарнавализация |
4287 | 270 |
3 |
22 |
15 |
14 |
27 |
39 |
28 |
42 |
28 |
22 |
14 |
16 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
3 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
|
Почему поэзия должна быть глуповата |
3299 | 270 |
3 |
25 |
15 |
12 |
21 |
36 |
27 |
37 |
25 |
28 |
21 |
20 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 |
|
Клопы от Фейербаха |
3278 | 270 |
1 |
31 |
12 |
11 |
19 |
37 |
31 |
36 |
28 |
24 |
21 |
19 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
2 |
4 |
3 |
1 |
3 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Пейзаж в поэме Лермонтова |
938 | 270 |
0 |
25 |
19 |
16 |
16 |
40 |
29 |
39 |
21 |
25 |
20 |
20 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
3 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
|
Вот и обсудили! |
2804 | 269 |
3 |
33 |
20 |
14 |
17 |
27 |
33 |
39 |
28 |
20 |
16 |
19 |
0 |
0 |
0 |
0 |
1 |
2 |
5 |
0 |
1 |
1 |
3 |
2 |
1 |
1 |
1 |
5 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
|
Почему в Прибалтике не проходит русский бунт |
2759 | 269 |
5 |
29 |
11 |
11 |
20 |
33 |
32 |
45 |
29 |
23 |
11 |
20 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
2 |
2 |
4 |
1 |
4 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Ведение в чтение Гоголя |
1267 | 269 |
2 |
26 |
10 |
10 |
22 |
34 |
34 |
37 |
20 |
25 |
24 |
25 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
4 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Страсть и поэзия |
2080 | 268 |
5 |
33 |
9 |
10 |
27 |
42 |
31 |
35 |
30 |
19 |
15 |
12 |
0 |
0 |
0 |
0 |
1 |
4 |
3 |
2 |
0 |
2 |
1 |
2 |
2 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
1 |
0 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
В защиту массовой литературы |
5793 | 268 |
1 |
25 |
13 |
14 |
26 |
36 |
32 |
37 |
22 |
26 |
23 |
13 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
3 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Почему критики-революционеры выбрали Катерину, а не Варвару лучом света? |
773 | 267 |
5 |
24 |
15 |
14 |
15 |
38 |
32 |
34 |
38 |
26 |
8 |
18 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
1 |
1 |
3 |
3 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
|
Маяковский и его философия |
1573 | 266 |
4 |
21 |
12 |
10 |
15 |
28 |
41 |
38 |
26 |
28 |
19 |
24 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
|
Введение в чтение Гоголя. Хлестаков |
818 | 266 |
3 |
27 |
13 |
11 |
22 |
39 |
38 |
39 |
20 |
21 |
17 |
16 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
3 |
1 |
1 |
1 |
5 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Трагический герой |
681 | 266 |
6 |
25 |
16 |
12 |
18 |
39 |
31 |
42 |
13 |
24 |
15 |
25 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
2 |
0 |
2 |
2 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Кто на самом деле ввходит в комнату к Юрию Живаго |
1100 | 266 |
2 |
22 |
13 |
12 |
27 |
35 |
36 |
37 |
13 |
21 |
22 |
26 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
4 |
0 |
3 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Мысль изреченная |
2758 | 266 |
2 |
23 |
16 |
15 |
14 |
37 |
34 |
42 |
26 |
27 |
17 |
13 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
2 |
4 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
|
Форум в контексте книги |
3203 | 266 |
2 |
31 |
15 |
11 |
20 |
31 |
25 |
36 |
37 |
26 |
16 |
16 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
2 |
2 |
2 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Фотомастерская Вадима Месяца |
3092 | 266 |
3 |
21 |
13 |
9 |
18 |
40 |
35 |
38 |
21 |
25 |
19 |
24 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Демократия как искусство для искусства |
2987 | 266 |
2 |
26 |
9 |
12 |
21 |
30 |
40 |
44 |
22 |
24 |
14 |
22 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
2 |
4 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
К слову о Законе и Благодати: Юрий Кузнецов, Юрий Кублановский |
4253 | 265 |
5 |
30 |
16 |
13 |
22 |
39 |
32 |
33 |
17 |
28 |
15 |
15 |
0 |
0 |
0 |
0 |
1 |
4 |
2 |
4 |
0 |
3 |
0 |
3 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
|
Липки |
2971 | 265 |
2 |
22 |
13 |
9 |
17 |
40 |
36 |
49 |
26 |
27 |
10 |
14 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
|
Волчонок |
4363 | 265 |
0 |
28 |
10 |
8 |
24 |
36 |
35 |
34 |
31 |
23 |
18 |
18 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
3 |
3 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Алексиевич. Чернобыль |
1277 | 264 |
5 |
22 |
10 |
9 |
27 |
33 |
39 |
36 |
19 |
28 |
13 |
23 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 |
|
Ии. Рецензия на роман В.Пелевина "iphuck 10" |
1748 | 264 |
2 |
22 |
10 |
10 |
23 |
42 |
29 |
35 |
22 |
20 |
23 |
26 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
|
Бунт против Гегеля |
3337 | 263 |
5 |
24 |
20 |
13 |
16 |
41 |
29 |
41 |
21 |
27 |
12 |
14 |
0 |
0 |
0 |
0 |
3 |
2 |
2 |
1 |
3 |
2 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
|
Этапы эволюции вируса абсурда в России |
3451 | 262 |
2 |
28 |
21 |
10 |
21 |
37 |
28 |
38 |
30 |
21 |
13 |
13 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
|
Мир как книга |
1121 | 262 |
4 |
28 |
7 |
16 |
16 |
37 |
33 |
39 |
33 |
20 |
10 |
19 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
3 |
4 |
3 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Символизм |
634 | 262 |
2 |
31 |
16 |
10 |
17 |
36 |
34 |
38 |
17 |
23 |
21 |
17 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
3 |
1 |
0 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
4 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
|
Совенок |
3833 | 262 |
1 |
29 |
18 |
11 |
23 |
33 |
35 |
35 |
19 |
27 |
16 |
15 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
3 |
4 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
|
Сюжет: событие, действие, мотив |
691 | 261 |
3 |
26 |
16 |
9 |
17 |
43 |
40 |
38 |
19 |
21 |
19 |
10 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
4 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Натюрморт (Гоголь, Бродский, Есенин) |
1064 | 261 |
4 |
21 |
15 |
8 |
19 |
37 |
30 |
45 |
26 |
24 |
15 |
17 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
3 |
3 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
|
От финских хладных скал... |
3263 | 260 |
3 |
27 |
14 |
11 |
18 |
31 |
28 |
41 |
22 |
26 |
19 |
20 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
3 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
2 |
0 |
|
19 августа 1991 года |
2527 | 260 |
5 |
24 |
13 |
18 |
15 |
26 |
33 |
40 |
29 |
26 |
15 |
16 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
4 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Проклятое место, проклятые вопросы |
3273 | 260 |
6 |
23 |
12 |
7 |
23 |
36 |
30 |
31 |
23 |
24 |
16 |
29 |
0 |
1 |
0 |
0 |
2 |
3 |
3 |
1 |
0 |
1 |
3 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
|
Отражение. Две рецензии на стихи Феликса Когана |
3543 | 260 |
3 |
25 |
12 |
8 |
19 |
42 |
27 |
42 |
24 |
27 |
17 |
14 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
|
Можно ли назвать Печорина фаталистом |
937 | 259 |
3 |
28 |
12 |
7 |
18 |
27 |
29 |
32 |
20 |
24 |
30 |
29 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
2 |
0 |
2 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
|
Островский о романтической ипостаси русской литературы |
1362 | 259 |
1 |
21 |
16 |
10 |
19 |
37 |
31 |
36 |
19 |
22 |
19 |
28 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Атрибуты беса |
3234 | 258 |
0 |
28 |
9 |
10 |
18 |
44 |
31 |
36 |
26 |
22 |
21 |
13 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
5 |
3 |
2 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Диалектика пути |
2886 | 258 |
4 |
26 |
10 |
7 |
24 |
38 |
33 |
37 |
23 |
26 |
13 |
17 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Гегельянство в России |
1230 | 258 |
3 |
19 |
10 |
8 |
30 |
34 |
32 |
43 |
22 |
22 |
15 |
20 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
3 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
|
Зеркало |
3061 | 258 |
2 |
17 |
13 |
9 |
18 |
35 |
37 |
36 |
23 |
31 |
12 |
25 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
|
Художник у Христа за пазухой |
2823 | 257 |
1 |
27 |
10 |
12 |
24 |
36 |
29 |
36 |
23 |
20 |
18 |
21 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
1 |
3 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
|
Лисенок в курятнике Стихи.ру |
6146 | 257 |
3 |
26 |
10 |
12 |
24 |
36 |
31 |
30 |
20 |
23 |
19 |
23 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
3 |
2 |
3 |
1 |
4 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 |
|
Три пальмы |
1427 | 257 |
2 |
36 |
11 |
14 |
22 |
33 |
32 |
31 |
20 |
23 |
13 |
20 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
2 |
2 |
6 |
1 |
1 |
4 |
2 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
|
Ленин как поэт Серебряного века |
1488 | 257 |
4 |
21 |
8 |
12 |
17 |
36 |
35 |
47 |
24 |
22 |
13 |
18 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
|
Информация о владельце раздела |
3453 | 257 |
6 |
26 |
12 |
9 |
17 |
27 |
38 |
32 |
18 |
30 |
20 |
22 |
0 |
1 |
0 |
0 |
2 |
3 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Введение в чтение Гоголя. Нос |
829 | 256 |
3 |
29 |
11 |
9 |
17 |
30 |
32 |
31 |
38 |
23 |
13 |
20 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
0 |
4 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Как семейные предания работают в произведениях Лермонтова, Толстого, Гоголя? |
719 | 255 |
2 |
21 |
16 |
10 |
18 |
26 |
25 |
32 |
19 |
35 |
33 |
18 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
|
Премия "Поэзия" что хотят жюри |
1519 | 255 |
0 |
33 |
10 |
7 |
17 |
39 |
34 |
36 |
26 |
22 |
18 |
13 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
4 |
2 |
4 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
|
Между прошлым и будущим |
774 | 255 |
2 |
24 |
10 |
8 |
15 |
33 |
35 |
39 |
27 |
22 |
21 |
19 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
3 |
3 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
|
Государство и общество: свобода и необходимость |
5099 | 254 |
2 |
22 |
13 |
8 |
24 |
35 |
34 |
45 |
23 |
17 |
19 |
12 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
3 |
3 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Почему легенду о Данко можно назвать сказкой-обманкой? |
802 | 254 |
3 |
30 |
15 |
11 |
17 |
30 |
35 |
34 |
22 |
25 |
13 |
19 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
2 |
2 |
2 |
2 |
1 |
1 |
0 |
4 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Как работает поэтика абсурда |
4573 | 254 |
2 |
26 |
12 |
8 |
22 |
33 |
34 |
41 |
26 |
22 |
13 |
15 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
4 |
2 |
2 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
|
Киев старый и новый |
2454 | 253 |
8 |
24 |
14 |
18 |
17 |
36 |
36 |
34 |
16 |
21 |
17 |
12 |
0 |
1 |
0 |
4 |
1 |
2 |
3 |
0 |
3 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Кто в окошке. Сказочные звери |
3959 | 253 |
1 |
26 |
11 |
8 |
16 |
39 |
34 |
33 |
24 |
25 |
22 |
14 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
4 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
|
Ницше, ценности и Гегель |
3242 | 253 |
7 |
25 |
9 |
8 |
18 |
31 |
31 |
43 |
24 |
25 |
16 |
16 |
0 |
3 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
1 |
0 |
1 |
5 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
|
Мастер и Маргарита. Кто написал притчу? |
1243 | 253 |
5 |
24 |
14 |
10 |
18 |
29 |
32 |
39 |
26 |
25 |
15 |
16 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
3 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
|
Двуединство добра |
2968 | 252 |
4 |
23 |
17 |
10 |
24 |
34 |
28 |
40 |
21 |
19 |
15 |
17 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
3 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
|
Бегемотик |
3474 | 252 |
2 |
22 |
9 |
16 |
27 |
39 |
26 |
35 |
19 |
18 |
20 |
19 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
4 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Какой плод у дерева |
3177 | 252 |
3 |
23 |
8 |
13 |
19 |
40 |
33 |
29 |
23 |
28 |
16 |
17 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
|
Иду, а к ногам моим падает вдруг кипятильник |
2512 | 252 |
1 |
24 |
11 |
14 |
23 |
31 |
30 |
32 |
27 |
24 |
13 |
22 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
3 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
|
Пьер и Андрей |
1320 | 252 |
2 |
23 |
13 |
10 |
14 |
35 |
34 |
32 |
24 |
25 |
14 |
26 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
|
"Коршун" Тютчева - материализм и идеализм |
794 | 252 |
4 |
23 |
8 |
8 |
17 |
32 |
30 |
45 |
18 |
26 |
16 |
25 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 |
|
Сеть и чудаки |
3080 | 252 |
4 |
25 |
13 |
11 |
19 |
42 |
36 |
34 |
20 |
24 |
9 |
15 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
2 |
2 |
4 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Праздник Победы для кого-то пытаются сделать днем скорби |
3563 | 251 |
4 |
27 |
12 |
10 |
24 |
36 |
33 |
39 |
19 |
22 |
12 |
13 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
2 |
5 |
1 |
2 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
|
Как в романе Достоевского "Преступление и наказание" раскрывается тема нищеты |
1047 | 251 |
3 |
22 |
12 |
12 |
21 |
33 |
28 |
34 |
26 |
24 |
17 |
19 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
|
Об одном фильме |
1524 | 251 |
4 |
27 |
9 |
12 |
25 |
31 |
34 |
40 |
20 |
19 |
11 |
19 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Достоевский и конец истории |
3646 | 251 |
5 |
29 |
12 |
9 |
30 |
29 |
31 |
30 |
21 |
20 |
21 |
14 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
3 |
1 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
|
Лирика |
3308 | 251 |
3 |
24 |
18 |
10 |
17 |
30 |
29 |
32 |
25 |
26 |
15 |
22 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
4 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
|
В поисках смысла сетевой литературы |
2820 | 251 |
4 |
20 |
9 |
13 |
18 |
26 |
30 |
40 |
23 |
24 |
23 |
21 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
3 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
"Шиповник цветет" - не сжигай |
804 | 250 |
4 |
21 |
9 |
6 |
26 |
32 |
39 |
32 |
25 |
27 |
13 |
16 |
0 |
0 |
0 |
1 |
0 |
3 |
3 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
О романе "Обратная Перспектива А.Столярова |
1524 | 250 |
1 |
25 |
9 |
9 |
18 |
30 |
33 |
44 |
24 |
21 |
17 |
19 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
3 |
3 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
|
Паломничество убогой |
2870 | 250 |
4 |
22 |
7 |
10 |
19 |
38 |
33 |
37 |
28 |
23 |
15 |
14 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
2 |
2 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
О чем поют сферы Гоголя |
1042 | 250 |
5 |
27 |
7 |
15 |
20 |
32 |
31 |
33 |
25 |
17 |
15 |
23 |
0 |
0 |
2 |
0 |
1 |
2 |
3 |
0 |
1 |
4 |
2 |
2 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
|
Онегин - лицеист? |
801 | 250 |
4 |
25 |
12 |
6 |
19 |
35 |
25 |
34 |
28 |
27 |
20 |
15 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
1 |
2 |
1 |
2 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Ведьмостиший больше не будет |
3129 | 249 |
4 |
24 |
12 |
10 |
21 |
32 |
32 |
39 |
16 |
24 |
19 |
16 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
|
Реформы Путина и моя им гегельянская поддержка |
2893 | 249 |
5 |
19 |
16 |
8 |
9 |
36 |
37 |
36 |
27 |
25 |
12 |
19 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
|
Расширит ли виртуальная реальность возможности познания истины |
3444 | 249 |
3 |
23 |
12 |
14 |
22 |
27 |
28 |
32 |
32 |
21 |
17 |
18 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
5 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Воинство Сергия Радонежского |
4525 | 249 |
2 |
35 |
8 |
8 |
23 |
29 |
24 |
39 |
31 |
20 |
21 |
9 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
2 |
3 |
1 |
3 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Анализ прозы |
632 | 249 |
1 |
26 |
22 |
17 |
24 |
34 |
24 |
28 |
15 |
25 |
19 |
14 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
|
Отчуждение |
1316 | 248 |
4 |
21 |
9 |
10 |
30 |
32 |
29 |
34 |
27 |
23 |
10 |
19 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
|
Горе от ума или ум от горя. Перевертыши |
1001 | 248 |
3 |
23 |
12 |
11 |
22 |
35 |
25 |
33 |
21 |
24 |
22 |
17 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
|
Как в "Превращении" Кафки выражена идея торжества разума |
990 | 248 |
1 |
24 |
11 |
13 |
23 |
42 |
31 |
39 |
16 |
18 |
14 |
16 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
4 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 |
|
Юрий Поляков. Грибной царь |
3778 | 248 |
4 |
20 |
11 |
11 |
19 |
32 |
35 |
32 |
18 |
28 |
18 |
20 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
|
Памятник Румянцеву в "Капитанской дочке" |
956 | 248 |
2 |
29 |
11 |
7 |
15 |
41 |
30 |
36 |
21 |
23 |
8 |
25 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
3 |
4 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Образы русской природы в лирике Рубцова |
801 | 248 |
3 |
24 |
9 |
10 |
21 |
31 |
31 |
38 |
21 |
23 |
15 |
22 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
|
Андрей Болконский - Дон Кихот |
836 | 248 |
0 |
23 |
12 |
10 |
20 |
31 |
29 |
40 |
22 |
28 |
14 |
19 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
3 |
2 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
+7 |
2305 | 247 |
3 |
23 |
9 |
14 |
20 |
27 |
27 |
37 |
22 |
25 |
18 |
22 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
4 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Автопортрет, оксюморон |
874 | 247 |
1 |
21 |
14 |
14 |
12 |
34 |
30 |
34 |
19 |
25 |
30 |
13 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
|
Самосознание сетевой литературы |
4136 | 247 |
4 |
26 |
11 |
12 |
22 |
36 |
34 |
36 |
16 |
19 |
17 |
14 |
0 |
1 |
1 |
0 |
1 |
1 |
4 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
|
Чудачество и донкихотство. Шукшин и Сервантес |
1524 | 247 |
2 |
31 |
16 |
9 |
28 |
33 |
27 |
31 |
25 |
19 |
12 |
14 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
3 |
3 |
2 |
1 |
2 |
2 |
2 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
|
Снова по поводу "Тихого Дона" |
1275 | 246 |
2 |
23 |
17 |
14 |
15 |
25 |
26 |
35 |
19 |
22 |
15 |
33 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
6 |
4 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
|
Удача и капуста |
2524 | 246 |
2 |
22 |
11 |
7 |
20 |
27 |
28 |
43 |
27 |
22 |
16 |
21 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
3 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
|
Anti-Dan |
3367 | 246 |
2 |
27 |
15 |
8 |
21 |
31 |
37 |
32 |
16 |
23 |
17 |
17 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
3 |
3 |
2 |
2 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
|
Необходимое или цель - искусство? |
834 | 246 |
1 |
23 |
9 |
12 |
15 |
35 |
33 |
37 |
25 |
23 |
16 |
17 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
4 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Одиночество. Пушкин, пророчество и песни матери в стихотворении "Выхожу один я на дорогу" |
1292 | 245 |
3 |
30 |
9 |
8 |
16 |
32 |
32 |
34 |
21 |
21 |
18 |
21 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
4 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Государство и общество: бюрократизм и свобода от бюрократии |
3439 | 245 |
3 |
31 |
13 |
12 |
17 |
35 |
33 |
33 |
19 |
24 |
14 |
11 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
2 |
1 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
|
Темное вещество, абсолютный дух и человеческая цивилизация |
1091 | 245 |
1 |
29 |
8 |
15 |
19 |
37 |
36 |
37 |
20 |
19 |
11 |
13 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
4 |
2 |
1 |
0 |
0 |
3 |
2 |
4 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
|
"Хлыстовская богородица" Маяковского |
1467 | 245 |
2 |
28 |
9 |
12 |
21 |
32 |
27 |
40 |
23 |
25 |
12 |
14 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
2 |
1 |
2 |
2 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
|
Герберт Уэллс - гений эпохи. Анализ на основе "Каинова болота" |
1778 | 245 |
2 |
19 |
13 |
8 |
18 |
30 |
35 |
33 |
16 |
25 |
25 |
21 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
3 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Буддистский колобок |
2911 | 245 |
4 |
21 |
12 |
10 |
23 |
32 |
28 |
37 |
25 |
23 |
15 |
15 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
3 |
2 |
2 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
|
Эпос |
2330 | 243 |
1 |
22 |
20 |
18 |
25 |
30 |
25 |
31 |
17 |
21 |
14 |
19 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
|
Ирония и автоирония |
609 | 243 |
0 |
23 |
13 |
6 |
17 |
34 |
30 |
35 |
19 |
25 |
24 |
17 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 |
|
Права ли Цветаева, утверждая, что в стихах Маяковского "ошеломляющая физика"? |
843 | 243 |
4 |
23 |
15 |
13 |
25 |
36 |
29 |
33 |
18 |
18 |
11 |
18 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
2 |
0 |
4 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
|
О времени |
1295 | 243 |
5 |
25 |
13 |
7 |
24 |
28 |
32 |
36 |
22 |
21 |
13 |
17 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
3 |
2 |
2 |
1 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
|
Технические болезни Стихиры |
2694 | 242 |
5 |
19 |
13 |
15 |
23 |
26 |
31 |
44 |
20 |
22 |
11 |
13 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
|
Байрон - предтеча русского реализма |
914 | 242 |
1 |
22 |
15 |
9 |
15 |
39 |
36 |
35 |
19 |
19 |
12 |
20 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Введение в чтение Лермонтова. "Выхожу один я на дорогу" |
1043 | 242 |
1 |
23 |
13 |
9 |
17 |
36 |
30 |
35 |
22 |
21 |
15 |
20 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Галич и Мандельштам вокруг образа вождя |
621 | 241 |
3 |
15 |
13 |
8 |
16 |
39 |
33 |
37 |
26 |
25 |
13 |
13 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
|
Автометафора |
767 | 241 |
4 |
14 |
17 |
11 |
17 |
41 |
24 |
29 |
19 |
23 |
24 |
18 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
|
Монтажная композиция |
674 | 240 |
2 |
28 |
17 |
11 |
20 |
31 |
22 |
39 |
16 |
22 |
13 |
19 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
1 |
1 |
4 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
|
О курсе реформ и курсе литературы |
1117 | 240 |
3 |
17 |
10 |
9 |
18 |
34 |
34 |
41 |
28 |
22 |
10 |
14 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
|
Вирус абсурда в истории человеческой культуры |
2452 | 240 |
4 |
23 |
13 |
12 |
17 |
33 |
29 |
34 |
21 |
20 |
16 |
18 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
2 |
3 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
|
Незабудки |
360 | 240 |
5 |
24 |
14 |
9 |
18 |
44 |
33 |
35 |
18 |
18 |
11 |
11 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
|
Почему А. И. Солженицын в рассказе "Один день Ивана Денисовича" не идеализирует "даже тех лиц, которых он любит"? (В. Я. Лакшин) |
794 | 240 |
2 |
27 |
12 |
8 |
17 |
27 |
33 |
36 |
19 |
26 |
16 |
17 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
3 |
3 |
4 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
|
Шаров и его теодицея |
793 | 240 |
3 |
22 |
13 |
9 |
21 |
31 |
33 |
33 |
19 |
25 |
16 |
15 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
4 |
2 |
3 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
|
Собрание обратных цитат о любви |
3109 | 239 |
4 |
26 |
10 |
11 |
21 |
30 |
28 |
35 |
21 |
23 |
16 |
14 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
3 |
3 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Дан прислал |
1071 | 239 |
4 |
24 |
13 |
13 |
13 |
34 |
30 |
37 |
20 |
20 |
17 |
14 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
5 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
|
Рецензия на "Лампу Мафусаила...." Пелевина |
1744 | 239 |
3 |
23 |
12 |
10 |
16 |
33 |
26 |
34 |
26 |
20 |
13 |
23 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
|
Что в имени мне твоем |
3104 | 239 |
3 |
26 |
13 |
9 |
18 |
30 |
28 |
37 |
22 |
22 |
17 |
14 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
4 |
1 |
3 |
2 |
0 |
0 |
5 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
|
Каким должен быть правитель |
647 | 238 |
4 |
28 |
11 |
9 |
15 |
34 |
33 |
35 |
17 |
24 |
12 |
16 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
|
Рванет-не рванет |
783 | 238 |
2 |
24 |
12 |
9 |
15 |
27 |
36 |
40 |
23 |
19 |
11 |
20 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
|
Чужая сказка |
2618 | 238 |
2 |
22 |
11 |
9 |
13 |
38 |
28 |
34 |
20 |
23 |
22 |
16 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 |
|
"Добрый Филя" и проекция собеседника |
849 | 238 |
2 |
21 |
10 |
8 |
20 |
30 |
29 |
38 |
19 |
22 |
20 |
19 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
4 |
2 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Быков и Навальный |
790 | 238 |
3 |
24 |
15 |
9 |
17 |
34 |
31 |
33 |
19 |
23 |
12 |
18 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
|
Миф о запахе |
2542 | 238 |
6 |
19 |
9 |
12 |
27 |
29 |
31 |
30 |
22 |
19 |
13 |
21 |
0 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
4 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Искушение как психологический прием |
3006 | 238 |
2 |
20 |
16 |
10 |
25 |
42 |
30 |
36 |
19 |
18 |
11 |
9 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
|
Введение в философию сказок |
805 | 238 |
3 |
22 |
13 |
11 |
16 |
29 |
34 |
38 |
19 |
22 |
16 |
15 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
2 |
2 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
|
Письмо Татьяны. Общие места - романтизмы |
782 | 237 |
2 |
22 |
10 |
13 |
21 |
37 |
29 |
33 |
21 |
20 |
11 |
18 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
4 |
1 |
1 |
5 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Национальность биографа |
3034 | 237 |
4 |
29 |
11 |
5 |
18 |
32 |
35 |
27 |
24 |
21 |
16 |
15 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
2 |
0 |
5 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Романтизм |
623 | 237 |
1 |
20 |
11 |
7 |
19 |
31 |
36 |
40 |
27 |
18 |
16 |
11 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Постновогодний синдром |
754 | 237 |
4 |
25 |
13 |
7 |
15 |
37 |
36 |
31 |
23 |
21 |
14 |
11 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
5 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
|
Вирус абсурда в рамках боровской Дополнительности |
2250 | 236 |
4 |
19 |
14 |
14 |
23 |
31 |
27 |
38 |
16 |
21 |
15 |
14 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
|
Сексуальность Гоголя |
848 | 236 |
4 |
24 |
9 |
3 |
18 |
28 |
29 |
32 |
14 |
34 |
24 |
17 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Молодежь и общество потребления |
3845 | 236 |
6 |
24 |
11 |
10 |
22 |
25 |
35 |
32 |
20 |
23 |
15 |
13 |
0 |
1 |
0 |
1 |
2 |
2 |
3 |
2 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
|
Короля делает свита |
2406 | 235 |
2 |
23 |
9 |
9 |
18 |
29 |
35 |
37 |
24 |
22 |
16 |
11 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Честь как главная жизненная ценность у Достоевского |
705 | 235 |
1 |
21 |
11 |
9 |
17 |
43 |
28 |
34 |
25 |
22 |
11 |
13 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
|
Компьютер и сексуальная революция писателя |
2960 | 235 |
2 |
31 |
10 |
12 |
21 |
32 |
28 |
33 |
17 |
17 |
13 |
19 |
0 |
0 |
0 |
0 |
0 |
2 |
4 |
2 |
0 |
1 |
2 |
5 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
|
Базаров |
1078 | 235 |
1 |
21 |
12 |
10 |
13 |
34 |
31 |
31 |
25 |
20 |
17 |
20 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
|
Теория диссоциаций и Булгаков |
1406 | 234 |
4 |
18 |
12 |
8 |
20 |
30 |
30 |
42 |
16 |
24 |
10 |
20 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
3 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Интервью с Игорем Панариным |
2655 | 234 |
1 |
19 |
9 |
10 |
18 |
32 |
24 |
43 |
24 |
19 |
12 |
23 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
4 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
|
Мотивы смерти и бессмертия в физиологических очерках Некрасова "Утренняя прогулка" и "Рыцарь на час" |
618 | 234 |
1 |
24 |
14 |
7 |
20 |
29 |
25 |
35 |
21 |
21 |
17 |
20 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
3 |
4 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Ведение в чтение Гоголя |
991 | 234 |
3 |
21 |
7 |
6 |
19 |
30 |
26 |
33 |
23 |
27 |
22 |
17 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
3 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 |
|
Маркетинг науки, или Научный маркетинг |
3149 | 234 |
3 |
24 |
13 |
9 |
13 |
35 |
21 |
35 |
11 |
28 |
23 |
19 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
|
Ангел в круге десятом |
890 | 234 |
5 |
20 |
12 |
12 |
13 |
29 |
27 |
46 |
19 |
21 |
14 |
16 |
0 |
0 |
0 |
0 |
0 |
5 |
2 |
3 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
|
Преодоление расы |
1533 | 234 |
3 |
30 |
15 |
10 |
19 |
34 |
28 |
36 |
12 |
19 |
12 |
16 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
4 |
2 |
2 |
3 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
|
Печорин как писатель |
1114 | 234 |
2 |
26 |
12 |
11 |
24 |
34 |
21 |
31 |
24 |
20 |
13 |
16 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
4 |
1 |
0 |
0 |
2 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
|
Суздаль |
1949 | 233 |
2 |
31 |
12 |
9 |
19 |
26 |
27 |
32 |
14 |
24 |
22 |
15 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
1 |
2 |
1 |
0 |
4 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
4 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
|
Как в стихотворении М.Ю. Лермонтова продолжаются пушкинские традиции темы "родина" |
637 | 233 |
1 |
19 |
7 |
9 |
20 |
34 |
27 |
29 |
31 |
21 |
16 |
19 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
3 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
По поводу некоторых неточностей Евгения Клюева |
2514 | 233 |
1 |
25 |
12 |
6 |
21 |
29 |
27 |
32 |
31 |
22 |
8 |
19 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
3 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
|
Модель романа-эпопеи |
1084 | 233 |
4 |
24 |
12 |
8 |
15 |
33 |
29 |
34 |
19 |
22 |
17 |
16 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
|
Методология работы критика над текстом |
2597 | 233 |
1 |
20 |
10 |
9 |
16 |
33 |
32 |
33 |
24 |
22 |
18 |
15 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
4 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
|
Рубцов и формальный метод |
2728 | 233 |
1 |
23 |
10 |
8 |
18 |
41 |
31 |
36 |
19 |
18 |
14 |
14 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
2 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
|
Инструкция создателям искусственного разума |
2596 | 233 |
3 |
23 |
13 |
11 |
17 |
31 |
37 |
37 |
18 |
18 |
14 |
11 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
3 |
2 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
|
Евгений Водолазкин и поэтика абсурда |
1344 | 233 |
2 |
26 |
13 |
8 |
16 |
29 |
31 |
33 |
23 |
22 |
14 |
16 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
3 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
|
Совет- не любовь |
2750 | 233 |
4 |
22 |
13 |
12 |
20 |
26 |
33 |
38 |
15 |
20 |
11 |
19 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
2 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Паломничество убогой (2 редакция) |
636 | 232 |
3 |
27 |
5 |
10 |
22 |
38 |
25 |
36 |
21 |
19 |
14 |
12 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
3 |
4 |
2 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Пушкинский пленник |
796 | 232 |
3 |
27 |
10 |
8 |
20 |
31 |
27 |
33 |
27 |
18 |
13 |
15 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Доказательство несовершенства Бога |
2749 | 232 |
2 |
23 |
9 |
8 |
21 |
35 |
25 |
36 |
17 |
25 |
15 |
16 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Государство Платона и Акунина |
1032 | 232 |
3 |
24 |
6 |
4 |
18 |
32 |
28 |
41 |
23 |
26 |
10 |
17 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
3 |
0 |
3 |
1 |
3 |
0 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Ноосфера |
729 | 232 |
2 |
17 |
11 |
7 |
14 |
32 |
37 |
30 |
20 |
21 |
17 |
24 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
|
Кто виноват и что делать? Проклятые вопросы в |
570 | 231 |
2 |
25 |
12 |
7 |
23 |
36 |
25 |
31 |
17 |
22 |
13 |
18 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
2 |
1 |
2 |
1 |
3 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Почему Путин заинтересован в развитии гражданского общества |
2729 | 231 |
3 |
26 |
11 |
7 |
20 |
34 |
26 |
34 |
19 |
22 |
11 |
18 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
2 |
1 |
2 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 |
|
Легенда о великом инквизиторе |
1174 | 231 |
4 |
22 |
12 |
13 |
16 |
31 |
26 |
37 |
22 |
18 |
11 |
19 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
|
Недоросль в меняющемся мире |
767 | 231 |
2 |
20 |
8 |
9 |
19 |
23 |
32 |
39 |
28 |
20 |
13 |
18 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
О Мастере и деле врачей |
1250 | 231 |
2 |
23 |
16 |
11 |
14 |
40 |
25 |
35 |
19 |
19 |
11 |
16 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
3 |
2 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Ферапонтово. Коллекция |
2106 | 230 |
4 |
24 |
7 |
8 |
14 |
32 |
35 |
32 |
20 |
23 |
14 |
17 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
1 |
4 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Рассуждения. К статье В.Шемшученко Поэт сам выбирает судьбу... (Лг Љ36) |
2287 | 230 |
1 |
29 |
12 |
8 |
18 |
29 |
24 |
41 |
20 |
24 |
14 |
10 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
2 |
4 |
1 |
1 |
2 |
2 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Хлестаков и Печорин |
1463 | 230 |
1 |
22 |
6 |
9 |
21 |
32 |
32 |
36 |
17 |
27 |
12 |
15 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Лимерик |
2428 | 230 |
1 |
15 |
16 |
14 |
21 |
36 |
29 |
29 |
15 |
24 |
14 |
16 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Убийственная преданность. Введение в чтение Пушкина |
841 | 230 |
1 |
21 |
19 |
11 |
24 |
25 |
30 |
33 |
23 |
16 |
12 |
15 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
|
Пушкин |
6137 | 230 |
4 |
24 |
13 |
9 |
15 |
38 |
27 |
27 |
20 |
21 |
17 |
15 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
|
Все по Салтыкову-Щедрину! |
4422 | 229 |
3 |
19 |
9 |
9 |
23 |
28 |
28 |
36 |
23 |
23 |
13 |
15 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
3 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
|
Советы |
2510 | 229 |
1 |
19 |
10 |
11 |
20 |
39 |
25 |
36 |
19 |
23 |
10 |
16 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
|
Бессмертие и спасение |
2754 | 229 |
3 |
18 |
13 |
5 |
18 |
36 |
30 |
42 |
17 |
21 |
12 |
14 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
4 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Что позволило Тынянову назвать тютческие стихи фрагментами? |
872 | 229 |
3 |
25 |
10 |
5 |
23 |
25 |
31 |
37 |
20 |
21 |
15 |
14 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
2 |
1 |
3 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
|
Символика цвета |
508 | 229 |
3 |
26 |
16 |
16 |
24 |
37 |
24 |
23 |
16 |
15 |
17 |
12 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
3 |
2 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
|
Беженки белки в "Центральном парке" Хельги Ольшванг |
1558 | 228 |
0 |
19 |
11 |
7 |
22 |
35 |
31 |
31 |
22 |
22 |
15 |
13 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Категории добра и зла |
540 | 228 |
2 |
22 |
14 |
11 |
18 |
19 |
25 |
39 |
17 |
23 |
21 |
17 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
4 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
|
Чему нужно верить: словам персонажа или читательскому сердцу? |
599 | 227 |
2 |
24 |
5 |
7 |
22 |
41 |
18 |
40 |
18 |
22 |
11 |
17 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
3 |
2 |
2 |
2 |
1 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Абсурдизм |
3834 | 227 |
3 |
21 |
13 |
4 |
23 |
31 |
31 |
28 |
19 |
20 |
16 |
18 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Как в "Легенде о великом инквизиторе" следует искать Р.Р.Раскольникова и С.С.Мармеладову? |
971 | 227 |
1 |
24 |
11 |
5 |
22 |
28 |
30 |
36 |
21 |
22 |
16 |
11 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
3 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Сила детской публицистики |
1489 | 227 |
1 |
22 |
7 |
8 |
25 |
31 |
29 |
30 |
18 |
22 |
12 |
22 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
1 |
1 |
1 |
0 |
2 |
3 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 |
|
Молчание - литературная преемственность |
807 | 222 |
2 |
22 |
13 |
12 |
14 |
24 |
24 |
34 |
14 |
20 |
20 |
23 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
5 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
|
Онтологическое обоснование гения эпохи |
1341 | 222 |
2 |
20 |
12 |
14 |
19 |
22 |
29 |
32 |
23 |
21 |
12 |
16 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
|
"тихий Дон" Шолохова и французская психиатрия Пьера Жане |
1456 | 222 |
3 |
27 |
10 |
6 |
15 |
23 |
28 |
33 |
16 |
23 |
17 |
21 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
3 |
1 |
3 |
1 |
2 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
|
О Бродском - Имперский поэт? |
967 | 222 |
3 |
21 |
10 |
8 |
18 |
31 |
29 |
33 |
22 |
20 |
11 |
16 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
|
Велика ли дань Пушкина мифологии |
3302 | 221 |
3 |
26 |
8 |
9 |
19 |
27 |
33 |
30 |
17 |
17 |
17 |
15 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
2 |
1 |
2 |
3 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Бы да кабы |
960 | 221 |
4 |
18 |
13 |
12 |
18 |
27 |
30 |
32 |
22 |
18 |
11 |
16 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
|
Обломов и реализм |
740 | 221 |
2 |
24 |
10 |
7 |
17 |
24 |
28 |
31 |
25 |
17 |
14 |
22 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
3 |
1 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
|
О бедном Гайдаре замолвите слово... (Беседа с В.И.Глоцером) |
3268 | 221 |
4 |
21 |
7 |
8 |
18 |
31 |
23 |
37 |
18 |
23 |
17 |
14 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Невозможность гения эпохи |
693 | 220 |
2 |
18 |
13 |
13 |
19 |
31 |
29 |
36 |
15 |
18 |
12 |
14 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
3 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
|
Воспитание гениев |
1107 | 219 |
2 |
17 |
9 |
12 |
17 |
39 |
30 |
33 |
13 |
16 |
16 |
15 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Введение в чтение Гоголя |
970 | 219 |
1 |
19 |
11 |
8 |
15 |
27 |
29 |
32 |
18 |
21 |
14 |
24 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Введение в чтение Лермонтова. Система отражений |
673 | 219 |
2 |
22 |
11 |
9 |
21 |
31 |
30 |
31 |
16 |
21 |
15 |
10 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
3 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Эмоции |
1180 | 219 |
3 |
19 |
10 |
12 |
20 |
28 |
31 |
30 |
17 |
19 |
16 |
14 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Сальери как образец |
1304 | 219 |
2 |
22 |
12 |
13 |
22 |
34 |
22 |
25 |
13 |
21 |
17 |
16 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
|
Становление гения |
2543 | 218 |
1 |
23 |
8 |
11 |
12 |
36 |
22 |
31 |
23 |
19 |
19 |
13 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Иллич или упадок марксизма |
908 | 218 |
3 |
23 |
11 |
12 |
19 |
27 |
25 |
34 |
17 |
21 |
12 |
14 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
|
Крочечка Хаврошечка |
842 | 218 |
3 |
21 |
7 |
7 |
12 |
25 |
29 |
32 |
28 |
26 |
13 |
15 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
4 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
|
О чем умолчал в своем докладе доктор Борменталь |
776 | 217 |
2 |
27 |
6 |
8 |
15 |
28 |
25 |
28 |
17 |
20 |
18 |
23 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
4 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Образ поющей девушки: Пушкин, Лермонтов, Блок |
586 | 217 |
2 |
28 |
7 |
6 |
21 |
24 |
26 |
34 |
19 |
20 |
15 |
15 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
3 |
3 |
1 |
2 |
1 |
1 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
|
Радио Свобода, Цру и великая русская литература |
2549 | 217 |
4 |
20 |
15 |
10 |
15 |
22 |
27 |
35 |
22 |
20 |
13 |
14 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
4 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 |
|
Дурное общество |
1077 | 209 |
2 |
25 |
12 |
4 |
15 |
25 |
31 |
30 |
20 |
15 |
12 |
18 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
3 |
1 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Долой ыгэ! |
743 | 209 |
6 |
18 |
13 |
10 |
15 |
22 |
31 |
37 |
20 |
17 |
9 |
11 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
3 |
2 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Менеджеры и профессионалы |
2355 | 209 |
4 |
25 |
10 |
5 |
20 |
27 |
26 |
32 |
17 |
18 |
9 |
16 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
3 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
|
Литературоведение - наука или "Humanities and Arts"... |
2546 | 208 |
1 |
21 |
8 |
8 |
14 |
26 |
27 |
33 |
26 |
18 |
9 |
17 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Монтажная композиция |
558 | 206 |
2 |
16 |
11 |
7 |
17 |
25 |
27 |
36 |
14 |
23 |
17 |
11 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
|
Золото партии |
2026 | 206 |
3 |
17 |
10 |
9 |
20 |
29 |
26 |
29 |
14 |
21 |
13 |
15 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
|
Ну и реклама сейчас у Проханова |
2172 | 205 |
3 |
19 |
11 |
11 |
11 |
29 |
27 |
31 |
13 |
23 |
12 |
15 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
3 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
|
Проблематика произведений. Богатство и бедность |
687 | 205 |
2 |
18 |
8 |
9 |
19 |
25 |
27 |
39 |
22 |
18 |
10 |
8 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
|
Неравный брак (лунное) |
959 | 205 |
1 |
19 |
8 |
8 |
11 |
30 |
29 |
32 |
22 |
20 |
12 |
13 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Экфрасис "Мертвых душ" |
527 | 204 |
2 |
22 |
10 |
8 |
17 |
33 |
22 |
31 |
15 |
18 |
14 |
12 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
3 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
4 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
|
Был ли влюблен Иван Васильевич в Вареньку? |
673 | 204 |
3 |
21 |
8 |
6 |
14 |
38 |
21 |
31 |
11 |
21 |
12 |
18 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
3 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Встреча этики с эстетикой в рамках поэтики абсурда |
2471 | 203 |
2 |
23 |
14 |
7 |
11 |
24 |
21 |
30 |
22 |
29 |
10 |
10 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
|
Хельга Ольшванг в новом веке |
982 | 201 |
0 |
19 |
10 |
9 |
23 |
26 |
23 |
29 |
17 |
18 |
12 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
|
Ведение в чтение Гоголя. Шинель |
1100 | 201 |
1 |
23 |
11 |
10 |
14 |
25 |
23 |
25 |
20 |
23 |
11 |
15 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
1 |
3 |
2 |
1 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
|
День 7 ноября |
1005 | 198 |
2 |
19 |
9 |
7 |
13 |
33 |
29 |
36 |
14 |
19 |
10 |
7 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Классицизм |
571 | 197 |
1 |
18 |
8 |
6 |
14 |
31 |
29 |
34 |
15 |
17 |
11 |
13 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Возможен ли герой нашего времени? |
725 | 196 |
2 |
23 |
8 |
8 |
17 |
30 |
23 |
24 |
9 |
24 |
15 |
13 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
3 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
"Детство" и уход из Ясной поляны |
492 | 192 |
3 |
25 |
9 |
6 |
13 |
21 |
26 |
28 |
21 |
20 |
13 |
7 |
0 |
0 |
0 |
0 |
0 |
3 |
3 |
1 |
1 |
3 |
1 |
2 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Костенька |
186 | 186 |
3 |
18 |
14 |
7 |
10 |
34 |
32 |
28 |
30 |
10 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
2 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
|
То |
635 | 184 |
1 |
12 |
11 |
11 |
19 |
27 |
25 |
25 |
12 |
17 |
10 |
14 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |