|
| Итого | За последние 12 месяцев | May | Apr | Mar | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | |
| По разделу | 491125 | 2513 | 48 | 325 | 180 | 127 | 213 | 282 | 238 | 205 | 182 | 239 | 226 | 248 | 1 | 8 | 3 | 4 | 8 | 15 | 9 | 15 | 5 | 5 | 6 | 8 | 11 | 7 | 10 | 24 | 25 | 6 | 4 | 4 | 9 | 5 | 5 | 4 | 3 | 3 | 8 | 5 | 4 | 5 | 7 | 4 | 12 | 15 | 51 | 42 | 13 | 7 | 5 | 3 | 5 | 6 | 4 | 5 | 4 | 4 | 6 | 10 | 4 | 3 | 5 | 12 | 14 | 3 | 4 | 7 | 5 | 5 | 4 | 7 | 13 | 12 |
| "Стихотворения Р.А.Кудашевой". Часть первая | 7159 | 1030 | 7 | 50 | 48 | 50 | 77 | 94 | 89 | 87 | 101 | 155 | 162 | 110 | 0 | 1 | 1 | 1 | 0 | 2 | 2 | 2 | 3 | 3 | 0 | 2 | 2 | 1 | 1 | 2 | 2 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 3 | 1 | 1 | 1 | 1 | 4 | 6 | 1 | 3 | 4 | 1 | 5 | 2 | 2 | 1 | 1 | 3 | 4 | 1 | 4 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 2 | 2 | 2 | 1 | 0 | 3 | 2 | 1 | 1 |
| О поэме А.С.Пушкина "Медный всадник" | 2454 | 698 | 15 | 52 | 68 | 45 | 55 | 102 | 91 | 76 | 48 | 50 | 49 | 47 | 0 | 4 | 1 | 2 | 2 | 2 | 4 | 1 | 1 | 4 | 1 | 3 | 1 | 3 | 0 | 4 | 4 | 1 | 2 | 0 | 0 | 1 | 3 | 3 | 2 | 1 | 3 | 2 | 1 | 3 | 1 | 1 | 1 | 2 | 0 | 3 | 0 | 3 | 4 | 1 | 2 | 1 | 3 | 1 | 0 | 3 | 5 | 0 | 4 | 0 | 4 | 0 | 3 | 0 | 2 | 4 | 2 | 1 | 2 | 2 | 2 | 4 |
| "Стихотворения Р.А.Кудашевой". Часть вторая | 3009 | 663 | 7 | 112 | 38 | 28 | 76 | 85 | 62 | 45 | 32 | 45 | 66 | 67 | 0 | 1 | 1 | 0 | 0 | 2 | 3 | 0 | 4 | 2 | 6 | 1 | 11 | 6 | 4 | 24 | 25 | 2 | 2 | 3 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 2 | 0 | 3 | 0 | 3 | 1 | 2 | 1 | 2 | 2 | 1 | 3 | 2 | 0 | 1 | 2 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 3 | 2 | 0 | 0 | 1 | 1 | 1 | 3 |
| Загадочный Гоголь: Сожжённая грамота (1) | 2538 | 640 | 10 | 67 | 52 | 34 | 45 | 67 | 78 | 70 | 56 | 64 | 48 | 49 | 0 | 2 | 2 | 2 | 0 | 2 | 2 | 5 | 4 | 2 | 1 | 3 | 2 | 3 | 1 | 2 | 3 | 2 | 2 | 3 | 1 | 2 | 2 | 2 | 3 | 3 | 0 | 3 | 3 | 0 | 4 | 1 | 4 | 1 | 2 | 3 | 0 | 3 | 2 | 3 | 1 | 1 | 3 | 1 | 2 | 1 | 0 | 2 | 0 | 2 | 0 | 2 | 0 | 3 | 0 | 3 | 1 | 3 | 2 | 3 | 0 | 5 |
| О стихотворении Г.Р.Державина "На возвращение графа Зубова из Персии" | 2372 | 624 | 10 | 61 | 48 | 42 | 47 | 74 | 76 | 72 | 48 | 48 | 54 | 44 | 0 | 1 | 1 | 3 | 0 | 2 | 3 | 1 | 5 | 1 | 3 | 4 | 2 | 0 | 7 | 2 | 2 | 3 | 0 | 1 | 0 | 3 | 2 | 3 | 1 | 2 | 0 | 1 | 2 | 2 | 3 | 3 | 2 | 1 | 0 | 4 | 1 | 6 | 1 | 0 | 3 | 0 | 3 | 1 | 0 | 3 | 0 | 0 | 2 | 0 | 3 | 0 | 2 | 2 | 0 | 3 | 1 | 2 | 0 | 4 | 1 | 4 |
| Пушкин и Свиньин: Два очерка на "американскую" тему | 2262 | 611 | 9 | 61 | 48 | 32 | 42 | 70 | 77 | 80 | 58 | 55 | 45 | 34 | 0 | 1 | 0 | 3 | 0 | 4 | 1 | 3 | 3 | 0 | 3 | 3 | 2 | 0 | 2 | 0 | 3 | 4 | 0 | 2 | 0 | 1 | 4 | 0 | 3 | 0 | 2 | 1 | 0 | 2 | 2 | 0 | 3 | 1 | 4 | 9 | 4 | 5 | 0 | 2 | 1 | 2 | 2 | 4 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 2 | 1 | 1 | 3 | 1 | 5 | 0 | 0 | 2 | 1 | 5 |
| Т.Г.Мальчукова. О жанровых традициях в стихотворении А.С.Пушкина "Воспоминание" | 603 | 603 | 13 | 84 | 24 | 26 | 26 | 50 | 79 | 83 | 66 | 35 | 18 | 99 | 1 | 2 | 3 | 3 | 2 | 2 | 0 | 2 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 3 | 1 | 0 | 1 | 1 | 3 | 2 | 2 | 10 | 37 | 7 | 4 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 3 | 1 | 2 |
| "Москва слезам не верит": forever | 2992 | 568 | 9 | 37 | 48 | 42 | 51 | 63 | 69 | 58 | 48 | 57 | 33 | 53 | 0 | 1 | 1 | 1 | 0 | 2 | 4 | 4 | 3 | 1 | 2 | 2 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 4 | 0 | 0 | 1 | 1 | 3 | 0 | 6 | 0 | 0 | 3 | 0 | 1 | 1 | 2 | 2 | 3 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 5 | 1 | 3 | 0 | 3 | 1 | 3 |
| Из литературной предыстории стихотворения Е.А.Баратынского "Недоносок" | 3438 | 565 | 4 | 109 | 28 | 23 | 46 | 61 | 54 | 92 | 55 | 47 | 29 | 17 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 2 | 2 | 0 | 2 | 0 | 0 | 4 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 9 | 15 | 51 | 4 | 2 | 2 | 1 | 1 | 4 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 4 |
| К вопросу о литературных взаимоотношениях Баратынского и М.А.Бестужева-Рюмина (10) | 1091 | 535 | 9 | 54 | 47 | 38 | 40 | 62 | 75 | 61 | 36 | 41 | 38 | 34 | 0 | 0 | 2 | 2 | 2 | 1 | 2 | 2 | 4 | 5 | 0 | 4 | 0 | 2 | 0 | 0 | 3 | 2 | 1 | 0 | 0 | 3 | 2 | 2 | 0 | 2 | 3 | 2 | 2 | 3 | 4 | 1 | 1 | 3 | 0 | 2 | 1 | 5 | 2 | 1 | 4 | 0 | 2 | 2 | 1 | 2 | 0 | 3 | 0 | 2 | 1 | 1 | 2 | 0 | 2 | 3 | 1 | 2 | 0 | 3 | 0 | 4 |
| Заметки об Анне Ахматовой | 1933 | 532 | 11 | 45 | 43 | 40 | 34 | 63 | 66 | 63 | 32 | 54 | 39 | 42 | 0 | 2 | 2 | 2 | 0 | 4 | 1 | 2 | 2 | 2 | 1 | 3 | 0 | 2 | 0 | 4 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 3 | 0 | 2 | 0 | 4 | 0 | 4 | 3 | 0 | 0 | 2 | 0 | 1 | 4 | 1 | 2 | 0 | 2 | 0 | 2 | 3 | 0 | 2 | 0 | 2 | 0 | 2 | 0 | 2 | 0 | 0 | 2 | 2 | 3 | 1 | 3 | 0 | 3 | 0 |
| Пушкин и Вальтер Скотт | 3593 | 531 | 10 | 36 | 34 | 37 | 56 | 65 | 63 | 70 | 48 | 48 | 31 | 33 | 0 | 1 | 2 | 2 | 2 | 0 | 3 | 1 | 2 | 2 | 2 | 1 | 1 | 1 | 2 | 2 | 3 | 2 | 3 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 3 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 6 | 2 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 2 | 3 |
| К изучению творческой истории стихотворения Пушкина "Осень (Отрывок)". I I | 2550 | 514 | 6 | 48 | 40 | 26 | 56 | 76 | 70 | 63 | 46 | 41 | 21 | 21 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 2 | 5 | 1 | 0 | 2 | 2 | 1 | 0 | 2 | 2 | 3 | 3 | 1 | 9 | 4 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 5 | 3 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 3 | 3 | 1 | 2 |
| Булгаков и Эйнштейн (Неизученная редакция повести М.А.Булгакова "Роковые яйца") | 2839 | 512 | 6 | 95 | 21 | 19 | 41 | 50 | 43 | 70 | 61 | 38 | 32 | 36 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 4 | 0 | 3 | 2 | 1 | 1 | 0 | 1 | 4 | 3 | 2 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 2 | 1 | 1 | 1 | 14 | 41 | 5 | 3 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 |
| Из наблюдений над повестью А.И.Емичева "Заклятый поцелуй" (1) | 1875 | 452 | 8 | 29 | 24 | 26 | 36 | 109 | 54 | 53 | 37 | 34 | 26 | 16 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 2 | 2 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 4 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 2 |
| Н.Н.Альтварг. Забытый альманах "Сириус" | 2207 | 438 | 8 | 82 | 18 | 19 | 25 | 39 | 46 | 61 | 67 | 37 | 19 | 17 | 0 | 1 | 0 | 1 | 0 | 2 | 4 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 4 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 3 | 9 | 41 | 9 | 2 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 3 |
| Повесть Шиллера "Преступник из-за потерянной чести" в журнале А.Е.Измайлова и А.П.Бенитцкого "Цветник" | 2291 | 436 | 7 | 46 | 24 | 23 | 42 | 57 | 47 | 53 | 51 | 41 | 31 | 14 | 0 | 1 | 1 | 3 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 4 | 18 | 3 | 1 | 4 | 0 | 0 | 0 | 1 | 4 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 2 |
| Баратынский и Гейне (1) | 1870 | 422 | 7 | 75 | 19 | 11 | 36 | 42 | 47 | 63 | 63 | 37 | 11 | 11 | 0 | 3 | 0 | 1 | 0 | 2 | 1 | 1 | 4 | 1 | 2 | 3 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 6 | 31 | 13 | 3 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 2 |
| "Бобок": К изучению замысла пушкинского "Гробовщика" | 2044 | 421 | 10 | 24 | 32 | 25 | 52 | 65 | 51 | 48 | 38 | 36 | 21 | 19 | 0 | 2 | 1 | 1 | 3 | 1 | 2 | 1 | 2 | 1 | 1 | 3 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 6 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 5 | 1 | 3 | 0 | 1 | 2 | 2 |
| Итого | За последние 12 месяцев | May | Apr | Mar | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | |
| К изучению творческой истории стихотворения Пушкина "Осень (Отрывок)". I | 2327 | 420 | 4 | 38 | 39 | 24 | 24 | 55 | 59 | 55 | 36 | 36 | 21 | 29 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 4 | 1 | 3 | 1 | 2 | 1 | 2 | 1 | 3 | 3 | 1 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 3 | 1 | 2 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 3 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 5 | 1 | 2 | 0 | 3 |
| Баратынский и Гейне (2) | 2473 | 417 | 6 | 63 | 23 | 16 | 22 | 40 | 51 | 68 | 60 | 41 | 19 | 8 | 0 | 1 | 0 | 0 | 2 | 0 | 3 | 2 | 3 | 1 | 2 | 4 | 2 | 1 | 1 | 2 | 2 | 2 | 1 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 12 | 13 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 3 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 |
| Баратынский и Гейне (3) | 1693 | 417 | 8 | 88 | 19 | 9 | 33 | 45 | 42 | 62 | 47 | 36 | 14 | 14 | 0 | 2 | 0 | 1 | 0 | 2 | 3 | 1 | 1 | 0 | 2 | 2 | 1 | 0 | 3 | 1 | 1 | 3 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 6 | 42 | 13 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 |
| Русская поэзия - детям (О раннем творчестве Федора Миллера) | 2205 | 407 | 6 | 27 | 27 | 31 | 31 | 50 | 60 | 56 | 37 | 42 | 20 | 20 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 4 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 4 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 3 |
| О шиллеровской "полемике" 1813 года | 1903 | 406 | 4 | 68 | 18 | 16 | 36 | 44 | 46 | 56 | 50 | 37 | 13 | 18 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 1 | 1 | 3 | 1 | 1 | 0 | 1 | 3 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 4 | 2 | 0 | 2 | 5 | 27 | 5 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 1 | 0 | 1 | 2 |
| "Доктор Ястребцов" (исследование по истории русской литературы первой половины X I X века) | 1968 | 404 | 7 | 48 | 29 | 29 | 32 | 49 | 45 | 51 | 46 | 39 | 14 | 15 | 0 | 2 | 1 | 0 | 1 | 2 | 1 | 4 | 1 | 2 | 1 | 5 | 1 | 0 | 0 | 1 | 2 | 3 | 1 | 1 | 1 | 4 | 1 | 0 | 0 | 1 | 4 | 2 | 1 | 3 | 2 | 0 | 3 | 2 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 6 | 1 | 0 | 0 | 1 | 0 | 4 |
| "Октябрь уж наступил..." (Десять строф из романа А.С.Пушкина "Евгений Онегин") | 2127 | 404 | 6 | 35 | 36 | 24 | 41 | 50 | 65 | 43 | 40 | 36 | 18 | 10 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 3 | 2 | 2 | 2 | 0 | 1 | 3 | 0 | 2 | 3 | 0 | 1 | 0 | 2 | 0 | 3 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 1 | 0 | 1 | 5 | 1 | 0 | 0 | 1 | 3 | 2 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 2 | 2 | 1 | 0 | 2 | 1 | 2 |
| Вокруг стихотворения Пушкина "Дар..." (1828) | 1973 | 403 | 6 | 56 | 25 | 15 | 26 | 47 | 38 | 58 | 53 | 49 | 17 | 13 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 3 | 2 | 21 | 7 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 2 | 2 |
| Библиография работ Владимира Николаевича Турбина (1927 - 1993). Составлена О.В.Турбиной | 2205 | 401 | 5 | 32 | 60 | 18 | 23 | 53 | 56 | 55 | 31 | 35 | 18 | 15 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 2 | 3 | 2 | 0 | 1 | 0 | 1 | 1 | 4 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 7 | 3 | 1 | 2 | 7 | 13 | 3 |
| К проблеме творческой биографии А.Н.Чичерина | 2083 | 401 | 7 | 32 | 35 | 19 | 35 | 53 | 55 | 51 | 27 | 41 | 19 | 27 | 0 | 1 | 0 | 2 | 1 | 3 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 1 | 3 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 2 | 2 | 0 | 0 | 0 | 4 | 2 | 3 | 3 | 0 | 3 | 2 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 1 |
| "Стихотворения Р.А.Кудашевой". Часть четвертая | 2910 | 400 | 4 | 29 | 35 | 36 | 42 | 57 | 53 | 38 | 33 | 33 | 23 | 17 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 3 | 3 | 1 | 3 | 2 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 2 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 4 | 0 | 2 |
| О литературном дебюте Баратынского | 1719 | 398 | 5 | 29 | 30 | 20 | 42 | 39 | 43 | 64 | 55 | 41 | 16 | 14 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 3 | 1 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 5 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 3 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 2 | 0 | 2 | 2 |
| Эстетика драмы: О пьесе И.А.Крылова "Модная лавка" (1806). 2 | 2280 | 398 | 3 | 51 | 37 | 31 | 30 | 46 | 46 | 49 | 29 | 37 | 18 | 21 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 7 | 1 | 2 | 2 | 1 | 4 | 1 | 0 | 1 | 0 | 0 | 4 | 2 | 1 | 3 | 2 | 1 | 2 | 1 | 7 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 3 | 1 | 3 |
| О присутствии духа: Из предыстории повести Пушкина "Гробовщик" (1830) | 1913 | 396 | 5 | 36 | 35 | 25 | 42 | 52 | 62 | 44 | 33 | 30 | 20 | 12 | 0 | 0 | 0 | 0 | 2 | 3 | 0 | 2 | 3 | 1 | 1 | 2 | 2 | 0 | 0 | 2 | 2 | 3 | 0 | 0 | 1 | 0 | 2 | 4 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 1 | 0 | 0 | 1 | 1 | 2 | 3 | 1 | 2 | 1 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 3 | 3 | 3 |
| "Яко боги". Стихотворение О.Барбье "Машина", романы Г.Уэллса и поэзия Баратынского | 2014 | 391 | 6 | 53 | 21 | 17 | 22 | 37 | 59 | 52 | 58 | 42 | 14 | 10 | 0 | 0 | 0 | 0 | 2 | 1 | 3 | 3 | 4 | 1 | 1 | 1 | 3 | 1 | 0 | 1 | 1 | 4 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 5 | 1 | 7 | 8 | 1 | 5 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 3 |
| О пьесе В.Ф.Одоевского "Царь-Девица" | 2309 | 390 | 8 | 30 | 29 | 14 | 35 | 58 | 54 | 57 | 26 | 41 | 20 | 18 | 0 | 0 | 2 | 0 | 2 | 1 | 3 | 1 | 2 | 1 | 1 | 2 | 4 | 1 | 1 | 0 | 3 | 1 | 4 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 2 | 0 | 1 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 3 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 4 | 0 | 0 | 0 | 3 | 1 | 4 |
| "Человек (не) на четвереньках": Загадки стиля рассказов А.Конан Дойля о Шерлоке Холмсе | 650 | 390 | 7 | 35 | 32 | 32 | 44 | 38 | 48 | 40 | 33 | 35 | 26 | 20 | 0 | 3 | 0 | 0 | 1 | 2 | 1 | 3 | 4 | 3 | 1 | 1 | 0 | 0 | 1 | 2 | 3 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 3 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 3 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 2 | 2 | 2 | 2 |
| Повесть Пушкина "Гробовщик": до и после | 2559 | 389 | 6 | 37 | 27 | 17 | 32 | 48 | 53 | 57 | 37 | 38 | 19 | 18 | 0 | 3 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 3 | 2 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 3 | 1 | 0 | 2 | 1 | 1 | 5 | 0 | 2 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 3 | 3 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 4 | 0 | 1 | 1 | 0 | 2 | 2 |
| О стихотворении А.С.Пушкина "Свободы сеятель пустынный..." | 1944 | 388 | 4 | 35 | 29 | 11 | 36 | 53 | 53 | 56 | 35 | 31 | 24 | 21 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 2 | 0 | 0 | 4 | 0 | 2 | 1 | 2 | 0 | 2 | 3 | 3 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 4 | 4 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 2 |
| Дополнение к "Пароходу" (пушкинский вариант) | 2097 | 384 | 10 | 38 | 24 | 21 | 26 | 52 | 52 | 44 | 32 | 38 | 19 | 28 | 0 | 0 | 2 | 2 | 2 | 1 | 3 | 1 | 3 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 2 | 2 | 1 | 0 | 2 | 4 | 2 | 0 | 0 | 2 | 4 | 1 | 0 | 1 | 1 | 0 | 1 | 3 | 1 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 4 | 1 | 0 | 0 | 1 | 0 | 1 |
| Итого | За последние 12 месяцев | May | Apr | Mar | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | |
| Казаки - разбойники. Финалы двух произведений А.С.Пушкина и Н.В.Гоголя: романа "Дубровский" и повести "Тарас Бульба" (1) | 1964 | 383 | 7 | 26 | 26 | 21 | 29 | 52 | 54 | 59 | 39 | 39 | 14 | 17 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 3 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 6 | 0 | 0 | 2 | 1 | 1 | 2 |
| Опыт классификации повествовательных форм в поэме А.С.Пушкина "Руслан и Людмила". Глава I | 382 | 382 | 4 | 51 | 15 | 13 | 25 | 35 | 34 | 50 | 47 | 33 | 16 | 59 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 3 | 3 | 1 | 2 | 0 | 2 | 5 | 1 | 0 | 1 | 0 | 1 | 3 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 3 | 0 | 0 | 1 | 11 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 |
| О контексте публикации стихотворений Баратынского в журнале "Благонамеренный" в 1822 году | 1670 | 380 | 4 | 41 | 23 | 21 | 37 | 47 | 46 | 47 | 49 | 35 | 21 | 9 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 1 | 4 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 13 | 3 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 5 |
| Жуковский и Гете | 2297 | 376 | 5 | 38 | 24 | 20 | 43 | 47 | 47 | 47 | 35 | 36 | 20 | 14 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 3 | 1 | 1 | 3 | 1 | 0 | 3 | 2 | 1 | 3 | 0 | 2 | 0 | 0 | 5 | 3 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 1 | 3 |
| "Еще заметен след...": Баратынский и Николай Бестужев | 1853 | 375 | 6 | 35 | 26 | 22 | 27 | 44 | 41 | 57 | 57 | 33 | 12 | 15 | 0 | 3 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 2 | 2 | 2 | 1 | 0 | 4 | 1 | 3 | 1 | 0 | 0 | 0 | 5 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 2 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 4 | 3 |
| Пушкин и Фиваида (очерки) | 2106 | 373 | 8 | 29 | 20 | 17 | 34 | 48 | 56 | 45 | 40 | 40 | 18 | 18 | 0 | 2 | 0 | 2 | 0 | 1 | 3 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 3 | 0 | 2 | 2 | 0 | 1 | 2 | 0 | 4 | 0 | 0 | 1 | 1 | 2 | 1 | 3 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 3 |
| "Трактат о панораме": Традиция изображения городского пространства в очерке М.Ю.Лермонтова "Панорама Москвы" | 2096 | 369 | 7 | 35 | 29 | 21 | 58 | 38 | 48 | 41 | 27 | 34 | 19 | 12 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 5 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 8 | 1 | 0 | 0 | 4 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 2 |
| О стихотворении С.А.Соболевского и Е.А.Баратынского "Быль" ("Жил да был петух индейский...") | 1667 | 369 | 7 | 23 | 30 | 22 | 30 | 58 | 51 | 43 | 37 | 31 | 14 | 23 | 0 | 3 | 1 | 0 | 2 | 1 | 0 | 1 | 4 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 5 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 3 | 2 | 1 | 1 | 1 | 1 | 2 |
| О романе М.А.Булгакова "Белая гвардия" | 2150 | 368 | 5 | 24 | 35 | 38 | 28 | 44 | 55 | 39 | 18 | 35 | 24 | 23 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 4 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 1 | 0 | 0 | 1 | 3 | 5 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 2 | 0 | 0 | 1 | 2 | 2 |
| "Вы чьё, старичьё?" Мотивы романов Ф.М.Достоевского "Преступление и наказание" и "Братья Карамазовы" в советской детской литературе 1920-х - 1930-х годов. Часть 1 | 1317 | 365 | 5 | 33 | 22 | 23 | 23 | 43 | 46 | 57 | 38 | 33 | 26 | 16 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 5 | 0 | 3 | 2 | 0 | 0 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 4 | 1 | 2 | 0 | 0 | 0 | 1 | 4 | 1 | 0 | 0 | 0 | 3 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 3 |
| "Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: К.П.Масальский и М.Н.Волконский. V I I | 1099 | 365 | 2 | 32 | 27 | 21 | 33 | 92 | 38 | 35 | 31 | 26 | 15 | 13 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 3 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 2 | 2 | 0 | 1 | 2 | 2 | 3 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 1 | 1 | 1 | 1 | 0 | 2 |
| "Сочинение Телешевского". Часть первая. Главы I - I I | 1717 | 363 | 7 | 31 | 21 | 20 | 32 | 42 | 48 | 53 | 46 | 35 | 14 | 14 | 0 | 1 | 2 | 0 | 2 | 0 | 2 | 2 | 3 | 1 | 2 | 3 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 3 |
| Вуланд, Варнуха и Короваев: черновики романа М.А.Булгакова "Мастер и Маргарита" в комедии А.Ф.Писемского "Хищники" (Мир Писемского. Статья первая). 1 | 1280 | 360 | 3 | 33 | 24 | 27 | 34 | 46 | 49 | 45 | 30 | 31 | 25 | 13 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 3 | 2 | 2 | 0 | 0 | 2 | 2 | 1 | 3 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 2 | 1 | 0 | 2 | 1 | 1 | 3 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 3 |
| Казаки - разбойники. Финалы двух произведений А.С.Пушкина и Н.В.Гоголя: романа "Дубровский" и повести "Тарас Бульба" (4) | 1592 | 359 | 2 | 31 | 23 | 16 | 29 | 59 | 50 | 47 | 29 | 34 | 23 | 16 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 1 | 3 | 1 | 1 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 4 | 0 | 0 | 1 | 1 | 2 | 3 |
| Баратынский - редактор П.П.Свиньина | 1692 | 358 | 6 | 27 | 18 | 10 | 27 | 42 | 52 | 57 | 47 | 38 | 18 | 16 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 5 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 4 |
| "Уже потомство настает...": Из комментария к стихотворению Пушкина "Наполеон" | 1886 | 357 | 5 | 41 | 17 | 11 | 28 | 41 | 52 | 50 | 44 | 36 | 22 | 10 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 2 | 3 | 14 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 |
| Ж.Жанен. "Мертвый осел и обезглавленная женщина". (Рецензия из "Сына Отечества", 1831) | 1829 | 356 | 4 | 25 | 22 | 14 | 33 | 57 | 52 | 50 | 28 | 36 | 17 | 18 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 4 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 3 |
| Загадочный Гоголь: Сожженная грамота (2) | 1914 | 356 | 4 | 41 | 21 | 20 | 29 | 45 | 41 | 47 | 21 | 41 | 28 | 18 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 2 | 2 | 0 | 2 | 3 | 2 | 2 | 4 | 2 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 |
| У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 3 | 744 | 355 | 5 | 33 | 34 | 14 | 27 | 95 | 36 | 43 | 21 | 21 | 13 | 13 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 2 | 2 | 0 | 2 | 1 | 0 | 0 | 5 | 2 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 2 | 3 | 0 | 2 | 2 | 0 | 1 | 1 | 2 | 1 |
| Пушкин и Плетнев (к изучению их литературных взаимоотношений). 1 | 1631 | 355 | 8 | 38 | 22 | 20 | 33 | 47 | 41 | 52 | 29 | 28 | 21 | 16 | 0 | 3 | 0 | 0 | 0 | 1 | 4 | 0 | 3 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 2 | 5 | 4 | 1 | 0 | 1 | 1 | 4 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 2 |
| Итого | За последние 12 месяцев | May | Apr | Mar | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | |
| "Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 8 | 787 | 354 | 2 | 29 | 25 | 15 | 60 | 69 | 41 | 37 | 31 | 22 | 15 | 8 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 3 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 2 | 1 | 3 | 0 | 2 | 0 | 1 | 0 | 4 | 0 | 4 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 |
| "Судьба Буратино, или Товарищ Назон" (тексты 20-го века в строфах романа А.С.Пушкина "Евгений Онегин") | 1504 | 351 | 6 | 28 | 30 | 15 | 28 | 47 | 52 | 40 | 24 | 43 | 25 | 13 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 0 | 5 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 3 | 0 | 1 | 0 | 1 | 1 | 4 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 2 | 2 | 1 | 0 | 1 |
| На корабле: О творчестве М.А.Булгакова в начале 1920-х годов | 1796 | 350 | 6 | 26 | 18 | 14 | 32 | 40 | 68 | 43 | 29 | 38 | 18 | 18 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 3 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 2 | 0 | 1 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 2 |
| Русский исторический роман начала Х Х века (А.П.Павлов). 2 | 1138 | 348 | 4 | 27 | 19 | 12 | 25 | 54 | 61 | 33 | 40 | 39 | 23 | 11 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 2 | 3 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 4 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 3 | 0 | 0 | 1 | 2 | 0 | 2 |
| Две фантазии на одну тему (А.С.Пушкин и О.И.Сенковский - Барон Брамбеус) | 1777 | 348 | 7 | 29 | 34 | 26 | 29 | 45 | 36 | 49 | 33 | 32 | 17 | 11 | 0 | 0 | 1 | 0 | 2 | 1 | 3 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 3 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 7 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 3 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 4 | 2 | 3 |
| О политических эпиграммах Пушкина конца 1810-х годов | 2022 | 347 | 7 | 31 | 26 | 18 | 27 | 41 | 62 | 40 | 23 | 33 | 20 | 19 | 0 | 1 | 2 | 0 | 2 | 0 | 2 | 2 | 3 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 2 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 4 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 5 |
| "Вы чьё, старичьё?" Мотивы романов Ф.М.Достоевского "Преступление и наказание" и "Братья Карамазовы" в советской детской литературе 1920-х - 1930-х годов. Часть 2 | 1143 | 343 | 5 | 36 | 24 | 16 | 31 | 38 | 42 | 45 | 29 | 32 | 26 | 19 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 2 | 5 | 2 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 4 | 1 | 2 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 3 | 2 | 1 | 0 | 0 | 1 | 3 |
| "Европейское" стихотворение Баратынского (Баратынский против И.В.Киреевского) | 1631 | 343 | 8 | 32 | 20 | 19 | 31 | 36 | 39 | 55 | 36 | 34 | 19 | 14 | 0 | 4 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 3 | 2 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 2 | 1 | 6 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 2 |
| Зыкова Г.В, Пенская Е.Н. Семинар В.Н.Турбина в переписке его участников 1960-х годов (Новый мир, 2019, N 11) | 870 | 343 | 7 | 20 | 20 | 11 | 30 | 34 | 39 | 65 | 45 | 41 | 14 | 17 | 0 | 1 | 0 | 0 | 1 | 3 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 |
| "Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: М.Н.Волконский. Х | 1110 | 342 | 4 | 32 | 18 | 15 | 33 | 53 | 44 | 41 | 33 | 35 | 21 | 13 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 3 | 1 | 3 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 2 |
| Булгаков и Пильняк (заметки к теме) | 1533 | 340 | 4 | 32 | 23 | 15 | 24 | 51 | 48 | 39 | 35 | 36 | 13 | 20 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 1 | 3 | 0 | 2 | 2 | 2 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 4 | 3 | 1 | 0 | 4 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 |
| "Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 3 | 866 | 339 | 11 | 26 | 32 | 19 | 34 | 41 | 53 | 35 | 31 | 25 | 15 | 17 | 0 | 1 | 3 | 1 | 1 | 1 | 4 | 1 | 1 | 0 | 3 | 2 | 0 | 0 | 1 | 1 | 3 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 3 | 1 | 0 | 0 | 0 | 2 | 2 | 3 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 2 | 1 | 3 |
| "Стихотворения Н.И.Шибаева", 1830-31 гг | 1680 | 339 | 4 | 24 | 36 | 23 | 29 | 41 | 58 | 28 | 32 | 30 | 17 | 17 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 4 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 3 | 1 | 0 | 0 | 2 | 0 | 2 |
| О.В.Турбина. Предисловие к Описи личного фонда В.Н.Турбина в Российском государственном архиве литературы и искусства | 1831 | 339 | 9 | 33 | 21 | 19 | 23 | 41 | 39 | 51 | 21 | 44 | 20 | 18 | 0 | 1 | 1 | 2 | 1 | 1 | 3 | 3 | 2 | 3 | 1 | 3 | 1 | 0 | 2 | 1 | 3 | 2 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 2 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 5 |
| "Pro domo sua": к истории возникновения "Заметки о сочинениях Жуковского и Батюшкова" П.А.Плетнева. 1 | 1542 | 337 | 7 | 31 | 23 | 25 | 26 | 53 | 43 | 44 | 25 | 34 | 12 | 14 | 0 | 1 | 2 | 1 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 2 | 2 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 4 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 1 |
| Булгаков и А.Н.Толстой | 1605 | 336 | 9 | 32 | 37 | 22 | 30 | 39 | 45 | 39 | 20 | 32 | 15 | 16 | 0 | 1 | 1 | 0 | 1 | 2 | 4 | 3 | 2 | 0 | 3 | 2 | 2 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 6 | 2 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 0 | 3 | 0 | 1 | 2 | 0 | 3 | 0 | 4 | 1 | 0 | 0 | 1 | 1 | 2 |
| Вуланд, Варнуха и Короваев: черновики романа М.А.Булгакова "Мастер и Маргарита" в комедии А.Ф.Писемского "Хищники" (Мир Писемского. Статья первая). 2 | 1069 | 335 | 9 | 33 | 30 | 20 | 29 | 42 | 45 | 35 | 35 | 30 | 14 | 13 | 0 | 3 | 0 | 1 | 0 | 2 | 3 | 2 | 3 | 2 | 1 | 3 | 0 | 1 | 0 | 1 | 2 | 5 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 4 | 2 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 3 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 3 |
| Эстетика драмы: О пьесе И.А.Крылова "Модная лавка" (1806). 1 | 2088 | 335 | 6 | 24 | 22 | 15 | 30 | 47 | 46 | 46 | 28 | 31 | 18 | 22 | 0 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 5 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 4 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 |
| "Кесарь" и "василёк": Еще о контексте публикации стихотворений Баратынского в журнале "Благонамеренный" в 1822 году | 1444 | 334 | 5 | 20 | 16 | 11 | 26 | 44 | 41 | 55 | 57 | 31 | 16 | 12 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 3 |
| "Жизнь": Н.В.Гоголь, Ф.В.Булгарин и свят. Григорий Богослов (тексты) | 1530 | 334 | 7 | 38 | 22 | 13 | 35 | 42 | 42 | 39 | 36 | 31 | 18 | 11 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 2 | 2 | 2 | 1 | 2 | 0 | 2 | 0 | 2 | 1 | 0 | 3 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 3 | 4 | 3 | 3 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 3 | 2 | 0 | 0 | 1 | 0 | 4 |
| Итого | За последние 12 месяцев | May | Apr | Mar | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | |
| О литературном контексте первых публикаций произведений Пушкина "Пир во время чумы" и "На перевод Илиады". 1 | 1531 | 334 | 3 | 28 | 29 | 19 | 38 | 43 | 43 | 38 | 35 | 25 | 21 | 12 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 4 | 1 | 1 | 0 | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 4 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 3 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 2 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 3 | 1 | 0 | 2 | 0 | 2 |
| "Жизнь": Н.В.Гоголь, Ф.В.Булгарин и свят. Григорий Богослов. Очерк второй | 1377 | 333 | 2 | 36 | 24 | 29 | 29 | 42 | 39 | 46 | 28 | 29 | 15 | 14 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 2 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 2 | 3 | 1 | 2 | 2 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 3 | 0 | 1 | 0 | 1 | 1 |
| "Жизнь": Н.В.Гоголь, Ф.В.Булгарин и свят. Григорий Богослов. Очерк пятый | 1457 | 331 | 2 | 30 | 34 | 29 | 28 | 39 | 43 | 41 | 34 | 28 | 14 | 9 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 4 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 2 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 2 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 4 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 3 | 1 | 0 | 3 | 1 | 1 | 1 | 1 | 1 | 3 |
| "Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: М.Н.Волконский. I Х | 1075 | 330 | 4 | 38 | 18 | 14 | 27 | 54 | 50 | 38 | 22 | 32 | 22 | 11 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 4 | 2 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 2 | 3 | 3 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 2 | 1 | 0 | 0 | 1 | 1 |
| "Незадолго до Водолея..." (опыт комментария-воспоминания) | 1597 | 329 | 6 | 26 | 23 | 25 | 25 | 41 | 53 | 34 | 34 | 30 | 16 | 16 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 3 | 3 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 2 |
| Калина красная: Пушкин и Шукшин | 1685 | 328 | 5 | 30 | 22 | 11 | 28 | 42 | 48 | 46 | 26 | 33 | 18 | 19 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 5 | 4 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 4 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 5 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 2 |
| "Бледный огонь": заметки о стихотворениях Н.С.Гумилева и О.Э.Мандельштама. 1 | 1910 | 327 | 5 | 29 | 26 | 17 | 25 | 37 | 45 | 45 | 25 | 32 | 30 | 11 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 4 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 4 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 3 | 0 | 4 |
| Из наблюдений над повестью А.И.Емичева "Заклятый поцелуй" (4) | 1322 | 327 | 7 | 24 | 21 | 18 | 30 | 42 | 46 | 39 | 32 | 37 | 19 | 12 | 0 | 1 | 2 | 1 | 0 | 2 | 1 | 1 | 4 | 0 | 1 | 3 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 1 | 3 | 0 | 0 | 0 | 4 |
| Казаки - разбойники. Финалы двух произведений А.С.Пушкина и Н.В.Гоголя: романа "Дубровский" и повести "Тарас Бульба" (5) | 1521 | 326 | 4 | 29 | 18 | 17 | 25 | 47 | 45 | 43 | 32 | 30 | 24 | 12 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 3 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 3 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 2 |
| Русский исторический роман начала Х X века (Д.С.Дмитриев). 1 | 1048 | 326 | 4 | 28 | 23 | 16 | 21 | 58 | 43 | 36 | 35 | 34 | 18 | 10 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 2 | 1 | 2 | 3 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 3 | 1 |
| "Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: М.Н.Волконский. X I V | 1097 | 326 | 5 | 32 | 22 | 22 | 34 | 43 | 37 | 44 | 25 | 31 | 15 | 16 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 3 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 3 | 2 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 3 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 3 | 0 | 1 | 0 | 0 | 0 | 3 |
| "Не родись ни хорош ни пригож, а родись щастлив" (Истинное происшествие). Из журнала "Благонамеренный", 1818, часть 1, N 1. (Окончание) | 1052 | 325 | 4 | 34 | 33 | 25 | 35 | 44 | 50 | 35 | 16 | 27 | 14 | 8 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 3 | 0 | 1 | 2 | 1 | 1 | 3 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 4 | 3 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 3 | 1 | 2 | 1 | 3 | 1 | 1 |
| "Стенограмма": отчет о событиях политической истории первой половины Х X века в комедии А.Ф.Писемского "Ипохондрик" (Мир Писемского. Статья вторая). 5 | 994 | 325 | 5 | 37 | 20 | 21 | 27 | 39 | 41 | 43 | 31 | 34 | 15 | 12 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 3 | 3 | 0 | 1 | 2 | 2 | 3 | 3 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 4 | 0 | 0 | 0 | 1 | 0 | 1 | 6 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 2 |
| "Жизнь": Н.В.Гоголь, Ф.В.Булгарин и свят. Григорий Богослов. Очерк первый | 1462 | 324 | 4 | 43 | 22 | 19 | 27 | 38 | 41 | 35 | 37 | 33 | 11 | 14 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 2 | 2 | 1 | 2 | 2 | 1 | 1 | 0 | 2 | 4 | 1 | 4 | 1 | 2 | 2 | 0 | 2 | 1 | 2 | 4 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 4 | 2 | 0 | 0 | 1 | 0 | 2 |
| Казаки - разбойники. Финалы двух произведений А.С.Пушкина и Н.В.Гоголя: романа "Дубровский" и повести "Тарас Бульба" (2) | 1318 | 323 | 4 | 30 | 22 | 15 | 31 | 38 | 50 | 42 | 35 | 34 | 12 | 10 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 0 | 2 | 3 | 1 | 1 | 1 | 0 | 4 | 1 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 1 | 0 | 3 | 1 | 3 |
| Вуланд, Варнуха и Короваев: черновики романа М.А.Булгакова "Мастер и Маргарита" в комедии А.Ф.Писемского "Хищники" (Мир Писемского. Статья первая). 3 | 963 | 322 | 8 | 35 | 28 | 16 | 28 | 46 | 36 | 34 | 24 | 32 | 23 | 12 | 0 | 2 | 0 | 1 | 1 | 1 | 3 | 2 | 2 | 2 | 1 | 3 | 1 | 0 | 2 | 1 | 1 | 4 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 2 | 0 | 2 | 0 | 0 | 4 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 2 | 4 |
| У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 9 | 682 | 321 | 10 | 23 | 23 | 12 | 25 | 42 | 48 | 48 | 16 | 34 | 29 | 11 | 0 | 2 | 0 | 2 | 1 | 3 | 2 | 3 | 1 | 0 | 1 | 3 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 4 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 1 |
| Еще о стихотворении Н.И.Гнедича "Скоротечность юности" (1809) | 1528 | 321 | 6 | 30 | 23 | 20 | 62 | 39 | 34 | 34 | 26 | 23 | 14 | 10 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 2 | 2 | 5 | 2 | 2 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 0 | 1 | 5 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 1 |
| "Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 11 | 731 | 320 | 6 | 34 | 19 | 15 | 22 | 52 | 48 | 39 | 29 | 26 | 20 | 10 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 2 | 4 | 0 | 2 | 2 | 0 | 0 | 2 | 1 | 1 | 3 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 2 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 |
| "Сочинение Телешевского". Часть первая. Главы I V - V | 1506 | 320 | 8 | 36 | 21 | 14 | 26 | 42 | 47 | 38 | 28 | 28 | 16 | 16 | 0 | 2 | 2 | 1 | 0 | 1 | 2 | 1 | 3 | 0 | 2 | 4 | 0 | 2 | 2 | 2 | 1 | 3 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 2 | 0 | 2 | 1 | 1 | 1 |
| Итого | За последние 12 месяцев | May | Apr | Mar | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | |
| "Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 4 | 839 | 319 | 8 | 23 | 25 | 19 | 26 | 43 | 43 | 37 | 35 | 34 | 14 | 12 | 0 | 1 | 1 | 2 | 0 | 1 | 3 | 1 | 2 | 1 | 1 | 4 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 3 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 3 |
| Манифест русского феминизма: драма А.Ф.Писемского "Просвещенное время" (Мир Писемского. Статья четвертая). 2 | 875 | 318 | 7 | 22 | 26 | 21 | 29 | 46 | 39 | 41 | 31 | 33 | 15 | 8 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 6 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 1 | 1 | 2 |
| К проблеме творческой биографии М.А.Булгакова | 1634 | 318 | 6 | 22 | 20 | 21 | 22 | 45 | 61 | 39 | 24 | 26 | 17 | 15 | 0 | 2 | 0 | 1 | 3 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 4 |
| "Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 6 | 798 | 318 | 6 | 33 | 28 | 13 | 20 | 40 | 38 | 48 | 37 | 27 | 12 | 16 | 0 | 1 | 0 | 3 | 0 | 0 | 2 | 2 | 3 | 1 | 1 | 4 | 0 | 0 | 2 | 1 | 2 | 2 | 0 | 2 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 3 | 0 | 3 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 3 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 2 |
| Русский исторический роман начала Х Х века (А.П.Павлов). 1 | 1069 | 318 | 4 | 31 | 22 | 15 | 36 | 47 | 44 | 35 | 31 | 29 | 14 | 10 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 2 | 2 | 1 | 3 | 3 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 2 | 1 |
| "Басня" и "эпиграмма": О словоупотреблении Баратынского | 1551 | 317 | 6 | 24 | 24 | 13 | 25 | 42 | 36 | 37 | 41 | 46 | 15 | 8 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 4 | 1 | 3 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 4 | 3 | 1 |
| К вопросу о художественной функции анахронизмов в повести В.К.Кюхельбекера "Адо" (7) | 1225 | 316 | 2 | 29 | 28 | 23 | 43 | 40 | 36 | 44 | 18 | 26 | 15 | 12 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 4 | 2 | 1 | 0 | 2 | 3 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 3 | 0 | 1 | 1 | 2 | 1 | 2 |
| "Вы чьё, старичьё?" Мотивы романов Ф.М.Достоевского "Преступление и наказание" и "Братья Карамазовы" в советской детской литературе 1920-х - 1930-х годов. Часть 3 (продолжение) | 1062 | 316 | 5 | 28 | 17 | 18 | 47 | 40 | 35 | 37 | 30 | 35 | 16 | 8 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 4 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 3 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 2 |
| "Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 5 | 817 | 316 | 5 | 35 | 18 | 12 | 35 | 47 | 41 | 37 | 33 | 27 | 11 | 15 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 3 | 1 | 0 | 2 | 3 | 0 | 2 | 2 | 2 | 1 | 3 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 3 |
| "Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 2 | 924 | 315 | 8 | 27 | 22 | 18 | 28 | 42 | 42 | 35 | 39 | 28 | 13 | 13 | 0 | 2 | 0 | 1 | 1 | 0 | 4 | 1 | 3 | 2 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 3 |
| "Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: М.Н.Волконский. X I I I | 1090 | 315 | 2 | 25 | 23 | 17 | 32 | 43 | 40 | 47 | 32 | 26 | 16 | 12 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 3 |
| Из русской литературной критики 1810-х - 1830-х годов | 1519 | 314 | 8 | 25 | 21 | 17 | 21 | 42 | 40 | 34 | 26 | 39 | 31 | 10 | 0 | 1 | 1 | 0 | 3 | 0 | 3 | 0 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 3 | 4 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 |
| Мотивы творчества А.С.Пушкина в повести В.И.Панаева "Не родись ни хорош ни пригож, а родись щастлив" (1818). Часть 1 | 1918 | 314 | 6 | 27 | 27 | 17 | 28 | 34 | 45 | 41 | 31 | 27 | 15 | 16 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 4 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 3 | 1 | 0 | 2 |
| "Веревочка": Опыт исследования истории русской литературы X I X века: П.В.Полежаев, Е.А.Салиас и К.П.Масальский. I V | 1259 | 314 | 6 | 32 | 29 | 19 | 25 | 37 | 33 | 51 | 29 | 31 | 12 | 10 | 0 | 0 | 1 | 2 | 3 | 0 | 0 | 0 | 4 | 2 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 1 | 1 | 3 | 0 | 2 | 0 | 1 | 2 | 1 | 4 | 0 | 0 | 0 | 0 | 1 | 0 | 4 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 3 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 2 |
| "Сочинение Телешевского". Часть первая. Глава I I I | 1582 | 313 | 4 | 29 | 18 | 15 | 32 | 37 | 45 | 46 | 34 | 28 | 13 | 12 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 3 | 3 | 0 | 2 | 4 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 4 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 2 |
| "Веревочка": Опыт исследования истории русской литературы X I X века: П.В.Полежаев, Е.А.Салиас и К.П.Масальский. V | 1081 | 313 | 4 | 36 | 20 | 9 | 29 | 33 | 44 | 43 | 32 | 28 | 20 | 15 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 2 | 1 | 1 | 2 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 4 | 0 | 1 | 0 | 2 | 3 | 3 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 1 |
| "Бледный огонь": заметки о стихотворениях Н.С.Гумилева и О.Э.Мандельштама. 5 | 1505 | 313 | 5 | 34 | 24 | 16 | 26 | 50 | 25 | 41 | 26 | 35 | 15 | 16 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 2 | 3 | 0 | 1 | 4 | 1 | 1 | 1 | 0 | 2 | 3 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 3 |
| Булгаков и власть | 1644 | 313 | 5 | 25 | 21 | 17 | 19 | 41 | 50 | 44 | 31 | 25 | 17 | 18 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 2 | 0 | 1 | 2 | 0 | 1 | 3 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 2 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 1 | 4 |
| Баратынский и Батюшков (переход от Батюшкова к Баратынскому) 5 | 790 | 313 | 4 | 26 | 28 | 24 | 27 | 37 | 49 | 37 | 31 | 21 | 14 | 15 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 3 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 4 | 1 | 0 | 1 | 0 | 1 | 0 | 4 | 3 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 4 | 1 | 0 | 2 | 0 | 0 | 4 |
| Русский исторический роман начала Х Х века (Д.С.Дмитриев). 2 | 1017 | 313 | 4 | 23 | 24 | 26 | 27 | 39 | 50 | 39 | 23 | 26 | 20 | 12 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 2 | 3 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 2 |
| Итого | За последние 12 месяцев | May | Apr | Mar | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | |
| У истоков поэтического цикла К.Ф.Рылеева "Думы": элегия П.А.Плетнева "Миних" (1) | 1472 | 312 | 5 | 31 | 22 | 17 | 22 | 43 | 38 | 38 | 28 | 34 | 14 | 20 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 4 | 1 | 1 | 3 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 3 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 3 | 0 | 1 | 2 |
| "Сочинение Телешевского". Часть первая. Главы V I I I - X | 1487 | 311 | 5 | 29 | 23 | 19 | 23 | 39 | 41 | 42 | 31 | 29 | 17 | 13 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 3 | 1 | 5 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 0 | 2 | 1 | 2 |
| "Стенограмма": отчет о событиях политической истории первой половины Х X века в комедии А.Ф.Писемского "Ипохондрик" (Мир Писемского. Статья вторая). 4 | 927 | 311 | 4 | 33 | 23 | 22 | 26 | 37 | 38 | 40 | 26 | 31 | 16 | 15 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 2 | 3 | 1 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 4 | 1 | 0 | 1 | 1 | 3 | 2 | 3 | 3 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 4 |
| "Владимир I I I-й степени" (исследование по истории русской литературы первой половины X I X-го века) | 1737 | 311 | 7 | 39 | 19 | 18 | 21 | 43 | 42 | 41 | 30 | 27 | 16 | 8 | 0 | 3 | 0 | 2 | 0 | 1 | 1 | 2 | 3 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 6 | 2 | 0 | 2 | 3 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 4 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 1 | 0 | 1 | 1 | 2 |
| У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 1 | 729 | 310 | 10 | 33 | 22 | 13 | 20 | 43 | 38 | 38 | 34 | 32 | 9 | 18 | 0 | 1 | 2 | 4 | 1 | 2 | 0 | 2 | 3 | 2 | 1 | 3 | 1 | 0 | 2 | 3 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 3 | 3 |
| Опыт классификации повествовательных форм в поэме А.С.Пушкина "Руслан и Людмила". Введение | 362 | 310 | 7 | 30 | 22 | 12 | 21 | 47 | 36 | 33 | 23 | 23 | 13 | 43 | 0 | 1 | 0 | 0 | 2 | 1 | 3 | 2 | 2 | 0 | 2 | 1 | 0 | 3 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 1 |
| У истоков поэтического цикла К.Ф.Рылеева "Думы": элегия П.А.Плетнева "Миних" (2) | 1450 | 310 | 6 | 33 | 21 | 13 | 29 | 40 | 42 | 40 | 23 | 38 | 12 | 13 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 1 | 1 | 5 | 1 | 0 | 1 | 1 | 3 | 3 | 1 | 1 | 1 | 2 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 5 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 |
| "Веревочка". Опыт исследования истории русской литературы первой половины X I X века: Пушкин, Гоголь, Достоевский. I I I | 1222 | 309 | 7 | 31 | 26 | 21 | 31 | 43 | 42 | 37 | 21 | 30 | 13 | 7 | 0 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 3 | 1 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 2 | 2 | 2 | 0 | 1 | 1 | 0 | 3 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 1 | 1 | 1 | 1 | 3 |
| "По прозванью Каланча..." Комментарий к одному литературоведческому наблюдению В.Н.Турбина | 1073 | 309 | 4 | 30 | 19 | 13 | 21 | 38 | 47 | 35 | 37 | 31 | 20 | 14 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 3 | 1 | 0 | 3 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 2 | 1 | 3 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 |
| К вопросу о художественной функции анахронизмов в повести В.К.Кюхельбекера "Адо" и поэме А.А.Бестужева-Марлинского "Андрей, князь Переяславский" (3) | 1331 | 308 | 3 | 30 | 19 | 15 | 19 | 37 | 41 | 40 | 40 | 27 | 21 | 16 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 2 | 1 | 3 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 |
| "Не родись ни хорош ни пригож, а родись щастлив" (Истинное происшествие). Из журнала "Благонамеренный", 1818, часть 1, N 1 | 1126 | 308 | 3 | 39 | 21 | 17 | 28 | 44 | 45 | 37 | 26 | 26 | 16 | 6 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 3 | 1 | 1 | 2 | 2 | 0 | 1 | 2 | 2 | 2 | 0 | 0 | 1 | 2 | 0 | 4 | 1 | 0 | 1 | 2 | 4 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 2 |
| "Вы чьё, старичьё?" Мотивы романов Ф.М.Достоевского "Преступление и наказание" и "Братья Карамазовы" в советской детской литературе 1920-х - 1930-х годов. Часть 3 | 1111 | 308 | 4 | 25 | 22 | 18 | 28 | 43 | 43 | 37 | 38 | 27 | 13 | 10 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 4 | 1 | 4 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 3 |
| "Бледный огонь": заметки о стихотворениях Н.С.Гумилева и О.Э.Мандельштама. 3 | 1483 | 307 | 7 | 30 | 16 | 12 | 15 | 32 | 49 | 46 | 37 | 30 | 18 | 15 | 0 | 2 | 2 | 0 | 0 | 1 | 2 | 3 | 3 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 3 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 2 |
| К вопросу о художественной функции анахронизмов в поэме А.А.Бестужева-Марлинского "Андрей, князь Переяславский" (2) | 1374 | 307 | 3 | 30 | 17 | 20 | 22 | 37 | 36 | 40 | 31 | 31 | 27 | 13 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 1 | 0 | 2 | 2 | 3 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 2 |
| В.Н.Турбин. В начале было Слово... (1993) | 1526 | 306 | 5 | 25 | 17 | 14 | 21 | 39 | 41 | 42 | 38 | 29 | 18 | 17 | 0 | 0 | 0 | 3 | 0 | 2 | 0 | 1 | 3 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 6 | 2 | 2 | 4 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 |
| "Веревочка". Опыт исследования истории русской литературы первой половины X I X века: Пушкин, Гоголь, Достоевский. I I | 1107 | 306 | 3 | 36 | 18 | 14 | 29 | 41 | 43 | 39 | 29 | 33 | 13 | 8 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 3 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 3 | 1 | 4 | 2 | 0 | 4 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 3 |
| У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 13 | 658 | 306 | 6 | 37 | 31 | 21 | 31 | 43 | 34 | 29 | 21 | 27 | 15 | 11 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 2 | 2 | 0 | 1 | 3 | 1 | 0 | 2 | 2 | 3 | 1 | 0 | 2 | 1 | 0 | 3 | 1 | 2 | 1 | 0 | 1 | 1 | 3 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 0 | 2 |
| Баратынский и Батюшков (переход от Батюшкова к Баратынскому) 3 | 649 | 306 | 3 | 29 | 30 | 31 | 19 | 39 | 35 | 38 | 28 | 24 | 17 | 13 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 5 | 3 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 |
| Из наблюдений над повестью А.И.Емичева "Заклятый поцелуй" (3) | 1351 | 305 | 7 | 25 | 29 | 27 | 29 | 46 | 34 | 35 | 24 | 27 | 12 | 10 | 0 | 1 | 0 | 1 | 0 | 2 | 3 | 1 | 2 | 0 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 4 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 6 | 0 | 2 | 1 | 3 | 0 | 4 |
| "Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 3 | 897 | 305 | 5 | 23 | 27 | 16 | 33 | 38 | 38 | 33 | 36 | 30 | 13 | 13 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 3 | 2 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 3 | 1 | 2 | 0 | 1 | 0 | 1 | 3 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 4 |
| Итого | За последние 12 месяцев | May | Apr | Mar | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | |
| О Троице и Семике: К изучению символизма пушкинской прозы | 1704 | 305 | 8 | 28 | 19 | 15 | 22 | 43 | 33 | 42 | 22 | 26 | 18 | 29 | 0 | 1 | 0 | 2 | 4 | 1 | 0 | 3 | 3 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 5 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 2 |
| О романе М.А.Булгакова "Белая гвардия" (дополнение) | 1385 | 305 | 5 | 23 | 29 | 20 | 30 | 45 | 41 | 34 | 26 | 28 | 10 | 14 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 1 | 1 | 3 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 3 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 |
| "Доктор Ястребцов" I I. Из исследований по истории русской литературы первой половины X I X века (1) | 1498 | 304 | 8 | 33 | 26 | 18 | 17 | 35 | 37 | 46 | 34 | 23 | 16 | 11 | 0 | 0 | 2 | 0 | 0 | 2 | 4 | 2 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 2 | 3 | 0 | 2 | 4 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 4 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 1 | 1 | 1 | 1 | 0 | 3 |
| Послесловие к статье Е.М.Калло и В.Н.Турбина "Эхо "Вакхической песни" | 304 | 304 | 6 | 28 | 22 | 14 | 18 | 31 | 35 | 37 | 28 | 28 | 57 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 1 | 4 | 1 | 2 | 4 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 1 | 0 | 1 | 1 | 1 |
| "Жизнь Петра Ивановича Данилова" (журнал "Атеней", 1830-1831) | 1656 | 304 | 6 | 24 | 22 | 11 | 29 | 46 | 49 | 33 | 31 | 23 | 15 | 15 | 0 | 1 | 0 | 1 | 0 | 3 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 1 |
| "Пушкинское" стихотворение Ф.Н.Глинки (1) | 304 | 304 | 6 | 41 | 21 | 15 | 17 | 38 | 32 | 42 | 45 | 47 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 3 | 0 | 1 | 3 | 1 | 1 | 1 | 2 | 3 | 3 | 1 | 0 | 2 | 5 | 0 | 0 | 0 | 2 | 2 | 3 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 2 | 0 | 3 | 0 | 0 | 0 | 1 | 4 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 1 |
| А.И.Емичев. Заклятый поцелуй (Телескоп, 1834, т. 22, N 33) | 1363 | 303 | 4 | 29 | 18 | 13 | 27 | 38 | 42 | 49 | 27 | 28 | 12 | 16 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 4 | 3 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 1 |
| Вуланд, Варнуха и Короваев: черновики романа М.А.Булгакова "Мастер и Маргарита" в комедии А.Ф.Писемского "Хищники" (Мир Писемского. Статья первая). 4 | 1049 | 302 | 7 | 24 | 21 | 14 | 31 | 42 | 47 | 40 | 30 | 22 | 20 | 4 | 0 | 3 | 1 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 5 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 |
| "Стихотворения Р.А.Кудашевой". Часть пятая | 1799 | 302 | 5 | 23 | 26 | 18 | 21 | 30 | 53 | 35 | 25 | 26 | 19 | 21 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 7 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 3 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 2 |
| О литературном контексте первых публикаций произведений Пушкина "Пир во время чумы" и "На перевод Илиады". 4 | 1657 | 301 | 6 | 34 | 23 | 13 | 25 | 35 | 37 | 34 | 34 | 31 | 13 | 16 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 3 | 3 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 5 | 1 | 2 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 4 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 2 |
| Белинский начинается... К вопросу о литературном дебюте В.Г.Белинского в 1834 году (6) | 1075 | 301 | 4 | 24 | 16 | 12 | 17 | 54 | 46 | 35 | 29 | 31 | 21 | 12 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 3 | 1 | 0 | 1 | 4 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 |
| Казаки - разбойники. Финалы двух произведений А.С.Пушкина и Н.В.Гоголя: романа "Дубровский" и повести "Тарас Бульба" (3) | 1337 | 301 | 3 | 24 | 23 | 16 | 20 | 40 | 48 | 35 | 28 | 33 | 18 | 13 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 2 | 1 | 3 |
| "Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 1 | 835 | 301 | 6 | 31 | 23 | 12 | 27 | 37 | 42 | 34 | 37 | 28 | 15 | 9 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 2 | 1 | 1 | 5 | 2 | 1 | 0 | 0 | 0 | 4 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 2 | 1 |
| "Пушкинское" стихотворение Ф.Н.Глинки (2) | 301 | 301 | 8 | 41 | 22 | 14 | 21 | 28 | 37 | 56 | 74 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 2 | 2 | 3 | 1 | 1 | 1 | 0 | 1 | 3 | 2 | 2 | 2 | 2 | 0 | 2 | 3 | 0 | 0 | 2 | 1 | 3 | 2 | 0 | 1 | 4 | 0 | 0 | 0 | 0 | 2 | 1 | 3 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 |
| Повесть Н.В.Данилевского "Адрианопольский мир" (1829) и ее роль в творчестве Пушкина и Баратынского. Часть 2 | 1551 | 300 | 4 | 24 | 25 | 15 | 23 | 37 | 40 | 42 | 34 | 26 | 19 | 11 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 5 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 1 | 1 | 1 | 1 | 0 | 2 |
| Три сказки А.Е.Измайлова | 1584 | 300 | 6 | 16 | 21 | 12 | 17 | 36 | 47 | 49 | 32 | 26 | 18 | 20 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 3 |
| Пушкин и Плетнев (к изучению их литературных взаимоотношений). 3 | 1301 | 300 | 4 | 28 | 21 | 11 | 21 | 42 | 31 | 47 | 32 | 31 | 13 | 19 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 3 | 3 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 1 | 0 | 2 |
| Повесть Н.В.Данилевского "Адрианопольский мир" (1829) и ее роль в творчестве Пушкина и Баратынского. Часть 1 | 1494 | 300 | 6 | 21 | 31 | 22 | 24 | 47 | 34 | 36 | 20 | 30 | 18 | 11 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 3 | 1 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 2 | 2 |
| Манифест русского феминизма: драма А.Ф.Писемского "Просвещенное время" (Мир Писемского. Статья четвертая). 4 | 801 | 300 | 7 | 22 | 27 | 17 | 19 | 42 | 40 | 34 | 28 | 28 | 26 | 10 | 0 | 1 | 0 | 1 | 1 | 1 | 3 | 2 | 1 | 1 | 1 | 4 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 3 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 4 | 1 | 2 |
| Из наблюдений над повестью А.И.Емичева "Заклятый поцелуй" (2) | 1408 | 300 | 6 | 24 | 20 | 12 | 25 | 35 | 47 | 38 | 28 | 30 | 21 | 14 | 0 | 2 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 4 | 0 | 0 | 2 | 3 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 2 |
| Итого | За последние 12 месяцев | May | Apr | Mar | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | |
| Задуть луну: О рассказе М.А.Булгакова "В ночь на 3-е число" (1922) | 1498 | 300 | 7 | 27 | 21 | 14 | 20 | 41 | 54 | 34 | 23 | 32 | 16 | 11 | 0 | 1 | 1 | 3 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 3 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 3 | 2 | 0 | 1 | 0 | 0 | 0 | 5 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 4 |
| Белинский начинается... К вопросу о литературном дебюте В.Г.Белинского в 1834 году (3) | 1202 | 300 | 6 | 27 | 20 | 18 | 23 | 39 | 32 | 39 | 24 | 37 | 18 | 17 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 2 | 1 | 0 | 1 | 4 | 1 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 2 |
| К вопросу о художественной функции анахронизмов в повести В.К.Кюхельбекера "Адо" и поэме А.А.Бестужева-Марлинского "Андрей, князь Переяславский" (8) | 1029 | 299 | 3 | 32 | 28 | 21 | 34 | 32 | 34 | 36 | 19 | 31 | 13 | 16 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 3 | 2 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 2 | 0 | 3 | 1 | 2 | 0 | 1 | 3 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 6 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 3 | 0 | 1 | 0 | 2 | 4 |
| "Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 10 | 877 | 299 | 5 | 26 | 21 | 20 | 36 | 44 | 43 | 37 | 19 | 29 | 14 | 5 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 2 | 3 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 3 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 1 |
| О повести А.С.Чужбинского "Пробуждение" (1839) | 1578 | 298 | 6 | 22 | 17 | 14 | 22 | 45 | 48 | 42 | 29 | 35 | 11 | 7 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 2 | 0 | 2 | 0 | 4 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 2 |
| Театр Леонида Андреева. Глава первая | 1484 | 298 | 7 | 21 | 19 | 15 | 29 | 40 | 43 | 38 | 23 | 25 | 22 | 16 | 0 | 1 | 2 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 4 | 0 | 0 | 3 | 1 | 0 | 2 | 0 | 0 | 1 | 4 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 2 |
| "Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 2 | 861 | 298 | 5 | 29 | 20 | 13 | 28 | 45 | 40 | 38 | 23 | 30 | 13 | 14 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 3 | 2 | 0 | 0 | 2 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 2 |
| "Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 4 | 860 | 298 | 5 | 26 | 31 | 22 | 27 | 49 | 33 | 31 | 17 | 29 | 16 | 12 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 3 | 0 | 2 | 3 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 3 | 2 |
| Кто есть кто: проблема авторства в пьесе А.Ф.Писемского "Ваал" (Мир Писемского. Статья шестая). 6 | 686 | 297 | 5 | 25 | 30 | 17 | 22 | 43 | 39 | 34 | 25 | 27 | 18 | 12 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 3 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 4 |
| "Стенограмма": отчет о событиях политической истории первой половины Х X века в комедии А.Ф.Писемского "Ипохондрик" (Мир Писемского. Статья вторая). 1 | 929 | 297 | 5 | 32 | 20 | 14 | 27 | 48 | 37 | 41 | 23 | 28 | 16 | 6 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 4 | 3 | 2 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 3 |
| В.Н.Турбин. Герои Достоевского (Дружба народов, 1971, N 11) | 885 | 297 | 4 | 25 | 15 | 17 | 30 | 40 | 33 | 32 | 44 | 27 | 17 | 13 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 |
| К вопросу о художественной функции анахронизмов в поэме А.А.Бестужева-Марлинского "Андрей, князь Переяславский" | 1214 | 297 | 3 | 31 | 21 | 13 | 25 | 44 | 41 | 38 | 20 | 27 | 20 | 14 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 4 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 3 | 1 | 1 | 0 | 1 | 3 | 3 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 3 | 0 | 1 | 0 | 2 | 0 | 1 |
| "Вы чьё, старичьё?" Мотивы романов Ф.М.Достоевского "Преступление и наказание" и "Братья Карамазовы" в советской детской литературе 1920-х - 1930-х годов. Часть 4 | 1041 | 296 | 9 | 32 | 17 | 15 | 24 | 40 | 39 | 32 | 35 | 27 | 11 | 15 | 0 | 3 | 1 | 0 | 0 | 2 | 3 | 1 | 3 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 3 | 4 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 3 |
| "Стенограмма": отчет о событиях политической истории первой половины Х X века в комедии А.Ф.Писемского "Ипохондрик" (Мир Писемского. Статья вторая). 2 | 946 | 296 | 6 | 30 | 21 | 16 | 24 | 44 | 39 | 37 | 29 | 28 | 15 | 7 | 0 | 3 | 0 | 0 | 1 | 2 | 0 | 1 | 3 | 2 | 3 | 2 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 3 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 4 | 1 |
| "Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 7 | 938 | 296 | 5 | 23 | 28 | 21 | 22 | 45 | 37 | 35 | 27 | 23 | 16 | 14 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 3 | 3 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 4 | 1 | 2 | 2 |
| "Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: Н.Северин, Ф.Е.Зарин-Несвицкий, Р.Л.Антропов. X I | 1100 | 296 | 7 | 29 | 21 | 14 | 33 | 35 | 40 | 37 | 24 | 28 | 14 | 14 | 0 | 0 | 1 | 2 | 2 | 0 | 2 | 2 | 1 | 2 | 0 | 3 | 2 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 1 | 1 | 0 | 0 | 0 | 2 |
| Е.М.Калло, В.Н.Турбин. Эхо "Вакхической песни" (Болдинские чтения. Горький, 1981) | 296 | 296 | 4 | 27 | 16 | 12 | 16 | 31 | 33 | 40 | 30 | 28 | 26 | 33 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 3 | 2 | 1 | 0 | 0 | 1 | 4 | 0 | 0 | 0 | 2 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 |
| В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). I I. 1 | 938 | 296 | 3 | 31 | 25 | 18 | 37 | 42 | 42 | 33 | 17 | 24 | 14 | 10 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 3 | 2 | 4 | 4 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 4 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 3 | 0 | 2 | 1 | 2 | 0 | 2 |
| "Незадолго до Водолея..." (опыт комментария-воспоминания). 4 | 1337 | 296 | 5 | 31 | 27 | 15 | 30 | 28 | 49 | 36 | 22 | 31 | 12 | 10 | 0 | 0 | 0 | 1 | 0 | 0 | 4 | 3 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 3 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 2 |
| Манифест русского феминизма: драма А.Ф.Писемского "Просвещенное время" (Мир Писемского. Статья четвертая). 1 | 870 | 296 | 8 | 33 | 25 | 16 | 25 | 45 | 38 | 37 | 18 | 25 | 15 | 11 | 0 | 3 | 1 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 3 | 1 | 0 | 1 | 3 | 2 | 2 | 1 | 0 | 0 | 0 | 4 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 3 | 0 | 2 | 0 | 1 | 0 | 0 | 4 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 1 | 1 |
| Итого | За последние 12 месяцев | May | Apr | Mar | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | |
| "Бэтман", "Черный плащ" и другие: мотивы отечественной и зарубежной фантастики в повести А.Ф.Писемского "M-r Батманов" (1852). 1 | 593 | 296 | 6 | 26 | 24 | 18 | 33 | 35 | 40 | 32 | 29 | 27 | 14 | 12 | 0 | 0 | 0 | 2 | 2 | 0 | 2 | 1 | 5 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 |
| В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). 2 | 889 | 296 | 5 | 26 | 20 | 11 | 25 | 45 | 48 | 37 | 25 | 23 | 21 | 10 | 0 | 0 | 2 | 0 | 3 | 0 | 0 | 1 | 2 | 3 | 1 | 4 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 2 | 0 | 3 |
| "Бледный огонь": заметки о стихотворениях Н.С.Гумилева и О.Э.Мандельштама. 2 | 1621 | 296 | 7 | 29 | 19 | 17 | 24 | 38 | 42 | 34 | 21 | 31 | 20 | 14 | 0 | 0 | 2 | 0 | 2 | 0 | 3 | 1 | 3 | 0 | 3 | 2 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 3 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 |
| "Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 7 | 792 | 295 | 6 | 28 | 23 | 11 | 22 | 48 | 43 | 33 | 30 | 25 | 13 | 13 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 0 | 3 | 3 | 1 | 0 | 2 | 0 | 3 | 2 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 3 |
| "Свидетели позорных похорон": Особенности изображения погребальных мотивов в русской литературе первой трети 19 века | 1749 | 295 | 8 | 32 | 17 | 13 | 21 | 48 | 35 | 32 | 24 | 29 | 17 | 19 | 0 | 3 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 3 | 2 | 1 | 1 | 0 | 0 | 1 | 3 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 3 | 2 | 0 | 0 | 1 | 0 | 3 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 |
| Мотивы творчества А.С.Пушкина в повести В.И.Панаева "Не родись ни хорош ни пригож, а родись щастлив" (1818). Часть 2 | 1419 | 295 | 8 | 23 | 28 | 13 | 14 | 34 | 44 | 40 | 29 | 34 | 14 | 14 | 0 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 4 | 1 | 2 | 3 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 3 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 1 | 1 |
| "Сочинение Телешевского". Часть первая. Глава V I I | 1392 | 293 | 4 | 25 | 17 | 13 | 28 | 44 | 45 | 41 | 21 | 27 | 12 | 16 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 2 | 3 | 2 | 0 | 1 | 3 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 2 |
| "Pro domo sua": к истории возникновения "Заметки о сочинениях Жуковского и Батюшкова" П.А.Плетнева. 3 | 1350 | 293 | 4 | 33 | 14 | 19 | 33 | 34 | 41 | 41 | 27 | 26 | 12 | 9 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 3 | 2 | 2 | 0 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 1 | 3 | 1 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 3 |
| Из наблюдений над повестью А.И.Емичева "Заклятый поцелуй" (5) | 1253 | 293 | 5 | 26 | 18 | 15 | 19 | 45 | 40 | 33 | 36 | 28 | 17 | 11 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 4 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 3 | 1 | 0 | 2 | 0 | 2 | 0 | 4 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 |
| Баратынский и Батюшков (переход от Батюшкова к Баратынскому) 1 | 686 | 293 | 5 | 26 | 18 | 14 | 33 | 39 | 30 | 44 | 33 | 25 | 13 | 13 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 2 | 3 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 3 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 |
| У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 2 | 682 | 292 | 3 | 23 | 16 | 19 | 23 | 39 | 40 | 45 | 25 | 30 | 13 | 16 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 2 | 0 | 0 | 1 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 4 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 |
| "Сочинение Телешевского". Часть третья. Глава X V I I | 1248 | 292 | 3 | 24 | 23 | 12 | 23 | 34 | 42 | 44 | 33 | 28 | 13 | 13 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 5 | 0 | 0 | 0 | 1 | 0 | 1 | 5 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 |
| "Жизнь": Н.В.Гоголь, Ф.В.Булгарин и свят. Григорий Богослов. Очерк четвертый | 1425 | 292 | 4 | 36 | 20 | 15 | 22 | 38 | 41 | 33 | 27 | 28 | 15 | 13 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 3 | 2 | 1 | 1 | 1 | 1 | 2 | 2 | 5 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 2 |
| "Pro domo sua": к текстологии стихотворения К.Н.Батюшкова "Гезиод и Омир соперники" | 1727 | 291 | 4 | 29 | 21 | 17 | 26 | 33 | 29 | 43 | 27 | 31 | 17 | 14 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 3 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 3 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 3 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 1 |
| Кто есть кто: проблема авторства в пьесе А.Ф.Писемского "Ваал" (Мир Писемского. Статья шестая). 1 | 739 | 291 | 7 | 27 | 28 | 22 | 23 | 42 | 38 | 30 | 30 | 24 | 14 | 6 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 2 | 2 | 0 | 1 | 3 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 1 | 4 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 3 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 2 |
| "Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 1 | 928 | 291 | 9 | 27 | 17 | 12 | 28 | 42 | 38 | 41 | 32 | 23 | 15 | 7 | 0 | 1 | 2 | 1 | 0 | 1 | 4 | 1 | 3 | 1 | 4 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 3 | 0 | 0 | 1 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 |
| Изобретение Гоголя. Исследование по истории русской литературы первой половины X I X века | 1605 | 290 | 7 | 33 | 23 | 12 | 21 | 39 | 41 | 32 | 25 | 23 | 21 | 13 | 0 | 1 | 1 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 3 | 2 | 2 | 2 | 0 | 2 | 3 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 3 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 1 | 3 |
| "Переход Суворова через Альпы": повесть В.В.Крестовского "Деды" и роман И.Ильфа и Е.Петрова "12 стульев" | 1181 | 290 | 6 | 29 | 18 | 14 | 27 | 42 | 41 | 28 | 18 | 35 | 13 | 19 | 0 | 0 | 0 | 1 | 1 | 0 | 4 | 3 | 2 | 2 | 1 | 3 | 2 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 |
| Об участи Батюшкова. V - V I | 1367 | 289 | 4 | 32 | 21 | 17 | 31 | 40 | 32 | 32 | 24 | 31 | 16 | 9 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 3 | 2 | 1 | 0 | 0 | 1 | 4 | 3 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 3 | 0 | 1 | 1 | 0 | 0 | 3 |
| К вопросу о литературных взаимоотношениях Баратынского и М.А.Бестужева-Рюмина (2) | 704 | 289 | 5 | 30 | 24 | 20 | 19 | 33 | 34 | 39 | 26 | 30 | 12 | 17 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 1 | 4 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 2 | 1 | 0 | 4 |
| Итого | За последние 12 месяцев | May | Apr | Mar | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | |
| Русский исторический роман начала Х Х века (М.Н.Волконский). 1 | 974 | 289 | 7 | 26 | 24 | 15 | 18 | 40 | 52 | 35 | 25 | 25 | 13 | 9 | 0 | 1 | 0 | 0 | 1 | 0 | 5 | 2 | 3 | 1 | 2 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 2 |
| "Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 10 | 699 | 289 | 6 | 30 | 19 | 12 | 28 | 46 | 36 | 35 | 32 | 25 | 10 | 10 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 2 | 1 | 1 | 3 | 0 | 0 | 1 | 1 | 2 | 3 | 1 | 0 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 |
| Белинский начинается... К вопросу о литературном дебюте В.Г.Белинского в 1834 году (5) | 1089 | 288 | 5 | 28 | 18 | 18 | 22 | 43 | 30 | 42 | 22 | 31 | 20 | 9 | 0 | 1 | 0 | 0 | 0 | 0 | 4 | 1 | 1 | 1 | 2 | 3 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 2 |
| К вопросу о художественной функции анахронизмов в повести В.К.Кюхельбекера "Адо" (6) | 1300 | 288 | 4 | 37 | 20 | 11 | 16 | 40 | 46 | 36 | 27 | 26 | 17 | 8 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 3 | 3 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 2 | 1 | 3 | 2 | 1 | 0 | 1 | 2 | 3 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 3 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 |
| "Сочинение Телешевского". Часть вторая. Главы I I - I I I | 1243 | 288 | 7 | 32 | 18 | 10 | 23 | 46 | 42 | 33 | 29 | 23 | 12 | 13 | 0 | 1 | 1 | 3 | 0 | 1 | 1 | 2 | 2 | 1 | 3 | 5 | 0 | 2 | 4 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 3 | 1 |
| "Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: К.П.Масальский и М.Н.Волконский. V I | 1114 | 287 | 2 | 31 | 15 | 13 | 20 | 33 | 47 | 38 | 33 | 25 | 14 | 16 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 1 | 1 | 3 | 0 | 1 | 0 | 1 | 3 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 2 | 0 | 0 | 1 |
| У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 7 | 625 | 287 | 4 | 26 | 24 | 11 | 23 | 45 | 49 | 30 | 29 | 23 | 14 | 9 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 3 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 3 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 3 |
| "Горстка праха": о повести Гоголя "Сорочинская ярмарка" и пьесе Леонида Андреева "Савва". Главы I V - V | 1525 | 287 | 4 | 23 | 26 | 11 | 25 | 35 | 35 | 43 | 26 | 31 | 16 | 12 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 5 | 1 | 0 | 0 | 0 | 0 | 3 |
| В память графу Александру Ивановичу Кутайсову. Де Санглен. Спб., 1812 | 1472 | 287 | 3 | 20 | 17 | 11 | 23 | 36 | 54 | 33 | 34 | 25 | 15 | 16 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 3 | 0 | 0 | 1 | 3 |
| "Вы чьё, старичьё?" Мотивы романов Ф.М.Достоевского "Преступление и наказание" и "Братья Карамазовы" в советской детской литературе 1920-х - 1930-х годов. Часть 5 | 1056 | 286 | 6 | 25 | 20 | 18 | 21 | 36 | 39 | 43 | 20 | 34 | 11 | 13 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 4 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 3 |
| У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 10 | 700 | 286 | 5 | 30 | 24 | 14 | 25 | 30 | 41 | 38 | 27 | 26 | 11 | 15 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 5 | 0 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 3 | 1 |
| В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). I I I. 3 | 853 | 285 | 4 | 22 | 17 | 13 | 29 | 36 | 44 | 33 | 24 | 28 | 27 | 8 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 3 | 1 | 2 | 4 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 2 | 0 | 2 |
| Тургенев и Блок | 1502 | 285 | 5 | 31 | 20 | 13 | 21 | 35 | 41 | 39 | 23 | 30 | 16 | 11 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 2 | 3 | 0 | 2 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 2 | 0 | 1 | 2 |
| "Сочинение Телешевского". Часть третья. Глава X V I (продолжение) | 1241 | 285 | 5 | 28 | 20 | 13 | 25 | 35 | 38 | 34 | 16 | 35 | 24 | 12 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 3 | 1 | 2 | 1 | 4 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 3 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 2 |
| Из наблюдений над повестью А.И.Емичева "Заклятый поцелуй" (6) | 1082 | 285 | 7 | 27 | 21 | 12 | 21 | 39 | 37 | 37 | 20 | 31 | 17 | 16 | 0 | 4 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 3 | 2 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 4 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 2 |
| К вопросу о художественной функции анахронизмов в повести В.К.Кюхельбекера "Адо" (5) | 1254 | 285 | 5 | 32 | 21 | 11 | 26 | 37 | 40 | 34 | 26 | 26 | 17 | 10 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 3 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 2 | 1 | 1 | 3 | 0 | 1 | 0 | 1 | 2 | 3 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 3 | 2 |
| К вопросу о литературных взаимоотношениях Баратынского и М.А.Бестужева-Рюмина (9) | 627 | 285 | 2 | 35 | 24 | 18 | 26 | 30 | 32 | 45 | 33 | 23 | 9 | 8 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 2 | 4 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 1 | 3 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 2 | 1 | 1 | 1 | 3 |
| "Сочинение Телешевского". Часть первая. Глава V I | 1438 | 285 | 6 | 25 | 21 | 15 | 26 | 51 | 38 | 27 | 31 | 19 | 16 | 10 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 1 | 3 | 4 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 3 |
| Загадочный Гоголь: Опасная ярмарка (постскриптум) | 1560 | 285 | 6 | 29 | 18 | 15 | 20 | 40 | 30 | 42 | 32 | 27 | 15 | 11 | 0 | 1 | 0 | 0 | 0 | 2 | 3 | 2 | 3 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 2 |
| "Всегда и в пурпуре, и в злате...": об историко-литературном подтексте повести И.И.Панаева "Кошелек" (1838). 5 | 534 | 284 | 9 | 27 | 26 | 18 | 28 | 34 | 38 | 33 | 25 | 18 | 16 | 12 | 0 | 2 | 0 | 3 | 3 | 1 | 0 | 2 | 3 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 4 | 0 | 0 | 0 | 0 | 1 | 2 |
| Итого | За последние 12 месяцев | May | Apr | Mar | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | |
| В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). 3 | 860 | 283 | 5 | 34 | 16 | 12 | 35 | 38 | 40 | 29 | 22 | 23 | 20 | 9 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 3 | 3 | 2 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 3 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 3 |
| "Вы чьё, старичьё?" Мотивы романов Ф.М.Достоевского "Преступление и наказание" и "Братья Карамазовы" в советской детской литературе 1920-х - 1930-х годов. Эпилог | 989 | 283 | 6 | 25 | 25 | 15 | 22 | 45 | 32 | 29 | 22 | 35 | 13 | 14 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 2 | 2 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 3 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 0 | 0 | 1 | 1 | 3 |
| В.Н.Турбин. Жизнь, любовь и концепции: По поводу кинофильма Т.Абуладзе "Древо желания" (Дружба народов, 1978, N 5) | 283 | 283 | 4 | 24 | 14 | 21 | 20 | 41 | 37 | 38 | 30 | 54 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 |
| Опыт классификации повествовательных форм в поэме А.С.Пушкина "Руслан и Людмила". Глава I (окончание) | 283 | 283 | 7 | 22 | 17 | 10 | 20 | 35 | 33 | 38 | 49 | 52 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 5 | 1 | 3 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 3 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 |
| "Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: К.П.Масальский и М.Н.Волконский. V I I I | 1070 | 283 | 2 | 32 | 17 | 13 | 28 | 31 | 39 | 31 | 38 | 29 | 13 | 10 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 2 | 1 | 1 | 3 | 0 | 2 | 0 | 1 | 3 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 1 |
| "Горстка праха": о повести Гоголя "Сорочинская ярмарка" и пьесе Леонида Андреева "Савва". Главы I - I I I | 1609 | 283 | 7 | 28 | 28 | 12 | 26 | 40 | 34 | 39 | 21 | 28 | 10 | 10 | 0 | 5 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 5 | 1 | 0 | 1 | 2 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 2 | 1 | 4 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 3 | 1 | 0 | 0 | 1 | 0 | 4 |
| "Сочинение Телешевского". Часть вторая. Главы V I - I X | 1224 | 283 | 6 | 25 | 16 | 15 | 18 | 41 | 45 | 35 | 31 | 33 | 10 | 8 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 3 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 2 |
| В.Н.Турбин. Михаил Зощенко и его гро(я)зная тень: Тезисы ненаписанной монографии (Писатель и время: Сборник документальной прозы. М., Сов. писатель, 1991) | 1123 | 283 | 3 | 33 | 15 | 15 | 15 | 43 | 38 | 32 | 32 | 29 | 15 | 13 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 5 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 5 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 |
| Об участи Батюшкова. I I I - I V | 1321 | 283 | 3 | 28 | 20 | 17 | 22 | 41 | 37 | 39 | 24 | 26 | 13 | 13 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 2 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 4 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 4 | 0 | 0 | 0 | 0 | 1 | 1 |
| "Осколки разбитого вдребезги": Повесть Н.И.Бобылева "Купидонов лук" и ее место в литературном процессе 1830-х годов. Часть пятая | 782 | 283 | 6 | 20 | 27 | 19 | 22 | 35 | 49 | 38 | 13 | 29 | 7 | 18 | 0 | 0 | 1 | 0 | 0 | 3 | 2 | 2 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 4 | 0 | 0 | 0 | 0 | 2 | 1 | 3 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 4 | 2 | 0 | 0 | 1 | 2 | 2 |
| К вопросу о литературных взаимоотношениях Баратынского и М.А.Бестужева-Рюмина (5) | 672 | 282 | 2 | 25 | 27 | 15 | 27 | 36 | 35 | 33 | 23 | 33 | 14 | 12 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 1 | 1 | 1 | 3 | 0 | 1 | 1 | 1 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 2 | 0 | 0 | 2 |
| "Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 6 | 860 | 282 | 7 | 22 | 22 | 17 | 30 | 42 | 37 | 33 | 24 | 29 | 9 | 10 | 0 | 2 | 1 | 0 | 0 | 0 | 4 | 1 | 1 | 1 | 1 | 4 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 2 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 2 |
| "Веревочка". Опыт исследования истории русской литературы первой половины X I X века: Пушкин, Гоголь, Достоевский. I | 1193 | 282 | 2 | 32 | 22 | 12 | 27 | 29 | 42 | 33 | 29 | 27 | 18 | 9 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 3 | 0 | 1 | 2 | 0 | 3 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 2 | 0 | 0 | 2 |
| В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). 1 | 982 | 282 | 5 | 25 | 19 | 12 | 25 | 42 | 41 | 38 | 25 | 24 | 15 | 11 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 4 | 1 | 2 | 3 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 4 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 2 | 0 | 1 |
| Манифест русского феминизма: драма А.Ф.Писемского "Просвещенное время" (Мир Писемского. Статья четвертая). 3 | 879 | 282 | 9 | 23 | 22 | 12 | 22 | 36 | 40 | 37 | 29 | 25 | 13 | 14 | 0 | 1 | 3 | 2 | 1 | 0 | 2 | 1 | 2 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 3 | 1 |
| Кто есть кто: проблема авторства в пьесе А.Ф.Писемского "Ваал" (Мир Писемского. Статья шестая). 4 | 690 | 282 | 8 | 23 | 25 | 17 | 26 | 38 | 37 | 30 | 28 | 23 | 14 | 13 | 0 | 2 | 1 | 0 | 2 | 0 | 3 | 1 | 4 | 1 | 2 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 4 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 |
| "Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 11 | 836 | 282 | 5 | 29 | 21 | 10 | 30 | 45 | 33 | 34 | 27 | 26 | 9 | 13 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 1 | 4 | 0 | 2 | 1 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 3 |
| "Воздушный караван": булгаковский субстрат "коллективного романа" | 1511 | 282 | 5 | 28 | 21 | 16 | 20 | 32 | 42 | 31 | 23 | 36 | 16 | 12 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 3 | 0 | 0 | 2 | 0 | 1 | 1 | 3 | 2 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 3 | 2 | 0 | 2 | 0 | 0 | 0 | 5 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 2 |
| "Доктор Ястребцов" I I. Из исследований по истории русской литературы первой половины X I X века (2) | 1116 | 281 | 6 | 29 | 15 | 13 | 27 | 32 | 35 | 39 | 26 | 26 | 23 | 10 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 2 |
| О литературном контексте первых публикаций произведений Пушкина "Пир во время чумы" и "На перевод Илиады". 2 | 1515 | 281 | 5 | 25 | 20 | 12 | 34 | 36 | 37 | 31 | 25 | 26 | 18 | 12 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 5 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 1 | 0 | 2 |
| Итого | За последние 12 месяцев | May | Apr | Mar | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | |
| "Pro domo sua": об "ошибке Карамзина", "оправдании Гнедича" и о современном состоянии историко-литературной науки | 1411 | 281 | 3 | 30 | 19 | 13 | 24 | 41 | 39 | 34 | 27 | 29 | 14 | 8 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 2 | 3 | 0 | 0 | 1 | 2 | 2 | 0 | 3 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 2 |
| У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 11 | 631 | 280 | 6 | 30 | 20 | 10 | 30 | 32 | 39 | 34 | 26 | 31 | 12 | 10 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 4 | 1 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 4 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 2 |
| "Сочинение Телешевского". Часть вторая. Главы X I V - X V I | 1211 | 280 | 4 | 24 | 19 | 16 | 28 | 37 | 40 | 37 | 26 | 24 | 14 | 11 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 3 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 2 |
| Об участи Батюшкова. V I I | 1368 | 280 | 5 | 30 | 21 | 17 | 27 | 44 | 34 | 35 | 22 | 25 | 14 | 6 | 0 | 0 | 0 | 0 | 0 | 4 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 3 | 1 | 1 | 1 | 0 | 2 | 1 | 2 | 2 | 1 | 0 | 1 | 2 | 2 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 2 |
| "Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: Р.Л.Антропов. X I I | 1043 | 280 | 4 | 39 | 24 | 13 | 24 | 37 | 31 | 39 | 20 | 23 | 15 | 11 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 3 | 2 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 4 | 3 | 1 | 1 | 3 | 2 | 4 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 2 | 0 | 0 | 1 | 0 | 3 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 1 |
| В.Турбин, И.Вирабов. Три статьи о М.М.Бахтине | 1008 | 280 | 6 | 26 | 19 | 24 | 29 | 34 | 28 | 31 | 25 | 27 | 21 | 10 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 4 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 2 |
| В.Н.Турбин. Отрывки из книг: "Незадолго до Водолея", "Герои Гоголя", "Русские ночи" | 729 | 279 | 6 | 26 | 25 | 15 | 25 | 33 | 36 | 33 | 21 | 29 | 17 | 13 | 0 | 0 | 0 | 0 | 0 | 2 | 4 | 1 | 2 | 1 | 1 | 3 | 2 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 4 | 3 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 2 |
| "Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 8 | 853 | 279 | 5 | 26 | 18 | 16 | 26 | 41 | 41 | 30 | 24 | 30 | 15 | 7 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 3 | 1 | 0 | 2 | 3 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 2 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 3 | 0 | 0 | 0 | 0 | 2 | 2 |
| "Сочинение Телешевского". Часть вторая. Главы I V - V | 1221 | 279 | 4 | 24 | 16 | 14 | 25 | 33 | 42 | 33 | 26 | 30 | 23 | 9 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 4 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 |
| К вопросу о литературных взаимоотношениях Баратынского и М.А.Бестужева-Рюмина (8) | 653 | 279 | 4 | 29 | 22 | 18 | 21 | 40 | 35 | 35 | 24 | 25 | 13 | 13 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 3 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 4 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 2 | 1 | 1 |
| "Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 9 | 732 | 279 | 5 | 32 | 20 | 13 | 32 | 38 | 32 | 30 | 26 | 31 | 9 | 11 | 0 | 2 | 0 | 0 | 0 | 0 | 3 | 2 | 2 | 0 | 1 | 4 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 3 | 2 | 0 | 2 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 |
| К вопросу о литературных взаимоотношениях Баратынского и М.А.Бестужева-Рюмина (3) | 620 | 278 | 3 | 32 | 19 | 11 | 22 | 37 | 30 | 37 | 32 | 29 | 13 | 13 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 5 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 1 | 3 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 4 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 3 | 0 | 0 | 0 | 0 | 3 |
| Кто есть кто: проблема авторства в пьесе А.Ф.Писемского "Ваал" (Мир Писемского. Статья шестая). 5 | 640 | 278 | 9 | 28 | 26 | 18 | 26 | 38 | 35 | 34 | 21 | 26 | 9 | 8 | 0 | 2 | 2 | 0 | 0 | 1 | 4 | 2 | 1 | 0 | 2 | 2 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 3 | 3 |
| "Незадолго до Водолея..." (опыт комментария-воспоминания). 3 | 1372 | 277 | 4 | 26 | 21 | 8 | 28 | 37 | 36 | 37 | 25 | 25 | 16 | 14 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 3 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 5 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 2 |
| "Pro domo sua": к истории возникновения "Заметки о сочинениях Жуковского и Батюшкова" П.А.Плетнева. 2 | 1305 | 277 | 3 | 29 | 22 | 18 | 26 | 37 | 32 | 38 | 17 | 25 | 19 | 11 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 2 | 2 | 0 | 0 | 1 | 1 | 3 | 0 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 2 | 0 | 2 |
| "Всегда и в пурпуре, и в злате...": об историко-литературном подтексте повести И.И.Панаева "Кошелек" (1838). 2 | 542 | 276 | 6 | 25 | 22 | 18 | 23 | 36 | 42 | 32 | 27 | 27 | 11 | 7 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 4 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 0 | 2 |
| Белинский начинается... К вопросу о литературном дебюте В.Г.Белинского в 1834 году (2) | 1202 | 276 | 8 | 23 | 23 | 9 | 26 | 48 | 36 | 38 | 19 | 22 | 16 | 8 | 0 | 1 | 0 | 0 | 2 | 1 | 4 | 2 | 1 | 1 | 2 | 3 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 6 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 3 |
| В.Н.Турбин. Два этюда о Достоевском | 1483 | 276 | 4 | 25 | 15 | 15 | 30 | 34 | 30 | 35 | 32 | 28 | 15 | 13 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 3 | 2 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 1 |
| "Жизни холод..." Пушкинские мотивы у Булгакова | 1517 | 276 | 6 | 28 | 15 | 17 | 21 | 34 | 32 | 39 | 22 | 28 | 17 | 17 | 0 | 1 | 0 | 1 | 0 | 0 | 4 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 3 | 2 | 1 | 1 | 0 | 2 | 3 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 |
| "Бэтман", "Черный плащ" и другие: мотивы отечественной и зарубежной фантастики в повести А.Ф.Писемского "M-r Батманов" (1852). 2 | 580 | 276 | 6 | 25 | 27 | 14 | 16 | 44 | 36 | 28 | 24 | 26 | 19 | 11 | 0 | 1 | 1 | 1 | 0 | 3 | 0 | 1 | 4 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 3 | 3 |
| Итого | За последние 12 месяцев | May | Apr | Mar | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | |
| В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). I I I. 1 | 894 | 275 | 2 | 23 | 21 | 15 | 22 | 42 | 47 | 32 | 18 | 24 | 19 | 10 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 2 | 5 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 4 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 3 |
| Белинский начинается... К вопросу о литературном дебюте В.Г.Белинского в 1834 году (4) | 1077 | 275 | 6 | 25 | 25 | 10 | 26 | 39 | 28 | 37 | 34 | 20 | 14 | 11 | 0 | 0 | 0 | 0 | 1 | 2 | 3 | 3 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 3 |
| Баратынский и Батюшков (переход от Батюшкова к Баратынскому) 2 | 638 | 275 | 5 | 28 | 16 | 17 | 19 | 41 | 43 | 34 | 21 | 24 | 14 | 13 | 0 | 0 | 0 | 0 | 0 | 0 | 5 | 3 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 3 | 3 | 2 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 |
| У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 4 | 641 | 275 | 7 | 25 | 28 | 16 | 19 | 37 | 35 | 29 | 34 | 24 | 12 | 9 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 2 | 3 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 3 | 2 | 1 | 0 | 1 | 0 | 5 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 3 |
| Н.И.Бобылев. Купидонов лук: Рукопись, найденная в бумагах покойного Ивана Ивановича (Невский альбом: Литературный сборник, издаваемый Николаем Бобылевым. Спб., 1839) | 493 | 275 | 4 | 28 | 19 | 16 | 34 | 34 | 39 | 29 | 15 | 23 | 21 | 13 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 2 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 3 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 |
| К вопросу о художественной функции анахронизмов в повести В.К.Кюхельбекера "Адо" (4) | 1122 | 275 | 4 | 26 | 19 | 14 | 21 | 36 | 37 | 35 | 24 | 33 | 18 | 8 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 3 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 2 | 0 | 3 | 0 | 1 | 1 | 1 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 |
| В.Н.Турбин. Люди и запятые: Заметки экзаменатора (Комсомольская правда, 1956, N 243, 13 октября) | 275 | 275 | 5 | 29 | 13 | 6 | 23 | 33 | 27 | 35 | 32 | 27 | 45 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 2 | 3 | 2 | 1 | 3 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 3 |
| "Жизнь": Н.В.Гоголь, Ф.В.Булгарин и свят. Григорий Богослов. Очерк третий | 1265 | 274 | 2 | 35 | 19 | 21 | 20 | 36 | 39 | 35 | 22 | 27 | 13 | 5 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 2 | 2 | 3 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 4 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 |
| П.П.Свиньин. Отрывки из книги "Опыт живописного путешествия по Северной Америке" | 1476 | 274 | 5 | 18 | 23 | 13 | 21 | 53 | 32 | 38 | 23 | 24 | 15 | 9 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 3 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 5 | 1 | 0 | 0 | 0 | 3 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 4 |
| Баратынский и Батюшков (переход от Батюшкова к Баратынскому) 4 | 602 | 274 | 4 | 28 | 20 | 17 | 21 | 35 | 42 | 41 | 17 | 23 | 16 | 10 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 3 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 1 | 2 | 2 | 0 | 1 | 1 | 1 | 3 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 3 |
| "Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 5 | 862 | 274 | 4 | 24 | 18 | 11 | 23 | 45 | 34 | 35 | 23 | 29 | 21 | 7 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 4 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 2 |
| В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). 4 | 920 | 273 | 4 | 25 | 24 | 11 | 18 | 40 | 40 | 36 | 23 | 27 | 16 | 9 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 1 | 4 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 4 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 3 |
| Баратынский и Батюшков (переход от Батюшкова к Баратынскому) 8 | 537 | 273 | 4 | 27 | 29 | 21 | 30 | 41 | 29 | 30 | 23 | 18 | 13 | 8 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 3 | 2 | 0 | 0 | 3 | 1 | 1 | 2 | 1 | 1 | 4 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 3 | 3 | 1 | 0 | 2 | 0 | 2 | 2 |
| "Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: Е.А.Салиас, Д.С.Дмитриев, В.В.Крестовский. X V I I I | 893 | 273 | 6 | 29 | 22 | 19 | 24 | 31 | 39 | 30 | 23 | 25 | 14 | 11 | 0 | 0 | 0 | 2 | 1 | 0 | 3 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 2 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 4 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 3 |
| "Сочинение Телешевского". Часть третья. Глава X V I (окончание) | 1121 | 273 | 2 | 23 | 23 | 14 | 36 | 35 | 40 | 32 | 20 | 28 | 11 | 9 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 3 | 1 | 0 | 3 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 4 | 2 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 2 |
| "Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 13 | 848 | 273 | 5 | 24 | 25 | 23 | 20 | 39 | 40 | 32 | 16 | 24 | 14 | 11 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 5 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 2 |
| "Стенограмма": отчет о событиях политической истории первой половины Х X века в комедии А.Ф.Писемского "Ипохондрик" (Мир Писемского. Статья вторая). 3 | 897 | 272 | 5 | 29 | 19 | 12 | 22 | 38 | 35 | 37 | 27 | 25 | 13 | 10 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 3 | 2 | 1 | 1 | 4 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 4 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 |
| В.Н.Турбин. Дядя Джо и саркома духа: И.В.Сталин на сцене и на экране (Независимая газета, 1992, N 241, 15 декабря) | 821 | 272 | 3 | 26 | 16 | 16 | 20 | 31 | 39 | 40 | 28 | 25 | 18 | 10 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 2 | 3 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 3 |
| "Жизнь": Н.В.Гоголь, Ф.В.Булгарин и свят. Григорий Богослов. Заключение | 1334 | 272 | 2 | 29 | 28 | 15 | 24 | 32 | 37 | 40 | 20 | 21 | 14 | 10 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 2 | 1 | 0 | 1 | 3 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 3 | 5 | 0 | 0 | 0 | 0 | 2 |
| В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). 7 | 870 | 272 | 8 | 23 | 18 | 17 | 20 | 35 | 53 | 28 | 18 | 28 | 13 | 11 | 0 | 1 | 0 | 1 | 2 | 2 | 2 | 2 | 2 | 1 | 1 | 4 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 3 | 1 | 2 |
| Итого | За последние 12 месяцев | May | Apr | Mar | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | |
| "Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: К.П.Масальский, А.Шардин. X V | 999 | 271 | 3 | 30 | 21 | 15 | 29 | 32 | 30 | 32 | 17 | 27 | 16 | 19 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 3 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 |
| В.Н.Турбин. Танго из-под палки. Пьеса Славомира Мрожека в постановке Александра Вилькина (Комсомольская правда, 1989, N 189, 17 августа) | 271 | 271 | 3 | 24 | 22 | 16 | 23 | 23 | 23 | 34 | 29 | 28 | 46 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 1 | 0 | 2 | 1 | 2 |
| К вопросу о литературных взаимоотношениях Баратынского и М.А.Бестужева-Рюмина (4) | 643 | 271 | 5 | 22 | 18 | 11 | 31 | 32 | 46 | 32 | 23 | 30 | 12 | 9 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 5 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 3 |
| В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). I I I. 4 | 996 | 271 | 2 | 25 | 21 | 10 | 21 | 48 | 44 | 30 | 19 | 29 | 17 | 5 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 4 | 1 |
| "Незадолго до Водолея..." (опыт комментария-воспоминания). 5 | 1408 | 271 | 4 | 30 | 17 | 12 | 26 | 38 | 38 | 30 | 18 | 30 | 15 | 13 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 4 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 2 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 4 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 3 |
| О истинном величии человека. Спб., 1813 | 1531 | 271 | 4 | 23 | 20 | 16 | 19 | 33 | 37 | 38 | 25 | 28 | 19 | 9 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 3 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 3 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 1 |
| Театр Леонида Андреева. Глава третья | 1426 | 271 | 5 | 17 | 26 | 18 | 28 | 36 | 30 | 33 | 19 | 34 | 15 | 10 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 4 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 2 | 2 | 1 | 0 | 1 | 0 | 1 |
| "Бэтман", "Черный плащ" и другие: мотивы отечественной и зарубежной фантастики в повести А.Ф.Писемского "M-r Батманов" (1852). 3 | 526 | 270 | 4 | 20 | 17 | 15 | 44 | 44 | 33 | 26 | 27 | 19 | 11 | 10 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 |
| Об участи Батюшкова. I I | 1232 | 270 | 5 | 26 | 14 | 12 | 27 | 44 | 32 | 32 | 23 | 30 | 13 | 12 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 2 | 0 | 0 | 1 | 1 | 2 | 2 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 2 | 1 |
| Ф.Н.Глинка. Картины: Пароход. Плаванье днем. Черты освещения и праздника. Ночь в каюте и утро на пароходе (Северная Пчела, 1825, N 91, 30 июля) | 269 | 269 | 2 | 30 | 22 | 16 | 21 | 30 | 38 | 44 | 25 | 41 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 3 | 4 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 |
| Русский исторический роман начала Х Х века (М.Н.Волконский). 2 | 936 | 269 | 2 | 22 | 19 | 14 | 15 | 37 | 40 | 31 | 19 | 36 | 26 | 8 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 3 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 5 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 |
| "Около эколо": к вопросу о художественной топографии в произведениях Пушкина | 714 | 269 | 6 | 52 | 17 | 13 | 23 | 28 | 28 | 30 | 21 | 24 | 16 | 11 | 0 | 1 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 7 | 24 | 3 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 3 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 |
| "Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: А.Шардин, К.П.Масальский. X V I | 899 | 269 | 2 | 26 | 17 | 11 | 28 | 47 | 33 | 35 | 23 | 26 | 9 | 12 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 4 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 |
| В.Н.Турбин. Во сне и наяву: Повесть Ф.М.Достоевского "Дядюшкин сон" на телевизионном экране (Советская Россия, 1981, 29 ноября, N 276) | 513 | 268 | 1 | 27 | 20 | 21 | 21 | 42 | 33 | 40 | 16 | 23 | 16 | 8 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 3 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 2 |
| Повесть Н.В.Данилевского "Адрианопольский мир" и поэма Е.А.Баратынского "Наложница" (фрагменты) | 1381 | 268 | 6 | 16 | 20 | 16 | 20 | 35 | 33 | 45 | 23 | 25 | 14 | 15 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 2 |
| В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). I I I. 2 | 886 | 266 | 9 | 26 | 16 | 8 | 19 | 37 | 36 | 30 | 21 | 28 | 27 | 9 | 0 | 1 | 0 | 2 | 1 | 3 | 2 | 2 | 2 | 1 | 1 | 4 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 2 |
| Об участи Батюшкова. X - X I | 1294 | 266 | 3 | 31 | 18 | 18 | 24 | 42 | 33 | 32 | 15 | 29 | 13 | 8 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 2 | 2 | 2 | 2 | 4 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 3 | 2 |
| "Незадолго до Водолея..." (опыт комментария-воспоминания). 2 | 1256 | 266 | 10 | 32 | 17 | 16 | 21 | 28 | 37 | 33 | 20 | 27 | 14 | 11 | 0 | 1 | 2 | 1 | 3 | 2 | 1 | 5 | 2 | 2 | 0 | 3 | 0 | 1 | 0 | 1 | 1 | 3 | 2 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 2 |
| "Стихотворения Р.А.Кудашевой". Часть третья | 1361 | 266 | 7 | 26 | 18 | 12 | 23 | 24 | 38 | 30 | 30 | 30 | 16 | 12 | 0 | 2 | 0 | 0 | 0 | 2 | 3 | 1 | 2 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 |
| "Сочинение Телешевского". Часть вторая. Глава X I I I | 1142 | 266 | 4 | 18 | 24 | 11 | 23 | 39 | 42 | 41 | 20 | 25 | 10 | 9 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 3 | 1 | 0 | 3 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 4 | 1 | 0 | 0 | 0 | 0 | 3 |
| Итого | За последние 12 месяцев | May | Apr | Mar | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | |
| "Сочинение Телешевского". Часть вторая. Глава I | 1268 | 266 | 4 | 27 | 18 | 10 | 15 | 47 | 42 | 34 | 22 | 26 | 11 | 10 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 2 | 4 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 3 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 |
| Театр Леонида Андреева. Глава вторая | 1333 | 265 | 6 | 30 | 18 | 20 | 21 | 35 | 33 | 34 | 21 | 23 | 13 | 11 | 0 | 0 | 1 | 0 | 0 | 2 | 3 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 3 | 2 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 2 | 3 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 3 |
| В.Н.Турбин. Дни на дне (Литературная газета, 1990, N 31, 1 августа, "Критик В.Турбин размышляет о современных фильмах и спектаклях") | 729 | 265 | 2 | 27 | 16 | 8 | 27 | 41 | 29 | 33 | 28 | 27 | 12 | 15 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 3 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 2 | 4 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 1 | 1 | 0 | 0 | 0 | 2 |
| О литературном контексте первых публикаций произведений Пушкина "Пир во время чумы" и "На перевод Илиады". 3 | 1330 | 265 | 5 | 23 | 19 | 10 | 22 | 30 | 37 | 40 | 22 | 26 | 18 | 13 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 4 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 2 | 0 | 1 |
| "Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 9 | 872 | 265 | 3 | 34 | 16 | 13 | 23 | 32 | 35 | 37 | 23 | 30 | 10 | 9 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 3 | 2 | 2 | 2 | 3 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 4 |
| "Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 14 | 783 | 265 | 7 | 21 | 21 | 11 | 35 | 34 | 35 | 36 | 16 | 29 | 6 | 14 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 2 | 4 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 |
| Белинский начинается... К вопросу о литературном дебюте В.Г.Белинского в 1834 году (1) | 1259 | 264 | 3 | 20 | 19 | 16 | 20 | 36 | 38 | 40 | 30 | 22 | 11 | 9 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 4 | 2 | 1 | 1 | 0 | 0 | 2 |
| "Всегда и в пурпуре, и в злате...": об историко-литературном подтексте повести И.И.Панаева "Кошелек" (1838). 1 | 534 | 264 | 6 | 26 | 24 | 14 | 20 | 31 | 36 | 33 | 19 | 28 | 15 | 12 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 3 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 2 |
| В.Н.Турбин. Спасите наши лица! (Литературная газета, 1990, N 42, 17 октября) | 726 | 264 | 6 | 23 | 19 | 9 | 13 | 42 | 38 | 41 | 24 | 26 | 12 | 11 | 0 | 0 | 1 | 0 | 0 | 3 | 2 | 0 | 2 | 2 | 1 | 3 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 4 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 2 |
| "Сочинение Телешевского". Часть вторая. Главы X - X I I | 1189 | 264 | 3 | 27 | 14 | 12 | 30 | 33 | 33 | 31 | 30 | 26 | 14 | 11 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 3 | 2 | 1 | 1 | 1 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 |
| У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 8 | 645 | 264 | 8 | 28 | 22 | 14 | 21 | 46 | 39 | 23 | 15 | 29 | 9 | 10 | 0 | 2 | 2 | 1 | 1 | 0 | 2 | 2 | 2 | 2 | 1 | 3 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 2 | 4 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 3 | 1 |
| "Осколки разбитого вдребезги": Повесть Н.И.Бобылева "Купидонов лук" и ее место в литературном процессе 1830-х годов. Часть четвертая | 453 | 263 | 7 | 19 | 24 | 17 | 24 | 35 | 40 | 30 | 15 | 28 | 7 | 17 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 3 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 2 |
| В.Н.Турбин. К нам едет "Ревизор" (Современная драматургия, 1982, N 2) | 482 | 263 | 5 | 27 | 13 | 17 | 25 | 29 | 36 | 34 | 23 | 23 | 13 | 18 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 2 | 4 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 |
| П.А.Плетнев. Миних. (Элегия.) | 1418 | 263 | 4 | 18 | 18 | 12 | 21 | 33 | 36 | 37 | 28 | 35 | 14 | 7 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 3 |
| "Осколки разбитого вдребезги": Повесть Н.И.Бобылева "Купидонов лук" и ее место в литературном процессе 1830-х годов. Часть третья | 450 | 262 | 6 | 28 | 28 | 21 | 22 | 38 | 31 | 30 | 15 | 19 | 16 | 8 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 4 | 1 | 0 | 2 | 0 | 9 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 2 | 1 | 1 | 0 | 1 | 3 |
| У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 6 | 671 | 262 | 7 | 19 | 17 | 14 | 18 | 42 | 43 | 33 | 19 | 21 | 17 | 12 | 0 | 2 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 2 |
| Манифест русского феминизма: драма А.Ф.Писемского "Просвещенное время" (Мир Писемского. Статья четвертая). 5 | 830 | 262 | 3 | 19 | 23 | 11 | 22 | 41 | 34 | 41 | 19 | 24 | 13 | 12 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 4 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 4 |
| "Четвертое измерение": образ релятивистской действительности в романе А.Ф.Писемского "Боярщина". 4 | 552 | 262 | 7 | 29 | 20 | 13 | 23 | 48 | 34 | 28 | 17 | 24 | 8 | 11 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 1 | 5 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 1 | 0 | 2 | 0 | 0 | 5 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 3 |
| "Бледный огонь": заметки о стихотворениях Н.С.Гумилева и О.Э.Мандельштама. 6 | 1344 | 261 | 6 | 33 | 21 | 9 | 22 | 27 | 31 | 37 | 19 | 29 | 13 | 14 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 2 | 3 | 1 | 0 | 4 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 4 | 0 | 2 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 4 | 2 | 0 | 0 | 0 | 1 | 0 | 0 |
| Об участи Батюшкова. I | 1352 | 261 | 5 | 26 | 20 | 17 | 17 | 28 | 36 | 37 | 23 | 26 | 18 | 8 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 3 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 2 | 0 | 0 | 1 | 0 | 2 | 1 |
| Итого | За последние 12 месяцев | May | Apr | Mar | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | |
| Ещё о книге И.И.Лажечникова "Походные записки русского офицера" | 1618 | 261 | 7 | 20 | 15 | 12 | 25 | 46 | 31 | 27 | 23 | 25 | 18 | 12 | 0 | 0 | 2 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 |
| "Бледный огонь": заметки о стихотворениях Н.С.Гумилева и О.Э.Мандельштама. 4 | 1331 | 261 | 2 | 27 | 21 | 15 | 19 | 33 | 26 | 38 | 17 | 28 | 18 | 17 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 3 | 1 | 1 | 1 | 0 | 2 | 2 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 |
| "В усах и кивере два грозных часовых..." (из материалов для комментария к стихотворению Пушкина "Мирская власть") | 1407 | 261 | 6 | 24 | 16 | 11 | 22 | 33 | 38 | 36 | 23 | 32 | 16 | 4 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 3 | 2 | 0 | 0 | 2 | 2 | 3 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 2 |
| Мяч. Повесть. ("Благонамеренный", 1826, часть 33, N 1) | 960 | 260 | 3 | 23 | 17 | 12 | 31 | 32 | 33 | 36 | 23 | 22 | 14 | 14 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 3 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 2 |
| Тайна "Красного Перца" (заметки на полях книги о Булгакове-журналисте) | 1491 | 260 | 4 | 23 | 19 | 12 | 18 | 30 | 32 | 36 | 19 | 33 | 19 | 15 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 4 | 0 | 0 | 0 | 0 | 1 | 3 |
| В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). I I I. 5 | 905 | 260 | 7 | 25 | 23 | 9 | 15 | 36 | 40 | 32 | 26 | 32 | 9 | 6 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 2 | 2 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 3 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 4 |
| В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). 6 | 872 | 260 | 5 | 31 | 21 | 10 | 25 | 32 | 36 | 33 | 15 | 28 | 16 | 8 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 2 | 3 | 3 | 3 | 3 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 3 | 1 |
| В.Н.Турбин. Наш Пушкин (Советская культура, 1982, N 45, 4 июня) | 501 | 259 | 4 | 23 | 22 | 17 | 21 | 37 | 36 | 35 | 17 | 25 | 12 | 10 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 2 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 4 | 0 | 2 |
| Кто есть кто: проблема авторства в пьесе А.Ф.Писемского "Ваал" (Мир Писемского. Статья шестая). 2 | 651 | 259 | 6 | 26 | 19 | 12 | 21 | 46 | 33 | 31 | 21 | 23 | 12 | 9 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 3 | 0 | 2 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 4 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 4 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 |
| No X I I I. Сочинение Телешевского. М., 1833 | 1055 | 259 | 3 | 26 | 20 | 10 | 22 | 33 | 43 | 26 | 27 | 25 | 14 | 10 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 4 | 1 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 2 | 1 | 3 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 2 |
| "Пушкинское" стихотворение Ф.Н.Глинки (3) | 259 | 259 | 5 | 34 | 25 | 20 | 25 | 31 | 33 | 86 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 2 | 2 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 3 | 2 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 2 | 3 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 3 | 1 | 1 | 0 | 1 | 1 |
| О ближайшем литературном контексте публикаций А.С.Пушкина в журнале "Телескоп" в 1831 году. Часть 1 | 945 | 258 | 4 | 18 | 24 | 14 | 22 | 39 | 30 | 29 | 28 | 29 | 12 | 9 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 6 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 2 |
| О ближайшем литературном контексте публикаций А.С.Пушкина в журнале "Телескоп" в 1831 году. Часть 2 | 965 | 257 | 3 | 24 | 23 | 14 | 16 | 33 | 33 | 34 | 27 | 22 | 13 | 15 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 3 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 4 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 1 | 0 | 1 | 1 | 3 |
| К вопросу о литературных взаимоотношениях Баратынского и М.А.Бестужева-Рюмина (1) | 621 | 257 | 2 | 24 | 21 | 14 | 24 | 37 | 31 | 39 | 27 | 24 | 7 | 7 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 3 | 2 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 2 |
| Баратынский и Батюшков (переход от Батюшкова к Баратынскому) 6 | 632 | 256 | 3 | 29 | 14 | 11 | 22 | 29 | 42 | 40 | 20 | 28 | 12 | 6 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 3 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 3 | 2 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 |
| "Всегда и в пурпуре, и в злате...": об историко-литературном подтексте повести И.И.Панаева "Кошелек" (1838). 6 | 600 | 256 | 5 | 21 | 19 | 11 | 23 | 35 | 35 | 37 | 29 | 23 | 9 | 9 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 1 | 3 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 3 |
| К вопросу о литературных взаимоотношениях Баратынского и М.А.Бестужева-Рюмина (6) | 661 | 256 | 4 | 22 | 16 | 8 | 24 | 35 | 35 | 35 | 23 | 30 | 13 | 11 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 1 |
| Пушкин и Плетнев (к изучению их литературных взаимоотношений). 2 | 1154 | 255 | 2 | 36 | 18 | 13 | 21 | 40 | 30 | 29 | 16 | 30 | 9 | 11 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 4 | 0 | 1 | 2 | 2 | 2 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 3 | 0 | 2 | 1 | 0 | 1 | 1 | 2 | 4 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 2 | 0 | 0 | 2 |
| "Четвертое измерение": образ релятивистской действительности в романе А.Ф.Писемского "Боярщина". 1 | 554 | 254 | 5 | 24 | 16 | 10 | 22 | 39 | 35 | 33 | 20 | 25 | 12 | 13 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 3 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 |
| "Всегда и в пурпуре, и в злате...": об историко-литературном подтексте повести И.И.Панаева "Кошелек" (1838). 3 | 476 | 253 | 5 | 21 | 26 | 14 | 24 | 25 | 41 | 26 | 30 | 25 | 8 | 8 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 1 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 3 |
| Итого | За последние 12 месяцев | May | Apr | Mar | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | |
| "Осколки разбитого вдребезги": Повесть Н.И.Бобылева "Купидонов лук" и ее место в литературном процессе 1830-х годов. Часть первая | 479 | 253 | 7 | 21 | 22 | 10 | 19 | 32 | 43 | 38 | 17 | 21 | 11 | 12 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 4 | 2 | 0 | 2 | 0 | 2 | 1 |
| Об участи Батюшкова. V I I I - I X | 1232 | 253 | 4 | 33 | 13 | 11 | 26 | 34 | 33 | 34 | 20 | 20 | 16 | 9 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 3 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 3 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 2 | 2 | 2 |
| Писатель и сочинитель: Еще к вопросу о рефлексах публикаций из журнала "Корабль" в творчестве Б.А.Пильняка | 1290 | 253 | 6 | 23 | 16 | 13 | 25 | 32 | 36 | 38 | 16 | 24 | 15 | 9 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 1 | 1 | 1 |
| Кто есть кто: проблема авторства в пьесе А.Ф.Писемского "Ваал" (Мир Писемского. Статья шестая). 3 | 685 | 252 | 9 | 23 | 15 | 11 | 23 | 36 | 31 | 31 | 20 | 29 | 11 | 13 | 0 | 1 | 2 | 0 | 1 | 0 | 5 | 2 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 4 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 |
| "Жители маленьких городков" (Предвосхищение мотивов повести Пушкина "Гробовщик" в военных мемуарах И.И.Лажечникова и А.Ф.Раевского) | 1645 | 251 | 6 | 22 | 14 | 13 | 13 | 34 | 40 | 31 | 24 | 28 | 15 | 11 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 4 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 2 |
| В.Н.Турбин. Товарищ время и товарищ искусство. М., Искусство, 1961. Содержание | 584 | 251 | 7 | 33 | 24 | 8 | 15 | 30 | 30 | 34 | 18 | 27 | 10 | 15 | 0 | 2 | 2 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 3 | 3 | 2 | 0 | 0 | 0 | 3 | 6 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 2 |
| Кто есть кто: проблема авторства в пьесе А.Ф.Писемского "Ваал" (Мир Писемского. Статья шестая). 7 | 624 | 251 | 8 | 19 | 26 | 14 | 26 | 29 | 35 | 24 | 23 | 25 | 17 | 5 | 0 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 4 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 3 |
| В.Н.Турбин. Размышления и разборы: Опыт обзора театроведческой литературы (Современная драматургия, 1983, N 1) | 1025 | 250 | 3 | 27 | 15 | 11 | 18 | 24 | 34 | 35 | 27 | 22 | 17 | 17 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 2 | 2 | 2 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 3 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 |
| О ближайшем литературном контексте публикаций А.С.Пушкина в журнале "Телескоп" в 1831 году. Часть 4 | 963 | 250 | 5 | 20 | 21 | 11 | 13 | 41 | 33 | 39 | 24 | 26 | 11 | 6 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 3 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 1 |
| "Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 12 | 649 | 250 | 5 | 29 | 18 | 13 | 17 | 34 | 27 | 35 | 32 | 22 | 10 | 8 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 3 | 2 | 1 | 2 | 3 | 0 | 0 | 3 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 5 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 |
| "Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: А.Шардин. X V I I | 846 | 250 | 1 | 31 | 23 | 15 | 19 | 29 | 31 | 36 | 16 | 29 | 10 | 10 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 4 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 3 |
| "Четвертое измерение": образ релятивистской действительности в романе А.Ф.Писемского "Боярщина". 3 | 502 | 250 | 4 | 19 | 20 | 11 | 23 | 39 | 30 | 38 | 21 | 27 | 10 | 8 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 |
| У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 5 | 556 | 250 | 5 | 21 | 19 | 15 | 18 | 36 | 36 | 28 | 15 | 32 | 12 | 13 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 2 |
| В.Н.Турбин. У врат тайны: По поводу телесериала "Монстр" (Литературная газета, 1992, N 50, 9 декабря) | 735 | 249 | 7 | 25 | 21 | 9 | 17 | 39 | 28 | 36 | 20 | 26 | 11 | 10 | 0 | 0 | 2 | 0 | 0 | 1 | 4 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 3 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 4 | 0 | 0 | 0 | 0 | 2 | 2 |
| "Кулацкая астрономия" (из заметок о Булгакове-журналисте) | 1496 | 249 | 6 | 33 | 23 | 8 | 24 | 26 | 33 | 28 | 15 | 26 | 19 | 8 | 0 | 2 | 1 | 0 | 0 | 1 | 2 | 3 | 1 | 0 | 2 | 3 | 1 | 1 | 2 | 2 | 3 | 1 | 0 | 2 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 4 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 2 | 1 | 0 | 0 | 2 | 2 |
| О стихотворении Г.Р.Державина "На возвращение графа Зубова из Персии" (2) | 1238 | 249 | 5 | 23 | 18 | 10 | 28 | 29 | 33 | 27 | 26 | 24 | 14 | 12 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 2 |
| "Четвертое измерение": образ релятивистской действительности в романе А.Ф.Писемского "Боярщина". 8 | 500 | 248 | 3 | 21 | 22 | 14 | 25 | 36 | 36 | 27 | 18 | 27 | 9 | 10 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 3 |
| "Четвертое измерение": образ релятивистской действительности в романе А.Ф.Писемского "Боярщина". 6 | 509 | 248 | 5 | 21 | 22 | 13 | 23 | 31 | 30 | 31 | 29 | 24 | 7 | 12 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 2 |
| О ближайшем литературном контексте публикаций А.С.Пушкина в журнале "Телескоп" в 1831 году. Часть 3 | 887 | 248 | 5 | 27 | 15 | 13 | 20 | 40 | 32 | 27 | 15 | 29 | 12 | 13 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 3 | 0 | 1 | 2 | 3 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 2 |
| "Сочинение Телешевского". Часть третья. Глава X V I I (окончание) | 1118 | 248 | 2 | 27 | 17 | 11 | 16 | 32 | 43 | 34 | 21 | 26 | 11 | 8 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 4 | 1 | 1 | 3 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 3 |
| Итого | За последние 12 месяцев | May | Apr | Mar | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | |
| В.Н.Турбин. Музы работают (Из книги: Товарищ время и товарищ искусство. М., Искусство, 1961) | 605 | 247 | 5 | 24 | 23 | 17 | 24 | 24 | 38 | 27 | 13 | 30 | 14 | 8 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 3 | 2 | 1 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 2 |
| В.Н.Турбин. Доедет ли колесо до Казани? Субъективные заметки о грандиозном замысле - создании "Истории русской литературы Х Х века" (Независимая газета, 1991, N 61, 25 мая) | 247 | 247 | 8 | 21 | 15 | 11 | 12 | 27 | 38 | 29 | 26 | 23 | 37 | 0 | 0 | 1 | 0 | 4 | 0 | 1 | 2 | 0 | 4 | 1 | 0 | 2 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 5 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 |
| Лев Аннинский. "Колдобины..." (Дружба народов, 1999, N 1) | 500 | 247 | 4 | 13 | 20 | 16 | 18 | 38 | 34 | 42 | 17 | 22 | 12 | 11 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 3 |
| В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). I I. 3 | 797 | 246 | 4 | 21 | 22 | 10 | 19 | 28 | 49 | 27 | 23 | 24 | 12 | 7 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 3 | 1 | 1 | 4 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 5 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 3 | 2 |
| В.Н.Турбин. М.М.Бахтин: Буэнос-Айрес - Кемерово (Литературная Россия, 1989, N 18, 5 мая) | 245 | 245 | 2 | 23 | 17 | 10 | 16 | 23 | 28 | 31 | 26 | 25 | 44 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 4 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 4 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 2 |
| В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). 5 | 845 | 245 | 4 | 21 | 17 | 9 | 28 | 43 | 34 | 27 | 15 | 29 | 14 | 4 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 3 | 1 | 2 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 2 | 3 |
| "Четвертое измерение": образ релятивистской действительности в романе А.Ф.Писемского "Боярщина". 5 | 493 | 245 | 7 | 17 | 18 | 12 | 19 | 38 | 29 | 31 | 31 | 20 | 10 | 13 | 0 | 0 | 1 | 2 | 1 | 0 | 3 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 2 |
| У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 12 | 611 | 245 | 4 | 27 | 30 | 13 | 12 | 28 | 31 | 31 | 24 | 24 | 11 | 10 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 4 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 4 | 0 | 0 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 5 |
| "Всегда и в пурпуре, и в злате...": об историко-литературном подтексте повести И.И.Панаева "Кошелек" (1838). 7 | 475 | 245 | 6 | 25 | 19 | 13 | 19 | 40 | 29 | 34 | 16 | 27 | 7 | 10 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 1 | 3 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 4 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 3 |
| "Сочинение Телешевского". Часть вторая. Глава X V I (продолжение) | 1131 | 244 | 3 | 22 | 23 | 13 | 21 | 27 | 37 | 32 | 24 | 26 | 8 | 8 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 2 |
| В.Н.Турбин. Бывают странные сближения (Послесловие к книге: Волгин И.Л. Последний год Достоевского: Исторические записки. М., 1990). 1 | 689 | 244 | 4 | 25 | 23 | 13 | 19 | 27 | 27 | 32 | 22 | 24 | 13 | 15 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 3 | 0 | 2 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 5 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 4 |
| В.Н.Турбин. "Арзамас" в кинематографе, или Несколько слов об именинах Мафусаила (Искусство кино, 1988, N 6) | 774 | 244 | 3 | 29 | 19 | 10 | 20 | 30 | 32 | 34 | 15 | 23 | 14 | 15 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 2 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 3 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 1 |
| В.Н.Турбин. Мафусаил перед выбором: Еще раз о фильме "День ангела" (ж-л "Экран" / Рига /, 1989, N 8) | 674 | 244 | 4 | 28 | 15 | 20 | 16 | 30 | 26 | 30 | 30 | 23 | 12 | 10 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 2 | 2 | 2 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 4 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 2 |
| На изнанке булгаковской прозы (дополнение к предыдущему) | 1277 | 244 | 7 | 24 | 20 | 12 | 18 | 32 | 35 | 22 | 25 | 26 | 13 | 10 | 0 | 2 | 0 | 3 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 3 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 2 |
| "Вы струсили". Кн. Голицын. Из журнала: Библиотека для Чтения, 1834, ч.3, N 2 (5). Отд. "Русская словесность" | 1275 | 244 | 9 | 24 | 18 | 11 | 21 | 31 | 29 | 29 | 15 | 35 | 14 | 8 | 0 | 3 | 0 | 2 | 2 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 4 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 |
| В.Н.Турбин. Два гостя из Парижа (Современная драматургия, 1988, N 6) | 448 | 243 | 2 | 21 | 18 | 13 | 22 | 34 | 36 | 37 | 16 | 25 | 7 | 12 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 3 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 4 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 1 |
| К вопросу о литературных взаимоотношениях Баратынского и М.А.Бестужева-Рюмина (7) | 609 | 243 | 2 | 25 | 16 | 11 | 18 | 32 | 39 | 32 | 21 | 29 | 10 | 8 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 3 | 0 | 1 | 0 | 2 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 2 |
| В.Н.Турбин. Не для обнюхивания, а для изобретения (Из книги: Товарищ время и товарищ искусство. М., Искусство, 1961) | 519 | 242 | 4 | 35 | 13 | 14 | 12 | 21 | 27 | 32 | 26 | 26 | 21 | 11 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 2 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 4 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 1 |
| В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). I I. 2 | 827 | 242 | 3 | 24 | 17 | 13 | 24 | 33 | 35 | 33 | 18 | 20 | 14 | 8 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 3 | 1 | 2 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 5 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 |
| Катаев и... Китай | 1353 | 241 | 4 | 20 | 17 | 15 | 23 | 33 | 31 | 25 | 22 | 27 | 11 | 13 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 2 |
| Итого | За последние 12 месяцев | May | Apr | Mar | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | |
| "Всегда и в пурпуре, и в злате...": об историко-литературном подтексте повести И.И.Панаева "Кошелек" (1838). 4 | 458 | 241 | 3 | 18 | 23 | 12 | 20 | 41 | 35 | 23 | 25 | 22 | 10 | 9 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 3 |
| В.Н.Турбин. Русский лад. Очерки Василия Белова о народной эстетике (Советская Россия, 1981, 14 июня, N 136) | 492 | 240 | 2 | 25 | 14 | 12 | 15 | 28 | 25 | 45 | 24 | 24 | 15 | 11 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 0 | 2 | 0 | 1 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 |
| "Осколки разбитого вдребезги": Повесть Н.И.Бобылева "Купидонов лук" и ее место в литературном процессе 1830-х годов. Часть вторая | 384 | 239 | 6 | 24 | 14 | 12 | 13 | 31 | 40 | 31 | 24 | 22 | 11 | 11 | 0 | 0 | 3 | 0 | 1 | 0 | 2 | 2 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 3 | 2 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 |
| В.Н.Турбин. Сегодня на экране: Размышления в фойе кинотеатра (Из книги: Товарищ время и товарищ искусство. М., Искусство, 1961) | 590 | 239 | 3 | 30 | 17 | 13 | 22 | 25 | 28 | 33 | 18 | 30 | 8 | 12 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 3 | 3 | 2 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 2 |
| В.Н.Турбин. Несколько слов в защиту само собой разумеющегося (Из книги: Товарищ время и товарищ искусство. М., Искусство, 1961) | 532 | 239 | 5 | 28 | 15 | 11 | 21 | 30 | 40 | 26 | 23 | 19 | 13 | 8 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 3 | 2 | 1 | 4 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 1 |
| В.Н.Турбин. А если об антропологии стиля? (Взгляд: Сборник. Критика. Полемика. Публикации. Вып. 3. М., 1991) | 497 | 238 | 3 | 30 | 22 | 12 | 18 | 19 | 31 | 28 | 16 | 21 | 18 | 20 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 2 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 3 |
| В.Н.Турбин. Бывают странные сближения (Послесловие к книге: Волгин И.Л. Последний год Достоевского: Исторические записки. М., 1990). 2 | 721 | 236 | 4 | 21 | 22 | 16 | 15 | 22 | 27 | 35 | 23 | 30 | 9 | 12 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 2 | 0 | 2 | 1 | 2 |
| "Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 12 | 767 | 236 | 6 | 23 | 20 | 8 | 18 | 36 | 35 | 29 | 22 | 23 | 7 | 9 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 3 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 |
| В.Н.Турбин. И все формы, как формулы, непреложно верны (Из книги: Товарищ время и товарищ искусство. М., Искусство, 1961) | 536 | 235 | 4 | 33 | 14 | 10 | 18 | 25 | 32 | 34 | 22 | 26 | 8 | 9 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 2 | 2 | 2 | 1 | 2 | 0 | 0 | 3 | 2 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 |
| У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 14 | 620 | 235 | 6 | 25 | 13 | 16 | 16 | 30 | 36 | 23 | 24 | 24 | 11 | 11 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 2 | 4 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 |
| В.Н.Турбин. Распятие Йозефа К.: Кафка на сцене театра Станиславского (Литературная газета, 1991, N 3, 23 января) | 708 | 235 | 4 | 20 | 19 | 13 | 20 | 24 | 27 | 30 | 20 | 28 | 16 | 14 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 3 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 2 | 1 | 1 | 2 |
| "Четвертое измерение": образ релятивистской действительности в романе А.Ф.Писемского "Боярщина". 9 | 485 | 235 | 4 | 22 | 22 | 14 | 18 | 31 | 26 | 30 | 23 | 27 | 8 | 10 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 3 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 1 |
| В.Н.Турбин. Когда ломают игрушки... (Из книги: Товарищ время и товарищ искусство. М., Искусство, 1961) | 503 | 235 | 4 | 30 | 19 | 13 | 17 | 25 | 31 | 34 | 16 | 26 | 12 | 8 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 3 | 2 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 1 |
| В.Н.Турбин. Трибуна и амвон (Из книги: Товарищ время и товарищ искусство. М., Искусство, 1961) | 510 | 235 | 5 | 31 | 21 | 18 | 9 | 26 | 30 | 29 | 21 | 22 | 13 | 10 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 5 | 2 | 3 | 4 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 1 |
| В.Н.Турбин. У нашего микрофона творчество (Из книги: Товарищ время и товарищ искусство. М., Искусство, 1961) | 511 | 232 | 5 | 30 | 15 | 15 | 10 | 28 | 33 | 37 | 20 | 20 | 12 | 7 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 4 | 2 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 |
| В.Н.Турбин. [ Тревоги, надежда, работа. Пушкиноведы отвечают на вопросы "Л О"] (Литературное обозрение, 1989, N 7) | 232 | 232 | 5 | 24 | 16 | 11 | 26 | 23 | 22 | 32 | 22 | 23 | 28 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 4 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 |
| Театр Леонида Андреева. Глава четвертая | 1393 | 232 | 7 | 17 | 14 | 8 | 19 | 33 | 29 | 35 | 24 | 26 | 10 | 10 | 0 | 1 | 1 | 2 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 0 | 2 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 |
| В.Н.Турбин. Голод и боль Михаила Бахтина (Литературная газета, 1994, N 24, 15 июня. Публикация О.В.Турбиной) | 684 | 232 | 3 | 23 | 21 | 9 | 19 | 38 | 25 | 30 | 17 | 31 | 10 | 6 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 4 | 1 | 2 |
| В.Н.Турбин. Заметки на полях прочитанных пьес (Современная драматургия, 1984, N 1) | 452 | 232 | 4 | 23 | 18 | 12 | 20 | 29 | 26 | 23 | 15 | 26 | 24 | 12 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 3 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 2 |
| "Пушкинское" стихотворение Ф.Н.Глинки (4) | 231 | 231 | 6 | 33 | 13 | 11 | 20 | 26 | 56 | 66 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 3 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 |
| Итого | За последние 12 месяцев | May | Apr | Mar | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | |
| "Четвертое измерение": образ релятивистской действительности в романе А.Ф.Писемского "Боярщина". 2 | 478 | 231 | 7 | 17 | 23 | 8 | 17 | 29 | 35 | 28 | 23 | 21 | 13 | 10 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 2 |
| В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). I I I. 7 | 803 | 231 | 5 | 21 | 18 | 10 | 18 | 31 | 31 | 29 | 26 | 20 | 11 | 11 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 2 | 2 | 0 | 2 | 3 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 2 |
| В.Н.Турбин. [ Об А.И.Солженицыне ] (Литературная газеета, 1991, N 28; под общим заголовком "Год Солженицына") | 426 | 230 | 5 | 24 | 9 | 11 | 17 | 41 | 30 | 32 | 19 | 25 | 6 | 11 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 |
| В.Н.Турбин. Шестидесятники: блеск и нищета (Искусство кино, 1992, N 4) | 991 | 230 | 4 | 26 | 16 | 10 | 16 | 31 | 29 | 33 | 20 | 24 | 11 | 10 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 2 | 1 | 2 | 3 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 2 |
| В.Н.Турбин. Босфор, Евфрат и Москва-река (Новый мир, 1988, N 12) | 449 | 229 | 4 | 23 | 12 | 15 | 16 | 33 | 27 | 37 | 22 | 17 | 13 | 10 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 2 | 3 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 |
| В.Н.Турбин. Электроды и электричество (Из книги: Товарищ время и товарищ искусство. М., Искусство, 1961) | 523 | 228 | 5 | 26 | 16 | 14 | 11 | 26 | 39 | 25 | 17 | 28 | 12 | 9 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 3 | 2 | 1 | 4 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 |
| В.Н.Турбин. ...А тайна опять и опять в поэтике сокрыта (Советская культура, 1987, N 18, 10 февраля) | 943 | 227 | 1 | 25 | 16 | 8 | 12 | 35 | 33 | 28 | 21 | 22 | 16 | 10 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 3 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 2 |
| В.Н.Турбин. У страха глаза велики (Учительская газета, 1987, N 14, 3 февраля, рубрика "Наш современник - Пушкин") | 665 | 227 | 5 | 28 | 14 | 7 | 9 | 26 | 29 | 32 | 19 | 35 | 11 | 12 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 2 | 2 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 2 | 0 | 0 | 2 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 |
| В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). I I I. 6 | 790 | 226 | 4 | 22 | 16 | 11 | 17 | 33 | 30 | 28 | 29 | 18 | 14 | 4 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 2 | 1 | 2 | 3 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 4 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 |
| Повесть Н.В.Данилевского "Адрианопольский мир" (1829) и ее роль в творчестве Пушкина и Баратынского. Часть 3 | 1298 | 226 | 5 | 22 | 19 | 9 | 15 | 25 | 26 | 32 | 22 | 29 | 14 | 8 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 2 |
| В.Н.Турбин. Политика, власть, безумие (Экран, 1991, N 17; о фильме К.Шахназарова "Цареубийца") | 587 | 225 | 4 | 24 | 11 | 10 | 18 | 26 | 30 | 25 | 21 | 25 | 15 | 16 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 3 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 |
| "Четвертое измерение": образ релятивистской действительности в романе А.Ф.Писемского "Боярщина". 7 | 438 | 225 | 4 | 20 | 27 | 13 | 15 | 25 | 35 | 28 | 11 | 22 | 9 | 16 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 2 | 1 | 1 | 2 |
| Баратынский и Батюшков (переход от Батюшкова к Баратынскому) 7 | 556 | 224 | 2 | 22 | 17 | 11 | 20 | 29 | 28 | 36 | 15 | 24 | 9 | 11 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 |
| В.Н.Турбин. Литературоведение? Зачем? (Литературная газета, 1993, N 9, 3 марта) | 673 | 224 | 5 | 26 | 13 | 12 | 9 | 20 | 30 | 33 | 19 | 25 | 19 | 13 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 3 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 4 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 |
| Мяч. Повесть. ("Благонамеренный", 1826, часть 33, N 2) | 891 | 223 | 2 | 27 | 17 | 13 | 16 | 28 | 31 | 29 | 18 | 20 | 15 | 7 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 3 | 1 | 1 | 1 | 0 | 0 | 3 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 |
| В.Н.Турбин. Юность мысли. В экспериментальном цехе истории (Из книги: Товарищ время и товарищ искусство. М., Искусство, 1961) | 490 | 223 | 3 | 22 | 19 | 10 | 14 | 25 | 35 | 25 | 18 | 33 | 9 | 10 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 4 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 |
| Информация о владельце раздела | 1293 | 223 | 3 | 23 | 11 | 8 | 9 | 15 | 40 | 41 | 23 | 31 | 13 | 6 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 |
| В.Н.Турбин. Слово - все, реальность - ничто? (Социум, 1991, N 9) | 502 | 220 | 3 | 29 | 18 | 10 | 13 | 24 | 31 | 28 | 12 | 28 | 12 | 12 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 2 | 3 | 3 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 3 |
| В.Н.Турбин. И боль, и надежды (Литературная Россия, 1989, N 2, 13 января) | 680 | 220 | 6 | 24 | 13 | 13 | 13 | 30 | 30 | 29 | 19 | 24 | 10 | 9 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 4 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 3 | 0 | 1 |
| В.Н.Турбин. Догадки модернизма (Новое время, 1989, N 1, 1 января) | 504 | 219 | 4 | 29 | 19 | 10 | 16 | 24 | 22 | 29 | 19 | 27 | 9 | 11 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 1 | 2 | 2 | 3 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 4 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 2 | 2 |
| Итого | За последние 12 месяцев | May | Apr | Mar | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | |
| В.Н.Турбин. Освобождаясь от иллюзий (Советская культура, 1989, N 109, 12 сентября) | 880 | 218 | 3 | 24 | 14 | 10 | 17 | 25 | 29 | 30 | 18 | 27 | 11 | 10 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 4 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 |
| В.Н.Турбин. Духовное в привычном (Советская Россия, 1980, 12 июня, N 134) | 413 | 216 | 4 | 21 | 17 | 11 | 20 | 27 | 29 | 34 | 14 | 25 | 9 | 5 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 4 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 |
| В.Н.Турбин. Одиночество: Современная французская новелла. Сост. Т.Ворсанова. Пред. Н.Ржевской. М., Прогресс, 1981 (Иностранная литература, 1983, N 4) | 375 | 213 | 5 | 30 | 11 | 8 | 9 | 24 | 26 | 37 | 20 | 21 | 10 | 12 | 0 | 2 | 0 | 0 | 0 | 0 | 3 | 0 | 2 | 0 | 1 | 4 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 2 |
| В.Н.Турбин. Catarina Secunda охотится (Советский экран, 1991, N 8) | 853 | 212 | 3 | 20 | 16 | 10 | 14 | 27 | 27 | 32 | 19 | 22 | 12 | 10 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 3 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 2 |
| В.Н.Турбин. Постижение правды: "Дорога" в Театре на Малой Бронной и "Братья Карамазовы" в Театре имени Моссовета (Советская Россия, 1980, N 104, 6 мая) | 388 | 209 | 3 | 25 | 13 | 8 | 14 | 25 | 33 | 26 | 15 | 23 | 11 | 13 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 3 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 4 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 |
| "Пушкинское" стихотворение Ф.Н.Глинки (5) | 209 | 209 | 4 | 32 | 25 | 21 | 28 | 32 | 67 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 2 | 2 | 2 | 2 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 3 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 4 | 0 | 1 | 0 | 0 | 2 |
| В.Н.Турбин. Эмиграция в М А С С Р (Диалог. Карнавал. Хронотоп: Журнал научных разысканий о биографии, теоретическом наследии и эпохе М.М.Бахтина, 1997, N 4 /21/. Публикация О.В.Турбиной) | 209 | 209 | 4 | 28 | 16 | 14 | 35 | 31 | 81 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 2 | 1 | 3 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 3 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 |
| В.Н.Турбин. Окурки - паровозы - ракеты (Из книги: Товарищ время и товарищ искусство. М., Искусство, 1961) | 464 | 208 | 4 | 25 | 15 | 9 | 8 | 27 | 33 | 31 | 15 | 24 | 11 | 6 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 4 | 2 | 2 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 1 |
| В.Н.Турбин. Великий русский писатель: К семидесятипятилетию со дня смерти Ф.М.Достоевского (Красная звезда, 1956, N 33, 9 февраля) | 208 | 208 | 3 | 27 | 10 | 9 | 8 | 26 | 25 | 29 | 24 | 47 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 2 | 1 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 |
| В.Н.Турбин. Несколько слов об Эрнсте Неизвестном (Красноярский комсомолец, 1967, N 19, 12 февраля, воскресенье; рубрика "Гости "Вечернего Красноярска", "Комментирует В.Турбин"; страница "Вечерний Красноярск") | 353 | 204 | 8 | 27 | 14 | 7 | 11 | 25 | 30 | 21 | 15 | 23 | 11 | 12 | 0 | 1 | 0 | 1 | 2 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 4 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 2 | 3 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 |
| Опыт классификации повествовательных форм в поэме А.С.Пушкина "Руслан и Людмила". Глава I I. Заключение | 183 | 183 | 7 | 28 | 19 | 12 | 22 | 73 | 22 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 2 | 1 | 2 | 1 | 1 | 4 | 2 | 1 | 0 | 1 | 3 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 4 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 |
| В.Н.Турбин. Тайна или секрет? (Новый мир, 1974, N 1) | 167 | 167 | 5 | 23 | 13 | 11 | 17 | 25 | 73 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 0 | 1 | 0 | 3 | 0 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 |
| "Пикник на обочине": проблемы литературной преемственности в романе И.И.Панаева "Львы в провинции" (1852). 1 | 91 | 91 | 9 | 23 | 59 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 4 | 1 | 3 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 3 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 2 | 4 | 1 | 1 | 4 | 2 | 1 | 4 | 3 | 4 | 6 | 12 |
| В.Н.Турбин. Алик Деткин пишет роман (Дружба народов, 1969, N 8) | 80 | 80 | 7 | 30 | 43 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 2 | 0 | 3 | 1 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 2 | 4 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 3 | 0 | 0 | 2 | 1 | 0 | 2 | 4 | 2 | 6 | 1 | 3 | 2 | 5 | 12 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| В.Н.Турбин. Мир, открытый заново: Заметки о фильме "Тени забытых предков" (Комсомольская правда, 1964, N 304, 27 декабря) | 78 | 78 | 4 | 31 | 43 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 3 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 2 | 1 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 3 | 2 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 3 | 4 | 2 | 5 | 6 | 2 | 3 | 1 | 1 | 6 | 10 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| "Пикник на обочине": проблемы литературной преемственности в романе И.И.Панаева "Львы в провинции" (1852). 2 | 76 | 76 | 8 | 26 | 42 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 3 | 1 | 2 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 3 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 3 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 1 | 2 | 3 | 0 | 5 | 1 | 2 | 1 | 4 | 3 | 14 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| "Кочующий деспóт": Пушкин и Х X век | 52 | 52 | 6 | 46 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 5 | 0 | 1 | 5 | 3 | 0 | 1 | 8 | 4 | 7 | 10 | 8 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| В.Н.Турбин. Селедка с вареньем... или рассуждение о том, почему Ирина Д. получила тройку на вступительном экзамене (Комсомольская правда, 1970, N 46, 25 февраля; "Эврика": Всесоюзная студенческая газета в "Комсомольской правде", N 3 /54/; рубрика "Дискуссионный клуб "Эврики") | 37 | 37 | 37 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 8 | 3 | 3 | 8 | 15 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| "Пикник на обочине": проблемы литературной преемственности в романе И.И.Панаева "Львы в провинции" (1852). 3 | 36 | 36 | 21 | 15 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 3 | 2 | 2 | 9 | 15 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |